Horst, UlrichAntiquariat.de
110 results
1983ref. 93836Limitada: Coimbra 1983. 98 Seiten. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
1889ref. 91111Freiburg: Herder'sche Verlagsbuchhandlung 1889. XIX, 219; IX, 85 Seiten. Frakturdruck. 8° (22,5 x 14,5 cm). Halblederband der Zeit. [Hardcover / fest gebunden].
1905ref. 2076791Münster: Theissing'sche Buchhandlung 1905. VII, 260, (2) Seiten. Gr. 8° (23 x 15,5 cm) Orig.-Leinenband mit goldgeprägtem Rückentitel. [Hardcover / fest gebunden].
ref. 61370543Saint Benedict Press LLC . Papeback. New. Illustrated edition Saint Benedict Press, LLC unknown
1843In-folio, pp. (2), xix, 256. Con una tavola in cui è riprodotta una pagina del manoscritto originale. Aponio fu uno scrittore cristiano del V-VI sec., probabilmente di origine orientale, che scrisse a Roma una Explanatio in canticum canticorum, in cui utilizzando il testo latino della vulgata fornisce una interpretazione allegorica. Editio princeps. Legatura in piena pelle con ricche impressioni in oro e a secco ai piatti, fregi e titolo in oro al dorso, tagli in oro.
1872ref. 510240Barri-Ducis / Ludovicus Guerin 1872. Hardcover. VERY GOOD. xxiv 1484pp. Rebound in black cloth with gilt spine lettering. From the non-circulating collection of Golden Gate Baptist Seminary with their bookplate noting donation from the library of Edward R. Dalgish as the only paraphernalia. Text entirely clean and fresh - a nice copy. Barri-Ducis / Ludovicus Guerin hardcover
1540ref. 372229Paris: Ex officina Roberti Stephani typographi Regii 1540. Third edition and the first with these illustrations. Printer's device on title pages woodcut illustrations in text including 5 full-page ornamental initials. 10 268; 1 104 i.e. 103 error in pagination omitting leaf 83; 90; 92 ff. Collation: 10 a-z⸠A-I⸠K-LⶠAa10 Bb-Mm⸠NnⶠAA-KK⸠LL10 2a-2l⸠2mâ´. Early manuscript annotations. 1 vols. Folio 17x11-1/4 inches. Contemporary blindstamped pigskin over bevelled wooden boards title stamped on the upper cover lacks bosses hinges and clasps upper joint cracked darkening to spine other wear. Early vellum manuscript waste at inner hinges. Minor staining minor foxing a few scattered edge tears. Provenance: Christopher Jonas a Taubenheim early inscription mentioning commentary by Rabbi Moses ben Nahman Gerondi; Polling Monastery armorial bookplate; Duplum Bibliothecae Regiae Monacensis; General Theological Seminary stamps bookplate. Third edition and the first with these illustrations. Printer's device on title pages woodcut illustrations in text including 5 full-page ornamental initials. 10 268; 1 104 i.e. 103 error in pagination omitting leaf 83; 90; 92 ff. Collation: 10 a-z⸠A-I⸠K-LⶠAa10 Bb-Mm⸠NnⶠAA-KK⸠LL10 2a-2l⸠2mâ´. Early manuscript annotations. 1 vols. Folio 17x11-1/4 inches. The third and finest folio edition of Latin Vulgate Bible prepared by scholar/printer Robert Estienne 1503-59. Though the edition was entered into the Vatican's Index of Prohibited Books and is correspondingly scarce ultimately this text served as the foundation of the official Roman Vulgate. The illustrations of Noah's ark the Tabernacle of Moses and Temple of Solomon were widely copied. The general title page and the Prophetae are dated 1540; that of the New Testament is dated 1539; and that for the Hebraea Chaldaea Graeca & Latina Nomina . cum Interpretationis and Index is dated 1538. "The text was revised from additional MS sources; a list given at the end of the preface enumerates at least 16 MSS and 3 printed editions. This edition contains the first printing of the Prayer of Manasses in Greek and Latin. It is the text of this monumental edition which became the foundation of the official Roman vulgate ." Schreiber. The text of the Oratio Manassae is printed here for the first time leaf v8v. This is a tall and generally well preserved copy with good margins. Darlow & Moule 6117; Renouard pp. 48-9 no. 1; Copinger 275; Schreiber Estiennes 359; Adams B1022; Mortimer French 16th cent. 68 Ex officina Roberti Stephani typographi Regii unknown books
