(morocco)Biblio.com
(Loti Pierre) Brahimi (Denise)Livre Rare Book
Au Maroc
1988réf. 30813La Boîte à Documents 1988 In-12 broché, 269 pp;
Librairie de l'Avenue · Saint-Ouen, France17,00 €
5 589 résultats
réf. a76219Washington 1970 Defense Mapping Agency. Oblong 4to. 923pp. original illustrated wraps. Light non-circulating library marks no spine numbers no pocket no bookplate. VG. . paperback
1999réf. ART6592500915Paris, Gallimard / Institut du Monde Arabe, 1999, 24 x 32, 255 pages sous reliure éditeur toilée et jaquette illustrée. Iconographie en noir & blanc et en couleurs. Catalogue de l'exposition présentée à l'Institut du 19 octobre 1999 au 30 janvier 2000.
1988réf. 30813La Boîte à Documents 1988 In-12 broché, 269 pp;
2002réf. PEINTUREEEEE9010923Paris, Somogy Editions d'Art / Bordeaux, Musée des Arts décoratifs, 2002, 23 x 29, 96 pages sous percaline éditeur imprimée et jaquette illustrée. Iconographie couleurs. Ouvrage publié à l'occasion de l'exposition présentée à Bordeaux du 27 septembre 2002 au 6 janvier 2003.
1952Rabat, Editions Félix Moncho,1952. Un fort volume de format in8° de 360 pp., XXVIII planches dépliantes, coloriées le plus souvent, très nombreux diagrammes et schémas. Etat de neuf; peu comun. Exemplaire d Jean Pierre Fourcade, ancien ministre.
1952réf. 58721952 Rabat, Editions Félix Moncho,1952. Un fort volume de format in8° de 360 pp., XXVIII planches dépliantes, coloriées le plus souvent, très nombreux diagrammes et schémas.
2012réf. LFA-126745981Un guide de 496 pages, format 130 x 195 mm, illustré, broché couverture couleurs rempliée, publié en 2012, Hachette, bon état
réf. LFA013e0Une plaquette de 12 pages, format 180 x 120 mm, illustrée, brochée, s.d. publiée au cours de la première moitié du XXe siècle, Casablanca
2003réf. LFA-126741670Un guide de 656 pages, format 115 x 190 mm, illustré, broché couverture couleurs, publié en 2003, Hachette, bon état
1987réf. LFA-126721990Un ouvrage de 96 pages, format 205 x 240 mm, illustré de 187 photographies, broché couverture couleurs, publié en 1987, Editorial Escudo de Oro, bon état
1986réf. LFA-126728924Un ouvrage de 96 pages, format 205 x 240 mm, illustré de 187 photographies, broché couverture couleurs, publié en 1986, Editorial Escudo de Oro, bon état
1996réf. LFA-126744479Un ouvrage de 160 pages, format 235 x 295 mm, illustré, relié cartonnage couleurs, publié en 1996, Larousse, collection "Des Pays et des Hommes", bon état
2006réf. LFA-126730509Un guide de 558 pages, format 120 x 205 mm, illustré, broché couverture couleurs, publié en 2006, Le Petit Futé bon état
1770réf. 22455Paris Mérigot 1770 -in-12 plein-maroquin un volume, reliure plein maroquin rouge in-douze (full morocco duodecimo) (14,5 x 8,6 cm), RELIURE D'EPOQUE, dos long (spine without raised band), décoré "or", titre frappé "or" dans un encadrement d'une roulette et d'un filet "or", filet "or" avec de part et d'autre une roulette "or" en place des nerfs et en tête et en pied, entre-nerfs à fleuron "or" dans un encadrement à filet et roulette "or" avec rinceaux "or" aux angles, plats décorés "or" d'un encadrement à 3 filets "or" avec fleuron aux angles, filet "or" sur les coupes (gilt line on the cuts) et dentelle "or" intérieure, toutes tranches dorées (all edges gilt), marque-page en tissu vert (bookmark in tissue), sans illustration (no illustration), XI + 504 pages, 1770 à Paris Mérigot Editeur,
réf. 19082s.l., s.n., 1922, 1 agraphé, sans couverture. Carnet oblong de 20 cartes postales détachables de 16 cm x 9 cm, légére mouillure sur la dernière carte postale ;
1775réf. ST17825Paris: Joseph-Gérard Barbou rue Mathurins 1775. 163 x 96 mm. 6 3/8 x 3 3/4". Seven volumes. Edited by J. N. Lallemand; preface by Jean Baptiste Louis Crévier. EXTREMELY ATTRACTIVE CONTEMPORARY GREEN ARMORIAL MOROCCO perhaps by Derome covers with triple gilt rule border central gilt coat of arms of the Blanche family featuring a seated fox with one paw raised above it a row of three five-pointed stars smooth spine divided into compartments containing a gilt lyre surrounded by stars and dots floral sprigs at corners volume number within a laurel wreath gilt lettering marbled endpapers all edges gilt. With printer's two-swans device on title pages volume I with frontispiece portrait engraved by L. J. Cathelin after J. C. Philips. With pencilled note on front flyleaf attributing the binding to Derome. Brunet III 1108 "Edition estimée"; Dibdin II 171. For the binding: Olivier Pl. 2279. ◆Spines slightly and uniformly sunned very light shelf wear to bindings occasional faint foxing in volume IV but A SUPERB SET almost entirely absent of any signs of use. This is a fine-paper copy in a binding both charming and handsome of what Dibdin deems "a truly beautiful and accurate edition" of Livy's Roman history. Brunet called it an "esteemed