27.519 risultati
rif. 1038689Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1667. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1038687Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1667. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1038690Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1667. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1038688Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1667. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1982rif. 506734Israel Academy of Sciences and Humanities 1982. Paperback. FINE. 119pp. Sewn binding in printed wraps. Spine a bit toned text tanned as expected very clean and sharp otherwise. Scarce in trade. 'Galen's commentary on Hippocrates' 'peri aeron udaton topon' has not been found in the original Greek or in the translation made from Greek into Syriac by Hunain ibn Ishq but is extant in an Arabic translation made by Hubaysh al-A'sam ninth century a Hebrew translation made from the Arabic in 1299 by Solomon ha-Me'ati and finally a Latin translation of the Hebrew text made by Moses Amram Alatino 1529-1605. Only the last text which is four removes from the original Greek has been available in print; it can be found in the ninth Juntine edition of Galen's works. Wasserstein provides a critical edition of the Hebrew text which exists in only one manuscript Oxford Bodleian Library Opp. Add. 18 fol. He furnishes the Hebrew text with a literal English translation and writes an extensive commentary which is conveniently placed below the text. This commentary is above all philological: the Hebrew which is often barely intelligible because of its closeness to the Arabic is explained. For the lemmata from Hippocrates the original Greek the two Arabic versions the 'younger' Latin translation and the Hebrew translation of Nathan ha-Me'ati father of Solomon are brought into use; for Galen's commentary W. unfortunately makes little use of the recently discovered Arabic version Cairo Tal'at tibb 550 but he refers to Alatino's Latin translation which at least is a witness to another Hebrew manuscript. Sometimes citations of and parallels to the text of Galen's commentary in later medical writers provide guidance for interpreting the text. Amongst these writers are Erotianus and Oribasius amongst the Greeks 'All ibn Rabbn al-Tabari 'Ali ibn Ridwăn and 'Abd al-Latif al-Baghdädi in Arabic and Moses ibn Ezra and Maimonides in Hebrew. W. collects the Arabic and Hebrew citations of and references to the work in an appendix. In spite of these aids there are still many passages in the Hebrew which remain difficult to understand. W. is scrupulous in pointing out the words which make no sense to him and adds several new words especially transliterations of Arabic terms to the standard dictionaries of the Hebrew language. Commentary on the medical content is not extensive and is usually restricted to the citation of passages on the same topics in other Greek medical works. W. appears to have the Classicist especially in mind in writing this work. He quotes extensively from Greek writings without providing translations. Until the Arabic text of Galen's commentary on Hippocrates 'peri aeron udaton topon' is published W.'s edition is the nearest we will be able to come to the original Greek text. Occasionally the Hebrew translation gives a term 'used by the Christians' alongside the Arabic term for a phenomenon sec pp. 29 and 83 but otherwise there is no evidence that the translator has been other than faithful to his source. W. takes pains to uncover the original Greek terminology wherever possible. He identifies citations from Hesiod's Erga and Homer's Iliad in Galen's commentary pp. 81 and 85. A reference in the text to a writer on meteorology called 'Nicodemus' has not been identified and the name might have been given in error for Theophrastus. W. concludes his edition with notes on the ha-Me'ati family and their translations a substantial bibliography an index of names and subjects and indexes of Hebrew and Greek terms and names. The edition is presented clearly and the Hebrew Greek and Roman typefaces the Arabic is in transliteration are pleasant to read. C.S.F. Burnett review in The Classical Review. Israel Academy of Sciences and Humanities paperback
1982rif. 505808Israel Academy of Sciences and Humanities 1982. Paperback. VERY GOOD. Proceedings of the Israel Academy of Sciences and Humanities VI 3. 119pp. Wrappers toned around the extremities paper tanned entirely clean and sharp otherwise. 'Galen's commentary on Hippocrates' epi dépur iáwv Towv has not been found in the original Greek or in the translation made from Greek into Syriac by Hunain ibn Ishäq but is extant in an Arabic translation made by Hubaysh al-A'sam ninth century a Hebrew translation made from the Arabic in 1299 by Solomon ha-Me'ati and finally a Latin translation of the Hebrew text made by Moses Amram Alatino 1529-1605. Only the last text which is four removes from the original Greek has been available in print; it can be found in the ninth Juntine edition of Galen's works. Wasserstein provides a critical edition of the Hebrew text which exists in only one manuscript Oxford Bodleian Library Opp. Add. 18 fol. He furnishes the Hebrew text with a literal English translation and writes an extensive commentary which is conveniently placed below the text.' C. S. F. Burnett in 'The Classical Review.' Out of print and scarce. Israel Academy of Sciences and Humanities paperback
