Livre Rare Book
500 résultats
1930réf. ABE-1496001601439FORMAT 28,5 CM X 38 CM-EN COUVERTURE "UN DRAPEAU VIVANT AUX FETES DU CENTENAIRE DE L'URUGUAY"-MERMOZ POUR PUBLICITE "RADIO LL"-EN COUVERTURE ITERIEURE: "LES SOUVERAINS BELGES A L'EXPOSITION D'ANVERS"-PROMENADES LITTERAIRES: AU PAYS DE MADAME BOVARY, 6P, 21 PHOTOS-LA TRANSFORMATION DE LA GARE DE L'EST: DEMOLITION DE L'ANCIEN GRAND HALL, PHOTO PLEINE PAGE-SUR LES PLAGES, 4P PAR EUGENE MARSAN, 7 DESSINS COULEURS DE GEORGES BINET-NOTES D'ELEGANCE AU LIDO DE VENISE-CINEMA: "ATLANTIS", DUPONT ET KEMM, TITANIC-EN DERNIERE PAGE 15 CELEBRITES POUR PUBLICITE "COLUMBIA" (DAMIA, STRAVINSKY, MARGUERITE LONG, GERGES THILL,.°
1910réf. MUS-RUS-1910-1318Mouscou et Leipzig: Jurgenson 1910. Édition originale. Rústica. Very Good. L'edition originale publiée en 1910 quelques mois apres la création du ballet. The first published version pof the ballet music predating the full score 1911 incorporates the tempo changes and some adjustments to the structure of the ballet by the composer based on the experiences of the first run of performances. It was later known as the First Suite of the Firebird. Facsimilar inscription by Stravinsky to André Rimsky Korsakow on half-title. Original paper cover is a bit stained shows some marginal chipping and a larger tear. Else a good to vg copy housed in a custom clamshell case. From the library of Xavier González the Dean of Mexico City's sacred music school the Instituto Cardenal Miranda which sadly got shut down and evicted by the catholic church itself. Bearing his ownership stamp. 70 pp. Used book in good to very good condition unless otherwise noted. All our books are thoroughly checked for issues such as missing dust jackets markings library stamps and so on. If we notice a book was misdescribed we will always let you know before shipping. We're a brick and mortar store and handle every single book with respect and care. Jurgenson paperback
1992réf. SONG0711947740Music Sales America 1992-01-01. Spi. spiral_bound. Used: Good. 5.75x0.20x8.25. Buy with confidence. Excellent Customer Service & Return policy. Music Sales America unknown
réf. 15362N° 241 - 1er octobre 1933 - in-8 broché - 160 pages
1948réf. LCI-15411948 1948 Lausanne, Librairie F. Rouge 1948 1 In 8 Broché 127[pp]
1962réf. ABE-176912162467824 PAGES-35 CM X 50 CM-COMPLET
1964réf. ABE-1665745372524 PAGES 34 CM X 50 CM-THEATRE PAR B. POIROT-DELPECH "LES AILES DE LA COLOMBE", D'APRES HENRY JAMES-LES VARIETES PAR CLAUDE SARRAUTE: CLAUDE FRANCOIS A L'OLYMPIA-AU FESTIVAL DE BERLIN PREMIERE EUROPEENNE D'"ABRAHAM ET ISAAC" D'IGOR STRAVINSKY, PAR JACQUES LONCHAMPT
1970réf. ABE-155403869901232 PAGES-35 CM X 50 CM-LA CATASTROPHE DE SAINT LAURENT DU PONT, 1P-LES VARIETES PAR PATRICK SERY: THIERRY LE LURON AU "DIX HEURES"-LA DANSE PAR OLIVIER MERLIN: "L'OISEAU DE FEU" VERSION BEJART AU PALAIS DES SPORTS, STRAVINSKY-MARIA MONTESSORI EN FRANCE-APRES L'ANNULATION DE DEUX CROISIERES LA TRANSAT N'A PAS L'INTENTION DE SE SEPARER DU PAQUEBOT "FRANCE"
1971réf. ABE-156759224586536 PAGES-35 CM X 50 CM-EMOTION DANS LE MONDE APRES LA MORT DE STRAVINSKY-A ROYAN SOIREE XENAKIS-L'AVENIR DES VIDEO-CASSETTES: IMAGES A LA CARTE, 1P
réf. a100854Moscou-Leipzig. 1911 appears to be first edition. Edition P. Jurgenson. large 4to wraps. Cover half in Russian half in French. Traduction francasie de M D Calvocoressi. Orchestra score for conductor. Good light toning light wear. Stamped "Printed in Russia." Pictures available on request. . paperback
1913réf. 41314Berlin - Moscou - St. Petersbourg: Édition Russe de Musique PN R.M.V. 196 1913. Folio. Original publisher's ivory cloth-backed dark ivory printed boards 1f. recto title verso blank 1f. recto half-title in French verso blank 1f. recto half title in Russian verso blank 1f. recto dedication to Nicolas Roerich verso blank 9-89. i blank pp. Binding slightly worn browned and foxed with manuscript annotation to blank upper margin of upper deleted in black ink. Slightly browned throughout; corners thumbed; some minor imperfections. In very good condition overall. First Edition first issue of the four-hand piano arrangement and the first appearance in print of the music pre-dating the full score by eight years. Rare. Kirchmeyer 15-1. De Lerma S3. White 21 p. 207. Crawford p. 543. "Unlike the orchestral score which did not appear in print until early 1922 the piano-duet version was published by Édition Russe de Musique shortly before the première and was soon reissued in response to considerable demand. But special importance attaches to this four-hand version not only for historical reasons but because of its specific aesthetic quality for it directly brings out the "pianistic" nature of many of the work's musical ideas. True not for a moment do we forget