44.370 risultati
1988rif. 231273BBFkft., Fischer, 1988. Orig.-Ausg., 13. - 27. Tsd. Mit Abb. 246 S. Ill. OKt. - Fischer, Bd. 4386: Die Zeit des Nationalsozialismus. - Gutes Ex. 27
1959rif. 217409BBWürzbg., Physica-Verl., 1959. Gr.-8°. Mit zahlr. graph. Darst. 8, 179 S. OLwd. - Mit zahlr. Bleistiftanmerk. a. 1 S. u. Anstreich., Klappentext m. Tesa a. Vors. mont.
1981rif. 217838Rochester NY: Visual Studies Workshop 1981. First edition. Softcover. 54 pages. Exhibition catalog for a show that ran November 20 1981 through January 17 1982. Text by Adam D. Weinberg. Includes 26 black and white images chronology bibliography and checklist. A very near fine copy in stapled wrappers and with laid in compliments card. Signed by Weinberg on the title page. Uncommon. Visual Studies Workshop unknown books
2015rif. 217836Indianapolis IN: Waltz Books 2015. First edition and first printing. Oblong hardcover. Printed in edition of only 600 copies. The first monograph of photographs by Adam Ekberg. Features an essay by Darius Himes and the text of a conversation between Ekberg and Dave Snyder. Includes numerous color images. A fine copy in blue cloth boards with color image inset into the front cover. No dust jacket as issued. Waltz Books unknown books
1972rif. 551968New York: Random House 1972. Unbound. Good. Uncorrected proof. Tall red wrappers. Good only with a chip on the spine head creasing and foxing. Random House unknown books
2002rif. 215754New York: Nan A. Talese / Doubleday 2002. First edition and first printing. Hardcover. Well received debut collection of nine stories. A clean and tight near fine copy with some pushing to the spine ends and in a near fine dust jacket. Nan A. Talese / Doubleday unknown books
2018rif. 216676Vancouver British Columbia Canada: Rennie Collection at Wing Sang 2018. First edition and first printing. Hardcover. 143 pages. Exhibition catalog for a show that ran May 30 through October 31 2015. Features an introduction by Bob Rennie and additional texts by Adam Carr and Courtney J. Martin. Includes numerous color illustrations checklist biographical information and a selected bibliography. A clean very near fine copy in cloth boards and with laid in compliments slip. No dust jacket as issued. Rennie Collection at Wing Sang unknown books
1997rif. 216921Durham NC: Center for Documentary Studies at Duke University 1997. First edition. Softcover. Spring 1997. 143 pages. Features photographs by Adam Bartos George Tice and Mark Steinmetz. Includes additional contributions by Joyce Carol Oates Stephen Longmire Jason Brown Lydia Davies and Bobbie Ann Mason. A clean near fine copy in wrappers. Center for Documentary Studies at Duke University unknown books
1990rif. 217229New York: Museum of Modern Art/ Harry N. Abrams 1990. First edition. Softcover. 460 pages. Simultaneous paperback edition of this massive monograph done for an exhibition of the same name. A wide ranging show that takes a look at modern art and it's effects on popular culture. Includes 626 illustrations with 193 of them in color. A near fine copy in wrappers with some creasing to the spine and some other minor wear. A solid copy of this terrific catalog. This is a heavy and oversized book and will require extra shipping. Museum of Modern Art/ Harry N. Abrams unknown books
1993rif. 217242Jackson MS: University Press of Mississippi 1993. First edition. Softcover. 301 pages. A wide ranging collection of interviews of Joseph Heller who is best known for his seminal novel "Catch 22." A very good copy in wrappers with some light wear. University Press of Mississippi unknown books
1786rif. 378965London: A. Strahan and T. Cadell 1786. Fourth edition. viii 499 1; vi 518 6; v iv-v 1 465 1 50pp. 3 vols. 8vo. Contemporary speckled calf red morocco lettering pieces minor wear at extremities joints cracked but cords holding. Provenance: Townley Clarkson 18th century signature and inscription. Fourth edition. viii 499 1; vi 518 6; v iv-v 1 465 1 50pp. 3 vols. 8vo. "Where the political aspects of human rights had taken two centures to explore Smith's achievement was to bring the study of economic aspects to the same point in a single work. The Wealth of Nations is not a system but as a provisional analysis it is completely convincing. The certainty of its criticism and its grasp of human nature have made it the first and greatest classic of modern economic thought" PMM. The fourth edition just the second octavo edition overall is a reprint of the important third edition with only minor variations. All lifetime editions of Wealth of Nations are desirable. "The Wealth of Nations had no rival in scope or depth when published and is still one of the few works in its field to have achieved classic status meaning simply that it has sustained yet survived repeated reading critical and adulatory long after the circumstances which prompted it have become the object of historical enquiry" ODNB. Goldsmiths' 13148; Kress B.1129; Tribe 30; Vanderblue p. 3. See Printing and the Mind of Man 221 A. Strahan and T. Cadell unknown books
