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1925Very Good English Modern cloth bdg. Cr. 8vo. (19 x 13 cm). In French. 267, [1] p. Le Coran. Traduction nouvelle avec notes d'un choix de Sourates precedes d'une introduction au Coran par Edouard Montet.
1986Very Good Very Good English Originaal bdg. Dust wrapper. Roy. 8vo. (25 x 18 cm). In English. [xcix], 880, 34 p. This bibliography provides information about 2672 works which are the originals, copies and differents editions of 551 complete and 883 incomplete translations and selections in 65 differents languages. The introduction is a study on the history of Qur'an translations from the advent of Islam to our time. World bibliography of translations of the meanings of the Holy Qur'an, printed translations, 1515-1980. Edited with an introduction by Ekmeleddin Ihsanoglu.
2011New English Paperback. Pbo. Large roy. 8vo. (25 x 17 cm). In Turkish. [xii], 246, [4] p., b/w and color ills. Kur'an'in nüzûlünün 1400. yili münasebeti ile Kur'an'i Anlama Sempozyumu. 14-16 Mayis 2010.
2014New English Papperback. Pbo. Large demy 8vo. (23 x 15 cm). In Turkish. [xxi], 792 p. A study on first translated quran in the Old Anatolian Turkish Period. Eski Anadolu Türkçesi dönemine ait satir arasi ilk Kur'an tercümesi.
Very Good English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In German. 69-94 pp. Signed and inscribed by Schimmel in Ottoman script as 'sevgilerimle'. Die Kulturen der asiatischen Grossreiche und Russlands. Sonderbruck: Die islamische Kultur.
1962Near Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 1 p. text, 2 b/w plts. in one folding page. Türk - Islâm tahta oymacilik sanatindan Selçuk devri bir Kur'an rahlesi.
2007New English Original bdg. HC. Oblong 4to. (28 x 32 cm). In English and Turkish. 63 p., color and b/w ills. In search for absolute baeuty. Selected art work from Albaraka Türk Calligraphy Competition.= Mutlak güzeli arayis. Albaraka Türk Hat Yarismasi'ndan seçme eserler. Introduction by Adnan Büyükdeniz; Foreword by Temel Haziroglu; Text by M. Ugur Derman.
2017New Turkish Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 236 p. Tefsir usûlü. A study on commentary method.
2015New New Turkish Original bdg. Dust wrapper. 4to. (28 x 21 cm). In Turkish. 574 p., color ills. Study on the objects used in daily life in the Ottoman Empire. Osmanli'da günlük yasam nesneleri. Second Edition.
2012New Turkish Original aesthetics full leather bdg. in traditional Ottoman style. In publisher's special box. 4to. (30 x 20 cm). In Arabic. All edges gilt. Fully illuminated as traditional: Serlevha, hecde hizb, cüz roses, zahriye semses, müsenna besmele, with 'tevafuk' and color secavends, and med-kasirs. 605, 11, [4] p. The glorious Quran. Kur'an-i Kerim. was an Islamic calligrapher born during Ottoman times. His real name is Sheikh Musa Azmi, which is why his works may be found to be signed as Azmi. He is known by the pseudonym Hamid. He is also known as Hamid Al Amidi in international circles. Hamid learned the jali-thuluth (Turkish: celi-sülüs) style from Mehmed Nazif (1846-1913), the naskh and thuluth styles from Kamil Akdiç (1862-1941) and the ta'liq style from Mehmed Hulusi (1869-1940). His works are on display in many countries including Egypt and Iraq. His works are also on display in many newly built mosques of Istanbul. Some of his popular students include Hasan Çelebi and Fuat Basar. He was buried in the Karacaahmet Cemetery of Üsküdar district, Istanbul.
2012New Turkish Original aesthetics full leather bdg. in traditional Ottoman style. With flap (miklep). In publisher's special luxury box. Large 4to. (30 x 25 cm). In Arabic. All edges gilt. Fully illuminated as traditional: Serlevha, hecde hizb, cüz roses, zahriye semses, müsenna besmele, with 'tevafuk' and color secavends, and med-kasirs. 605, 11, [4] p. The glorious Quran. Kur'an-i Kerim. was an Islamic calligrapher born during Ottoman times. His real name is Sheikh Musa Azmi, which is why his works may be found to be signed as Azmi. He is known by the pseudonym Hamid. He is also known as Hamid Al Amidi in international circles. Hamid learned the jali-thuluth (Turkish: celi-sülüs) style from Mehmed Nazif (1846-1913), the naskh and thuluth styles from Kamil Akdiç (1862-1941) and the ta'liq style from Mehmed Hulusi (1869-1940). His works are on display in many countries including Egypt and Iraq. His works are also on display in many newly built mosques of Istanbul. Some of his popular students include Hasan Çelebi and Fuat Basar. He was buried in the Karacaahmet Cemetery of Üsküdar district, Istanbul.
