Bosse, Abraham (1604-1676)Biblio.com
22 556 résultats
réf. 51-6927Paris: Chez P. Aubouin P. Emery et C. Clousier Paris 1688. Folio. 26.5 x 38cm. Contemporary calf covers with new goatskin spine and endpapers by the artisan binder Sasha Mosalov. Part I: 44 leaves title page ttrmmed at bottom; Part II: 11 leaves; Part III: 23 leaves.OCLC Number / Unique Identifier:861558893 microfiche; Fowler Architectural collection pp. 46-53; Brunet I 1127; BAL/RIBA 341 337 340; Berlin Kat. 2378 2379 and 3858; Cicognara 444-446; .3 parties en un vol. in-folio veau du temps dos à nerfs orné. Frontispice titre gravé XLIV ff. de planches et de texte ; titre-frontispice de la 2e partie ff. A à G compris puis ff. S T V soit 10 ff. de texte et planches ; titre de la 3e partie avec encadrement 2 ff. de texte 20 ff. de planches. petites mouillures taches et rousseurs à certains ff. Première et troisième partie complètes. Deuxième partie incomplète : manque la planche sur double page et 10 ff. gravés. Rare nouvelle édition des trois principaux ouvrages théoriques d'architecture d'Abraham Bosse entièrement dessinés et gravés en taille-douce par lui-même. .3 parts in one vol. in-folio contemporary calf decorated ribbed spine. Frontispiece engraved title XLIV ff. of plates and text; title-frontispiece of the 2nd part ff. A to G inclusive then ff. S T V i.e. 10 ff. of text and plates; title of the 3rd part with frame 2 ff. of text 20 ff. of plates. Small water stains stains and foxing on some ff. First and third parts complete. Second part incomplete: missing the double-page plate and 10 engraved ff. Rare new edition of the three main theoretical works on architecture by Abraham Bosse entirely drawn and engraved in intaglio by himself. Paris: Chez P. Aubouin, P. Emery et C. Clousier, Paris, 1688 unknown
1665réf. 102684Paris chez l'auteur 1665. 8vo. Engraved frontispiece titlepage xiv 140 pp engraved title plus 69 plates numbered 1 - 67 plates 6 & 7 present twice; plate 67 is double-page. Modern full calf pastiche binding spine with five raised bands and red titleshield. Some copies have overlays on plate 50 some don't ours has no overlays. paper slightly browned. Abraham Bosse 1604-1676 famous for his etchings was also the first teacher of perspective at the Academy Royale de Peinture et de Sculpture that was founded in 1648. Bosse a mathematician and geometrician was extremely interested in the work of Girard Desargues and published several works on perspective. The present work was published in 1665. He wanted it to be the definite text on the subject that he taught but he was expelled from the Academy for lack of flexibility before its publication. Most of the 47 pages of the introduction deal with the principal errors that painters can make if they are not aware of the rules of perspective. The 67 plates and their explications deal with the necessary knowledge to apply perspective correctly. And these echo the lessons Bosse gave to his students at the Academy. He also deals with perspective in architecture. chez l'auteur
1801réf. 3776First Portuguese Translation of Bosse's Engraving Manual BOSSE Abraham. Tratado da Gravura a agua forte e a buril e em maneira negra com o modo de construir as prensas modernas e de imprimir em talho doce. Nova ediçao traduzida do francez. por José Joaquim Viegas Menezes. Lisbon Arco do Cego 1801. Tall 8vo 208 x 152 mm engraved title pp. x ix 1 189 1 errata with 21 engraved plates; plates printed on slightly darker stock; a wide-margined clean copy in recent full calf gilt. First Portuguese translation of Bosse's classic introduction to copperplate etching and engraving Traité des manières de graver en taille douce. This Portuguese translation by José Joaquim Viegas Menezes is clearly taken from the Jombert edition and reproduces the same plates though newly engraved with subtle adaptations; an extensive introduction precedes the text. Bosse's treatise the first manual of copperplate etching and engraving and the printing of intaglio plates was first published in French in 1645. It was aimed both at the professional engraver and at the amateur and is extensively illustrated with detailed engravings based on Bosse's own designs. A second edition of 1701 had contained revisions by LeClerc the third of 1745 those of the engraver Cochin. The Jombert edition added two new plates by Louis-Marin Bonnet the inventor of the Crayon manner of colour printing and a separate chapter on this method of colour printing. In addition to a wealth of technical information the work includes views of the engraving studio and the copperplate press. As adaptations were made to all subsequent editions the work has remained an important introduction to print-making which is of practical use to the printmaker even today. Innocencio IV 415; Moraes p. 11; see Bigmore & Wyman I 72 and Cicognara 255 for French edition; OCLC: Harvard Getty John Carter Brown Library British Library and V & A. Menezes
1642réf. 1661642. Etching and engraving. Duplessis 1386; Blum 204 only state. Image: 10 x 12 with small margins. Foxing traces of old fold in the legend.
