Abraham

Abraham — marelibri

ben Jacob, Abraham (illus); Isaac ben Judah Abarbanel (commentary by)ABAA

Seder Haggadah Shel Pesah ke-Minhag Ashkenaz u-Sefarad Passover Haggadah According to the Ashkenazi and Sephardi Traditions THE AMSTERDAM HAGGADAH

1695réf. 55262Amsterdam: Be-veit ha-meshutafim Asher Anshil ben Eliezer ve-Yisakhar Ber ben Avraham Eliezer/ Moses Wiesel 1695. First edition. Hardcover. fair. Small folio 29 by 18.5 cm. Collation: aleph-vav4 zayin2 = 26 numbered leaves. Additional engraved title page engraved folding map at rear; main title with woodcut vignette; 14 half-page engraved illustrations in the text. Contemporary quarter calf over dark brown pastepaper boards skilfully rebacked. Images of Moses and Aaron at engraved title excised the seven small engraved vignettes along with letterpress text of engraved title and imprint mounted on old paper. Old marginal repairs at main title resulting in slight loss of initial letters along right margin and several leaves; slight strictly marginal worming and occasional tears. Stained throughout sometimes heavily though not impairing legibility. Map mounted to reinforce tears with virtually no loss of text or engraved imagery apart from printed border at right side. A fair copy at best; despite all defects the half-page engraved illustrations have survived intact with minimal staining. Housed in new maroon buckram slipcase. First edition of this gorgeously illustrated work now referred to simply as the Amsterdam Haggadah. The first such work to be illustrated with copperplate engravings it ranks among the most imitated of the Jewish manuals for the Passover seder. The popularity of these illustrations can be attested by the huge number of reprint editions over the centuries. Fourteen finely printed half-page engravings appear throughout the text. Some of these images illustrate the traditional content of the Passover seder or the Exodus story while others reference other biblical tales. Images include: the Rabbis of Bene Brak discussing the Passover story the four sons Abraham smashing the idols of his father Abraham welcoming the three angels Moses slaying the Egyptian overseer the rescuing Moses from the river Moses and Aaron coming to Pharaoh w/ staves turning to snakes the ten plagues the Egyptian army drowning in the Red Sea the Exodus the receiving of the Ten Commandments at Mt. Sinai the eating of the Pascal Lamb King David composing his psalms and finally an exterior view of the Jewish Temple with the cityscape of Jerusalem in the background. All images are captioned with relevant passages in Hebrew. The engravings were all created by Abraham ben Jacob a German convert to Judaism who had moved to Amsterdam although some sources over the years misattributed them to financier Moses Wiesel 6 of which were adaptations and/or modifications of previous images by Swiss artist Matthäus Merian 1593-1650 from his original work "Icones Biblicae" 1625-30. In addition to the in text engravings there is famously fold-out engraved biblical map of the Holy Land in a notable format. Measuring a total of 19.5 by 11.5" the map shows the land of Israel the Wilderness of Sinai and Egypt in landscape orientation looking eastward towards the top of the map. It traces the journey of the Israelites starting with the Exodus from Egypt through the Sinai and into the Land of Israel. The map is detailed showing the areas of the twelve tribes important locations and cities as well as geographic features including the Red Sea Mount Sinai the Dead Sea the Sea of Galilee and many others. Additional illustrations appear near the bottom along with a legend. This beautiful work also by Abraham ben Jacob is considered among the earliest if not the first map of its kind to be printed within a Hebrew publication. It is now known to have been heavily based on the previously printed 1620 map in Hebrew by Jacob ben Abraham Zaddiq and Abraham Goos 1590 - ca. 1643 which itself was based on the map of 1590 by Christian Kruik van Adrichom Adrichem printed in Latin. Text throughout is printed in Hebrew with smaller text in Rashi script underneath containing famous commentary on the Passover Haggadah by acclaimed Portuguese Rabbi and scholar Isaac ben Judah Abarbanel 1437-1508. The verso of the title page contains the order of the Passover seder with brief instructions in both Ladino Judeo-Spanish and Yiddish Judeo-German a nod to the subtitle which references both the Ashkenazi and Sephardi traditions. Provenance and annotations: Full page of text appx. 1500 words in neat Hebrew cursive at front endleaf which discusses aspects of the Haggadah text; inscription in German at front endleaf by Isidor Adler who mentions his friend Hermann Mechlenburg dated March 1906; old annotations throughout in at least two hands. In one notable instance the Hebrew phrase l'shana ha-ba'ah be-hamburg next year in Hamburg! has been added in fine block characters above the traditional phrase l'shana ha-ba'ah bi-yerushalayim next year in Jerusalem. Hebrew title: סדר הגדה של פסח כמנהג ××©×›× ×– וספרד Alternate transliterations: Seder Hagadah shel Pesah Seder Hagadah sel Pesah References: Friedberg 278 Fuks HTN II 521; Yudlov Haggadah 93; Vinograd Amsterdam 627; Ya'ari no. 59; Laor 876 Map; Nebenzahl pp.138-1389 Map; Yerushalmi plate 59-62; Rosenau "Vision of the Temple" p.135 146-7. Be-veit ha-meshutafim [Asher Anshil ben Eliezer ve-Yisakhar Ber ben Avraham Eliezer]/ Moses Wiesel hardcover books

