Faith Mkwananzi, F Melis CinBiblio.com
4.282 resultados
ref. 43661198like new. unknown
2020ref. x-3030480615Springer 2020. Hardcover. New. 335 pages. 9.25x6.10x0.81 inches. Springer hardcover
ref. 6971453-nnew. unknown
ref. 6971453like new. unknown
ref. 13979292-nnew. unknown
ref. 13979292like new. unknown
1957ref. 639873London: Jonathan Cape 1957. 1st Edition. Hardcover. Very Good/Good. 8vo. - First Edition - Authors dedication to upper front free endpaper dated 1957 - Black board edges a little rubbed and extremities slightly bumped - Edges of text block foxed - Dustwrapper worn w/ edges chipped - Spine sunned - A little loss to ends and corners - Book ow/ solid clean and tight - Good Jonathan Cape hardcover
2021ref. x-9811596042Springer 2021. Hardcover. New. 477 pages. 9.25x6.10x1.06 inches. Springer hardcover
ref. Lidegaard, MadsIn Pristine Condition. unknown
ref. BN575298Bastei Lübbe. Schatten des Ruhms Allgemeine Reihe. Bastei Lübbe Taschenbücher Schatten des Ruhms Allgemeine Reihe. Bastei Lübbe Taschenbücher Faith Cavendish Bastei Lübbe unknown
ref. A9781560233145Hardback. New. A multidisciplinary compilation of scholarship addressing lesbians the rituals in their lives and the meaning and impact of those rituals for the women involved and the people and communities around them. hardcover
2013ref. x-1107003539Cambridge Univ Pr 2013. Hardcover. New. 1st edition. 960 pages. 10.25x7.25x1.50 inches. Cambridge Univ Pr hardcover
ref. 49921235-nnew. unknown
ref. 43661198-nnew. unknown
ref. 43817466-nnew. unknown
1980ref. BN74465Sauerländer Verlag 1980. Hardcover/gebunden. das Vorsatzblatt wurde sauber herausgetrennt Ecken leicht berieben! Rarität! Sauerländer Verlag hardcover
1980ref. BN68852Sauerländer Verlag 1980. Hardcover/gebunden. Ecken rundherum leicht berieben mit abgedecktem Namenseintrag Innenseite des vorderen Buchdeckels mit Fleck Seiten sauber! Extrem selten! Tilly ist eine Puppe in einem Puppenhaus. Sie ist Dienstmädchen und wird nur herumgescheucht bis es ihr eines Tages zu viel wird. Nachts zieht sie heimlich aus. Mit dem Teddy sucht sie sich eine neue Wohnung. In einer Holzkiste im Gartenhaus richtet sie sich eine niedliche kleine Wohnung ein und ist glücklich. Niemand scheucht sie mehr sie ist frei. Sauerländer Verlag hardcover
ref. a105520Charlottesville VA. 1969 first edition. University Press of Virginia. 4to hardcover. 138p. Many illus a few of which are color plates. Ex-library with all usual library marks. Book text is Fine and clean. DJ is Good plus no tears no chips on dj but some wrinkling and toned spot where spine label once was affixed. . hardcover
1958ref. 251171958. BALDWIN Faith. Typed Letter Signed. Two pages on both sides of a single sheet; hand-written in ink: "Rt. 2 Meed Ave. Norwalk Conn Sept. 26/58." Note: There are numerous typing errors and hand-written corrections in ink throughout the letter and spelling errors are for the most part not noted in the follow textual description- as there are many. To a teacher in California Baldwin apologizes for the delay in her response to several questions posed by the teacher. "I can reply to your questions only informally and in bad typing as I have never used a secretary and employ two fingers." Baldwin discusses several of her books and writes that Many Windows will be published on her 65th birthday. "About education. I don't have the true equivalent of a high school education. Mrs. Dow's school did give courses which if passed took you into college; but I wasn't interested in college; I was about 17 and a ga half sic when I left Mrs. Dow's. The education in Germany was during the war and consisted of house keeping school didn't learn a thing and of German which I learned. I am not sorry I didn't go to college; I think I would have frittered away my time and probably flunked. I was not a good student for I was far too lazy." Baldwin goes on in some detail about advising students to go to college "if it is possible" and discusses the benefits of a college education and the difficulty of supporting herself as a writer. "You can only eat while you write if you have rich parents or generous and/or a well-heeled husband or wife." Baldwin writes about the demands for college degrees in the business world and says she always advises her students to at least have a good secretarial