1.771 resultados
1924Very Good French Paperback. Folio. (34 x 25 cm). In French. 15 p. 7 p. Stains on pages and cover. [SHEET MUSIC] Ire Valse pour piano Op. 83 par. Marie-Auguste Massacrié-Durand was a French music publisher, organist, and composer. Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862-74). Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821-1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865-1928). In November 1891, Jacques replaced Schoenewerk and the name changed to A. Durand & fils. Jacques assumed control of the company in 1909 when his father died, and brought in his cousin Gaston Choisnel (d. 1921) as a partner. Durand became an expert in the publication of works by French composers including Victorin de Joncières, Edouard Lalo, Jules Massenet, Claude Debussy, Camille Saint-Saëns, Maurice Ravel, Albert Roussel and Paul Dukas. The company also published the French editions of Tannhäuser, The Flying Dutchman and Lohengrin by Richard Wagner and many editions of old masters including, in particular, a complete critical edition of Rameau edited under the initial direction of Saint-Saëns. Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré. [.]. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 4 p. [SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretapoulou. Music by N. Kokkinou. Sotiri Christides [sic. Christidis] who is contemporary of Andria, started music publications in the 1905's. Christides published in almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operettas' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). He may be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 3 p. [SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1875Very Good English In contemporary cloth bdg. with flowers embossing. Some foxing and stains on the first pages. Roy. 8vo. (24 x 16 cm). In Armenian and English. [2], [xxx], 786 p., 1 folded table describes the Armenian alphabet with its letters, sound, and pronunciation. With a parallel title page and additional half-title in Armenian and a list of errata and corrigenda. Double-column text. Preface bilingual in Armenian and English. Following that, the second title is 'Short Armenian grammar'. After abbreviations, the dictionary section begins. In the preface, there is a short history and origin of the Armenian language written by Bedrossian according to the conjuncture of the period, followed by his mentions of the necessity of this dictionary for the literature, etc. Rare first edition of this early Armenian - English dictionary printed in Venice by Venetian Mekhitarists. In 1875, Matthias Bedrossian undertook to update earlier Armenian dictionaries, and he succeeded in producing a completely reworked Armenian-English dictionary. The most flourishing period of Venetian Armenians was in the 16th and 17th centuries, especially when Julfa and New Julfa merchants were based in the city. During the same period, Venice also became one of the most important Armenian publishing centers. It was in Venice (1512) that the first Armenian book was published by Hagop Meghabard. Until the founding of the Mekhiterists' printing press in San Lazzaro, there were 19 Armenian printing presses in Venice. (Source: Keghart). Only two copies in OCLC as printed copy in Bibliothèque nationale et universitaire. OCLC 156112892.
2015New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 392 p. A breath of Istanbul. Within these pages, we experience Istanbul life, the "you and me" that is this place's heartbeat. Around us swirl the amazing colors of many rainbows and dozens of scents. Here the Istanbulites-Armenian, Greek, Kurdish, Jew, Alawite, Christian, the rich, the poor, the conservative, the marginal-all bear witness to Istanbul's many-faceted selves. This novel of hope is a small reflection of what some people call "utopia" and is foremost a story about living in harmony. Lose yourself in Istanbul's streets while wandering with me as we explore you, me, our lives, our loves, our unfulfilled feelings and wishes, our dreams, fears, hopes, loneliness, struggles, and the daily ups and downs of our fellow millennials. The meaning of Istanbul, Turkey, and the world is "you" for me. They are all "me" and "us." That's the only reality I believe in. Nothing-no work of art or music-will ever be able to fill and nourish your soul as Istanbul does. No scents will ever burn themselves into your memories like the ones in Istanbul. No wisdom except that which you find here will ever seem that real(istic) to you. I have taken a deep breath of IItanbul. All of its life-affirming air I have to share with you has been exhaled into these pages.
1984As New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 48 p., b/w ills. A brief glance at the 'Armenian question'.
1976ref. X116752Fresno (California), 1976 viii + 134pp., with some bl/w ills., 20cm., softcover, text in English, good condition, X116752
1985Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English. 17 p. Une source Britannique (1916) relative a la question Armenienne. A British source (1916) on the Armenian question.
1946ref. X114172New York, The Armenian Missionary Association of America 1946 96pp., 22cm., publisher's hardcover in blue cloth, text is clean and bright, good condition, X114172
2015New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English and Turkish. 448 p. A chronological view of Armenian - Muslim relations.= Ermeni - Müslüman iliskilerine kronolojik bir bakis. ARMENIANS Armenian Non - Muslim minorities Ottoman history Muslim culture Islamic world Ottoman society.