2015rif. 53384n.p.: Division Leap and Hierophant 2015. First printing. Fine. Limited first edition collection reproducing all eight issues of Blake Donner's zine devoted to the spirituality of freight train graffiti with essays by Davis Greg Bennick Travis Low and Laura Hamblin. 8.5'' x 5.5''. Original black and white pictorial wrappers. Edition of 250 copies. Illustrated in black and white. Sharp clean and tight. (Division Leap and Hierophant) unknown books
1966rif. 19742New York: Simon and Schuster 1966. First American Edition. Leather bound. Fine. The first American edition of The 9th Directive signed by the author Adam Hall. Octavo 256pp. Full black morocco title stamped in gilt on the spine. Stated "First Printing" on the copyright page. Top edge gilt marbled endpapers. Signed by Adam Hall on the second free endpaper. An attractive binding possibly a presentation issue. The second novel in Hall's Quiller series following The Quiller Memorandum. The first English edition was published by Heinemann in 1966. Hall is a pseudonym of Elleston Trevor. Simon and Schuster unknown books
2005rif. 214063New York: Rizzoli 2005. First edition and first printing. Hardcover. 271 pages. Monograph on Albert Hadley. Features text by Adam Lewis. Includes numerous color illustrations. A near fine copy with a small remainder dot to the bottom edge of the pages and in a near fine dust jacket with some minor wear and a tear to the top of the front panel near the spine. Rizzoli unknown books
1817rif. 69616Philadelphia: Published by Anthony Finley. J. Maxwell Printer 1817. Full Description: SMITH Adam. The Theory of Moral Sentiments. Or an Essay Towards an Analysis of the Principles by which Men naturally judge concerning the Conduct and Character first of their Neighbours and afterwards of themselves. To Which is added A Dissertation on the Origin of Languages. First American from the Twelfth Edinburgh Edition. Philadelphia: Published by Anthony Finley. J. Maxwell Printer. 1817. First American edition stated. There was a edition printed in Boston the same year. It is believed that this Philadelphia edition came before the Boston edition. Sabin only lists the Boston edition. Kress calls this the first American and Vanderblue collection lists the Philadelphia copy first and does not have a Boston copy. Both editions are very rare. We could only find 7 copies total on Rare Book Hub the last appearing in 2007. One octavo volume 8 1/2 x 5 1/8 inches; 215x 130 mm. 2 blank vii 1 blank 598 2 publisher's ads 2 blank pp. Contemporary full marbled sheep. Spine with red leather spine label lettered in gilt. Spine ruled in gilt. Spine with repairs along hinges and head and tail. Boards a bit scuffed and corners bumped. Some washed dampstaining to preliminary leaves. Leaves foxed and toned throughout as is usual from American paper of this time. Two previous owner's bookplates to front pastedown Joel Crawford and C.P. Crawford. Title-page and final leaf with the old ink signature "J. Crawford." A few instances marginalia in the same ink as well as a few pencil underlines. Overall a very good copy. Smith's Theory of Moral Sentiments is drawn from his course of lectures while he was professor of moral philosophy at the University of Glasgow. "The work received wide acclaim and so impressed the stepfather of the young duke of Buccleuch that he invited Smith to become the duke's tutor with the promise of a pension for life.The greater part of the Theory of Moral Sentiments is an account of moral psychology.The mainstay of Smith's moral psychology is sympathy.Smith characterizes the mechanism of sympathy in this way: 'Whatever is the passion which arises from any object in the person principally concerned an analogous emotion springs up at the throught of this situation in the breast of every attentive spectator'.Smith argues that if the appearance of grief or joy for example arouses similar feelings in us it is because these feelings suggest to us the general idea of some good or