1540ref. 372229Paris: Ex officina Roberti Stephani typographi Regii 1540. Third edition and the first with these illustrations. Printer's device on title pages woodcut illustrations in text including 5 full-page ornamental initials. 10 268; 1 104 i.e. 103 error in pagination omitting leaf 83; 90; 92 ff. Collation: 10 a-z⸠A-I⸠K-LⶠAa10 Bb-Mm⸠NnⶠAA-KK⸠LL10 2a-2l⸠2mâ´. Early manuscript annotations. 1 vols. Folio 17x11-1/4 inches. Contemporary blindstamped pigskin over bevelled wooden boards title stamped on the upper cover lacks bosses hinges and clasps upper joint cracked darkening to spine other wear. Early vellum manuscript waste at inner hinges. Minor staining minor foxing a few scattered edge tears. Provenance: Christopher Jonas a Taubenheim early inscription mentioning commentary by Rabbi Moses ben Nahman Gerondi; Polling Monastery armorial bookplate; Duplum Bibliothecae Regiae Monacensis; General Theological Seminary stamps bookplate. Third edition and the first with these illustrations. Printer's device on title pages woodcut illustrations in text including 5 full-page ornamental initials. 10 268; 1 104 i.e. 103 error in pagination omitting leaf 83; 90; 92 ff. Collation: 10 a-z⸠A-I⸠K-LⶠAa10 Bb-Mm⸠NnⶠAA-KK⸠LL10 2a-2l⸠2mâ´. Early manuscript annotations. 1 vols. Folio 17x11-1/4 inches. The third and finest folio edition of Latin Vulgate Bible prepared by scholar/printer Robert Estienne 1503-59. Though the edition was entered into the Vatican's Index of Prohibited Books and is correspondingly scarce ultimately this text served as the foundation of the official Roman Vulgate. The illustrations of Noah's ark the Tabernacle of Moses and Temple of Solomon were widely copied. The general title page and the Prophetae are dated 1540; that of the New Testament is dated 1539; and that for the Hebraea Chaldaea Graeca & Latina Nomina . cum Interpretationis and Index is dated 1538. "The text was revised from additional MS sources; a list given at the end of the preface enumerates at least 16 MSS and 3 printed editions. This edition contains the first printing of the Prayer of Manasses in Greek and Latin. It is the text of this monumental edition which became the foundation of the official Roman vulgate ." Schreiber. The text of the Oratio Manassae is printed here for the first time leaf v8v. This is a tall and generally well preserved copy with good margins. Darlow & Moule 6117; Renouard pp. 48-9 no. 1; Copinger 275; Schreiber Estiennes 359; Adams B1022; Mortimer French 16th cent. 68 Ex officina Roberti Stephani typographi Regii unknown
1571ref. ALDR0316Venetiis, Ex Officina Iuntarum (Venedig, Giunta) 1571. 8°. Titelbl., 7 nn. Bll., 488 Bll., 11 nn. Bll., mit je e. Druckermarke am Titel- und Schlussblatt, schönen Holzschnittinitialen, kleinen Illustrationen in Holzschnitt im Neuen Testament, sowie kleinen Ziervignetten, Text zweispaltig und gerahmt. Halblederband aus jüngerer Zeit, Rückenbeschriftung und ?zierlinien in Goldprägung, Buchschnitt mehrfärbig gesprenkelt, etwas bestoßen, Rückenleder berieben. Titelblatt mit einigen Flecken, Seiten sonst wenig gebräunt oder fleckig, mit e. Fehlstelle in Bl. 168 u. e. überklebten Stelle mit geringem Textverlust in Bl. 347. Mit verschiedenen durchgestrichenen Besitzvermerken u. einem Besitzstempel (Schriftband: Sbroiavacca mit neunzackiger Krone) am Titelblatt, sowie einem dreieckigen Ausfuhrstempel (Von der Zentralstelle für den Denkmalschutz zur Ausfuhr freigegeben) am hinteren Innendeckel. CNCE 5793. BM Italian Books 92 - venezianische Ausgabe dieser, von dem belgischen Bibelexegeten u. Angehörigen des Dominikanerordens Johannes Hentenius (1499-1566) im Auftrag Kaiser Karl V. ausgearbeiteten Bibel-Ausgabe. 1547 erstmals in Löwen erschienen, sollte sie zur Entstehung einer verbesserten Vulgata-Edition beitragen. Aus dem Besitz der Friauler Adelsfamilie Sbrojavacca. Seltene Ausgabe. Nicht bei Adams.