that The Rite of Spring owes a large part of its impact to its orchestral sound now subtly differentiated now brutally violent. But it allows the structural workings of a piece invented at the piano and developed in close contact with the instrument to come all the more trenchantly to the fore. It was not least because of this trenchancy and "closeness to the origin" that the piano version has in recent decades begun to emerge from its primary role as an object of study and a rehearsal aid and to take on a second life as an independent concert piece. It has even formed the basis of a number of ballet productions." Meyer ed.: Igor Stravinsky Le Sacre du printemps Manuscript of the Version for Piano Four Hands Facsimile p. 23 The momentous first performance of The Rite took place in Paris at the Théâtre des Champs-Elysées on 29 May 1913. It was conducted by Monteux with choreography by Vaslav Nijinsky and set and costume designs by Nicolas Roerich. "It is now theatrical history that the first performance by the Russian Ballet . created a scandal of the first magnitude ." White: Stravinsky. The Composer and His Works p. 216. Since that time there have been a number of other versions of the ballet one choreographed by Leonide Massine 1920 at the Théâtre des Champs-Elysées with Roerich's original set designs and another by Kenneth Macmillan 1962 at Covent Garden with set designs by Sydney Nolan "but the work is more popular and seems to make a greater impact in the concert hall than on the stage. Its triumphant rehabilitation as one of the most important works in the symphonic repertory of the twentieth century dates from its first concert performances - in Moscow February 1914; conductor S. Koussevitzky Paris Casino de Paris April 1914; conductor Monteux and London Queen's Hall 7 June 1921; conductor Eugene Goossens." Ibid Diaghilev referred to The Rite of Spring as "the 20th century's Ninth Symphony." Austin: Music in the 20th Century p. 252. "Le sacre du printemps was to remain the most notoriously violent score of a time when huge noisy orchestras and harsh dissonance were more or less commonplace appurtenances of the new music. The primitive imagery of Russian symbolism of the kind exploited by Roerich had always carried a certain revolutionary tone a note of challenge to ossified social structures. But behind all the racket behind the wilfully discordant harmonies and convulsive metric irregularities lay a genuinely innovatory kind of musical thinking whose point would not become clear until Stravinsky himself began to deconstruct it in subsequent works." Stephen Walsh in Grove Music Online. Édition Russe de Musique [PN R.M.V. 196] unknown
1913réf. 41314Berlin - Moscou - St. Petersbourg: Édition Russe de Musique PN R.M.V. 196 1913. Folio. Original publisher's ivory cloth-backed dark ivory printed boards 1f. recto title verso blank 1f. recto half-title in French verso blank 1f. recto half title in Russian verso blank 1f. recto dedication to Nicolas Roerich verso blank 9-89. i blank pp. Binding slightly worn browned and foxed with manuscript annotation to blank upper margin of upper deleted in black ink. Slightly browned throughout; corners thumbed; some minor imperfections. In very good condition overall. First Edition first issue of the four-hand piano arrangement and the first appearance in print of the music pre-dating the full score by eight years. Rare. Kirchmeyer 15-1. De Lerma S3. White 21 p. 207. Crawford p. 543. "Unlike the orchestral score which did not appear in print until early 1922 the piano-duet version was published by Édition Russe de Musique shortly before the première and was soon reissued in response to considerable demand. But special importance attaches to this four-hand version not only for historical reasons but because of its specific aesthetic quality for it directly brings out the "pianistic" nature of many of the work's musical ideas. True not for a moment do we forget that The Rite of Spring owes a large part of its impact to its orchestral sound now subtly differentiated now brutally violent. But it allows the structural workings of a piece invented at the piano and developed in close contact with the instrument to come all the more trenchantly to the fore. It was not least because of this trenchancy and "closeness to the origin" that the piano version has in recent decades begun to emerge from its primary role as an object of study and a rehearsal aid and to take on a second life as an independent concert piece. It has even formed the basis of a number of ballet productions." Meyer ed.: Igor Stravinsky Le Sacre du printemps Manuscript of the Version for Piano Four Hands Facsimile p. 23 The momentous first performance of The Rite took place in Paris at the Théâtre