evil that has befallen the person in whom we observe them" Encyclopedia of Philosophy. "The Theory of Moral Sentiments was published in April 1759 and at once brought Smith something more than local fame. It was hailed by David Hume in typical ironic manner: 'I proceed to tell you the melancholy news' he wrote from London 'that your book has been very unfortunate: for the public seem disposed to applaud it extremely'" Mossner Adam Smith: The Biographical Approach p. 12. Provenance: The bookplates on this copy are for Joel Crawford Milledgeville GA 1824 and C.P. Crawford. Joel Crawford June 15 1783 - April 5 1858 was an American politician soldier and lawyer. He served as a U.S. Congressman in the state of Georgia. Kress B.7052. The Vanderblue memorial collection of Smithiana Pg 40-41. Sabin 82314 for first edition HBS 69616. $15000. Published by Anthony Finley. J. Maxwell Printer unknown books
1991rif. 54949London: André Deutsch 1991. Very good plus in good dust jacket. Uncorrected proof of the first UK edition of this historical novel of revolutionary South America by the renowned Mexican author. 5.5" x 8". Original light blue wrappers. In original unclipped color pictorial jacket. 12 222 pages. Jacket with edgewear and moderate wear/creasing to top edge sunning to spine. Faint soiling to wrappers. Firm. André Deutsch unknown books
1990rif. 54209London: Picador 1990. First printing. Near fine in very good plus jacket. First UK edition of the celebrated Chilean author's "hauntingly beautiful novel of contemporary Chile and of the human condition" which takes place in a single day. 8.5'' x 5.25''. Original black paper boards silver-lettered spine. In original unclipped £13.95 color pictorial jacket. Light blue endpapers 8 310 pages. Jacket with light rubbing bit of edgewear. Book sharp clean. Picador unknown books
2013rif. 210645Chicago IL and New York: The Art Institute of Chicago and distributed by Yale University Press 2013. First edition and first printing. Hardcover. 112 pages. Published in conjunction an exhibition that ran February 20 through May 12 2013. Features text by Stephanie D'Alessandro and Adam Gopnik. Includes numerous illustrations and a checklist. A fine copy in a fine dust jacket. A very fresh copy. The Art Institute of Chicago and distributed by Yale University Press unknown books
1997rif. 210710Santa Fe NM: Arena Editions 1997. First edition and first printing. Hardcover. Features an essay by Eugenia Parry. Includes 57 color plates along with a number of smaller black and white illustrations. A clean very near fine copy in a very near fine dust jacket. Arena Editions unknown books
1996rif. 210718Washington D.C.: Smithsonian Institution Press 1996. First edition. Softcover. 64 pages. Part of the Photographers at Work series. Features Constance Sullivan's interview of Fuss and a biography by Richard B. Woodward. Includes an interview with Fuss along with numerous black and white images taken with a a pinhole camera. A clean very near fine copy in photo-illustrated wrappers. Smithsonian Institution Press unknown books
1778rif. 67993London: Printed for W. Strahan; and T. Cadell 1778. Full Description: SMITH Adam. An Inquiry into the Nature and Causes of the Wealth of Nations. In two volumes. The second edition. London: Printed for W. Strahan; and T. Cadell 1778. Second edition first published in 1776 and the only other edition to be published in quarto format. One of 500 copies printed. Two quarto volumes 10 3/4 x 8 7/8 inches; 273 x 225 mm. 8 510; 8 589 1 blank pp. With half-title in Volume II no half-title called for in Volume I. Full newer speckled calf. Boards tooled in gilt. Spines with red morocco spine labels lettered in gilt. Spines stamped and numbered in gilt. Gilt board edges. Gilt dentelles. Newer endpapers. Volume one with some newly invisible repairs to the title-page at gutter along top margin and to a tiny hole not affecting text. Text of volume I with some foxing throughout. Volume II with some neat pencil marginalia and a pin-sized wormhole to outer blank margin from signature 3A through the end. Still volume II internally very clean. Overall a very good copy. The second edition is the rarest of the early editions of The Wealth of Nations. Only 500 copies were printed. The third edition consisted of 1000 copies and the fourth 1250 copies. It is unknown how many copies of the more common first edition were published. "The second edition exhibits a number of alterations large and small some providing new information some correcting