9902 risultati
1874rif. 5795238Marcus Ward & Co. 1874. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition suitable as a reading copy. Brown cloth folio with bevelled edges. Intricate black and gilt borders and illustration and gilt and black lettering on front board. Blind border on back board. Black lettering on backstrip. Backstrip frayed at ends and has a few tears down joints a one over three inches long. Bumped corners. Hinges split. Frontispiece. Interior is secure and clear of markings. Minor foxing. Contains 44 coloured plates. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1650grams ISBN: Marcus Ward & Co. hardcover
1957rif. 639873London: Jonathan Cape 1957. 1st Edition. Hardcover. Very Good/Good. 8vo. - First Edition - Authors dedication to upper front free endpaper dated 1957 - Black board edges a little rubbed and extremities slightly bumped - Edges of text block foxed - Dustwrapper worn w/ edges chipped - Spine sunned - A little loss to ends and corners - Book ow/ solid clean and tight - Good Jonathan Cape hardcover
1874rif. A45566London: George Bell & Sons 1874. xxii 124 8 ads; 125-235 8 ads 2 engraved col title-pages 39 hand-col plates. . HB. 2 vols roy. 8vo orig. publisher's green blind-stamped cloth gt spine titles minor wear to spine ends. Bindings cracked between gatherings in a few places but still firmly bound. A very good set. Second edition. Plates hand-coloured by Benjamin Fawcett Driffield. Publisher's ads dated March 1880.Freeman 3750; Stafleu & Cowan 15.177; Nissen BBI 2004; McLean 94. George Bell & Sons hardcover
1871rif. 10272Tournai, Veuve H. Casterman, 1871. In-4 de 255 pages, demi-chagrin rouge, dos à 5 nerfs orné de filets, fleurons et titre dorés, plats de percaline, tranches dorées. Reste d'ex-libris au premier contreplat, quelques rousseurs.
2021rif. x-9811596042Springer 2021. Hardcover. New. 477 pages. 9.25x6.10x1.06 inches. Springer hardcover
rif. BN575298Bastei Lübbe. Schatten des Ruhms Allgemeine Reihe. Bastei Lübbe Taschenbücher Schatten des Ruhms Allgemeine Reihe. Bastei Lübbe Taschenbücher Faith Cavendish Bastei Lübbe unknown
1834rif. 50107Wien, Carl Gerold, 1834. 8°. Mit einer doppelblattgr. Beilage (Stammtafel). XVIII, 408 S., HLdr. d. Zt. m. etw. Rückenverg., goldgepr. Rückentitel u. dreiseitig marmor. Schnitt.
rif. A9781560233145Hardback. New. A multidisciplinary compilation of scholarship addressing lesbians the rituals in their lives and the meaning and impact of those rituals for the women involved and the people and communities around them. hardcover
2013rif. x-1107003539Cambridge Univ Pr 2013. Hardcover. New. 1st edition. 960 pages. 10.25x7.25x1.50 inches. Cambridge Univ Pr hardcover
rif. 49921235-nnew. unknown
rif. 43661198-nnew. unknown
rif. 43817466-nnew. unknown
1980rif. BN74465Sauerländer Verlag 1980. Hardcover/gebunden. das Vorsatzblatt wurde sauber herausgetrennt Ecken leicht berieben! Rarität! Sauerländer Verlag hardcover
1980rif. BN68852Sauerländer Verlag 1980. Hardcover/gebunden. Ecken rundherum leicht berieben mit abgedecktem Namenseintrag Innenseite des vorderen Buchdeckels mit Fleck Seiten sauber! Extrem selten! Tilly ist eine Puppe in einem Puppenhaus. Sie ist Dienstmädchen und wird nur herumgescheucht bis es ihr eines Tages zu viel wird. Nachts zieht sie heimlich aus. Mit dem Teddy sucht sie sich eine neue Wohnung. In einer Holzkiste im Gartenhaus richtet sie sich eine niedliche kleine Wohnung ein und ist glücklich. Niemand scheucht sie mehr sie ist frei. Sauerländer Verlag hardcover
rif. 4046Chicago:: The Railroad Passenger Department Santa Fe Route. Map on final page; profusely illustrated with line-drawings in the margins and some full-page; 176 pp. 12mo original wrappers front pictorial adhered to book-boards cloth spine and inner hinges supplied by previous owner: bookplate of Robert W. Jones on supplied front pastedown and note by Jones on the supplied front free endpaper. The previous owner Robert W. Jones 1884–1951 was a professor of journalism at the University of Washington and a Member of the Missouri Bar. He was the author of: The Law of Journalism: including matters relating to the freedom of the press libel contempt of court property rights in news and regulation of advertising. Washington D.C.: Washington Law Book Co. 1940. On the front free endpaper is his note: “In 1901 I went from Columbia Mo. to Trinidad Colo. on the Santa Fe the first trip alone and worked on the Trinidad Daily Advertiser. This was the current travel book and I read it then for the first time”He also signed the front pastedown “Robert W. Jones Columbus Mo.”. Chicago:: [The Railroad] Passenger Department, Santa Fe Route,. hardcover