rif. 2363099Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1603. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2363097Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1603. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2363098Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1603. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2363100Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1603. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. MD16Quarto bifolium ca. 25.5 x 19 cm or 10 x 7 ½ in. Blue ink on creamy wove paper. 1 ½ pp. Addressed and stamped on verso of second leaf. Fold marks tearing and losses along fold marks second leaf with minor hole after opening not affecting text otherwise a good letter. An early and interesting letter written by Ohio merchant Abraham B. Galinger to his friend “Caiptain Suspane Smal” in “Caipe Cod.” In Ohio Galinger sold “merchandise in partnership” with his brother. He later moved to Iowa where he opened a pharmaceutical business “Galinger & Snodgrass.” By 1860 he lived in California working as a lumber dealer and later miner. In this letter Galinger writes that business is good yet they still intend to move it to New York or Philadelphia within the next few months. He also mentions that he had some “calicoes” likely calico textile stolen from him but later recovered both them and forty dollars. Overall an interesting and early letter connecting Ohio to Cape Cod. Text of the letter: “I take the liberty to write to you to inform you that I enjoy good health at this present time and hope that these few lines may find you and your wife and family enjoying the sam sic great blessing. I am now in Somerset Perry County selling Merchandise in Partnership with my Brother we have done good business here yet with all this we intent sic to close our business here by the first of April next when we expect to remove to New York or Philadelphia wher sic we will again commence business. Wher sic I will be happy to see you and your family if you should visit the city at any time. If your son Suspin is at home if you would be so kind as to tell him I was very sory sic that I did not have an opportunity of seeing him again befor sic I left Cape Cod. I should be happy to receive from him a letter. Newes sic I have none except that I had som sic calicoes stolen from me but fortunately I recovered the Goods and forty dollars in the bagain sic. In all my journeying I have found no place I prefered sic to Cape Cod. “My best respect to you also to your wife and family Caiptain sic S. Smal “Give my best respect to your son in Law and wife and his daughter Henriette tell her that I have not forgotten the promise that I made her and if an opportunity presents itself I will perform what I promised. If you please on the reception of this write to me concerning your health and family. My address is Abraham Galinger Somerset Perry County Ohio” unknown
rif. 1018393986.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 2260503Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1684. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 9346Antwerp: 1570-1580. No binding. Very Good. 300 x 220 mm. in recent wash colour in good condition. A nice example of Ortelius' map of southern France with north to the right. It extends from Oranges in the north to Narbonne in the west and Marseille in the east. This map was introduced to the Ortelius atlas in the first edition of 1570. This example is from the 1580 German text issue. According to Van den Broecke Charles de l'Ecluse 1510-63 was asked by Ortelius to produce a map of the region which turned out to be not particularly accurate. in 1595 'Adam la Planche wrote Ortelius Hessels letter 279 that he had obtained from Pierre Pithou a manuscript map of Ile de France attributed to Francois de la Guillotiere'. Meurer p. 128; Van den Broecke M. 48a. 1570-[1580} unknown
rif. 1806Europe: Antverpiæ"/Antwerp. "ex Officiana Plantiana" . Plantijn Christoffel. 