edition" and notes that fine paper copies like the present set sold for twice what regular copies cost. First printed by Sweynheym and Pannartz in 1469 the "Histories" of Titius Livius Patavani 59 B.C. - 17 A.D. follow the rise of Rome from the founding of the city through its triumphs in the Punic Wars and up through the reign of the author's contemporary emperor Augustus. His account is notable for its emphasis on the glorious triumphs and accounts of heroism of the Romans stemming in his eyes from their virtue; his history is intended not just to inform but also to elevate the reader. The present edition according to Dibdin builds on the fine editions edited by Crevier and Drakenborch incorporating their useful notes and additions. It was beautifully printed by Joseph-Gérard Barbou 1723-90 scion of a family that had begun printing in Lyon in 1529 moving to Paris in 1540. Joseph apparently specialized in Latin classics producing editions of Cicero Lucretius Pliny Caesar and Martial among others. The fine binding here does not have Derome's ticket but is well executed enough to make the attribution written in at front plausible. There were no fewer than 18 members of the Derome family not to mention workshop associates who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th. Our binding is tasteful--perfect for a scholarly edition of a classic--and conceivably the work of one of the Deromes or of an extremely competent associate. Olivier attributes our armorial stamp to the 18th century Blanche family of Burgundy and he finds it on a copy of Barbou's 1771 Sallust in the library of Madame la Comtesse de Cossé. The "country house" condition of the present set suggests an aristocratic owner more concerned with owning fine books than with reading them. [Joseph-Gérard] Barbou, rue Mathurins unknown books
1772réf. ST18628bBirminghamiae: Typis Joannis Baskerville 1772. First Baskerville Edition. 310 x 260 mm. 11 7/8 x 9 3/4". 1 p.l. 200 221-372 pp. but complete. SUPERB CONTEMPORARY RED MOROCCO LAVISHLY GILT IN THE STYLE OF DEROME covers with wide dentelle frame composed of botanical elements and many small tools raised bands spines gilt in compartments with central floral sprig surrounded by acorns flowers stars and dots volute cornerpieces green morocco labels gilt turn-ins marbled endpapers all edges gilt. Front pastedowns with engraved bookplate of P. Dupont and with morocco heraldic book label. Gaskell 44. ◆A breath of rubbing to extremities title page a little browned final page a bit foxed other trivial imperfections but AN EXCEPTIONALLY FINE COPY internally clean smooth and bright and in a sparkling binding. This is the impressive quarto edition of a trio of great Roman love poets in a premier binding befitting the elegant printing. In a sheet dated 1760 which Baskerville issued appended to a specimen of his folio Bible the printer discusses his proposed "Baskerville Classics": "Many gentlemen" he says "have wished to see a sett of the Classicks . . . in the Manner Letter and Paper of the 'Virgil' already published" and he vows to print the same with the poetical classics first. The present items are from what turned out to be seven Baskerville quarto printings of the classics mostly done late in the printer's career but according to Reed bearing "the marks of unabated genius." These volumes says Reed would "suffice had Baskerville printed nothing else to distinguish him as the first typographer of his time." In the present works the stately typography the luxurious paper textured but feeling rather like vellum and the spacious design combine to give the reader a particularly gratifying feeling of strength and serenity. The extraordinarily smooth surface of our leaves provides a tactile experience not available from any other 18th century printer Bodoni included. The beautiful binding here is unsigned but is clearly the product of a first-rate workshop; while it is not uncommon to see a volume from the Baskerville quartos in a decorative contemporary binding the present one would have a place in the front row of any assemblage. Typis Joannis Baskerville unknown books