2017New Turkish Original imitation leather bdg. with a flap. Roy. 8vo. (24 x 17 cm). In Arabic. [5], 604, [21] p., color illuminations. The Glorious Quran - Kur'an-i Kerim. Calligraphed by Huseyin Kutlu. Illuminated by Ersan Percem.
2017New Turkish Paperback. 4to. (33 x 25 cm). Edition in Turkish. 382 p., color ills. Kur'an-i Kerim sanati. Türk ve Islâm Eserleri Müzesi hazineleri. 15 Ekim 2016 - 20 Subat 2017. [Exhibition catalogue]. With contributions by François Derroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi. In the early twentieth century, the Ottoman Empire was in political turmoil. Officials moved valuable artworks--including thousands of sumptuous Qur'an (Koran) manuscripts and loose pages dating from the 7th to 17th century--to Istanbul to ensure their safety. Penned by celebrated calligraphers and embellished by skilled illuminators and bookbinders, these manuscripts are now housed in the Museum of Turkish and Islamic Arts (Türk ve slam Eserleri Müzesi or TIEM) in Istanbul, established in 1914. This story unfolds in "The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts," the companion publication to the Arthur M. Sackler Gallery's groundbreaking exhibition, the first major presentation of Qur'ans in the United States. The book's authors describe the formation of this one-of-a-kind collection and the history of TIEM, whose centuries-old records on patrons, calligraphers, illuminators, and provenance allow us to create "biographies" detailing the production of the Qur'ans in the exhibition. Essays address the Qur'an as a written text--from content and organization to the elaborate calligraphy and illuminated designs that transformed the volumes into beautiful artworks. "The Art of the Qur'an "also includes in-depth descriptions of some seventy works from TIEM and the Smithsonian's Sackler and Freer Galleries. It features full-page, color images of the earliest known Qur'an folios and manuscripts from the Umayyad and Abbasid Near East (7th-10th century), Seljuk Iran and Anatolia (12th century), the Mongol Il-Khanid and Timurid empires and Mamluk Cairo (14th and 15th centuries), Safavid and Ottoman empires (16th and 17th centuries) as well as a number of mosque furnishings, such as Qur'an boxes and stands. Most of these works have rarely, if ever, been published.
2017New English Paperback. 4to. (33 x 25 cm). Edition in English. 382 p., color ills. The art of the Qur'an. Treasures from the Museum of Turkish and Islamic Arts. 15 October 2016 - 20 February 2017. [Exhibition catalogue]. With contributions by François Derroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi. In the early twentieth century, the Ottoman Empire was in political turmoil. Officials moved valuable artworks--including thousands of sumptuous Qur'an (Koran) manuscripts and loose pages dating from the 7th to 17th century--to Istanbul to ensure their safety. Penned by celebrated calligraphers and embellished by skilled illuminators and bookbinders, these manuscripts are now housed in the Museum of Turkish and Islamic Arts (Türk ve slam Eserleri Müzesi or TIEM) in Istanbul, established in 1914. This story unfolds in "The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts," the companion publication to the Arthur M. Sackler Gallery's groundbreaking exhibition, the first major presentation of Qur'ans in the United States. The book's authors describe the formation of this one-of-a-kind collection and the history of TIEM, whose centuries-old records on patrons, calligraphers, illuminators, and provenance allow us to create "biographies" detailing the production of the Qur'ans in the exhibition. Essays address the Qur'an as a written text--from content and organization to the elaborate calligraphy and illuminated designs that transformed the volumes into beautiful artworks. "The Art of the Qur'an "also includes in-depth descriptions of some seventy works from TIEM and the Smithsonian's Sackler and Freer Galleries. It features full-page, color images of the earliest known Qur'an folios and manuscripts from the Umayyad and Abbasid Near East (7th-10th century), Seljuk Iran and Anatolia (12th century), the Mongol Il-Khanid and Timurid empires and Mamluk Cairo (14th and 15th centuries), Safavid and Ottoman empires (16th and 17th centuries) as well as a number of mosque furnishings, such as Qur'an boxes and stands. Most of these works have rarely, if ever, been published.
2010New New Turkish Original bdg. Dust wrapper. Folio. (34 x 23 cm). In Turkish. 464 p., color ills. All edges gilt. 1400. yilinda Kur'an-i Kerim. Türk ve Islam Eserleri Müzesi Kur'an-i Kerim Koleksiyonu. Collection of qurans in the Museum of the Turkish and Islamic Arts.
