2.156 Ergebnisse
1885Best.-Nr. 139331885. Nineteenth-century albumen views of Venice's Ponte dei Sospiri and Palazzo Ducale document two closely connected structures in the judicial and political history of the Venetian Republic. The Bridge of Sighs completed in 1614 linked the Doge's Palace with the New Prisons across the Rio di Palazzo and carried prisoners between courtrooms magistrates' chambers and cells; the verso preserves a separate view of the Palazzo Ducale the former seat of the Republic's government and judiciary. Original large albumen photograph 10½ x 14 inches mounted on heavy cardboard to an overall size of 14 x 20 inches. The recto shows the Rio di Palazzo with gondolas moored along the canal and the enclosed Ponte dei Sospiri spanning the water its reflection visible below. Catalogued within the lower left corner of the image: "9. Venezia/ Ponte dei Sospiri." The bridge contains two enclosed passageways connecting the New Prisons with judicial rooms in the Doge's Palace. Its familiar name dates from the Romantic period and derives from the imagined sighs of prisoners glimpsing Venice through its small stone windows while crossing from judgment to confinement. On the verso is a second albumen photograph of the same size captioned within the image "38. Venezia/Palazzo Ducale." The two-sided mount preserves nineteenth-century photographic views of buildings central to Venice's former machinery of government and criminal justice. The Doge's Palace housed the Republic's governing bodies courts and earlier prisons while the purpose-built New Prisons were erected across the canal and connected to the palace by the Ponte dei Sospiri. Moderate staining and warping to the cardboard mount; the photographs themselves are in fine condition. The presence of a full-size Palazzo Ducale view on the verso gives the mount two related architectural records rather than a single Venetian tourist view. unknown
1885Best.-Nr. 139331885. Nineteenth-century albumen views of Venice's Ponte dei Sospiri and Palazzo Ducale document two closely connected structures in the judicial and political history of the Venetian Republic. The Bridge of Sighs completed in 1614 linked the Doge's Palace with the New Prisons across the Rio di Palazzo and carried prisoners between courtrooms magistrates' chambers and cells; the verso preserves a separate view of the Palazzo Ducale the former seat of the Republic's government and judiciary. Original large albumen photograph 10½ x 14 inches mounted on heavy cardboard to an overall size of 14 x 20 inches. The recto shows the Rio di Palazzo with gondolas moored along the canal and the enclosed Ponte dei Sospiri spanning the water its reflection visible below. Catalogued within the lower left corner of the image: "9. Venezia/ Ponte dei Sospiri." The bridge contains two enclosed passageways connecting the New Prisons with judicial rooms in the Doge's Palace. Its familiar name dates from the Romantic period and derives from the imagined sighs of prisoners glimpsing Venice through its small stone windows while crossing from judgment to confinement. On the verso is a second albumen photograph of the same size captioned within the image "38. Venezia/Palazzo Ducale." The two-sided mount preserves nineteenth-century photographic views of buildings central to Venice's former machinery of government and criminal justice. The Doge's Palace housed the Republic's governing bodies courts and earlier prisons while the purpose-built New Prisons were erected across the canal and connected to the palace by the Ponte dei Sospiri. Moderate staining and warping to the cardboard mount; the photographs themselves are in fine condition. The presence of a full-size Palazzo Ducale view on the verso gives the mount two related architectural records rather than a single Venetian tourist view. unknown books
1984Best.-Nr. 87546Roxford Books 1984. Hard cover. Very good/Very good. Some light shelf wear on edges of jacket. Clean and crisp inside. Roxford Books unknown
1856Best.-Nr. 94064Paris, Furne, Libraire-éditeur 1856 In-4 26,5 x 18,5 cm. Reliure demi-basane fauve, dos orné de filets et d’une roulette dorés en pied, 598 pp., 24 gravures sur acier hors texte d'après Rouargue dont repliée en frontispice, perspective de Venise. Reliure légèrement frottée, rousseurs marginales. Bon exemplaire.
1935Best.-Nr. 5099Lyon, Pierre Masson (Imprimerie Audin), 1935 ; in-4, broché ; (4), 152, (4) pp., 16 dessins hors-texte et 1 in-texte de Jean Chièze ; les 16 premières pages de chapitres sont imprimées en sanguine et noir avec une grande lettrine à fond criblé ; couverture crème rempliée.
Best.-Nr. 8101La bibliothèque des arts 1963
1828Best.-Nr. 25962Venise François ANDREOLA 1828 in-16 broché un volume, broché (agraphé) crème in-seize Editeur (paperback in-16 editor)(16 x 10 cm), dos et couverture imprimés en noir, 1ère de couverture avec titre imprimé en noir dans un encadrement à décor floral gravé en noir, 4ème de couverture ornée d'une gravure du "Monument Colléoni à St-Jean et Paul" gravée en noir dans un encadrement à décor floral en noir, tête lisse, gouttière et tranche de queue non-rognées, Edition ornée de 2 plans dépliants gravés en noir + 19 gravures hors-texte en noir + 1 gravure en noir en 4ème de couverture, 404 pages + 3 pages intitulées "Oeuvres d'Antoine QUADRI sur Venise", 1828 Venise chez François ANDREOLA Editeur,
1899Best.-Nr. 1451899 Paris, Felix Alcan, 1899. Deux volumes in-8 demi chagrin vert, dos à nerfs, pièce de titre en maroquin rouge, lxxiii et 811 pages (pagination continue). Bel exemplaire sur papier vergé.
