1605réf. 4261605 Vinetia [Venise], Domenico Nicolini, 1605. Deux parties en un fort volume petit in-4 plein vélin ivoire, titre manuscrit au dos, [bl.], titre et portrait gravé, (2), 840, (36), 320, (16) pp., [bl.], texte en italien. Petit manque au plat supérieur, quelques feuillets ont été restaurés en marge, infime travail de vers et rousseurs éparses.
1970réf. 232456Venice 1970. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Fine. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Lovely luminous group of Venetian views lovingly shot and printed by the Russian-born photographer Kessel 1902 - 1995 whose work for LIFE magazine won international acclaim. As he wrote in his book ON ASSIGNMENT: DMITRI KESSEL LIFE PHOTOGRAPHER New York Abrams 1985: "In sun rain fog snow photographing Venice was for me a labor of love " The photos include several views of St. Mark's Square including the Basilica a snowy view of the Doge's palace the Campanile vaporettos parked in a canal gondolas floating in the lagoon one of the famous bronze horses undergoing restoration and others. unknown books
1970réf. 232456Venice 1970. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Fine. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Lovely luminous group of Venetian views lovingly shot and printed by the Russian-born photographer Kessel 1902 - 1995 whose work for LIFE magazine won international acclaim. As he wrote in his book ON ASSIGNMENT: DMITRI KESSEL LIFE PHOTOGRAPHER New York Abrams 1985: "In sun rain fog snow photographing Venice was for me a labor of love " The photos include several views of St. Mark's Square including the Basilica a snowy view of the Doge's palace the Campanile vaporettos parked in a canal gondolas floating in the lagoon one of the famous bronze horses undergoing restoration and others. unknown
1751In-4°; pp. (4), 144, bianca F12; al frontespizio incisione su legno con il leone veneziano; con frontespizio proprio con il medesimo legno seguono da p. 117: “Terminazione degl’illustrissimi ed eccell. deputati ed aggionti alla regolazione del commercio e cinqe savi della mercanzia in proposito delle bollette d’uscida”, p. 131: “Obblighi ed incombenze del ragionato appuntadore nella dogana da mar volgarmente detta nuovo stallaggio; approvati dall’eccell. Senato 1761” dove l’ultimo decreto è datato 1780. Bell’esemplare in cartonato rustico coevo. Ex libris papadopoli. Interessante per la grande quantità di merci elencate tra cui anche “libri a a stampa e vecchi usati”, quadri di pittura antica e nuova”, e le mercanzie provenienti dal Levante, ma anche da Bosnia, Erzegovina, Albania.
réf. 18374Recueil de photographies de tableaux, oeuvres d'art, monuments et vues de villes d'Italie en un volume in-quarto (340x265 mm), plein velin ivoire rigide, dos arrondi décoré et doré d'entrelacs de feuilles et fleurs, plats bisautés décorés d'un large encadrement d'entrelacs dorés sur fond rouge vif de style renaissance, lui-même entouré en extérieur et intérieur d'une large roulette décorative dorée et filets rouges et or, titre "Italia" en lettres peintes et décorées en rouge et or, tranches rouges (étiquette du relieur Giulio Giannini. Firenze). 40 feuilles de carton montées sur onglets avec de nombreuses photographies (fin XIXe - début XXe siècle) de tableaux (41), sculptures (12), vues de Venise (16), de Florence (2), Milan et Bellagio. Les 8 derniers feuillets sont occupés par des cartes postales anciennes.
1927réf. 23697Paris GEORGES BRIFFAUT ÉDITEUR 1927 1 Édition illustrée d'aquarelles originales de Gerda Wegener, gravées sur bois par G. AUBERT et à l'eau-forte en couleurs par André LAMBERT. Paris, Georges Briffaut Éditeur, collection Le Livre du Bibliophile, 1927, broché, couverture rempliée titrée, sous-chemise et étui cartonnés, 164 pages.
Paris, Les Heures Claires, 1969. Grand volume in-folio (28 x 38 cm), en feuilles, sous chemise rempliée et imprimée dans un coffret-emboîtage de toile saumonée. 179 pp-[14 ff n.p] table des chapitres et des illustrations, justification du tirage. Dos de l'emboîtage légèrement effiloché. Recueil de textes d'extraits, en vers ou en prose, de H. de Régnier, Arsène Houssaye, Lord Byron, Tommaso Campanella, Maurice Barrès, J. M de Hérédia, Théophile Gautier, Alfred de Musset, André Chénier, Augut Van Platen, Goethe, Président de Brosses, George Sand, Marcel Proust, Ruskin, François-René de Chateaubriand, Annunzio, Shelley, Delavigne, Mme de Staël, August Brizeux, Serge Bettini, Alfredo Panzini, Stopford Brooke, Arthur Symons, J. J. Rousseau, Ed et Jules de Goncourt, François Vinchant.TIRAGE A 290 A 290 EX N°. Celui-ci un des 55 sur grand vélin de Rives (n° 69) comportant UNE suite sur Rives et accompagné d'une autre suite de 5 double-planches sous portefeuille dans un étui en pleine toile saumonée format in-plano. BEL EXEMPLAIRE.