ref. 97909Parisiis, Excudebat Antonius Vitré, 1652, 8 volumes in-16 de 155x90 mm environ, T. I. (12) ff. (faux-titre, titre gravé, titre, epistola, praefatio), 768 p. - T. II. 714 p. (1) f. - T. III. 622 p. - T. IV. 648 p.-(2) ff. (index) - T. V. 780 p. - T. VI. 583 p. - T. VII. 480-110 p. (2) ff. (approbation, privilège) -T. VIII. 144-447 p. (27) ff. (index),plein maroquin bordeaux, titres et tomaisons dorés sur dos lisses, tranches coupes et chasses dorées, gardes marbrées avec ex-libris sur les premiers contreplats (en partie arrachés sur les tomes III et V). Quelques rousseurs, des notes au crayon à papier dans les tomes VII et VIII, dos décolorés ou brunis (tome I et V), 2 coiffes ébréchées, des mors en partie fendus avec trous et galerie de ver (tome VI et VIII), frottements sur le dos et les coins, petit manque de papier dans la marge p. 235-236, sinon bon état. Texte en latin.
1675ref. 21061Lugduni Laurens 1675 -in-folio plein-veau 2 volumes, reliure d'époque plein veau raçiné brun in-folio (binding full calfskin in-folio) (26 x 38,5 cm), dos à nerfs (spine with raised bands), décoré or (gilt decoration), titre et tomaison frappés "or" (gilt title), pièce de titre et de tomaison sur fond bordeaux avec roulette "dentelles" "or" et double filets "or" en encadrement, entre-nerfs à caissons "or" dans un encadrement d'un double filet "or" avec rinceaux "or" aux angles, un filet à froid de part et d'autre des nerfs, roulette large "or" en tête et en pied, coiffes supérieures manquantes + coiffe de pied accidentée, coins écornés, roulette "or" sur les coupes et roulette "dentelle" "or" sur les chasses avec léger manque de dorure (blurred gilding), toutes tranches lisses dorées, titre imprimé en rouge et noir, Texte en latin à colonnes et manchettes, orné d'une gravure titre (frontispice) gravé sur bois en noir par Germain AUDRAN + une importante gravure en bas de la page de titre : "Marque de Pierre Guillimin", gravée sur bois en noir par Nicolas Auroux + 2 gravures front-de-chapitre historiées et légendées gravées sur bois en noir + de trés nombreuses lettrines historiées gravées sur bois en noir + cul-de-lampes historiés gravés sur bois en noir, ([12] + 482) + (455) Pages, M.DC.LXXV (1675) Lugduni, sumptibus Antonii Laurens Editeur,
1702ref. 21066Paris Dezallier 1702 -in-4 plein-maroquin 1 volume comportant 2 tomes reliés ensemble , reliure d'époque plein maroquin noir petit in-quarto (binding full calfskin in-4) (26,5 x 20 cm), dos à nerfs (spine with raised bands), décoré or et à froid (gilt and blind stamping decoration), titre frappé "or" (gilt title) avec filet à froid de part et d'autre, un filet à froid de part et d'autre des nerfs et en tête et en pied, léger accident à la coiffe supérieure, mors haut du 1er plat fendu sur 2 cm, plats décorés à froid d'un filet à froid en encadrement, épidermure au 1er plat, coins écornés, toutes tranches lisses jaspées rouges, les pages de garde manquent, Texte en latin à colonnes et manchettes, orné d'une gravure en bas de la page de titre : "Marque de l'Editeur A. Vitré", gravée sur bois en noir + de trés nombreuses lettrines historiées gravées sur bois en noir, traces de mouillures claires en marge des dernières pages, [8]-XX-624-512-114-[1] Pages, M.DCCII (1702) Parisiis, excudebat Antonius Vitré. Apud Antonium Dezallier Editeur,