Eric Chaim Kline - Bookseller · États-Unis6 500,00 $US≈ 5 807,20 €

Sale, Charles "Chic" (and Abraham Lincoln)ABAA

Signed ephemera related to the 1935 M-G-M short dramatic film THE PERFECT TRIBUTE incl. text of the Gettysburg Address

1936réf. 28415n.p.: no publisher indicated. 1936. Ephemera. Near Fine. minor handling wear tiny puncture near bottom of left margin equally tiny stain in top margin. two B&W photographic portraits A curious and uncommon piece of Hollywood ephemera a suitable-for framing assemblage with three elements: the text of Lincoln's Gettysburg Address mounted together with two photographs of Charles "Chic" Sale -- one as he appeared in full makeup as Abraham Lincoln in the short dramatic film THE PERFECT TRIBUTE adapted from the short story by Mary Raymond Shipman Andrews directed by Edward Sloman and produced and released by Metro-Goldwyn-Mayer in August 1935; the other a smaller portrait of Sale sans makeup. The photos are both tipped onto the underlying backing a piece of plain white stock measuring 9" x 12.5"; onto this is mounted a slightly smaller piece of better-quality paper with cameo cut-outs for both the photos leaving a narrow margin on all sides. At the lower left corner of the piece is an INSCRIPTION that reads: "For / My friend / Charles King / Sincerely / Charles 'Chic' Sale / Aug. 17 1936." My surmise is that this was something Sale put together as a self-promotional item touting his atypical dramatic turn as Honest Abe a former vaudevillian at this stage of his life he was primarily engaged in playing "old man" character parts in the movies even though he was only in his early 50s rather than anything issued or authorized by M-G-M. If it had been the latter it almost certainly would bear the studio's logo; plus the date of the inscription is a full year after the release date of the film. Maybe Sale was trying to promote himself into a better class of character parts -- but if so alas it was too little too late: less than three months after he inscribed this particular copy he caught pneumonia and died. If you're interested by the way THE PERFECT TRIBUTE can be viewed on YouTube. In a weird confluence one of the actors with a small uncredited role in the film is the man who would soon become Hollywood's next go-to "old man" character actor: Walter Brennan. Contributor . Signed by Contributor . (no publisher indicated) unknown books

ReadInk · États-Unis75,00 $US≈ 67,01 €

Ortelius, AbrahamABAA

TERRA SANCTA

1598réf. 13293451598. A map of the Holy Land by Abraham Ortelius dated 1598 first issued in 1584 as a part of Theatrum Orbit Terrarium. In Very Good condition with age toning and a central crease. Matted but not framed. w 26.5 in. x h 22 in. Shelved at Rockville PS 1101 #25. Based on material collected by the Dutch Astronomer Peter Laicksteen who travelled to the Holy Land in 1556. Christian Sgrooten here written "Schrot" royal geographer to King Phillip II of Spain produced a nine-sheet map of Palestine in 1570 from Laikstain's information. This map was condensed into the present form by Abraham Ortelius. Ortelius the creator of the first modern atlas collected and edited maps from all over Europe for his book. Many of the original mapmakers rose to fame solely through Ortelius's decision to include their maps in his atlas. Laicksteen took thorough and accurate notes and the original Laicksteen and Sgrooten map contained improvements over earlier maps. For instance the River Kishon is here shown as flowing from the mountains near the Sea of Galilee not as was previously thought from the Sea of Galilee itself. However the Levantine coastline Sgrooten and Ortelius depicted is hardly recognizable to modern eyes. The map is replete with fanciful bays and peninsulas though some of the most recognizable features of the coastline such as the outcrops of land at Haifa and Beirut are absent. Ortelius had originally used another map of the Holy Land by cartographer Tilleman Stella in the early editions of the Theatrum Orbis Terrarum. It covered a far more extensive territory including part of Egypt and Syria. Oddly the coastline in this first map was much more accurate than in the Sgrooten map. Laicksteen and Sgrooten's original map included a small inset with an extended geography. However their mapping of the Dead Sea and surrounding areas was so controversial that Ortelius chose to leave out this region completely. The strange anecdote written in the Dead Sea is Ortelius's own addition. It describes how the Dead Sea was once a fertile valley but was transformed by an act of God into a barren sea to punish the wickedness of Sodom and Gomorrah. In the bottom left hand corner is a hand colored illustration of the story of Jonah. Above the luscious cartouche Ortelius has added three miniatures featuring the Crucifixion the Nativity and the Resurrection of Christ. The French text on the verso a long-winded description with little relevance to the map was changed to a more "reader-friendly" version shortly after the publication of this edition. 525 copies were made of this edition of Ortelius's map. 1329345. Special Collections - Upstairs. unknown books

Second Story Books, ABAA · États-Unis1 200,00 $US≈ 1 072,10 €