4 240 résultats
2014réf. R240106544J'AI LU. 2014. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 477 pages - quelques pages désolidarisées.. . . . Classification Dewey : 840.092-XXI ème siècle
1978réf. RO90125497EDITIONS DU BOIS DE BOULOGNE. 1978. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 188 pages. Un trait de stuylo sur la couverture.. . . . Classification Dewey : 843.085-Le roman sentimental
réf. RO30305048Archimède. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 30 pages augmentées de nombreuses illustrations en couleurs, hors texte.. . . A l'italienne. Classification Dewey : 843.0692-Livres d'enfants
1983réf. R100088905Pierre Mardaga. 1983. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 164 pages - nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 610-Sciences médicales. Médecine
1962réf. RO30147236IMPRIMERIE IMGRAF. 1962. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 66 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
1994réf. RO20067044Herscher. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 62 pages, nombreuses reproductions couleur hors texte.. . . A l'italienne. Classification Dewey : 750-La peinture et les peintres
1958réf. RO30048010LES EDITIONS DU PUITS-PELU. 1958. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages. Première de couverture illustrée en couleurs.. . . . Classification Dewey : 843.0872-Le roman policier
1958réf. RO40101712Le Puits-Pelu. 1958. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur bon état. 248 pages. Couverture détcahée.. . . . Classification Dewey : 843.0872-Le roman policier
Piranha, 2017, 957 pp., broché, bon état.
réf. 26963Broché, 23X14 cm, 1957, 246 pages, bibliothèque historique Payot. Nom masqué par du "blanc" au contre plat, très bon état.
1984réf. 62631984 Lachenal & Ritter, 1984, 51pp, in-8 couverture violette , non rogné. Comme neuf .
réf. 61361Editions cercle d'art 1962 livre étude 32*25,5 123 pages
réf. 65522François Maspero, FM, La Découverte, 1982, 332 pp., poche, tampon en première page, couverture légèrement défraîchie, pli de lecture sur le dos, état correct.
2000réf. 234436Bison Books 2000. paperback. Good. 5x0x8. Minor wear. Has a good binding no marks or notations. 176 pages. Bison Books paperback books
réf. 9781843620211Orchard Books
1995réf. 80893New York, Crown Publishers, 1995. Text in Englisch, gr. 8° (23 x 25,5 cm), 192 S., mit zahlreichen Farb- und Schwarzweißabbildungen auf teils doppelseitigen Tafeln und im Text, kartonierter Einband
1979réf. 500132192France loisirs 1979 122 pages in12. 1979. cartonnage editeur. 122 pages.
réf. 40063Paris, Herscher, 1994. 20 x 24, 64 pp., nombreuses illustrations en couleurs et en N/B, cartonnage d'édition Imprimé, très bon état.
1990réf. 154085Atlanta, Georgia: Scholars Press 1990. XVI, 136 Seiten. Als Typoskript gedruckt. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
réf. 9780060750343Harper Collins USA
1969réf. 217139Athens: University of Georgia Press 1969. First. hardcover. very good/very good-. Many Illus. 96pp. Oblong 4to blue cloth d.w. chipped and light browned on edges. Athens: University of Georgia Press 1969. University of Georgia Press unknown books
réf. 49973Salzburg : Verlag Anton Pustet Salzburg, [2016]. Taschenbuchausgabe 334 Seiten ; 22 cm broschiert
2013réf. 125059Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped. American Antiquarian Society unknown books
réf. 19394Paris : Payot, "Bibliothèque historique", 1957. Un volume in-8°, broché.
1909réf. 168330Chicago: University of Chicago Press 1909. Hardcover. Very Good. First edition. Very good book has slight fraying of spine and corners of cover slight fading of cover stamp of former owner inside front endpaper Ex-library copy foxing of pages. University of Chicago Press hardcover books