1622réf. ST20888Munich: N. Henricus 1622. First Edition in German. 160 x 100 mm. 6 1/4 x 4". 16 p.l. 699 3 pp. Translated from the Latin by Sebastian Äntzenhover. UNUSUAL AND QUITE BEAUTIFUL CONTEMPORARY GERMAN DARK RED MOROCCO GILT covers with gilt fillet border central panel with onlaid corner pieces and centerpiece of black morocco stamped in relief to an Ottoman-inspired design of flowering vines raised bands spine panels with gilt centerpiece two leather straps with silver clasps and catches all edges gilt. Title page with engraving of the Tower of Babel. Top half inch of title page cut away to remove owner inscription. VD17 12:103845E; USTC 2019170. A touch of bowing to boards spine a little crackled joints and extremities a bit rubbed occasional small round marginal marks apparently made with wax! and presumably meant to indicate textual importance other trivial imperfections but an excellent copy clean and fresh in an unrestored binding with lustrous boards glistening with gilt. This rare work on sinning through the use of wicked words is offered here in a lovely binding that is quite out of the ordinary for its time and place and that may well have a very noble provenance. "Spiritual Tongues: That is a Salutary Treatise Concerning the Poisonous Tongue of Man--How to Guard Against and Remedy It" is an examination of the sins committed through speaking written by Munich Jesuit Johannes Pelecyus 1545–1623 and first printed in Latin in 1620. Pelecyus addresses the evils of gossip slander indiscretion cursing mocking and other injurious speech. The first part of the work is a general overview of the topic from a theological standpoint while the second part is a more practical guide to types of harmful speech and specific remedies for avoiding and correcting these offenses. Pelecyus concludes with a poem "The Devil's Disease and its Remedy." The binding here is remarkable in terms of its material makeup and the conjectural origin of its design. In the first part of the 17th century morocco was not commonly used by German binders who preferred sturdier pigskin particularly for treatises like this which could be expected to see much use poisonous tongues have long been a fact of life and in need of being frequently read about. Morocco was generally reserved for presentation copies or ceremonial liturgical works. In addition to the material the decoration here is unusually lavish for a text of this sort with onlays gilt adornment and silver clasps that required time and skill from the artisan and considerable expense for the patron. Significantly the lovely relief centerpiece design on the boards here also appears on the covers of a Book of Hours originally created for Holy Roman Emperor Maximilian I 1459-1519. That volume was later acquired by another similarly named owner Duke Maximilian I of Bavaria and is now to be found in the Bavarian State Library: shelfmark BSB 2 L.impr.membr. 64. It is certainly well within the realm of possibility that our later Maximilian 1573-1651 could have owned the present poisoned tongue volume and had it dressed in its elaborate morocco attire in imitation of the original binding design on the emperor’s prayer book. Whoever was responsible for the binding they surely did extremely fine work and no doubt for an elite clientele. One other curious feature of this volume is the series of round wax dollops made in the margins which an owner the fastidious second Maximilian has used to mark passages of interest in the text. While they don't materially affect the value of the volume they are intriguing in that they inevitably call up images for us of a careful early reader systematically marking with some kind of unknown implement the parts of the text that seemed important. "Spiritual Tongues" is a rare work: USTC and OCLC find just four copies outside Germany none of them in North America and we could trace just one copy sold at auction. N. Henricus unknown books
1622réf. ST20888Munich: N. Henricus 1622. First Edition in German. 160 x 100 mm. 6 1/4 x 4". 16 p.l. 699 3 pp. Translated from the Latin by Sebastian Äntzenhover. UNUSUAL AND QUITE BEAUTIFUL CONTEMPORARY GERMAN DARK RED MOROCCO GILT covers with gilt fillet border central panel with onlaid corner pieces and centerpiece of black morocco stamped in relief to an Ottoman-inspired design of flowering vines raised bands spine panels with gilt centerpiece two leather straps with silver clasps and catches all edges gilt. Title page with engraving of the Tower of Babel. Top half inch of title page cut away to remove owner inscription. VD17 12:103845E; USTC 2019170. A touch of bowing to boards spine a little crackled joints and extremities a bit rubbed occasional small round marginal marks apparently made with wax! and presumably meant to indicate textual importance other trivial imperfections but an excellent copy clean and fresh in an unrestored binding with lustrous boards glistening with gilt. This rare work on sinning through the use of wicked words is offered here in a lovely binding that is quite out of the ordinary for its time and place and that may well have a very noble provenance. "Spiritual Tongues: That is a Salutary Treatise Concerning the Poisonous Tongue of Man--How to Guard Against and Remedy It" is an examination of the sins committed through speaking written by Munich Jesuit Johannes Pelecyus 1545–1623 and first printed in Latin in 1620. Pelecyus addresses the evils of gossip slander indiscretion cursing