2016New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English and Turkish. [xviii], 511 p. World bibliography of translations of the Holy Qur'an in manuscript form 3: Translations and exegeses in Turkish).= Yazma Kur'an-i Kerim meal ve tefsirleri (Türkçe) bibliyografyasi. Since the mid-1980s, IRCICA conducts a similar project regarding the translations and interpretations of the Holy Quran that are in manuscript form. As a result, first to be published was the World Bibliography of Translations of the Holy Quran in Manuscript Form I (Turkish, Persian and Urdu Translations Excluded). It recorded 293 translations in 58 languages. The second volume, the World Bibliography of Translations of the Holy Quran in Manuscript Form II (Translations in Urdu), compiled by Mr. Ahmad Khan (Pakistan) and containing 226 entries, appeared in 2009. IRCICA presents the third volume, an extensive one titled World Bibliography of Translations of the Holy Quran in Manuscript Form III (Translations and Exegeses in Turkish). It has been compiled from various library catalogues, studies and publications.
1991New English Original bdg. Atlas folio. (50 x 35 cm). In English, Turkish, and Arabic. A set of 30 plates, printed in colour on high quality paper and presented in a portfolio, in English, Arabic and Turkish 20 plates of 35x50 cm, 10 plates of 22x35 cm Reproductions of selected samples of calligraphy by masters of this art.
1999Lediglich Schutzumschlag berieben und am Buchrücken lichtbedingt ausgeblichen, innen gut und sauber, frei von Anstreichungen. - Sein Vater, der optimistische Ladenbesitzer, nannte ihn „Nasr" („Sieg"), weil er an den Sieg der Alliierten glaubte. Die anderen im Dorf vertrauten dem Gerücht, der deutsche Führer sei zum Islam übergetreten und heiße Muhammad Hitler. In der einfachen und phantasievollen Welt des Dorfes Quhafa wächst der kleine Nasr auf. Mit drei Jahren wird er zu einem Scheich geschickt, um den Koran zu memorieren. Bald liest er den alten Bauern die Zeitung aus der großen weiten Welt vor. Schon als Kind ist er respektierter „Träger des Koran", darf sogar in der Moschee zum Gebet rufen. Als Jugendlicher sympathisiert er mit den „Muslimbrüdern". Nach Aufenthalten in USA und Japan lehrt er an der Universität Kairo. Als er 1995 wegen „Ketzerei" angeklagt und von Islamisten mit dem Tod bedroht wird, ist er bereits eine Berühmtheit, und sein Schicksal geht durch die Weltpresse. Erzählung und Reflexion verbinden sich in seinem Buch: Vom Dorf in die Weltstadt, aus dem Orient in die Zentren westlichen Lebens, als Vertriebener im Exil, als Muslim in der Diaspora. Er erzählt von seinen Visonen und seinen Erfahrungen, davon, was ihn als Gelehrten bewegt und was sein Leben als Muslim prägt: Interpretation und Verständnis des Koran, das Verhältnis von Islam und Politik, der Islamismus - und immer wieder sein persönliches Verhältnis zur Religion. Wir alle werden im dritten Jahrtausend mit dem Islam leben, seinen Widersprüchen, seiner prägenden Kraft. Eine der wichtigsten Weltreligionen erhält hier ein faszinierendes Gesicht. ISBN 9783451269714
1999Sehr sauber und frisch erhalten. ISBN 9783534143092
1850Pages heavily foxed and browned. 1/2 leather binding with brown marbled boards. Some rubbing to spine. Corners edgeworn. Leather flecking off spine and corners. Some edgewear to boards. Former owner's bookplate to inner cover. Chipping and 1 small tear to ffep. ; Title continues: . 'A new edition, with a memoir of the translator, and with various readings and illustrative notes from Savary's version of the Koran'. Plates and maps at rear. ; 670 pages
8vo. Xxv, 265 pages. Frontispiece. First edition. SUBJECT (S) : Islam - relations - Judaism; Judaism - relations - Islam; Koran. Surat al-Bagarah - commentaries; Koran. Surat Al`Imran - commentaries. "Grew out of ... [the author's] doctoral dissertation submitted in 1943 to the Dropsie College for Hebrew and Cognate Learning [under title: Aggadie background of the Qur'an, suras II and III]. " Katsh (1908-1998) was born in Poland and emigrated to the U. S. In 1925. In 1933, he began teaching at New York University, and over the following three decades taught Hebrew education, culture, language and literature there. In 1957 He founded the National Association of Professors of Hebrew in American Universities, and was elected president of Dropsie College in 1967, where he served until 1976. His scholarship won him many awards and fellowships, including the Jewish Teachers Association of New York's Avodah Award, the Rabbi Kaniel Prize of the Municipality of Haifa, and the first Charles Kramer Research Fellow of the Institute for Jewish Policy Planning and Research of the Synagogue Council of America. Katsh is well known for his studies of Hebrew manuscripts and fragments from Russia and Eastern Europe, his translations, and his essays on Jewish studies in the United States. (EJ) Has dust jacket, which is torn around the edges. Very good condition. (Katsh-1-13) x5