matters of fact some perfecting the idiom and large number now documenting references in footnotes" William B. Todd in the 1976 Oxford edition of The Wealth of Nations. Adam Smith 1723-1790 spent ten years in the writing and perfecting of The Wealth of Nations. "The book succeeded at once and the first edition was exhausted in six months.Whether it be true or not as Buckle said that the 'Wealth of Nations' was 'in its ultimate results probably the most important that had ever been written'.it is probable that no book can be mentioned which so rapidly became an authority both with statesmen and philosophers" D.N.B. "The history of economic theory up to the end of the nineteenth century consists of two parts: the mercantilist phase which was based not so much on a doctrine as on a system of practice which grew out of social conditions; and the second phase which saw the development of the theory that the individual had the right to be unimpeded in the exercise of economic activity. While it cannot be said that Smith invented the latter theory. his work is the first major expression of it. He begins with the thought that labour is the source from which a nation derives what is necessary to it. The improvement of the division of labour is the measure of productivity and in it lies the human propensity to barter and exchange. Labour represents the three essential elements- wages profit and rent- and these three also constitute income. From the working of the economy Smith passes to its matter- 'stock'- which compasses all that man owns either for his own consumption or for the return which it brings him. The Wealth of Nations ends with a history of economic development a definitive onslaught on the mercantile system and some prophetic speculations on the limits of economic control.The Wealth of Nations is not a system but as a provisional analysis it is complete convincing. The certainty of its criticism and its grasp of human nature have made it the first and greatest classic of modern economic thought" Printing and the Mind of Man 221 describing the 1776 first edition. Kress B.154. Goldsmiths' 11663. Printing and the Mind of Man 221. Sabin 82303. Grolier 100 English 57 describing the 1776 first edition. HBS 67993. $28500. Printed for W. Strahan; and T. Cadell unknown books
1990rif. 211491New York: Museum of Modern Art/ Harry N. Abrams 1990. First edition and first printing. Hardcover. 460 pages. A massive monograph done for an exhibition of the same name. A wide ranging show that takes a look at modern art and it's effects on popular culture. Includes 626 illustrations with 193 of them in color. A clean and tight very near fine copy in black cloth boards and in a near fine dust jacket with some very minor wear. A pleasing copy of this terrific catalog. Museum of Modern Art/ Harry N. Abrams unknown books
1998rif. 54317Bloomsbury 1998. First printing. Fine in near fine jacket. Signed first UK edition of this "novel in nine stories" by the celebrated Mexican writer. 8'' x 5.5''. Original black paper boards gilt-lettered spine. In original unclipped £16.99 photographic jacket designed by William Webb. Black endpapers. Black ribbon marker. 6 266 pages. Signed by Fuentes to publisher's bookplate on half-title. Jacket with trace edgewear. Book crisp tight. Bloomsbury unknown books
2012rif. 211798Beverly Hills CA: Gagosian Gallery 2012. First edition and first printing. Hardcover. 76 pages.Exhibition catalog for a show that ran February 23 through April 7 2012. Features an introduction by Adam McEwen. Includes numerous color illustrations and a checklist. A clean near fine copy in paper covered boards with some very minute wear. No dust jacket as issued. Gagosian Gallery unknown books
1986rif. 211875Minneapolis MN: Walker Art Center / University of Pennsylvania Press 1986. First edition. Oblong hardcover. 79 pages. Published in conjunction an exhibition that ran March 22 through June 1 1986 at the Walker Art Center and then went on to six other locations for additional dates. Features a foreword by Gloria Emerson. Text by Adam D. Weinberg that looks at the photographs of David Burnett Jeff Jacobson Mary Ellen Mark Susan Meiselas Jean-Marie Simon Alex Webb Michel Folco Yan Morvan Gilles Peress Rio Branco Harry Gruyaert and Alfred Yaghobzadeh. Incluces color images a checklist of the exhibition and biographies of the photographers. A fine copy in a fine dust jacket. Signed by Weinberg on the title page. Walker Art Center / University of Pennsylvania Press unknown books