mocking and other injurious speech. The first part of the work is a general overview of the topic from a theological standpoint while the second part is a more practical guide to types of harmful speech and specific remedies for avoiding and correcting these offenses. Pelecyus concludes with a poem "The Devil's Disease and its Remedy." The binding here is remarkable in terms of its material makeup and the conjectural origin of its design. In the first part of the 17th century morocco was not commonly used by German binders who preferred sturdier pigskin particularly for treatises like this which could be expected to see much use poisonous tongues have long been a fact of life and in need of being frequently read about. Morocco was generally reserved for presentation copies or ceremonial liturgical works. In addition to the material the decoration here is unusually lavish for a text of this sort with onlays gilt adornment and silver clasps that required time and skill from the artisan and considerable expense for the patron. Significantly the lovely relief centerpiece design on the boards here also appears on the covers of a Book of Hours originally created for Holy Roman Emperor Maximilian I 1459-1519. That volume was later acquired by another similarly named owner Duke Maximilian I of Bavaria and is now to be found in the Bavarian State Library: shelfmark BSB 2 L.impr.membr. 64. It is certainly well within the realm of possibility that our later Maximilian 1573-1651 could have owned the present poisoned tongue volume and had it dressed in its elaborate morocco attire in imitation of the original binding design on the emperor’s prayer book. Whoever was responsible for the binding they surely did extremely fine work and no doubt for an elite clientele. One other curious feature of this volume is the series of round wax dollops made in the margins which an owner the fastidious second Maximilian has used to mark passages of interest in the text. While they don't materially affect the value of the volume they are intriguing in that they inevitably call up images for us of a careful early reader systematically marking with some kind of unknown implement the parts of the text that seemed important. "Spiritual Tongues" is a rare work: USTC and OCLC find just four copies outside Germany none of them in North America and we could trace just one copy sold at auction. N. Henricus unknown
1772réf. ST18628bBirminghamiae: Typis Joannis Baskerville 1772. First Baskerville Edition. 310 x 260 mm. 11 7/8 x 9 3/4". 1 p.l. 200 221-372 pp. but complete. SUPERB CONTEMPORARY RED MOROCCO LAVISHLY GILT IN THE STYLE OF DEROME covers with wide dentelle frame composed of botanical elements and many small tools raised bands spines gilt in compartments with central floral sprig surrounded by acorns flowers stars and dots volute cornerpieces green morocco labels gilt turn-ins marbled endpapers all edges gilt. Front pastedowns with engraved bookplate of P. Dupont and with morocco heraldic book label. Gaskell 44. ◆A breath of rubbing to extremities title page a little browned final page a bit foxed other trivial imperfections but AN EXCEPTIONALLY FINE COPY internally clean smooth and bright and in a sparkling binding. This is the impressive quarto edition of a trio of great Roman love poets in a premier binding befitting the elegant printing. In a sheet dated 1760 which Baskerville issued appended to a specimen of his folio Bible the printer discusses his proposed "Baskerville Classics": "Many gentlemen" he says "have wished to see a sett of the Classicks . . . in the Manner Letter and Paper of the 'Virgil' already published" and he vows to print the same with the poetical classics first. The present items are from what turned out to be seven Baskerville quarto printings of the classics mostly done late in the printer's career but according to Reed bearing "the marks of unabated genius." These volumes says Reed would "suffice had Baskerville printed nothing else to distinguish him as the first typographer of his time." In the present works the stately typography the luxurious paper textured but feeling rather like vellum and the spacious design combine to give the reader a particularly gratifying feeling of strength and serenity. The extraordinarily smooth surface of our leaves provides a tactile experience not available from any other 18th century printer Bodoni included. The beautiful binding here is unsigned but is clearly the product of a first-rate workshop; while it is not uncommon to see a volume from the Baskerville quartos in a decorative contemporary binding the present one would have a place in the front row of any assemblage. Typis Joannis Baskerville unknown
