University of GeorgiaBiblio.com
5 747 résultats
réf. 0666008507.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1331913756.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. BOILER22MM072The University of Georgia Printing Department. Very Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Good condition with clean pages. Tear along spine creased back cover. Name of prior owner in ink on inner front cover. The University of Georgia Printing Department unknown
1970réf. 2237Athens GA: Georgia Museum of Art 1970. Softcover. VG. Wraps. 120 pp. 81 bw plates. Catalogue lists 80 works with dimensions owners etc. Very detailed chronology and exhibition history. Selected bibliography. Scarce catalogue with a significant essay by Linda Nochlin. Exhibition held Sept. 20 to Nov. 8 1970 two other locations. Georgia Museum of Art paperback books
1987réf. 120667La manufacture, coll. « Qui êtes-vous ? », n° 28 1987 In-12 broché 18 cm sur 11. 536 pages. Dos avec pliures sinon bon état d’occasion.
2023réf. BN183725LIGHTNING SOURCE INC 2023. 2023. Hardcover. Philosophy 101: From Plato and Socrates to Ethics and Metaphysics an Essential Primer on the History of Thought Philosophy 101: From Plato and Socrates to Ethics and Metaphysics an Essential Primer on the History of Thought Georgia Harrison LIGHTNING SOURCE INC hardcover
2023réf. BN242555LIGHTNING SOURCE INC 2023. 2023. Softcover. Philosophy 101: From Plato and Socrates to Ethics and Metaphysics an Essential Primer on the History of Thought Philosophy 101: From Plato and Socrates to Ethics and Metaphysics an Essential Primer on the History of Thought Georgia Harrison LIGHTNING SOURCE INC paperback
1950réf. List1810Mostly Atlanta 1950. Leatherette album measuring 12 x 9 inches. With over 225 images most 4 ½ x 2 ¾ inches. Very well preserved and nearly complete with three empty slots about fine overall. Near Fine. A compelling visual record of the childhood of Mable Williams of Atlanta Georgia a high school student at Booker T. Washington High School in Atlanta the first public high school for African-American students in the state. Williams graduated from Booker T. Washington High School in 1953 per a newspaper article included here and would attend Spelman College. Composed mostly of snapshot photographs of her friends and family as a group the album provides a visual record of a vibrant network of family and friends in Atlanta during the time period. The album begins with a picture showing her as a girl alongside a picture of a house perhaps hers and traces her life through early adulthood through snapshots and family photographs. We find records of Williams performing at the Greater Atlanta Music Festival in 1950 as a representative of her high school. A newspaper article laid in shows Williams in a newspaper showing her graduation picture and stating that she will attend Spelman College in Atlanta in September of 1953. Pictures show her in New York City visiting a friend at N.Y.U. She would later marry Billy Reid a local jazz musician from Atlanta and would remain active in the Spelman community after graduating in 1957. Overall a very well preserved document of the African-American community in Atlanta during the 1940s and 1950s. unknown
réf. 3036Ghost Ranch New Mexico: np 1975. Fine. ARTIST’S PROOF SIGNED BY THE PHOTOGRAPHER BUDNIK. A wonderful evocative photograph of O’Keeffe at 87 years old taken at her beloved Ghost Ranch just north of Abiquiú New Mexico. By March 1975 when this photograph was taken O’Keeffe had begun to explore pottery as her chief artistic medium. The photographer Budnik powerfully foregrounds the hands that shaped the clay reminding us of O’Keeffe’s relentless pursuit of art and creativity. At an age where most famous people are photographed looking wise or contemplative it’s refreshing to see Budnik capturing the joy of O’Keeffe in her later stage of life. The photographer Dan Budnik whose career ranged from artist portraiture to major documentary work on the Civil Rights Movement brought to his sitters an unusual mixture of intimacy and formal rigor. His 1975 photographs of O’Keeffe at Ghost Ranch are among the most compelling visual records her in the last years of her life. Gelatin silver print artist’s proof noted “AP” by Budnik at bottom left from an unspecified edition; printed later. Not examined out of frame. Size: 16 x 10.5 in; framed to an overall size of approx. 26 x 23 in. Fine condition. np unknown
1950réf. List1810Mostly Atlanta 1950. Leatherette album measuring 12 x 9 inches. With over 225 images most 4 ½ x 2 ¾ inches. Very well preserved and nearly complete with three empty slots about fine overall. Near Fine. A compelling visual record of the childhood of Mable Williams of Atlanta Georgia a high school student at Booker T. Washington High School in Atlanta the first public high school for African-American students in the state. Williams graduated from Booker T. Washington High School in 1953 per a newspaper article included here and would attend Spelman College. Composed mostly of snapshot photographs of her friends and family as a group the album provides a visual record of a vibrant network of family and friends in Atlanta during the time period. The album begins with a picture showing her as a girl alongside a picture of a house perhaps hers and traces her life through early adulthood through snapshots and family photographs. We find records of Williams performing at the Greater Atlanta Music Festival in 1950 as a representative of her high school. A newspaper article laid in shows Williams in a newspaper showing her graduation picture and stating that she will attend Spelman College in Atlanta in September of 1953. Pictures show her in New York City visiting a friend at N.Y.U. She would later marry Billy Reid a local jazz musician from Atlanta and would remain active in the Spelman community after graduating in 1957. Overall a very well preserved document of the African-American community in Atlanta during the 1940s and 1950s. unknown books
réf. 3036Ghost Ranch New Mexico: np 1975. Fine. ARTIST’S PROOF SIGNED BY THE PHOTOGRAPHER BUDNIK. A wonderful evocative photograph of O’Keeffe at 87 years old taken at her beloved Ghost Ranch just north of Abiquiú New Mexico. By March 1975 when this photograph was taken O’Keeffe had begun to explore pottery as her chief artistic medium. The photographer Budnik powerfully foregrounds the hands that shaped the clay reminding us of O’Keeffe’s relentless pursuit of art and creativity. At an age where most famous people are photographed looking wise or contemplative it’s refreshing to see Budnik capturing the joy of O’Keeffe in her later stage of life. The photographer Dan Budnik whose career ranged from artist portraiture to major documentary work on the Civil Rights Movement brought to his sitters an unusual mixture of intimacy and formal rigor. His 1975 photographs of O’Keeffe at Ghost Ranch are among the most compelling visual records her in the last years of her life. Gelatin silver print artist’s proof noted “AP” by Budnik at bottom left from an unspecified edition; printed later. Not examined out of frame. Size: 16 x 10.5 in; framed to an overall size of approx. 26 x 23 in. Fine condition. np unknown books
2014New English Paperback. Pbo. Large 8vo. (24 x 21 cm). In English and Turkish. 118 p., color photos. Photoguide Georgia Special issue. Remarkable sights of Georgia.= Gürcistan Fotorehberi Özel sayi. Gürcistan'in dikkat çekici yerleri.
1970réf. G0039100731I4N00Holt Rinehart & Winston 1970. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Holt, Rinehart & Winston paperback
1964réf. 123758Athens. University of Georgia Press. 1964. VIII, 259 pagges. With oner portraitplate. Original cloth with gilt stamped spine and an illustrated dustjacket. (A little used). 24x16 cm
2009réf. SONG16046291422009-01-13. paperback. Used: Good. 5.25x0.50x8.00. Buy with confidence. Excellent Customer Service & Return policy. paperback
réf. 11020READ George Willis. A Pioneer of 1850 George Willis Read 1819-1880. The record of a journey overland from Independence Missouri to Hangtown Placerville California in the spring of 1850 with a letter from the Diggings in October of the same year and an account of a journey from New York to California via Panama in 1862 capture by the confederate raider Alabama etc. and a visit to the Nevada silver mining district in 1863. Boston 1927. 1st ed. Frontis. Illus. Folding map. 185pp. Fine in slightly soiled d/j. unknown
2007New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 123 p., color ills. "Since its establishment, Pera Museum has hosted works by several outstanding artists representing different genres. In 2007, the museum opened its doors to one of the most intriguing creative artists in the world, the Georgian peasant painter Pirosmani. This exhibition of Pirosmani's naïve paintings took us on a journey through joyous feasts of colour, scent, and forms, through the blossoming meadows, villages, and animals of a neighbouring country. Recognized only by his immediate circle while he was still alive, Pirosmani gained acknowledgment in the 1920s and 30s, particularly in the Western art circles, in which primitive and naïve artists were starting to be appreciated. Since then, his paintings continue to fascinate art connoisseurs in the world with their unprecedented sincerity and charm. Niko Pirosmani (1862-1918) was born to a peasant family in one of the regions of Georgia - Kakheti, in the village of Mirzaani. During his life, most of which he spent in Tbilisi, he never received any professional education. In 1882, he opened a studio with another painter, Gigo Zaziashvili, accepting commissions for signboards. However, the partners soon went bankrupt. For mere subsistence, he occasionally worked in Tbilisi 'dukhans' (tavern), or at the rail station, dying in poverty in Tbilisi, in 1918. Art was the goal of his whole being, his life's vocation. Towards the end of the 1890s, he devoted himself exclusively to painting. Pirosmani's life was hard and tragic. The artist was homeless and lonely. Whenever he could afford it, he would rent a small room in the basement or under a staircase. Often, he would spend the night where he worked. Pirosmani passed away in loneliness and obscurity in 1918. Even the location of his grave remains unknown. As it usually is the case, after his death, the artist's works were collected and bought, references about his life were sought, and publications started to flood the newspapers. Pirosmani's name and his works were famed and appreciated worldwide. Pirosmani's paintings speak for the great mastery of the artist. Most of them are performed on black oilcloth, which was his technological expertise. It is known that Pirosmani created quickly; it only took him several hours or days to paint. He worked rapidly and spontaneously. A certain clue to unveiling Pirosmani's artistic conception is the inscriptions and names on the paintings, the meaningful connotation of which defines the artistic order of the painting. In each specific case, the common compositional structure, time, space interpretation, rhythm, manner of conveying the form and colour expression directly respond to the defining role of the artistic image. Pirosmani, as an artist, was first discovered in 1912 by Ilya Zdanevich (Ilyazd), a poet and an active representative of Georgian, Russian and European avant-garde, along with his brother artist Kiril Zdanevich, and the artist Michael Le Dantiu. At the avant-garde exhibition 'Mishen' (Target) held in Moscow, in 1913, Ilya Zdanevich presented Pirosmani's works to the public for the first time and began promoting the artist through different publications thereafter. He also arranged an exhibition for Pirosmani in his art studio in 1916. Interest towards Pirosmani grew considerably. The same year, he was invited to the meeting of 'Georgian Artists' Society.' The artist's photograph and a reproduction of his painting were published in the newspaper 'Tsnobis Purtseli' ('Messenger'). Pirosmani was starting to be recognized by Georgian artists and the public. Today, Pirosmani is known across the world and his art has long reached beyond the borders of his native country.".
réf. DADAX1786600293Rowman & Littlefield Publishers 2017-03-27. hardcover. New. 6.21x1.22x9.43. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
réf. 0962865508.Gplastic_comb. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2026réf. __180240922XBig Finish Productions Ltd 2026. Cd-Audio. New. Big Finish Productions Ltd unknown
réf. 0265221455.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 180293359X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 56855258-6Rosen Publishing Group. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Rosen Publishing Group unknown
réf. 1725303841.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 1978531567.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