2002New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English. [xv], 259 p. A chronology of the Armenian problem with a bibliography, (1878-1923).
2016New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English and Turkish. With a CD. 30 p., ills. A composer of Beyoglu: Karnik Garmiyan.= Bir Beyoglu bestekâri: Karnik Garmiyan. [CD - Book]. Compositions of Armenian compositor Karnik Garmiyan come alive in this book with a CD. Songs by Sema Moritz.
2004ref. X114225s.l., Dumbarton Oaks s.d. [2004] [63] pp., with some bl/w ills., 29cm., bound in solid modern hardcover in grey cloth, original frontcover preserved, offprint from "Dumbarton Oaks Papers" vol.58 (2004), good condition, X114225
1997ref. X114399Ann Arbor, UMI 1997 viii + 266pp., 23cm., softcover, Doctoral dissertation at New York University (1984), "This is an authorized facsimile, published on demand by University microfilms", text is clean and bright, good condition, X114399
1974ref. X114392Ann Arbor, 1974 xxii + 424pp., 21cm., softcover, Doctoral dissertation at the Graduate Faculty of Brandeis University, "This is an authorized facsimile, published on demand by University microfilms", text is clean and bright, good condition, X114392
1999Stories about Armenian-Canadians and their wide diaspora and the kinds of loss and displacement still felt by exiles even generations after the genocide in Turkey. 239p. Book
17941 46,5x57 cm., ampi margini, confini ben segnati a colori, in inglese, carta ben realiuzzata e ben conservata.
1975Mm 150x230 Volume rilegato in tela di pp. 413, sovraccoperta con erosioni ai tagli, per il resto in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2016New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 79, [1] p. A new discourse, dialogue and democracy against discrimination ASULIS. Translated by Liz Erçelik Amado, Irazca Geray. Founded under the Hrant Dink Foundation, ASULIS Discourse, Dialogue, Democracy Laboratory has been designed as an interdisciplinary space to engage from experimental studies and research in the field of discourse studies to conduct discussions on methods to combat discrimination as well as discriminatory discourse and its consequences. The word asulis, which is composed of the combination of the verbs asel (to say) and lsel (to listen) in Armenian and commonly used as conversation and chat was chosen as the name of the laboratory. ASULIS represents a first in Turkey in terms of an organization to engage in activities on discourse studies. The gathering resources on discriminatory discourse, hate speech, discourse analysis, etc. for the ASULIS Collection established under the Hrant Dink Foundation Library is still in process. The first ASULIS report is prepared with the main support of Open Society Foundation and contributions of Istanbul Policy Center and Danish Ministry of Foreign Affairs' MyMedia Programme based on its preparation process during the 2014-2015 period. The sections of the report include short definitions of different concepts (such as hate speech, discriminatory discourse and dangerous speech), the research conducted on hate speech between 2009-2015 by the Foundation, suggestions for the laboratory's methods and areas of work based on the meetings and panels organized during its preparatory process as well as the vision, mission and structure of ASULIS.
ref. X114189s.l., s.d. 248pp., text in Portuguese, 23cm., in the series "Armenia" no.8, softcover, good condition, X114189
2015New New English Original bdg. Dust wrapper. Folio. (41 x 30 cm). In English and Turkish. [22], 189, [18] p., b/w photos. A photographical sketch on lost Istanbul.= Eski Istanbul anilari. [Album of photographs]. A very heavy volume. Contents: The Light of Istanbul: Boatmen of the Golden Horn, old Galata Bridge and the New Mosque, 1956. Midday hours on the old Galata Bridge, 1954. Ferries of the Bosphorus and the Prince Islandsbound to the old Galata Bridge, 1955. "Salep" merchant in early morning lights on the old Galata Bridge, 1957. Traffic on the old Galata Bridge, 1956. Wool hanks hung to dry up in Ortaköy and the sea, 1964. The bridge and the ferry, 1955. Barges and ferries in the Golden Horn, 1958. Süleymaniye Mosque as seen from the old Galata Bridge, 1956 10 Haliç, 1956 - The Golden Horn, 1956. Eminönü Square after the demolishment, 1959. Carters