Best.-Nr. 22192478-nnew. unknown
1878Best.-Nr. 114362Paris, J. Rothschild, impr. Typographie Georges Chamerot, à Paris 1878 In-folio 38 x 27,5 cm. Reliure demi-chagrin vert-émeraude, dos à nerfs, X-328 pp., orné de 525 gravures dont 50 tirées hors texte et plusieurs en couleurs, table générale des gravures, table des matières, des noms et des gravures. Coupes frottées, premier mors fendillé sur 5 cm, intérieur très frais exempt de rousseurs.
1892Best.-Nr. 041917Chicago: A. C. Mcclurg 1892. 1st Edition 1st Printing. Hardcover. Good. Vii 450 Pp. Blue Cloth Gilt. First Edition With 1892 Date On Title Page. Cover Gilt Bright Spine Gilt With Some Wear. The Binding Is Worn Completely Frayed Across Both Ends Of The Spine Tips With Small Frays Front Hinge Tight; Rear Hinge Cracked With Thin Line Of Exposure Of Webbing. Inscribed "Ariana R W Curtis / Palazzo Barbaro / Venice/ From The Author" And With Latimer's Handwritten Summary Of Her Writings To 1892 Tipped On To The Rear Free Endpaper. The Palazzi Barbaro Are A Pair Of Adjoining Palaces Formerly One Of The Homes Of The Patrician Barbaro Family On The Grand Canal Of Venice. It Is One Of The Least Altered Of The Gothic Palaces Of Venice.The First Of The Two Palaces Is In The Venetian Gothic Style And Was Built In 1425 By Giovanni Bon One Of Venice's Master Stonemasons. While The Palazzo Remained The Barbaro Family'S Property They Did Not Always Live There. In 1499 It Served As The French Embassy To The Republic Of Venice. In 1524 Isabella D'Este Widow Of Francesco Ii Gonzaga Marquess Of Mantua And The Sister Of Alfonso I D'este Was Living At The Palazzo Barbaro. In 1797 The Palazzi Belonged To Senator Zuanne Barbaro. After The Barbaro Family Died Out In The Middle Of The 19Th Century The Palazzo Was Bought By A Series Of Speculators Who Auctioned Off Furniture And Paintings. In 1881 The Older Palazzo Was Rented By Daniel Sargent Curtis 1825-1908 A Relative Of The American Painter John Singer Sargent And His Wife Ariana Randolph Wormeley 1833-1922 Who Purchased It In 1885. The Curtises Begun A Thorough Restoration And Kept The Palace With Love And Dedication Bringing It Back To Social And Cultural Life And Making It The Meeting Place For Some Cosmopolitan Americans And Others With Visits From Sargent Ariana'S Sisters The Translator Katherine Prescott Wormeley And The Prolific Authoress And Translator Elizabeth Wormeley Latimer Their Son The Artist Ralph Wormeley Curtis Henry James Whistler Robert Browning And Claude Monet. Other Members Of The "Barbaro Circle" Included Bernard Berenson William Merritt Chase Isabella Stewart Gardner Edith Wharton And Charles Eliot Norton. Henry James Finished The Aspern Papers At A Desk That Is Still Housed In The Palace Today; James Considered The Barbaro Ballroom The Finest Example Of A Venetian Baroque Interior And Included A Description In His Novel The Wings Of The Dove And A Scene From The Recent Movie Was Filmed There. In 1898 John Singer Sargent Painted A Group Portrait Of The Curtis Family In The Salon Titled "An Interior In Venice". Isabella Stewart Gardner An Art Collector And The Foremost Patron Of The Arts In Her Time Had Her Portrait Painted At The Barbaro By Anders Zorn In 1894; She Fell In Love With It Renting It Several Times From 1890 When The Curtis' Were Traveling And When She Went Back To Boston She Built Her "Venetian Palazzo" An Interpretation Of The Renaissance Palaces Of Venice. A. C. Mcclurg hardcover
1927Best.-Nr. 28069Paris, A. [Auguste] Blaizot, 1927. Un vol. au format in-8 (243 x 158 mm) de 128 pp., broché, sous couverture à rabats rempliés et coffret cartonné.
1914Best.-Nr. 46402277Paris, Paul Iribe, 1914 ; in-4, demi-maroquin brun, coins, tête dorée, non rogné, couverture conservée. (Reliure de l’époque) ÉDITION ORIGINALE superbement imprimée pour Paul IRIBE sur les Presses de la Société générale d’Impression. Tirage limité à 500 exemplaires. Petit roman de (mauvaises) moeurs à Venise. Un jeune fançais oisif et dépravé, complice d’un garçon d’hôtel vénitien, pour séduire et piller une baronne en villégiature. Habile, pervers et cinglant ! UN DES 100 EXEMPLAIRES DE TÊTE sur Japon impérial de Shizuoka.