1595. Copper engraved map of Ancient France from "The Parergon "of Ortelius' "Theatrum Orbis Terrarum" 1595 edition; black & white. Latin text to verso. Ortelius paid particular reference to the description of Strabo. Good dark impression. Abraham Ortelius 1527-1598 Flemish Cartographer . produced the first modern Atlas "Theatrum Orbis Terrarum" in 1570. printed by Aegidus Coppen Diest. There were numerous editions thereafter with texts in various languages; the printing of such was taken over by Chrstoffel Plantijn in 1579 . Ortelius himself drew all the maps in manuscript before passing them to the printers. there is conjecture that he may have engraved some of the plates as well The 1595 Latin text edition is the most complete produced during his lifetime containing all the maps of the 1593 edition plus those of the the"Additamentum" and the"Pareragon" or Ancient geography. The " Additamenta" were supplements to the original Atlas; at the same time Ortelius replaced some maps with new ones showing the same place; some plates were also reworked . Ortelius was Geographer Royal To Phillip II of Spain from 1575. He also worked closely with Braun & Hogenburg on the "Civitas Orbis Terarum". After his death the plates were purchased by Jan Baptiste Vrients in 1601 who published further editions until 1612. Van de Krogt :3; .Koeman: Ort29: F 27p; van.de. Broecke: 196 Europe France Ancient France Gallia Veteris Antverpiæ"/Antwerp. "ex Officiana Plantiana" . Plantijn Christoffel. 1595 unknown
1600rif. 1103040004Conatibus Geographicis Abrah Ortelii 1600. Map. Very Good. 17-1/4 x 22-1/2 inches. France. Black and white copperplate engraving. Decorative title cartouche in bottom left corner. Seal in top left corner contains an inscription reading "Imperator C. Iulius Caesar." The author Abraham Ortelius was a Flemish cartographer and geographer generally recognised as the creator of the first modern atlas the Theatrum Orbis Terrarum Theatre of the World. He is also believed to be the first person to imagine that the continents were joined together before drifting to their present positions. The following map is an excellent example of his attention to detail and cartographic accuracy. 2 large tears on bottom middle of print. Crease across center. Minor wear to corners. Slight age-related discoloration. Lines remain crisp and clear and lettering is easily legible. Overall a superior print in very good condition age considered. Conatibus Geographicis Abrah Ortelii unknown
1624rif. 7933Antwerp: Plantin-Moretus 1624. Copper engraving 36.5 x 46.5 cms modern hand colour a couple of unobtrusive printers creases Latin text on verso. Ancient Gaul engraved on the basis of Caesars commentaries on the Gallic Wars his first hand account of the campaign. The text on the verso explores ancient source material relating the the druids. Our example was published by Balthasar Moretus at the Plantin Press in the final edition of the Parergon. Ortelius's Theatrum Orbis Terrarum is generally considered the first modern atlas of the world originally published in 1570. Ortelius gathered and selected the best available cartographic knowledge and presented it in a single volume duly credited and finely engraved in a consistent style with explanatory text. The Theatrum was very decorative and hugely popular amongst the wealthy and educated running into over forty editions in Latin and the major European languages. For Ortelius himself however his accompanying atlas of ancient geography the Parergon was a "personal work" Koeman. He seems to have regarded himself first and foremost as an antiquary and rather than copying other people's maps he drew the originals himself; they were subsequently engraved for him by the master engraver Jan Wierix. The results have to be evaluated as the most outstanding engravings depicting the wide-spread interest in classical geography in the 16th century Koeman. Koeman Atlantes Neerlandici Ort 46. Van den Broecke 194.3 Map Plantin-Moretus unknown
rif. 1511Europe: Antwerp Joannem Bapt. Vrientium/ Vrients. 1601. Copper engraved minature map by Phillip Galle of France from" Epitome theatri Orteliani praecipuarum orbis regionum delinaetiones. . Editio ultima" Latin text to verso describing the succeeding map. . Dark impression overall toning light foxing to blank margins. The first edition of the"Epitome" in 1577 a reduced format atlas with minature maps of Abraham Ortelius's "Theatrum" is believed to have been the initiative of the engraver Phillip Galle who asked Peter Heyns to write the text. Ortelius had fled to England in 1576 having taken refuge there from Spanish oppression and may have been unaware of the plan of his two friends. The pocket atlas was a a commmercial success and was reprinted several times with Galle adding many new maps and replacing some. Jan. Baptist Vrients bought the rights and plates of the Epitome from Phillip Galle in 1601 . he published 4 editions using the Galle plates of which this is the first with Latin text. Koeman Ort58; Phillips 413; Europe France Antwerp Joannem Bapt. Vrientium/ Vrients. 1601 unknown