near the Oil Quay, 1957. View from the Oil Quay, 1955. View from the Oil Quay, 1955. Boat maintanance in Ayvansaray, 1969. A barge withdrawn to the coast in Üsküdar and children, 1954. Bargeman fishing at the caulking yard, 1958. Boatmen at the caulking yard, 1956. Boatmen waiting for customers at the caulking yard, 1957. Loading at the Oil Quay, 1957. The caulking yard front of the Golden Horn and rowing-boats, 1957. Boats at Balat, Golden Horn, 1969. Eminönü boatmen, 1958. A leaping boatman in Golden Horn and a cargo ferry, 1960. Children at the local grocer¿s in Vefa disctrict, 1975. The Ottoman Fountain and the childeren at Azapkapi, 1965. Children at the gypsy disctrict in Sishane, 1969. Horse cart passing under an archway near Sehzadebasi, 1958. Inner courtyard of an old wooden house and playing children at Tophane, 1954. Elderly Beyoglu woman taking food to her cats in front of the Flower Arcade at Balikpazari, 1980. A husband and wife heading home in the evening at Zeyrek disctict, 1960. A street in Tarlabasi, 1965. Horse carts and old houses in Unkapani, 1955. Provincials watching the boats from the Galata Bridge, 1956. Card-players at a shore coffee-house in Salacak, 1956. Süleymaniye Mosque and the shore of Unkapani as seen from the old Galata Bridge on a winter's day, 1955. A touristicferryas seen from the old Galata Bridge, 1959. Separation on the Galata Quay, 1955. An old street in Rumelihisari, 1962. A boatpainter on the quay, Karaköy, 1956. Fishermen at the old Galata Bridge, 1968. Vintage outdoor fish restaurants on the shore of Eminönü in the Golden Horn, 1965. A wooden mansion in Kandilli, 1985. Little boys chasing a kittenin Zeyrek, 1968. A chimney and the domes of a Turkish Hamam in Beyoglu, 1957. The evening ferry in Beylerbeyi, Bosphorus, 1960. Ramparts and horses, 1969. Man climbing the hill in Feriköy, 1985. Boat approaching the quay at night, Kandilli, 1965. Massage at the Cagaloglu Hamam, 1965. Boats heading to the Bosphorus, 1975. Salacak ferry pier and the Istanbul silhouette, 1968. A man reading the newspaper on a ferry heading to the Princes Islands, 1955. Children getting out of a rowboat in the old Salacak Bay, 1964. A Bosphorus ferry sailing past Beylerbeyi, 1957. The Mystery of Labour: A boy worker at the caulkingyard, 1972. Porters waiting for work on the caulkingyard, Galata, 1958. Workers at the caulkingyard, 1969. An old worker drinking water in an old "han" in Galata, 1950. Worker looking out of a window in the old Yakut Han at the caulkingyard, 1988. Caulkingyard, 1957. Boy casting iron at the caulkingyard, 1988. Sailors at the caulkingyard, 1957. A blacksmith at the caulkingyard, 1988. Carriers at the caulkingyard, 1969. Porters waiting for work on the Oil Quay, 1954. Porter carrying a barrel at the Oil Quay, 1958. Street vendors at Sishane, 1990. Street restaurants on the shores of the Golden Horn and an old porter, 1965. Young workers at the caulkingyard, 1969. Man carrying a mattress in the Grand Bazaar, 1965. Shopkeeper and his shop at the Grand Bazaar, 1965. Grand Bazaar, 1972. Woman selling antiques in the Inner Bedesten in the Grand Bazaar
2002ref. X114370Princeton-London, Gomidas Institute 2002 vii + 68pp., 23cm., softcover, text in English, very good, X114370
2005ref. X114239Amsterdam, 2005 140pp., with a few bl/w ills. & maps 30cm., text in English, Academic dissertation (Master's thesis Holocaust and Genocide studies at the University of Amsterdam), bound in solid hardcover in green cloth (bit sunfaded), good condition, X114239
ref. ORD-3161Ouvrage contenant 121 gravures sur bois et 1 carte. Paris. Hachette. 1888. In-f°(270 x 350mm) bradel dos toile aubergine, pièce de titre maroquin vert, fleuron, filets et titre or, plats peignés, gardes de papier bleu, 3ff., 366 pages, belles gravures en noir, très souvent hors texte. Bel exemplaire, bien relié et exempt de rousseurs.
ref. 055337Paris Librairie Hachette et Cie 1893 in 4 (28,5x20) 1 volume reliure demi chagrin à coins maroquiné rouge à gros grains de l'époque, dos à nerfs orné de fleurons dorés, tête dorée (rutilante), 368 pages, avec 151 illustrations gravées d'après les photographies prises par M. Chantre et deux cartes. Superbe exemplaire, exempt de rousseurs, reliure rutilante ( Photographies sur demande / We can send pictures of this book on simple request )