rif. 4046Chicago:: The Railroad Passenger Department Santa Fe Route. Map on final page; profusely illustrated with line-drawings in the margins and some full-page; 176 pp. 12mo original wrappers front pictorial adhered to book-boards cloth spine and inner hinges supplied by previous owner: bookplate of Robert W. Jones on supplied front pastedown and note by Jones on the supplied front free endpaper. The previous owner Robert W. Jones 1884–1951 was a professor of journalism at the University of Washington and a Member of the Missouri Bar. He was the author of: The Law of Journalism: including matters relating to the freedom of the press libel contempt of court property rights in news and regulation of advertising. Washington D.C.: Washington Law Book Co. 1940. On the front free endpaper is his note: “In 1901 I went from Columbia Mo. to Trinidad Colo. on the Santa Fe the first trip alone and worked on the Trinidad Daily Advertiser. This was the current travel book and I read it then for the first time”He also signed the front pastedown “Robert W. Jones Columbus Mo.”. Chicago:: [The Railroad] Passenger Department, Santa Fe Route,. hardcover books
rif. a105520Charlottesville VA. 1969 first edition. University Press of Virginia. 4to hardcover. 138p. Many illus a few of which are color plates. Ex-library with all usual library marks. Book text is Fine and clean. DJ is Good plus no tears no chips on dj but some wrinkling and toned spot where spine label once was affixed. . hardcover
1887rif. 47384N.P.: Privately printed n.d. ca 1887. ca 1887. LAS VEGAS NEW MEXICO. 6" x 6 3/8" sheet folded to 4 panels. Cover panel as well as panel offering analysis of the water at the Phoenix Hotel written by Walter S. Haines M.D. printed in red and black ink. Opposite 2 panels offer a chromolithograph of the hotel. The Phoenix Hotel was "built in 1887 had 250 guest rooms and replaced the Montezuma Hotel which was destroyed by fire in 1884. In 1903 the hotel closed down and in 1923 the building became a Baptist college. In the late 1980s the site became the home of the Armand Hammer United World College and is now known as the Davis International Center. The hotel known as the castle was constructed by the Atchison Topeka & Santa Fe Railroad as a luxury hotel featuring the natural hot springs on the site. According to the pamphlet the chemical composition of the water primarily consists of Carbonates and Sulphates of Sodium and was touted to assist with tuberculosis rheumatism and gout. 3/4" split to top fold along with a 1/2" water mark to top edge. Light toning to paper. Very good. Privately printed, n.d. [ca 1887]. unknown
1958rif. 251171958. BALDWIN Faith. Typed Letter Signed. Two pages on both sides of a single sheet; hand-written in ink: "Rt. 2 Meed Ave. Norwalk Conn Sept. 26/58." Note: There are numerous typing errors and hand-written corrections in ink throughout the letter and spelling errors are for the most part not noted in the follow textual description- as there are many. To a teacher in California Baldwin apologizes for the delay in her response to several questions posed by the teacher. "I can reply to your questions only informally and in bad typing as I have never used a secretary and employ two fingers." Baldwin discusses several of her books and writes that Many Windows will be published on her 65th birthday. "About education. I don't have the true equivalent of a high school education. Mrs. Dow's school did give courses which if passed took you into college; but I wasn't interested in college; I was about 17 and a ga half sic when I left Mrs. Dow's. The education in Germany was during the war and consisted of house keeping school didn't learn a thing and of German which I learned. I am not sorry I didn't go to college; I think I would have frittered away my time and probably flunked. I was not a good student for I was far too lazy." Baldwin goes on in some detail about advising students to go to college "if it is possible" and discusses the benefits of a college education and the difficulty of supporting herself as a writer. "You can only eat while you write if you have rich parents or generous and/or a well-heeled husband or wife." Baldwin writes about the demands for college degrees in the business world and says she always advises her students to at least have a good secretarial degree "for this is really an open door. I have seen one advance from typist to private secretary to asst. editor and then editor on a national magazine." Baldwin continues about her father's profession lawyer and her mother's a grade-school teacher and her family's background missionaries editors etc. "It's tougher if you are born into a family without the cultural background but that can be overcome by education." She writes "in this era a college education is extremely valuable and certainly a high school education a must." Also signed by Baldwin as "Mrs. Hugh Cuthrell." Baldwin was known for typing her manuscripts quickly but inaccurately and. unknown