1862ref. 11051Regensburg, Georg Joseph Manz, 1862/63. 2. Auflage "12° (15-18,5 cm). LXIV, 652; 547; 499; 535 SS." Halbleder der Zeit über vier falschen Bünden mit goldgeprägtem Rückentitel
1862ref. 10699Regensburg, Georg Joseph Manz, 1862/63. 2. Auflage "XL, 394; 333; 303; 364 SS." Halbleinwand der Zeit mit goldgeprägtem Rückentitel
1843ref. RELI0757Mainz, Kirchhheim, Schott et Thielmann 1843. gr.-8°. LIII, 978 s., HLdr., Kanten berieben. Exemplar aus dem Nachlaß des aus Österreich gebürtigen Sinologen u. Stasi-Mitarbeiters Ernst Schwarz (1916-2003) u. mit dessen eh. Namenszug sowie einem mehrzeiligen Eintrag in chin. Schriftzeichen auf dem flieg. Vorsatzbl. u. auf dem Vortitelbl.; weiters der Vorbesitzereintrag von R. Plewka, Bautzen u. Namensstemp. von Prof. Joh. Heidrich, Bautzen.
171422 cm, in 8°, solida rilegatura coeva in piena pergamena, titolo e fregi in oro impressi al dorso, tagli colorati, p.(24), 998, (52). Grande antiporta calcografico inciso su rame, datato MCCXV e firmato da Suor Isabella Piccini. Ricchissimo apparato iconografico con 251 belle vignette xilografiche (5,5 x 8,5 cm) nel testo. Illustrazioni nitide ed assai dettagliate che caratterizzano questa bella edizione della Bibbia nella Vulgata Sisto-Clementina del Pezzana. Frontespizio stampato in rosso nero con grande marca tipografica (giglio ornato da ghirlande). Numerosi capolettera, testatine e finalini xilografici. Testo in latino, su due colonne entro cornice tipografia a doppia linea con note e rimandi. Errore di numerazione, (sono saltate le pagine 913-914 lo stesso errore si ritrova nelle edizioni successive) ma il testo è completo. Piccola firma di possesso coeva al frontespizio, qualche leggero alone molto marginale e rare bruniture lontano dal testo, stato di conservazione ottimo.
1748ref. 012869Sumpt. Haered. Balthasaris Ab Egmont, & Sociorum, Coloniae Agrippinae ( Köln ) 1748. Goldgeprägter Ganzlederband Solide, Altersschön
1647ref. 10933Paris, Boullanger [Boulanger], 1647. 12° (15-18,5 cm). 12 Bll., 876 S., 25 Bll., [1], 4 Bll. Ganzleder der Zeit über vier echten Bünden mit vergoldeter Deckelverzierung
1714ref. ALDR0672SchwNürnberg, Endter 1714. 4°. Gest. Frontispiz, Titel rot u. schwarz gedruckt, 8 Bl., 509; 520 Seiten, mit vielen gest. Initialen u. Illustrationen von Cornelius Nicola SCHURTZ einige Zierstücke u. Init. in Holzschnitt, neuerer Ganzlederband auf 5 Bünden, mit Rückenschild u. Streicheisenverz., sehr gut erhalten, im Text etwas gebräunt, jedoch fleckenfrei und breitrandig.