1957Best.-Nr. 4336DBZürich, Globi-Verlag, 1957. Gr.-8°. 99 S. Mit Bildgeschichten von Robert Lips. Farbig illustrierter Orig.-Halbleinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen] 1.?50. Tausend.
Best.-Nr. 110061Venezia, Co'Tipi Del Gondoliere, 1838, 1 volume in-4 de 255x170 mm environ, 1f.blanc, 3ff. (faux-titre, titre), 213 pages, 1f.blanc, 17 gravures (dont une double), broché sous couverture papier illustrée. Feuillets non coupés, non rognés. Bordures des feuillets pliées et fendillées, dos avec plis et haut et bas émoussés, déchirures sur le dernier avec légers manques de papier, quelques petites mouillures sur la couverture, des feuillets partiellement détachés. Texte en italien.
Best.-Nr. 6464 BELLES PHOTOGRAPHIES CONTRECOLLEES SUR CARTON FORT (48 X 31 CENTIMETRES ENVIRON), LEGENDE MANUSCRITE D'EPOQUE A L'ENCRE AU DOS. - GRAND CANAL, PALAIS CAVALLI RESIDENCE DE MGR LE COMTE DE CHAMBORD, EGLISE DELLA SALUTE. (34 X 24, AVEC TIMBRE SEC DU PHOTOGRAPHE). - PALAIS DUCAL. (33 X 26, AVEC TIMBRE SEC DU PHOTOGRAPHE). - FACADE DE SAINT-MARC, PALAIS DUCAL. (33 X 25). - VUE DE VENISE. (33 X 22,5 CENTIMETRES). ENSEMBLE DE 4 PHOTOGRAPHIES EN BON ETAT.
1665In-4°; cc.(11), pp. 42, 69, 1 carta bianca, 64, 1carta bianca, 58, 72, 172, 44, 40. libri completi, mancanza delle ultime 5 carte. Alcune pagine si presentano brunite. Timbro di possesso al frontespizio. Legatura in piena pella , con fregi in oro al dorso e tassello con titolo inciso in oro.
Best.-Nr. 16369P.Ferroud Sans date (1909). In-4 (25/17cm).41 pages. sur papier très fort Demi chagrin brun de l'époque, dos à nerfs janséniste, tête dorée. Couvertures et dos conservés.
Best.-Nr. 223208La Haye, Henri Scheurleer, 1721 2 vol. in-12, [11] ff. n. ch. (titre, dédicace, préface), 531 pp. ; titre, 359 pp., [73] pp. n. ch. de table des matières et de catalogue, texte bilingue (italien et traduction française en regard), avec un portrait-frontispice par Houbraken, basane fauve granitée, dos à nerfs cloisonnés et fleuronnés, pièces de titre cerise, tranches mouchetées (reliure de l'époque). Charnière supérieure du vol. I entièrement fendue, coiffes rognées, dos très frottés, épidermures.
Best.-Nr. 221869Paris, Garnier frères, 1878 grand in-8, [3] ff. n. ch. (faux-titre, titre-frontispice gravé, titre), 474 pp., un f. n. ch., avec de très nombreuses illustrations dans le texte et 53 planches hors texte, demi-chagrin cerise, dos à faux-nerfs orné de filets et caissons dorés, encadrements à froid sur les plats de toile chagrinée, tranches dorées (reliure de l'éditeur).
Best.-Nr. ORD-14683A Paris. chez Daumont rue St Martin. s.d. (fin XVIII° vers 1780). Dimensions de la feuille 520 x 346mm, dimensions de la gravure 430 x 268mm, cuvette comprise. Estampe couleurs, bords de feuille un peu salis, intérieur très correct malgré de tout petits trous de vers visibles seulement à la lumière. Bel exemplaire.
Best.-Nr. 69556P., Furne, 1856, petit in 4° relié demi-chagrin bleu nuit, dos à nerfs orné, 599 pages ; des rousseurs.
1856Best.-Nr. 113637Paris, Furne, impr. J. Claye, à Paris 1856 In-4 26,5 x 17 cm. Reliure de l’époque demi-chagrin bleu, dos à nerfs ornés de roulettes et encadrés de petits fers dorés, 598 pp., notes en bas de page, 24 gravures hors texte sous serpentes dont Vue générale de Venise repliée en titre, table des matières, table de placement des gravures. Bon exemplaire.
1923In -folio grande, fogli sciolti; pp. 16 e 9 stampe (su 10); tiratura numerata, esemplare 92 di 200. Fogli sciolti in cofanetto di mezza pergamena; tutte le tavv. sono numerate e firmate a matita; manca la tav. IV (“Traghetto del Carbon”).
Barcelona, Luis Tasso, 1857, 27 x 18 cm., plena piel chagrín original estampada con título dorado, lomo con nervios y cortes dorados, 2 hojas + 655 págs. + 23 láminas grabadas en acero, una de ellas plegada.