rif. 1808Europe: Antverpiæ"/Antwerp. "ex Officiana Plantiana" . Plantijn Christoffel. 1595. Copper engraved map of France after Ioanne Ioliveto from Ortelius' "Theatrum Orbis Terrarum" 1595 edition; black & white. Latin text to verso. Good dark impression. Abraham Ortelius 1527-1598 Flemish Cartographer . produced the first modern Atlas "Theatrum Orbis Terrarum" in 1570. printed by Aegidus Coppen Diest. There were numerous editions thereafter with texts in various languages; the printing of such was taken over by Chrstoffel Plantijn in 1579 . Ortelius himself drew all the maps in manuscript before passing them to the printers. there is conjecture that he may have engraved some of the plates as well The 1595 Latin text edition is the most complete produced during his lifetime containing all the maps of the 1593 edition plus those of the the"Additamentum" and the"Pareragon" or Ancient geography. The " Additamenta" were supplements to the original Atlas; at the same time Ortelius replaced some maps with new ones showing the same place; some plates were also reworked . Ortelius was Geographer Royal To Phillip II of Spain from 1575. He also worked closely with Braun & Hogenburg on the "Civitas Orbis Terarum". After his death the plates were purchased by Jan Baptiste Vrients in 1601 who published further editions until 1612. Van de Krogt :3; .Koeman: Ort29: 21 9; van.de. Broecke:34. Europe France Gallia Regni Antverpiæ"/Antwerp. "ex Officiana Plantiana" . Plantijn Christoffel. 1595 unknown
rif. 1815Europe: Antverpiæ"/Antwerp. "ex Officiana Plantiana" . Plantijn Christoffel. 1595. 3 copper engraved maps on 1 plate of :the southern coast of France from Narbonne to Marseille; the Savoy and Venaisssin the area of Avignon from Ortelius' "Theatrum Orbis Terrarum" 1595 edition; black & white. Latin text to verso. Good dark impression; some dampstaining to lower blank margin. Abraham Ortelius 1527-1598 Flemish Cartographer . produced the first modern Atlas "Theatrum Orbis Terrarum" in 1570. printed by Aegidus Coppen Diest. There were numerous editions thereafter with texts in various languages; the printing of such was taken over by Chrstoffel Plantijn in 1579 . Ortelius himself drew all the maps in manuscript before passing them to the printers. there is conjecture that he may have engraved some of the plates as well The 1595 Latin text edition is the most complete produced during his lifetime containing all the maps of the 1593 edition plus those of the the"Additamentum" and the"Pareragon" or Ancient geography. The " Additamenta" were supplements to the original Atlas; at the same time Ortelius replaced some maps with new ones showing the same place; some plates were also reworked . Ortelius was Geographer Royal To Phillip II of Spain from 1575. He also worked closely with Braun & Hogenburg on the "Civitas Orbis Terarum". After his death the plates were purchased by Jan Baptiste Vrients in 1601 who published further editions until 1612. Van de Krogt :3; .Koeman: Ort29: 29 108; van.de. Broecke:49abc. Europe France Narbonne Savoy Sabaudia Avignon Venaissin Venuxiensis Antverpiæ"/Antwerp. "ex Officiana Plantiana" . Plantijn Christoffel. 1595 unknown
1624rif. 8029Antwerp: Plantin-Moretus 1624. Copper engraving 39.5 x 49.5 cms modern hand colour Latin text on verso. Van den Broecke stresses the sigificance of this map of Gaul: in contrast to plate Ort 194 Gallia vetus based on Caesars commentaries this map is based on ancient geographical rather than on ancient military sources and is much more detailed. It contains the largest amount of text to be found on any map by Ortelius . testifying the importance he attached to it. It contains all elements of Ortelius as a true Renaissance scholar. Our example was published by Balthasar Moretus at the Plantin Press in the final edition of the Parergon. Ortelius's Theatrum Orbis Terrarum is generally considered the first modern atlas of the world originally published in 1570. Ortelius gathered and selected the best available cartographic knowledge and presented it in a single volume duly credited and finely engraved in a consistent style with explanatory text. The Theatrum was very decorative and hugely popular amongst the wealthy and educated running into over forty editions in Latin and the major European languages. For Ortelius himself however his accompanying atlas of ancient geography the Parergon was a "personal work" Koeman. He seems to have regarded himself first and foremost as an antiquary and rather than copying other people's maps he drew the originals himself; they were subsequently engraved for him by the master engraver Jan Wierix. The results have to be evaluated as the most outstanding engravings depicting the wide-spread interest in classical geography in the 16th century Koeman. Koeman Atlantes Neerlandici Ort 46; Van den Broecke 196.2. Map Plantin-Moretus unknown
2013rif. gameofthrones_grap2_may221st edition thus hardback with full number-line published by HarperVoyager in 2013. Bringing together issues 7-12 of the comic books into a single hardback edition. Complete with additional content. Near fine bright clean cover - some minor shelf wear to the top edges. Now in a removable protective covering. Book itself is in near fine condition with a nice tight binding HarperVoyager hardcover
2012rif. BN348878Panini Verlags GmbH 2012. 2012. Game of Thrones - Das Lied von Eis und Feuer Bd. 1 Collectors Edition Game of Thrones - Das Lied von Eis und Feuer Bd. 1 Collectors Edition Martin George R.R. Daniel Abraham und Tommy Patterson Panini Verlags GmbH unknown
1970rif. Q-0671202030Simon & Schuster 1970-02-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Simon & Schuster hardcover
rif. 0718209044.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover