VILLEMAREST P. F de.MareMagnum
VLAD RomanMareMagnum
STRAWINSKY. Nuova edizione.
1973In-16 gr., brossura editoriale, pp. IX,376. Ben conservato.
Libreria Antiquaria Malavasi · Italie20,00 €
20 399 résultats
Paris, Fayard, Les grandes Etudes Contemporaines, 1969. In-8, broché, 465 pp. Bon ex.
1949Broch?. 128 pages. Rousseurs. Couverture l?g?rement d?fra?chie.
1957Moscou, Editions en langues étrnagères 1957. In-12 broché de 109 pages avec photos. Couverture salie sinon Bon état
8vo, br. ed. bandelle. Mosca, 14 aprile 1930. Intorno alle undici del mattino i telefoni si mettono a suonare tutti insieme, come indemoniati, diffondendo "l'oceanica notizia" del suicidio di Vladimir Majakovskij: uno sparo al cuore, che immediatamente trasporta il poeta nella costellazione delle giovani leggende. Per alcuni quella fine appare come un segno: è morta l'utopia rivoluzionaria. Ma c'è anche il coro dei filistei: si è ucciso perché aveva la sifilide; perché era oppresso dalle tasse; perché in questo modo i suoi libri andranno a ruba. E ci sono l'imbarazzo e l'irritazione della nomenklatura di fronte a quella "stupida, pusillanime morte", inconciliabile con la gioia di Stato. Ma che cosa succede davvero quella mattina nella minuscola stanza di una 'kommunalka' dove Majakovskij è da poco arrivato in compagnia di una giovane e bellissima attrice, sua amante? Studiando con acribia e passione le testimonianze dei contemporanei, i giornali dell'epoca, i documenti riemersi dagli archivi dopo il 1991 (dai verbali degli interrogatori ai "pettegolezzi" raccolti da informatori della polizia politica), sfatando le varie, pittoresche congetture formulate nel tempo, Serena Vitale ha ricostruito quello che ancora oggi è considerato, in Russia, uno dei grandi misteri - fu davvero suicidio? dell'epoca sovietica. E regala al lettore un romanzo-indagine che è anche un fervido omaggio a Majakovskij, realizzazione del suo estremo desiderio: parlare ai posteri - e "ai secoli, alla storia, al creato" -in versi.
1985In 8°, t.t. edit. con sovrac. ill. con ill. in tavv. f.t., pp.214 (3), buon es.
1973In-16 gr., brossura editoriale, pp. IX,376. Ben conservato.
réf. 6410Anatolia, Editions du Rocher, 2003, broché, 15,5x23x4,5 cm, 701 pages. Illustrations photographiques en noir et blanc hors texte. Traduit du russe par Marianne Gourg, Odile Melnik-Ardin, Véronique Patte et Irène Sokologorsky.
1947Le cercle du nouveau livre d'histoire, 1947 In-8 relié pleine toile éditeur rouge, plat illustrée d'une vignette contrecollée, sous rhoidoïd de 432 pages. Bon état.
First American Edition. 8vo - over 7¾" - 9¾" tall. Red boards with gold design on front and gold lettering on spine. Red top edge. Slight bumping at spine extremeties. Jacket has some browning, small tears, chips and creases, but is glassine wrapped for neat, crisp appearance. 421 pages plus index. The fascinating biography of the 16th century ruler of Russia, Ivan IV Vasilievich "Ivan The Terrible", the frustrated barbaric Czar of Russia. With a notes and bibliography section and a table of significant dates in the life of "Ivan The Terrible". Overall a very nice copy.
1965Cm. 16 x 23,5, pp.541, legato in tela. Ottimo.
1980Reliure de l'éditeur. 463 pages. Jaquette.
réf. 424012 broché,faux-titre,titre,68 pages,Jouve & Cie 1925
8vo, rela ed. in sovracoperta trasparente, perfetto stato di conservazione.
Mondadori 1940. 8°piccolo :pp.344n. Legatura editor. (sciupata e scolorita).
1924réf. 31830Plon Paris, Plon 1924. In-8 broché de 512 pages non coupées. Légères rousseurs en bord de couverture.
8vo, tela con fregi e titolo in oro al dorso. Sovraccoperta in acetato con titolo stampato, Tagli e pagine ingialliti lievemente. Collana Storica. Edizione del 1973.
1924Paris, Plon 1924. In-8 broché de 512 pages non coupées. Légères rousseurs en bord de couverture.
1902In-8°, pp. XI, 618, (1). Mezza pelle coeva, e oro, strappo di 5 cm. presso una cerniera.
1894In-8, brossura editoriale (con manc.), pp. XI,618 con un ritratto in antiporta protetto da velina. Testo con pesante alone su circa 20 cc., altrimenti in buono stato.
1955réf. 10821011955. 4t0. 4 Bl., 92 S. m. zahlr. Abb. OHlwd.
1983réf. 100073554Dresden. 15 cm x 26 5 cm. 1983. Broché. 31 pages + 44 pages. Dresden Verlag der Kunst 1983. Broché 15 cm x 26 5 cm l'ouvrage se déplie en deux volumes 31 cm x 26 5 cm 31 pages + 44 pages d'illustrations illustrations noir & blanc et couleurs in et hors-texte. Textes en allemand de Warwara Rodtschenko et Alexander Lawrentjew. Très bon état
8vo, pp.308. 'A stunningly original study of Stalinist society... Waterlow’s fresh and fluent style crackles with wit and perception... Essential reading for anyone interested in how human beings navigate a path through times of extraordinary upheaval, privation and danger' – Daniel Beer, author of The House of the Dead: Siberian Exile under the Tsars 'An extraordinary achievement. Jonathan Waterlow has found a unique lens into Stalinist society through this brilliant exploration of humor.' – Ronald Grigor Suny, author of The Soviet Experiment 'Re-vitalizes our understanding of Soviet society' – Lynne Viola, author of The Unknown Gulag 'Jonathan Waterlow’s fascinating book is, however, a pioneering historical study of the genre, unique in its sensitivity to the social context in which jokes circulated. Drawing on extensive unpublished material from archives, it captures the contrary functions of these small comic narratives, as instruments of social solidarity and not just of subversion. It is also, as any book about jokes should be, lively, engaging, and at times very funny. A must read for anyone interested in Soviet or indeed Russian culture.' – Catriona Kelly, author of Russian Literature: A Very Short Introduction 'The best book on Stalinism I've read in a long time' – S.A. Smith, author of The Russian Revolution: A Very Short Introduction 'A revelatory account of how ordinary citizens experienced Stalinism. Essential reading.' – Andy Willimott, author of Living the Revolution 'One of those rare books that not only has to be read by scholars in the field, but is also accessible to a wide readership. Indeed it is an essential read for anybody who wants to get beyond standard views of the "communist joke" and understand what humour really tells us about life under this extraordinary regime' – David Priestland, author of The Red Flag: Communism and the Making of the Modern World '...gives us a powerful insight into the way societies function at times of great stress and into the nature of humanity itself.' – Peter Waldron, Former President of the British Association for Slavonic and East European Studies 'To breathtaking effect, Armando Iannucci’s The Death of Stalin tapped into the relentlessly dark humour to be found in the USSR at its paranoid peak. Now, Jonathan Waterlow has picked up the baton, exploring the kind of jokes that flourished in Soviet society to help people cope with the uncertainty and despair of living under an authoritarian regime where reality could change overnight. Tracing how traditional strands of Russian humour adapted to the new era, he discovers that the country couldn’t be neatly split into believers and dissidents. Most citizens were somewhere in between, and making sense of that grey area is what excites Waterlow, particularly when the official version and personal experience intersected and engaged with each other. Thanks to the records of a Soviet Commission on satire, he can tell us what the regime thought of the jokers too. Waterlow provides insight into a people who, more than 25 years after the collapse of the USSR, still remain an enigma.' – The Herald
1971Broch?. 311 pages.
1966réf. 78188The Hague [Den Haag], Mouton, 1966. 133 S. (= Slavistic printings and reprintings, 65). Gr.-8vo (25 x 16,5 cm). OPp. mit SU.