1760ref. WB15737Venice: Ex Typographia Balleoniana 1760. Hardcover. Very Good. MDCCLX 1760. Folio 2 volumes 282 x 205mm. Vol. I: xcii 866pp. 1; Vol. II: 588pp. i.e. 888 72 corrections. Signatures: Vol. I: -58 66 A-Ggg8 Hhh10; Vol. II: A-Iii8 Kkk4 A-I4. Full-page engraved frontispiece of angels symbols and the four Evangelists in first volume only. Both title pages with the copperplate engraved vignette of putto beside thurible on clouds. Woodcut ornate initials friezes and other ornamentation throughout the text most historiated vignettes and of Old and New Testament scenes. Title page printed in red and black in first volume. Text in two columns throughout. Extensive printed footnotes. Contemporary mottled calf spine with six raised bands and gilt in compartments edges speckled in red; vol. 1 with minor marginal worm hole through part of the prologue few creases; corners bumped light edgewear more severe on volume 1 overall a good and sturdy two volume set of the Biblia Sacra. 19th-century ownership inscription written in Portuguese by a priest Antonio Bernadini from Coimbra. At one time in the Portuguese collection of Julio Dantas Livraria Particular. Stamped Residentia Bracarensis IHS on both titles. Jean-Baptiste du Hamel was a French cleric and physicist who published numerous scientific treatises and works on natural history in his lifetime. His last major work and his crowning achievement was his editorial work done on the Latin Vulgate Bible his Grande Bible to which he added an introduction notes and chronological historical and geographical tables with the assistance of the bible scholar Giuseppe Bianchini 1704-1764. The Vulgate edition of the Bible had already undergone significant revisions by Pope Sixtus V in 1590 and Clement VIII in 1592 and this version which Du Hamel worked from is sometimes called the Sixtine-Clementine version. Du Hamels Biblia Sacra was first printed in Paris in 1705 only one year before his death. Balleoniana editions of the Vulgate Bible appeared in 1731 1741 1760 here and 1779. This esteemed Venetian press was known for printing finely produced religious works; the Old and New Testament woodcuts are a remarkable collection of biblical imagery. This copy retains the early ownership inscription of a priest in Coimbra and seems to have enjoyed a long monastic scholarly life at a Benedictine Jesuit house in Braga Portugal. Together they comprise a complete set two magnificent mammoth folios of the revised Du Hamel Bible a classic for examining biblical criticism and interpretation in the eighteenth century. This edition quite rare; OCLC located copies a few copies in the US at Ohio Univ. Mount Angel Abbey in Oregon and Benedictine College in Kansas. Ex Typographia Balleoniana hardcover books
1723ref. 21193Augsburg, Strötter, 1723. Prächtiges, gest. Frontispiz von J. A. Fridrich, 18 Bll., 1068 SS.; 2 Bll, 418 SS.; 2 Bll., 630 SS.; 2 Bll., 562 SS.; 51 SS. Index. 4°. - 26:18,5 cm. Braune Ganzlederbände der Zeit mit reicher Rückenvergoldung und je 2 Rückenschildern. Die dekorativen Einbände hauptsächlich auf den Deckeln etwas beschabt, Ecken leicht bestoßen. Gelenke vereinzelt minimal wurmstichig.
1578ref. 113001578 3 tomes en 2 volumes (two books), reliure plein veau havane marbré in-octavo (binding full calfskin in-octavo)(14 x 20,3 cm), (reliure d'époque), dos 5 nerfs (spine with 5 raised bands) - entre-nerfs à la "fanfare" dorure très estompé (between the raised bands gilt very shaded off) - titre frappé or (gilt title), coiffes abîmées (head and tail of the spine lightly faded), plats avec craquelures et des épidermures (crackles and scratches on the covers), coins écornés (corners dog-eared), tranches jaspées (marbled edges) - petite tache d'encre sur la gouttière de queue du second volume (small ink mark on the bottom edge of the second book), texte 2 colonnes à manchette (text - 2 coloumns with marginal note) - texte en noir encadré de filets bruns rouge avec quelques soulignages à l'encre brune in texte (some underlining ), manque la page de titre du premier volume, remplacée par une photocopie (miss the title page of the first volume), illustrations : orné de 160 bois in-texte en noir par Tobias Stimmer (160 woodcuts in text and a map full page engraving by Tobias Stimmer) + une grande Carte hors-texte en noir de la Méditerranée et des pays circonvoisins (page 98 du tome 3) par Tobias Stimmer , cicatrices de mouillures sur la gouttière du second volume (scars of waterstains on the fore-edge of the second book), [(30)+ 612] + 251+ [ (6+ 224 + (72 pages d'index)] pages, 1578 Basileae per Thomam Guarinum,
1975ref. 3134Stuttgart, Württembergische Bibelanstalt, 1975. Editio altera emendata. 2. Auflage. 2 Bände 1980 S. 25 x 17 cm, Leinen
1975ref. 28545Stuttgart, Württembergische Bibelgeschellschaft, (1975). 4to. XXXI, 1980 S. Dünndruck, zweispaltig gedruckt. Grüne OLwd. m. Deckel- u. Rückentitel.