degree "for this is really an open door. I have seen one advance from typist to private secretary to asst. editor and then editor on a national magazine." Baldwin continues about her father's profession lawyer and her mother's a grade-school teacher and her family's background missionaries editors etc. "It's tougher if you are born into a family without the cultural background but that can be overcome by education." She writes "in this era a college education is extremely valuable and certainly a high school education a must." Also signed by Baldwin as "Mrs. Hugh Cuthrell." Baldwin was known for typing her manuscripts quickly but inaccurately and. unknown
1958ref. 251171958. BALDWIN Faith. Typed Letter Signed. Two pages on both sides of a single sheet; hand-written in ink: "Rt. 2 Meed Ave. Norwalk Conn Sept. 26/58." Note: There are numerous typing errors and hand-written corrections in ink throughout the letter and spelling errors are for the most part not noted in the follow textual description- as there are many. To a teacher in California Baldwin apologizes for the delay in her response to several questions posed by the teacher. "I can reply to your questions only informally and in bad typing as I have never used a secretary and employ two fingers." Baldwin discusses several of her books and writes that Many Windows will be published on her 65th birthday. "About education. I don't have the true equivalent of a high school education. Mrs. Dow's school did give courses which if passed took you into college; but I wasn't interested in college; I was about 17 and a ga half sic when I left Mrs. Dow's. The education in Germany was during the war and consisted of house keeping school didn't learn a thing and of German which I learned. I am not sorry I didn't go to college; I think I would have frittered away my time and probably flunked. I was not a good student for I was far too lazy." Baldwin goes on in some detail about advising students to go to college "if it is possible" and discusses the benefits of a college education and the difficulty of supporting herself as a writer. "You can only eat while you write if you have rich parents or generous and/or a well-heeled husband or wife." Baldwin writes about the demands for college degrees in the business world and says she always advises her students to at least have a good secretarial degree "for this is really an open door. I have seen one advance from typist to private secretary to asst. editor and then editor on a national magazine." Baldwin continues about her father's profession lawyer and her mother's a grade-school teacher and her family's background missionaries editors etc. "It's tougher if you are born into a family without the cultural background but that can be overcome by education." She writes "in this era a college education is extremely valuable and certainly a high school education a must." Also signed by Baldwin as "Mrs. Hugh Cuthrell." Baldwin was known for typing her manuscripts quickly but inaccurately and. unknown books
1975ref. 147518N.p.: N.p. 1975. Draft script for the 1975 play which premiered on April 20 at the Theatre de Lys in New York. A southern melodrama focusing on the toxic relationship between a former heavyweight boxing champion and a young teacher. Set in rural Georgia. Blue titled wrappers with credits for playwright Larry Ketron. Title page present dated 1975 with credits for playwright Larry Ketron. 98 leaves with last page of text numbered 2-3-36. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1975ref. 147518N.p.: N.p. 1975. Draft script for the 1975 play which premiered on April 20 at the Theatre de Lys in New York. A southern melodrama focusing on the toxic relationship between a former heavyweight boxing champion and a young teacher. Set in rural Georgia. Blue titled wrappers with credits for playwright Larry Ketron. Title page present dated 1975 with credits for playwright Larry Ketron. 98 leaves with last page of text numbered 2-3-36. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1953ref. 137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Multilith duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown
1953ref. 137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Multilith duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