1758réf. 135914Paris: Charles-Antoine Jombert 1758. period marbled calf binding marbled endpapers and pastedowns five raised bands all edges stained red. 8vo. period marbled calf binding marbled endpapers and pastedowns five raised bands all edges stained red. xxxii 205 3 pages. The fourth and most extensive edition expanded from the original edition of 1645 by the noted engraved Cochin. Cicognara 255. Bigmore / W. 72. Cohen / R. 177. When issued in 1645 the work was "notable for its completeness for the time of its production and for its plates which have been reproduced by most subsequent writers on the art." This edition has additions by Jombert and Cochin of Bosse's classic work. With an engraved frontispiece and 21 foldout plates. The first page of the dedicatory Epistle entirely engraved in intaglio is taken from the original 1643 edition. Very light shelfwear to the edges and hinges. Spine rubbed lacking the leather spine label with title. Some very light dampstaining in the margins. Textblock split between pages 146 and 147. A good copy of this very scarce work. Charles-Antoine Jombert unknown books
réf. 6726Engraved frontis.; eight engraved vignettes and head- & tailpieces 19 finely engraved plates most folding & some engravings in the text. 18 p.l. 254 36 pp. of index & errata. Thick 8vo 160 x 105 mm. late 18th-cent. marbled boards extremities a little rubbed & worn. Dresden: C. G. Nitzsche 1765. An important German edition of Bosse’s Traité des manières de graver en Taille douce 1st ed. in French: 1645 considerably augmented for the German audience. This work was translated and published by Carl Gottlieb Nitzsche from the 1745 Cochin edition. The Cochin edition was the first to promote etching with hard etching-ground vernis dur instead of the soft etching-ground vernis mol to imitate line engraving. It also featured long sections on Le Blon’s color printing and the refining of mezzotint illustration. In the present book we find four illustrations of the rolling press which Cochin had updated to account for several design upgrades. There are also several diagrams and cross-sections of printing presses. This book is richly illustrated with plates and vignettes executed by Carl Gottfried Nestler 1730-80 that depict various techniques equipment and the interiors of print shops. Nestler reworked the engraved title-page from the 1645 first edition for this book’s frontispiece. A very good copy internally fresh. Unidentified engraved bookplates with the initials “G. F.” on front and rear paste-downs. ⧠Benezit Dictionary of Artists Vol. 10 p. 258 Nestler. unknown books
1636réf. 2226Le Blond 1636. Etching. A good impression on paper without a watermark. Trimmed just showing the platemark all around. 259mm x 324mm. G.D. 1080 Blum 154 only state Paris/Tours 2004 No. 128 Le Blond, books
1750réf. 167Etching and engraving. D.1385 Blum 203. Image: 10 x 12½. Margins: 10½ x 14. books
1642réf. 1661642. Etching and engraving. Duplessis 1386; Blum 204 only state. Image: 10 x 12 with small margins. Foxing traces of old fold in the legend. books
1745réf. D18955Paris: Charles-Antoine Jombert 1745. Hardcover. Good. 8vo 195 x 120 mm. Engraved frontispiece and dedication page 19 folding engraved plates engraved headers in text. Contemporary mottled calf spine gilt with 6 raised bands. Upper joint and hinge cracked cover loose chipping and rubbing to corners minor spotting. Third edition of Bosse's fundamental manual on engraving originally published in 1645. The text of this edition was expanded and edited by Charles-Nicolas Cochin. Cohen-de Ricci 177. The plates themselves are in very good condition. Charles-Antoine Jombert hardcover books
1635réf. 1413892c.1635. Image measures 13 in. x 10.25 in. Matted in frame measuring 23.2 in. x 19.25 in. Shelved at Rockville second floor. From a series of seven engravings titled "Les Metiers" 1413892. Special Collections - Upstairs. unknown books
1970réf. 300157Orange CT: Hot Lead 1970. Magazine. Two issues 16p. each 8.5x10.75 inches articles poetry fiction politics art reviews & interviews local ads center spread detached but present on issue #2 rusty staples light wear magazines in stapled pictorial wraps. Material from New Haven area students. A report on the new version of Paul Sills' "Story Theatre" at Yale Rep with a full back page ad. Interview with filmmaker Abraham Polansky. Woody Morse decides that "Butch Cassidy and the Sundance Kid" is a failure. Who is Woody Morse again No holdings located in OCLC as of 3/2023. Hot Lead unknown books
réf. mon0003743158Oxford University Press 3/26/2018 12:00:01 A. hardcover. Very Good. 1.2992 9.5276 6.4961. Oxford University Press hardcover
réf. 30582948like new. unknown
réf. 30582948-nnew. unknown
1998réf. USD_9780817640521Birk 1998. 1st. Hardcover. Used - Like New/Used - Like New. _ Birk hardcover
1998réf. DBS-9780817640521Birk 1998. 1st. Hardcover. New. Birk hardcover
1998réf. DBS-9780817640521Birk 1998. 1st. Hardcover. New. Birk hardcover
1998réf. AME_9780817640521Birk 1998. 1st. Hardcover. New/New. Birk hardcover
réf. ria9780471769873_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
2005réf. x-0471769878Wiley-Interscience 2005. Paperback. New. 2revised ed edition. 464 pages. 8.75x5.75x0.75 inches. Wiley-Interscience paperback
1983réf. 130335New York: Wiley 1983. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket.; 9.3 X 6.3 X 1.1 inches; 464 pages. Wiley hardcover
réf. 1395013Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1818. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1712526Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1818. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1712525Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1818. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
