Provvisorio, Venice GovernoBiblio.com
2 295 résultats
réf. 102126007X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1020890843.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980réf. 134026Rizzoli. Very Good. 1980. Soft Cover. 0847803562 M436 . Rizzoli paperback
1717réf. 56704to manuscript on vellum 23.5 x 17.1 cm 7 ff. 4 ff. vellum blanks including a full-page frontispiece illumination of Venetian Lion of St. Mark each text page with foliate borders in gold ink headings and initials in gold ink. Bound in contemporary Venetian morocco elaborately gold tooled gold block-printed foliate pastedowns. Edge wear and minor rubbing to spine and boards manuscript loose in binding oxidizing to edges of pastedowns. Marginal flaws to frontispiece illumination just touching border in places a few small wormholes elsewhere minor handsoiling. Finely illuminated early 18th-century Venetian manuscript issued by the city's Magistrato alla Sanità Health Department as a license to certify the physician Antonio Damugliano d. 1747 to practice medicine in the Venetian Republic using his propriety formula for topical salves balsami to treat "wounds and ulcers" f. 3v-3r. The manuscript ornately written out and decorated in gold and colored ink opens with a full-page image of the winged Lion of San Marco in the Venetian landscape which serves as an official seal of the document's authenticity and is inscribed by five Provveditori of the Magistrato and one notary who witnessed the certification. This pharmaceutical license represents a rare material survival of how Venice's Magistrato alla Sanità regulated the practice of medicine in its territories even down to the level of controlling how individual practitioners could work with specific drugs. Damugliano presumably was required to keep the document on his person while plying his trade and to present it to the relevant authorities or even to his patients should his practice be called into question. The text of the document is written out twice – first in Italian and then in Latin – to suit the linguistic preferences of both the common Venetian citizen and the professional medical class. Damugliano also known as Antimo Damulianos is noted in the document dated April 1717 as being a native of the Ionian island of Zante or Zakynthos at the time a Venetian colony and having recently returned from Moscow "where with good success and for a long time he practiced medicine with full official permission of many noteworthy people" f. 2v. Damugliano is said to have studied medicine in Europe likely in Italy specializing in contagious diseases and eventually practicing in Asia Minor Persia India China Egypt Constantinople and Trieste and to have been ordered by Emperor Charles VI 1685-1740 to treat the sick of a plague outbreak in Corinth see L. Zoes passim. Damugliano's name is also associated with a 1725 treatise entitled 'Medicina' which circulated in manuscript form in Venice and dealt with the use of salves pills and stones to treat hydrophobia see L. Zoes; we have been unable to locate a copy of this treatise. Damugliano is also recorded as having worked in Vienna where an April 1746 news magazine comments that the "very famous" Damugliano having traveled through numerous kingdoms has arrived to demonstrate the curative powers of "the wondrous Chinese stone called Bezoar" which is effective against fevers snake bites fatigue colic etc. Nachtrag p. 64. The bezoar stone an indigestible mass formed in the digestive tract of ruminants was lauded from the middle ages as a universal antidote to poison. R. Palmer "Pharmacy in the Republic of Venice in the Sixteenth Century" in A. Wear et al. eds. The Medical Renaissance of the Sixteenth Century pp. 100-17; Epeteris: Hetaireia Byzantinon Spoudon vol. 43-44 1977 p. 417; H. Schmuck Grieschischer Biographischer Index vol. 1 p. 247; L. Zoes Lexikon historikon kai laographikon Zakynthou vol. 1; S. Carbone Provveditori e sopraprovveditori alla Santità della Repubblica di Venezia; P. Selmi "Il Magistrato all Sanità" in Difesa della Sanità a Venezia Secoli XIII-XIX pp. 28-50; Nachtrag zu denen wöchentlich-kurtzgefaßter historischer Nachrichten Der neuern Europäischen Begebenheiten auf das Jahr 1746 p. 64.