8vo. X, 265 pages. Third edition. SUBJECT (S) : Islam - relations - Judaism; Judaism - relations - Islam; Koran. Surat al-Bagarah - commentaries; Koran. Surat Al`Imran - commentaries. SERIES: The Judaic studies library ; ; no. SHP 5; ISBN: 0872030865. Katsh (1908-1998) was born in Poland and emigrated to the U. S. In 1925. In 1933, he began teaching at New York University, and over the following three decades taught Hebrew education, culture, language and literature there. In 1957 He founded the National Association of Professors of Hebrew in American Universities, and was elected president of Dropsie College in 1967, where he served until 1976. His scholarship won him many awards and fellowships, including the Jewish Teachers Association of New York's Avodah Award, the Rabbi Kaniel Prize of the Municipality of Haifa, and the first Charles Kramer Research Fellow of the Institute for Jewish Policy Planning and Research of the Synagogue Council of America. Katsh is well known for his studies of Hebrew manuscripts and fragments from Russia and Eastern Europe, his translations, and his essays on Jewish studies in the United States. (EJ) Very good condition. (Katsh-1-14) xxxxX
8vo. 222 pages. In Hebrew. Hebrew version of "Judaism in Islam" SUBJECT (S) : Islam - relations - Judaism; Judaism - relations - Islam; Koran. Surat al-Bagarah - commentaries; Koran. Surat Al`Imran - commentaries. Katsh (1908-1998) was born in Poland and emigrated to the U. S. In 1925. In 1933, he began teaching at New York University, and over the following three decades taught Hebrew education, culture, language and literature there. In 1957 He founded the National Association of Professors of Hebrew in American Universities, and was elected president of Dropsie College in 1967, where he served until 1976. His scholarship won him many awards and fellowships, including the Jewish Teachers Association of New York's Avodah Award, the Rabbi Kaniel Prize of the Municipality of Haifa, and the first Charles Kramer Research Fellow of the Institute for Jewish Policy Planning and Research of the Synagogue Council of America. Katsh is well known for his studies of Hebrew manuscripts and fragments from Russia and Eastern Europe, his translations, and his essays on Jewish studies in the United States. (EJ) Very good condition. (Katsh-1-17/ 2-5) x13
Cloth, 8vo, xvii, [1], 626 + xiv, [1], 639 p.; 22.5 cm. Gathers together 27 and 28 essays by Wolfson in English as well as 2 in Hebrew. "For almost forty years Harry Wolfson has devoted himself unreservedly, indeed heroically, to a bold and imaginative projectentitled 'Structure and Growth of Philosophic Systems from Plato to Spinoza.' The fastidiously reasoned, intricately textured thesis underlying this grand project and unifying its many offshoots has been succinctly and lucidly described by Wolfson himself in the preface to Religious Philosophy: 'If we are to follow the conventional method of dividing philosophy into ancient, medieval, and modern, then medieval philosophy is to be defined as that system of thought which flourished between pagan Greek philosophy, which know not of Scripture, and that body of philosophic writings which ever since the seventeenth century has tried to free itself from the influence of Scripture. Medieval philosophy so defined was founded by Philo. He is the interpreter ofGreek philosophy in terms of certain fundamental teachings of his Hebrew Scripture, whereby he revolutionized philosophy and remade it into what became the common philosophy of the three religions with cognate Scriptures, Judaism, Christianity, and Islam. This triple scriptural religious philosophy, which was built up by Philo, reigned supreme as a homogeneous, if not a thoroughly unified, system of thought until the seventeenth century, when it was pulled down by Spinoza.'" (from vol.1, p. v-vi) -- As the twelfth volume of his Structure, Wolfson intended 'a definitive revision of Spinoza, with cross-references to all the previous books of the series' (Schwarz, Wolfson of Harvard, p. 224). Both Volumes Very Good Condition in Very Good Jackets. A Beautiful Set. (RAB-52-7)
1977Book is in excellent condition with very light shelf wear to covers only. Binding is solid and square, , text/interior is clean and free of marking of any kind. 209 pages, richly illustrated with many full page, full color prints of arab art from 691 to the 14th century.
