1607In-4°, (1), pp. 153, (2), legatura in pergamena. Gianfrancesco Fagnani avvocato e giurisperito molto acclamato fu elevato da papa Paolo V a Segretario della sacra Congregazione del Concilio, ed eletto Esaminatore dei Vescovi. In-4 °, (1), pp. 153, (2), vellum binding. Gianfrancesco Fagnani was a highly acclaimed lawyer and jurist and was appointed by Pope Paul V Secretary of the sacred Congregation of the Council, and elected Examiner of Bishops.
1952ref. 1000492AGVenedig, Oktober 1952. Mischtechnik: Kohle und Aquarelle in reicher Farbigkeit, unten mit Tinte bezeichnet, handsigniert und datiert X, 52 : sichtbares Bildformat 47 x 58 cm, unter getöntem Passepartout 60 x 80 cm [4 Warenabbildungen] rückseitig Montagespuren,
ref. 14422Venetia, Presso Paolo Baglioni, 1637. In-8°, reliure pleine peau.
In-4, non paginé Edition de luxe au tirage limité à 200 exemplaires numérotés sur vélin de Rives BFK, signés par l'artiste à la justification. Illustré de 30 lithographies originales en 2 tons et en pleine page ainsi que de 15 vignettes d'Yves Brayer. Bel ouvrage.
ref. 5244partie méridionale et en Italie partie Septentrionale-Sicile. Deux volumes grand in 8 demi-chagrin rouge à nerfs,titre et caissons dorés,plats percaline rouge,chagrinée.Quadruple filet à froid en encadrement.Premier volume:Faux-titre, frontispice illustré,château Saint Ange,titre avec vignette,524 pages,tranches dorées 23 illustrations hors-texte de ROUARGUES Frères,sous serpentes,dont 5 en couleurs Morizot libraire éditeur 1865,rousseurs plus ou moins fortes habituelles.Deuxième volume mention de nouvelle édition.Faux-titre,VIII,frontispice,titre avec vignette, 535 pages,tranches dorées 23 illustrations hors-texte de ROUARGUES Frères,sous serpentes,dont 6 en couleurs Morizot libraire éditeur sans date,rousseurs plus ou moins fortes habituelles
1682ref. 164997La Haye: Moetjens 1682. hardcover. very good. Trad. de l"Italien. Avec un Supplement touchant les Sectes des Caraaites & Samaritains de notre temps. Engraved pictorial half-title cropped close at the bottom edge. 24mo old boards; worn lacks front flyleaf internally near fine. A La Haye: Adrian Moetjens 1682. Very good. Scarce. Third edition revised & augmented with a second part separately titled: Comparaison des Ceremonies des Juifs et de la discipline de L'Eglise par le Sieur De Simonville 1682. Moetjens unknown
1682ref. 164997La Haye: Moetjens 1682. hardcover. very good. Trad. de l"Italien. Avec un Supplement touchant les Sectes des Caraaites & Samaritains de notre temps. Engraved pictorial half-title cropped close at the bottom edge. 24mo old boards; worn lacks front flyleaf internally near fine. A La Haye: Adrian Moetjens 1682. Very good. Scarce. Third edition revised & augmented with a second part separately titled: Comparaison des Ceremonies des Juifs et de la discipline de L'Eglise par le Sieur De Simonville 1682. Moetjens unknown books
1588ref. 100065Couverture rigide. Reliure demi-toile du dix-neuvième siècle. 21 x 15cm.
ref. 31587Paris, Gonin, 1939. In-4°, non paginé, en feuilles, sous couverture imprimée et étui.
ref. 50276Apud Ioan. Gryphium, VENETIIS, 1575.
1894ref. 233031894 Paris, Editions L.Conquet, 1894, in-8, reliure à la bradel, maroquin rouge à coins, dos à 5 nerfs titré au décor floral, 287 pages, joint catalogue 8 pages in fine, (Baraton Relieur).
1533ref. Ant66441533. Giovani Paulo. The books measure 6"x4" and have 16 pages 415 leaves 680 leaves 38 pages and 618 30 pages they are complete. The books are bound in full calf they are rubbed and there is a loss to the top of the spine of the first volume the hinges are strong and everything is well bound in. The first volume has an owner's bookplate some staining to the title page a little light staining in a few places and a few missing corners but no loss to the text the final leaf has a larger loss but again no loss of text. The second volume title page has marginal losses the first leaf of prelims has a loss; the rest of the text has some marginal worming a few marginal losses and slight yellowing to the outer edges. The final volume has slig unknown
1991ref. 222031991 Photographie, tirage pigmentaire, signée, justifiée EA, 1991, 40 x 30 cm, encadrée.
ref. 103766A Paris, chez Firmin Didot, Imprimeur du Roi, 1819, complet en 7 volumes in-8 de 210x130 mm environ, 640, 560, 710, 678, 684, vij-720, 671 pages, demi reliure veau bistre, dos à nerfs portant titres et tomaisons dorés, sur pièces de titre rouge et tomaisons noires, gardes marbrées. Avec 8 planches dépliantes. Quelques erreurs de pagination, coiffes supérieures ébréchées avec début de fentes sur la plupart des volumes, galeries sur certains mors-peaux (tome 3), épidermures, petites rousseurs et pages brunies, déchirure restaurée sur une coiffe (tome 1), sinon bon état. Edition originale.
1764In-4°grande; cc. (40), mancante antiporta calcografice Nel verso del front. ritr. xilogr. di Lodovico Manin, recante: Ludovico Maninus divi Marci procurator anno MDCCLXIIII. Sul front. calcogr. stemma della famiglia Manin.Testo entro cornici calcografiche iniziali e fregi xilografate. Legatura originale con stemma Maninus
1900ref. 235211900 Encre de Chine et lavis sur papier signé en bas à droite, titré en bas à gauche, (1900), 24 x 21 cm.