1599ref. ABC_46660Antwerp: colophon: printed by Daniel Vervliet and Hendrik Swingen for Jan I Moretus & Jan I van Keerberghen 1599. Contemporary richly blind-tooled calf over wooden boards sewn on 5 supports with brass catchplates remnants of leather strap fastenings brass corner pieces on all corners and a brass centrepiece on each board all with brass bosses. Folio. With an engraved title page coloured by a contemporary hand with extensive use of gold showing Moses on the left David on the right and the four evangelists below and 90 woodcuts in the text of both the Old and the New Testament all except one vividly coloured by a contemporary hand. The woodcuts in the Old Testament after a series by Hans Sebald Beham except for the first by Peter van der Borcht signed "P.B."; those in the New Testament are by an unidentified artist. Further with numerous woodcut decorated initials and headpieces also coloured by a contemporary hand. Set in two columns of gothic textura type with the marginal notes chapter headings and preface in roman type. 2 volumes bound as 1. Extraordinary copy of the first edition published by Moretus Moerentorf & Van Keerberghen of the famous Moerentorf Bible in the vernacular Dutch language printed in 1599 especially interesting for its vivid contemporary hand-colouring and for its richly blind-tooled contemporary binding. The authoritative Moerentorf Bible or Moretus Bible was a revision of the 1548 Louvain Bible in Dutch but corrected based on the improved Latin Vulgate of 1592 published by the authority of Pope Clement VIII. The Moerentorf Bible met extraordinary success and "became the standard Bible for Dutch Roman Catholics" Darlow & Moule for almost three centuries being repeatedly reprinted as the official Dutch translation of the Vulgate in the Low Countries.Jan Moerentorf better known as Jan I Moretus published this revised Dutch translation of the Old and New Testament together in 1599 with the title Biblia sacra. The first woodcut of the Old Testament in Genesis is signed "P.B" by Peter van der Borcht a Flemish painter draughtsman and etcher who was full-time assistant to Christopher Plantin and illustrated many of his liturgical works. The other woodcut illustrations in the Old Testament are copied from the engraved print series of the German painter and printmaker Hans Sebald Beham 1500-1550 who was especially known for his very small engravings. The present edition appeared in two issues one with the imprint of Moretus alone and the present one with the imprint of both Moretus and Van Keerberghen. Poortman shows a completely different first woodcut illustration not signed P.B. for the Moretus version says its other illustrations are printed from a different series of blocks differing in detail and rendering the scenes in mirror image and also notes differences in the orthography. With the bookplate on the front paste-down and library stamp on a free endleaf the back of the title-page and the first text page of Wetenschappelijke Bibliotheek Eindhoven the former monastic library of the Augustinian monastery in Eindhoven and one of the most important scholarly theological libraries of the Netherlands. Also with one contemporary annotation on Pp1 of the Old Testament.Binding slightly worn around the edges especially around the spine edges a little dust-soiled and some damage to the back board where the leather fastenings were originally attached to the boards with brass pins. Minor marginal stains spots and dust-soiling mostly in the first part and a few creases throughout the book a small tear in the right lower corner of Oo6 in the Old Testament not affecting the text a larger tear partly restored and restoration in the foot margin in L6 of the Old Testament. The colouring of the initials and woodcuts has slightly browned the paper. Overall however the Bible is in good condition. A beautiful copy of one of the most important Dutch Bibles ever published here in a richly blind-tooled contemporary binding and complete with all the illustrations coloured by a contemporary hand.l Belgica typographica 1541-1600 473 & 7886; Biblia Sacra 1599.B.dut.JM1.A; Bibliotheca Catholica Neerlandica impressa 4529; BM STC Dutch p. 24; Darlow & Moule 3300; Dirk Imhof Jan Moretus and the continuation of the Plantin press 1589-1610 B-36B; Pettegree Netherlandish Books 3891; Poortman Bijbel en prent I and pp. 131-133 217; STCV 12923651; USTC 402496; not in Adams. (colophon: printed by Daniel Vervliet and Hendrik Swingen for) Jan I Moretus & Jan I van Keerberghen, hardcover