1796In-4; antiporta allegorica di Piazzetta incisa su rame+ pp. (8), 87;al frontespizio stemma inciso su rame. perfetta la legatura originale in cartoncino rosa con cornice floreale ai piatti e al centro lo stemma di Antonio Cappello, e al piatto posteriore una “W”. Dedica a Antonio Cappello di Don Iacopo Morelli, custode della pubblica Biblioteca, di cui è anche riportato il saggio “Della cultura della poesia presso li vveneziani. Dissertazione storica” . Ottimo esemplare. Cicogna 2432. Morazzoni p. 266. Lapiccirella 41. Pettoello 482. legatura veneziana venezia venice feste cerimonie ingresso poesia festival book
A very attractive copy of the first edition of one of the most important 17th-century French novels. Complete with the final blank Ee2. 12mo. Contemporary calf, spine gilt. Wear to extremities of binding and gilding on spine somewhat abraded, but structurally solid and still attractive. Large margins. Internally bright and fine except for a couple minor spots. Barbier I, 691c; Brunet V, 59; Graesse VI (1), 226; Rothschild III, 2451. Very rare, especially in a contemporary binding.
1670FIRST AND ONLY EDITION of this extremely detailed, rare, and important account of the siege of Candia (now Heraklion, Crete), then held by Venice, by the Ottomans. 24, 345, 4 pp. 12mo. Bound in contemporary calf, with spine gilt in five compartments. Binding somewhat worn but still solid and attractive. Internally clean.
1775Libretto di 14 pagine (ultima bianca), rilegato in cartoncino chiaro coevo, titolo Ospitale de Derelitti – Elenco degl’Impiegati colle loro incombenze, ed assegni, manoscritto al piatto superiore. Note manoscritte a pag. 4, 6, 8, con grafia compatibile con quella del manoscritto in apertura. In apertura 2 carte manoscritte e ripiegate sulle Persone impiegate in servizio del Pio Ospitale de’ Derelitti colla descrizione delle loro incombenze, e de’ respettivi loro assegni. Segue l’indicazione N.6 Padri Somaschi, tre sacerdoti, e tre laici, Infermeria degli Uomini, Infermeria delle Donne, Dalle Figlie, Alla cura Medica, e chirurgica delle Infermerie, Orfani, ed Orfane, All’amministrazione dell’Azienda. Segue data 15 xmbre 1805, e firma manoscritta di Carlo Mondini agente. Booklet of 14 pages (last blank), bound in clear coeval cardboard, title Ospitale de Derelitti - List of Employees with their duties, and checks, handwritten on the upper plate. Handwritten notes on p. 4, 6, 8, with handwriting compatible with that of the manuscript at the beginning. At the opening 2 handwritten and folded papers on the Personnel employed in the service of the Pio Ospitale de 'Derelitti with the description of their duties, and their respective checks. Follows the indication No. 6 Somascan Fathers, three priests, and three lay people, the Infirmary of the Men, the Infirmary of the Women, From the Daughters, To the Medical, and surgical care of the Infirmaries, Orphans, and Orphans, To the administration of the Company. It follows date 15 xmbre 1805, and handwritten signature of Carlo Mondini agente.
1762In-4°; pp. CLXVIII, in antiporta stemma nobiliare inciso su rame, frontespizio stampato in rosso e nero; al frontespizio vignetta calcografica, nel testo numerose testatine e finalini, alcuni a firma Francesco Bartolozzi, con scene varie e paesaggi, capilettera figurati; fregi tipografici. Legatura in cartonato colorato. Niccolò Bozzoni raccoglie in questo elegante volume sonetti e versi di diversi autori, tra cui di Gaetano Bertolazzi un sonetto tradotto in tedesco, inglese, francese, spagnolo e italiano, e in fine “Il poeta per aria” poemetto berniesco di De Cattaneo. Morazzoni p. 300. venezia poesia venice illustrati nozze feste festival book gratulatorie congratulatory bartolozzi
1919réf. 225051919 1 Aquarelle en couleurs, rehauts d'or, (1919), papier collé sur carton, 26.5 x 20 cm., encadrée.