1985ref. 233021985 Pastel, signé en bas à droite et titré "Venezia Monteverdi", 1985, 49,5 x 44,5 cm.
1800ref. PHO-2106Paris, Tavernier, An VIII (1800), 3 vol. in-8°, XVI, 407 ; 358 ; 383 pp., Demi veau rouge, dos lisse à décor de rocaille avec auteur,titre et tomaison au dos, rousseurs et petits frottements aux plats, cachet répété. De la bibliothèque de sa SAR le Duc de Gènes avec son étiquette en page de garde et son cachet
ref. c6710Paris, L' Edition d'Art H. Piazza , 1930 ; In-8°, plein maroquin grenat, dos à multiples nerfs cernés de filets gras à froid avec au milieu du dos un cercle plein doré et nom d'auteur et titre dorés, tête dorée, couverture conservée ; le centre du 1er plat est orné d'une petite plaque d'ivoire incrustée, peinte d'un dessin original de Venise ( Andréas relieur).147pp. Illustré de dessins dans le texte par Henri Cassiers reproduits en couleurs.
ref. 13103Il Crociato in Egitto. Opéra seria in du Alti Ridotta per il cembalo. Composta da G. MEYERBEER. Nuova edizione. Parigi Maurice SCHLESINGER éditeur. 1825. (Le croisé en Egypte) In 4 demi-cuir noir, initiales dorées sur le premier plat. Titre t filets dorés. Titre gravé, portait lithographié de l’auteur, 275 pages. Ouvrage entièrement gravé. Création à la FENICE de Venise le 7 mai 1824. , présenté au théâtre Italien à Paris le 25 septembre 1825.Livret de Gaétano ROSSI.
1912ref. 24346BERNHEIM JEUNE 1912 1 Préface par Octave Mirbeau. Paris, Bernheim-Jeune et Cie, 1912, in-8, broché, couverture beige, titre marron.
1601ref. 23709Venice: Ducal Palace 1601. Leaf. Fine. Single page of vellum 12 by 16 inches folded and with cuts along two margins to seal the page. Five lines of manuscript the first two in Latin then two in Italian and the last in Latin identifying Marino di Carvallo as the Venetian Ambassador appointed by the Doge of Venice to the King of France Henry IV of Navarre. Signed at the end in Latin "Leonardus Octobonus" for the Council of Ten. He later held the post of Grand Chancellor of Venice. "Marino Gramani Doge of Venice sends greetings and affection to the Most Christian King through our noble and wise faithful and beloved Ambassador Marino di Cavallo." It then references the decision of the Council of Ten the Venetian Governing Body and finishes with "Dated in the Ducal Palace this 4th day of April.1601." The Doge Marino Gremani antagonized Pope Paul IV by trying two priests under Venetian not canon law to which the Pope responded by placing Venice under Interdict. The Ottoboni were an aristocratic Venetian family which provided Venice with more than one Chancellor and ultimately produced Pope Alexander VIII. Marino de Caballo was also from an aristocratic Venetian family and was a noted physician as well as an Ambassador who believed that the most important aspect of his job was to provide an excellent chef and fine food. Finally Henry IV of Navarre a Huguenot ruler of Navarre as Henry III secured the throne of France by converting to Catholicism: "Paris is worth a Mass." Five years later he signed the Edict of Nantes the landmark drecree granting religious tolerance to Protestants and which helped end the Wars of Religion. . Ducal Palace unknown
1601ref. 23709Venice: Ducal Palace 1601. Leaf. Fine. Single page of vellum 12 by 16 inches folded and with cuts along two margins to seal the page. Five lines of manuscript the first two in Latin then two in Italian and the last in Latin identifying Marino di Carvallo as the Venetian Ambassador appointed by the Doge of Venice to the King of France Henry IV of Navarre. Signed at the end in Latin "Leonardus Octobonus" for the Council of Ten. He later held the post of Grand Chancellor of Venice. "Marino Gramani Doge of Venice sends greetings and affection to the Most Christian King through our noble and wise faithful and beloved Ambassador Marino di Cavallo." It then references the decision of the Council of Ten the Venetian Governing Body and finishes with "Dated in the Ducal Palace this 4th day of April.1601." The Doge Marino Gremani antagonized Pope Paul IV by trying two priests under Venetian not canon law to which the Pope responded by placing Venice under Interdict. The Ottoboni were an aristocratic Venetian family which provided Venice with more than one Chancellor and ultimately produced Pope Alexander VIII. Marino de Caballo was also from an aristocratic Venetian family and was a noted physician as well as an Ambassador who believed that the most important aspect of his job was to provide an excellent chef and fine food. Finally Henry IV of Navarre a Huguenot ruler of Navarre as Henry III secured the throne of France by converting to Catholicism: "Paris is worth a Mass." Five years later he signed the Edict of Nantes the landmark drecree granting religious tolerance to Protestants and which helped end the Wars of Religion. . Ducal Palace unknown books
ref. elala5189Venice: 1737. Letter regarding penalties associated with tax arrears accumulated by the community of Asolo. one-page oblong folio. with the doge's lead seal attached with hemp. horizontal & vertical folds. postal marking 'Cito Cito Cito' haste on panel Venice: 1737 unknown
ref. 12095Paris, Chez le Normant, 1831-1833 ; 5 tomes in-8, demi-veau glacé bronze, dos lisse, faux-nerfs noirs et dorés, fleurons décoratifs, titre et tomaison dorés, tranches mouchetées de rouge (reliure de l'époque) ; (4), IV, 487, (1) pp. ; (4), 307, (1) pp. ; (4), 443, (1) pp. ; (4), 359, (1) pp ; (4), 315, (1) pp.