1775réf. ST17825Paris: Joseph-Gérard Barbou rue Mathurins 1775. 163 x 96 mm. 6 3/8 x 3 3/4". Seven volumes. Edited by J. N. Lallemand; preface by Jean Baptiste Louis Crévier. EXTREMELY ATTRACTIVE CONTEMPORARY GREEN ARMORIAL MOROCCO perhaps by Derome covers with triple gilt rule border central gilt coat of arms of the Blanche family featuring a seated fox with one paw raised above it a row of three five-pointed stars smooth spine divided into compartments containing a gilt lyre surrounded by stars and dots floral sprigs at corners volume number within a laurel wreath gilt lettering marbled endpapers all edges gilt. With printer's two-swans device on title pages volume I with frontispiece portrait engraved by L. J. Cathelin after J. C. Philips. With pencilled note on front flyleaf attributing the binding to Derome. Brunet III 1108 "Edition estimée"; Dibdin II 171. For the binding: Olivier Pl. 2279. ◆Spines slightly and uniformly sunned very light shelf wear to bindings occasional faint foxing in volume IV but A SUPERB SET almost entirely absent of any signs of use. This is a fine-paper copy in a binding both charming and handsome of what Dibdin deems "a truly beautiful and accurate edition" of Livy's Roman history. Brunet called it an "esteemed edition" and notes that fine paper copies like the present set sold for twice what regular copies cost. First printed by Sweynheym and Pannartz in 1469 the "Histories" of Titius Livius Patavani 59 B.C. - 17 A.D. follow the rise of Rome from the founding of the city through its triumphs in the Punic Wars and up through the reign of the author's contemporary emperor Augustus. His account is notable for its emphasis on the glorious triumphs and accounts of heroism of the Romans stemming in his eyes from their virtue; his history is intended not just to inform but also to elevate the reader. The present edition according to Dibdin builds on the fine editions edited by Crevier and Drakenborch incorporating their useful notes and additions. It was beautifully printed by Joseph-Gérard Barbou 1723-90 scion of a family that had begun printing in Lyon in 1529 moving to Paris in 1540. Joseph apparently specialized in Latin classics producing editions of Cicero Lucretius Pliny Caesar and Martial among others. The fine binding here does not have Derome's ticket but is well executed enough to make the attribution written in at front plausible. There were no fewer than 18 members of the Derome family not to mention workshop associates who made their livings as binders in Paris from the middle of the 17th century until the first quarter of the 19th. Our binding is tasteful--perfect for a scholarly edition of a classic--and conceivably the work of one of the Deromes or of an extremely competent associate. Olivier attributes our armorial stamp to the 18th century Blanche family of Burgundy and he finds it on a copy of Barbou's 1771 Sallust in the library of Madame la Comtesse de Cossé. The "country house" condition of the present set suggests an aristocratic owner more concerned with owning fine books than with reading them. [Joseph-Gérard] Barbou, rue Mathurins unknown
réf. 35160S.l 0 in 8 (20x12,5) 1 volume reliure plein veau fauve de l'époque, dos à nerfs orné, pièce de titre de maroquin rouge, tranches teintées rouge, page de faux titre, 231 pages, avec une grande planche gravée dépliante in fine, par Antoine Baratier, Marquis de Saint Auban, 1713-1783. Relié à la suite: 1°/ DISCUSSION NOUVELLE DES CHANGEMENS FAITS DANS L'ARTILLERIE DEPUIS 1765, par M. Du Coudray (londres 1776), 167 pages IV. 2°/ REMARQUES SUR UN NOUVEAU SYSTEME DE FORTIFICATION proposé par M. le Comte de Saxe (La Haye, Pierre Gosse, 1757) 73 pages, découpage dans le bas de la page 47-48. 3°/ AVIS AUX HESSOIS ET AUTRES PEUPLES DE L'ALLEMAGNE, Vendus par leur Prince à l'Angleterre ( A Cleves, chez Bertol 1777) 16 pages. 4°/ LETTRE DE M. LINGUET (Londres, 1777) 49 pages. Simon Nicolas Henri Linguet. Ex-libris manuscrit ancien du chevallier Augustin de Carmejane. Ensemble rare. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 15769Librairie Hachette et Cie 1912. Fort in-4 cartonnage éditeur percaline rouge. Magnifique couverture illustrée polychrome. 4 ème plat décorée. Dos rond avec titre & décoration. Tête & tranches dorées. 85 photos hors texte. Intérieur parfait. Coins très, très légérements tassés. Superbe état de fraicheur. Rare édition originale de cet ouvrage consacré au Maroc.
1931réf. 21357Paris, Degorce, 1931; in-4° (316 mm), demi-chagrin maroquiné réglisse, dos lisse, titre doré à la japonaise, couverture illustrée d’un masque africain conservée (reliure postérieure) ; [7], 24 pp., [3] ff., le dernier blanc et [25] ff. lithographies reliées dos à dos et une en frontispice.
1800réf. 45498(Copenhagen, 1800). 4to. No wrappers as issued in ""Det Kongelige danske Videnskabernes Selskabs Skrifter"". 204 pp. and 7 large folded engraved plates.