1970réf. 235381970 1 Aquarelle signée en bas à gauche et datée, 1970, 65 x 50 cm.
1970réf. 5942BBVerona, Edizioni d'arte Ghelfi, (ca. 1970). Folio. (7) S. Mit 20 numerierten, signierten Radierungen u. Aquatinta von Nag Arnoldi sowie 20 Textillustr. (Verzeichnis der Tafeln) u. 1 Portrait. Lose Bogen in illustr. Orig.-Pappkassette + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 5942B (bestossen).
réf. 2092902141501420300-Mai N.A. Soft Cover. Fine. Size: A4 Number of copies: 300 sheets 300-Mai paperback
1985réf. SBBI-SBL-010967Solomon R. Guggenheim Foundation 1985. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Solomon R. Guggenheim Foundation unknown
réf. 9853Ginerva, e si vende a Parigi / London, G.-J. Paschoud / Printed for J. Murray by T. Davison, 1818 / 1814 / 1821. In-12 de XXIV-93; [8]-128; [4]-VII-47; 81-[2]; [4]-XVIII-[1]-20 à 271 pages, demi-veau blond à petits coins, dos lisse orné de filets et titre dorés, étiquette de titre caramel. Coins et dos frottés, rares rousseurs. Ex-libris Charles de Constant-Rebecque.
réf. 14479P. VIRGILII MARONIS Poetae mantuani. Universum Poema : cum absoluta servii honorati mauri grammatici, & badij ascensij interpretatione : Probi & Joannis Uiuis in Eclogas allegorijs. Quibus Accesserunt Ludovici Poelii Rhodigini, Joan Scoppae Parthenopaei jacobi Constantis Fanensis, Francisci Campani Colensis, Jacobi Crucis Bonon, necnon alterius docti hominis lucubrationes & annotaiones in Loca diffiliora. Elegantissimae Praeterea Librorum Omnium Figurae argumenta, lectionum denique varietates, quas & Ioannes Pierius, & alij doctissimi viri hactenus obsruarunt. Que non Ut antea, plurimis foedatamendis, sed acri studio emendat, atq.omni quantum licuit, exparte expolita, emisimus, quod, alios libros cum nostro conserentibus, patebit. In 4 plein cuir fauve raciné, dos à nerfs, titre, caissons, filets dorés. Reliure du XVIème siècle, 210x280mm, page de titre avec marque typographie gravée, représentant la fortune sur un navire avec une voile gonflée par le vent devant elle Mercure et la devise Dies Arte AC Fortuna. VI- 389 pages, tranches mouchetées, texte sur 2 colonnes. Vignettes allégoriques dans le texte, lettrines. VENETIIS Apud Petrum Dusinellum 1586 Coiffes restaurées. Plats légèrement frottés, sans gravité. Bon exemplaire.
1970réf. 5942BBVerona, Edizioni d'arte Ghelfi, (ca. 1970). Folio. (7) S. Mit 20 numerierten, signierten Radierungen u. Aquatinta von Nag Arnoldi sowie 20 Textillustr. (Verzeichnis der Tafeln) u. 1 Portrait. Lose Bogen in illustr. Orig.-Pappkassette (bestossen).
1835réf. 3220261Concertina-folding hand-coloured lithographic peepshow with three cut-out sections front-face measuring 98 × 137 mm; the peepshow extends by paper bellows to approximately 275 mm. Hand-coloured lithograph housed in a custom made cloth box. Rare German peepshow of St. Mark's Square in Venice rather naive in appearance resembling the illustrations found in chapbooks of the time. The front-face consists of the title a view of St Mark's Square viewed from an architectural arrangement at the west end of the square symbols of carnival - a tambourine masks and a jester's bauble - and a circular peephole. The staffage on the cut-outs and backboard consist of commedia del arte figures including a dancing man with a mandolin and two dwarfs. The campanile hopelessly represented and wrongly positioned features on the third cut-out and St Mark's on the backboard. [Germany,
1991réf. 222231991 Photographie. Tirage pigmentaire signée, justifiée 2/10, 1991, 54,5 x 36.5 cm , encadrée.
réf. VEN001M20 Vues de Venise. Vers 1860. Relié. Dimension extérieure 46 x 36,5 cm / Illustrations 33,8 x 24,6 cm.
1546réf. 11249Venise, Hieronymus Scotas, 1546 ; in-folio ; plein vélin ivoire en partie manuscrit (reliure de l'époque) ; (6) ff., 142 ff. recto-verso, (3) ff. le dernier, blanc, a été découpé.
1720réf. 81848(1720). 36 x 49 cm.