des Champs-Elysées on 29 May 1913. It was conducted by Monteux with choreography by Vaslav Nijinsky and set and costume designs by Nicolas Roerich. "It is now theatrical history that the first performance by the Russian Ballet . created a scandal of the first magnitude ." White: Stravinsky. The Composer and His Works p. 216. Since that time there have been a number of other versions of the ballet one choreographed by Leonide Massine 1920 at the Théâtre des Champs-Elysées with Roerich's original set designs and another by Kenneth Macmillan 1962 at Covent Garden with set designs by Sydney Nolan "but the work is more popular and seems to make a greater impact in the concert hall than on the stage. Its triumphant rehabilitation as one of the most important works in the symphonic repertory of the twentieth century dates from its first concert performances - in Moscow February 1914; conductor S. Koussevitzky Paris Casino de Paris April 1914; conductor Monteux and London Queen's Hall 7 June 1921; conductor Eugene Goossens." Ibid Diaghilev referred to The Rite of Spring as "the 20th century's Ninth Symphony." Austin: Music in the 20th Century p. 252. "Le sacre du printemps was to remain the most notoriously violent score of a time when huge noisy orchestras and harsh dissonance were more or less commonplace appurtenances of the new music. The primitive imagery of Russian symbolism of the kind exploited by Roerich had always carried a certain revolutionary tone a note of challenge to ossified social structures. But behind all the racket behind the wilfully discordant harmonies and convulsive metric irregularities lay a genuinely innovatory kind of musical thinking whose point would not become clear until Stravinsky himself began to deconstruct it in subsequent works." Stephen Walsh in Grove Music Online. Édition Russe de Musique [PN R.M.V. 196] unknown books
1990réf. R160197938CHESTER MUSIC. 1990. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 11 pages - Annotations au crayon à papier à la page 9. . . . Classification Dewey : 780.26-Partitions
1957réf. 294547Les Concerts du Domaine Musical 1957. First Edition. Trade Paperback. 18 unnumbered pages. B/W illustrations. Performed by Orchestre du Sudwestfunk conducted by Hans Rosbaud. Program also included work by Anton Webern Arnold Schonberg and Alan Berg. Tipped-in B/W photograph 6 x 8 inches of Stravinsky on front cover. First edition first printing. Very good copy with tipped-in B/W photograph of Stravinsky on front cover Cover with mild wear. Lower right corner of photograph is creased with craese on lower right of front cover. Les Concerts du Domaine Musical paperback
réf. 15529Paris, GLM, 1935. 170 X 240 mm. broché, couverture rempliée illustrée. 110 pp. Illustré de 10 dessins de Théodore Stravinsky. Ed. tirée à 500 ex. 1/490 ex. num. sur alfa.
réf. 0486404137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972réf. ABE-175180313174824 PAGES-25,5 CM X 37 CM-CRITIQUE POUR DES BLEUS A L'AME DE FRANCOISE SAGAN, PHOTO-INSTANTANE: PASCAL JARDIN, LA RAGE D'AIMER, DEMI PAGE, PHOTO-BRAUNER ET RIOPELLE AU MUSEE D'ART MODERNE UNE OPTION COMMUNE DEUX DEMARCHES, PAR JEAN-JACQUES LEVEQUE, 2 PHOTOS (BRAUNER X 2)-SCULPTURES OLMEQUES AU MUSEE RODIN L'ART ET LA MAGIE, 2 PHOTOS-LES GALERIES: LUMIERES DE FIN DE SAISON, GALERIE ODERMATT-L'ETERNEL FEMININ, TAMARA DE LEMPICKA, DEMI PAGE, PHOTO (LA MUSICIENNE)-DANSE: LA TECHNIQUE ET L'INTELLIGENCE, 2 PHOTOS (LE ROSSIGNOL-RENARD-STRAVINSKY, BEJART)-CINEMA: W.R.LES MYSTERES DE L'ORGANISME, PAR DUSAN MAKAVEJEV, PHOTO-ENTRETIEN AVEC DUSAN MAKAVEJEV WILHELM REICH, PROPHETE DE L'IMMINENCE
réf. RO50035735BOOSEY & HAWKES. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 36 pages de partitions, premier plat illustré d'une gravure noir et blanc.marques de stabilo. . . . Classification Dewey : 780.26-Partitions
1989réf. 2111902152909041Ongaku no Tomosha 1989. Soft Cover. Fine. Size: B6 size Ongaku no Tomosha paperback
réf. 66473Editions corps actica décor 1972 livre photographies 28*21,5 sp pages
réf. Z1-C-084-00667Boosey And Hawkes. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some wear and barcode page may have been removed but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Boosey And Hawkes unknown
2015réf. 77488Berlin : Berenberg 2015. 123 S. : Ill. ; 23 cm Halbleinen 0
1960réf. 986Doubleday 1960. Hardcover. Very Good/very good. 21 illus. Review copy. Doubleday hardcover
1960réf. 986Doubleday 1960. Hardcover. Very Good/very good. 21 illus. Review copy. Doubleday hardcover books
1960réf. mon0000996295Doubleday 1960. Hardback. Very Good. in x in x in. First edition first printing. Pages clean and bright no markings light wear to edges. Binding tight.rnIn removable protective plastic jacket. Doubleday hardcover