1958rif. 251171958. BALDWIN Faith. Typed Letter Signed. Two pages on both sides of a single sheet; hand-written in ink: "Rt. 2 Meed Ave. Norwalk Conn Sept. 26/58." Note: There are numerous typing errors and hand-written corrections in ink throughout the letter and spelling errors are for the most part not noted in the follow textual description- as there are many. To a teacher in California Baldwin apologizes for the delay in her response to several questions posed by the teacher. "I can reply to your questions only informally and in bad typing as I have never used a secretary and employ two fingers." Baldwin discusses several of her books and writes that Many Windows will be published on her 65th birthday. "About education. I don't have the true equivalent of a high school education. Mrs. Dow's school did give courses which if passed took you into college; but I wasn't interested in college; I was about 17 and a ga half sic when I left Mrs. Dow's. The education in Germany was during the war and consisted of house keeping school didn't learn a thing and of German which I learned. I am not sorry I didn't go to college; I think I would have frittered away my time and probably flunked. I was not a good student for I was far too lazy." Baldwin goes on in some detail about advising students to go to college "if it is possible" and discusses the benefits of a college education and the difficulty of supporting herself as a writer. "You can only eat while you write if you have rich parents or generous and/or a well-heeled husband or wife." Baldwin writes about the demands for college degrees in the business world and says she always advises her students to at least have a good secretarial degree "for this is really an open door. I have seen one advance from typist to private secretary to asst. editor and then editor on a national magazine." Baldwin continues about her father's profession lawyer and her mother's a grade-school teacher and her family's background missionaries editors etc. "It's tougher if you are born into a family without the cultural background but that can be overcome by education." She writes "in this era a college education is extremely valuable and certainly a high school education a must." Also signed by Baldwin as "Mrs. Hugh Cuthrell." Baldwin was known for typing her manuscripts quickly but inaccurately and. unknown books
1975rif. 147518N.p.: N.p. 1975. Draft script for the 1975 play which premiered on April 20 at the Theatre de Lys in New York. A southern melodrama focusing on the toxic relationship between a former heavyweight boxing champion and a young teacher. Set in rural Georgia. Blue titled wrappers with credits for playwright Larry Ketron. Title page present dated 1975 with credits for playwright Larry Ketron. 98 leaves with last page of text numbered 2-3-36. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1975rif. 147518N.p.: N.p. 1975. Draft script for the 1975 play which premiered on April 20 at the Theatre de Lys in New York. A southern melodrama focusing on the toxic relationship between a former heavyweight boxing champion and a young teacher. Set in rural Georgia. Blue titled wrappers with credits for playwright Larry Ketron. Title page present dated 1975 with credits for playwright Larry Ketron. 98 leaves with last page of text numbered 2-3-36. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1953rif. 137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Multilith duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown
1953rif. 137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Multilith duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
2021rif. 71198Santa Fe: The Press at the Palace of the Governors 2021. Limited edition. Near Fine. Duodecimo 19.5 cm Covers made from paper handmade by John Koller and marbled by Thomas Leech. Work of the press done by Thomas Leech and James Bourland. Two tipped-in reproduced photographs. Eight tipped-in reproductions of Dorothy's linoleum block prints. An elegant fine press limited edition featuring the writing of Ernie O'Malley and the art of Dorothy Stewart. "Santa Fe has been a center for artists and writers over the years. Most of them hailed from elsewhere. This was true in 1927 for the Philadelphia-native artist Dorothy Newkirk Stewart 194-1955 and in 1930 for my father the Irish militant nationalist author and poet General Ernie O'Malley 1897-1957." - Cormac K H O'Malley Number 78 in an edition limited to only one hundred books. Bound in the style of the popular travel journals that letterpress printer James Bourland produced for Palace Press. The Press at the Palace of the Governors unknown