réf. elala5848Venice: Fondazione La Biennale di Venezia 2012. folio. pp. 346 2. profusely illus. many colour. wrs. front wr. corners curling. elala5848 [Venice: Fondazione La Biennale di Venezia, 2012] unknown
réf. dola292Venice: 1967. Exhibition Catalogue. square 8vo. ff. 37. profusely illus. some colour. cloth 2 small library stamps. illus. plastic dw Venice: 1967 hardcover
1967réf. DRGseBER46Venice: Neri Pozza Editore 1967. 1967. 8vo. pp. 130 6. 84 double-sided plates. biblio. bds. institutional bookplate rubber & blindstamp. dw. Exhib. Cat. First Edition. F. Hardcover. [Venice]: Neri Pozza Editore, 1967. Hardcover
1999réf. ANIBVENI88Venice: Edizioni La Biennale Di Venezia 1999. 1999. 4to. pp. 12 407; 287. English text. profusely illus. in colour & d/w. bios. biblios. index. wrs. corners slightly bumped. Published to conjunction with the 48TH Venice Biennale exhibition. Soft cover. Very Good/Dust Jacket Included. [Venice: Edizioni La Biennale Di Venezia, 1999]. Paperback
1986réf. ANIIVENI30Milan: Electa Editrice 1986. 1986. 4to. pp. 399. Text in English. profusely illus. some colour. index. wrs. spine creased extremities slightly worn. Exhib. Cat. [Milan]: Electa Editrice, [1986]. unknown
1967réf. INIVeVEN28Venice: Alfieri Edizioni D'Arte 1967. 1967. 8vo. pp. lxiv 399 1 16 ads. 24 colour plates & 174 text illus. biblio. index. cloth institutional bookplate rubber & blindstamp. dw. small label on lower spine extremities slightly worn. Exhib. Cat. Hardcover. Venice: Alfieri Edizioni D'Arte, [1967]. Hardcover
1939réf. ANIstVEN98Venice: Libreria Serenissima 1939. 1939. 8vo. pp. 239. profusely illus. biblio. index. limp cloth institutional label on spine bookplate rubberstamp & two blindstamps inside front pastedown cockled tear to back pastedown. Exhib. Cat. First Edition. Freitag 9921. F. Hardcover. [Venice: Libreria Serenissima, 1939]. Hardcover
1966réf. ANIxVENI89Venice: 1966. 1966. 8vo. pp. 76. profusely illus. 20 colour. cloth. French English & German translation pp. 20 loosely inserted. Exhib. Cat. First Edition. F. Hardcover. [Venice: 1966]. Hardcover
1972réf. stela736Venice: 1972. 1972. Square 8vo. pp. 12. English French German & Italian text. 6 colour & 1 b/w illus. wrs. spine edge sunned. Venice: 1972. unknown
1989réf. IENal[VE93New York: Rizzoli 1989. 1989. 4to. pp. 772 2 leaves. profusely illus. many colour. biblio. index. cloth. dw. some minor shelf wear. Exhib. Cat. First American Edition. F. Hardcover. New York: Rizzoli, [1989]. hardcover
1986réf. ONIomVEN28Milan: Electa: 1986. 1986. square 8vo. pp. 230 1 leaf. maps. illus. throughout most colour many full-page. wrs. First Edition. Exhibition Cat. F. [Milan]: Electa: [1986]. unknown
réf. a64606Firenze 1800 1st. In Italian. Hardcover. 4to. 275pp. double column text black marbled cloth with green cloth spine. Good Plus very light water stain on text throughout with light wrinkling throughout as well. Volume 2 of 2 only. Pictures available on request. . hardcover
1819réf. 1120London: J. and C. Adlard 1819. 8vo. 220 x 140 mm. 8 3/4 x 5 1/2 inches. 12 pp. Illustrated with a folding plate depicting the Piazza San Marco Venice. Original blank wrappers separated at the spine folded plate loose in binding. Stamp of the Minnesota Historical Society withdrawn. Tiny tears at the folds of the plate but sound. J. and C. Adlard unknown
1872réf. 1103New York: Harper & Brothers 1872. 8vo. pp. 481 - 501. Illustrated with wood engravings including a map of Venice four full-page architectural views and nine wood engravings in the text. Original printed wrappers chipped at spine but a sound an not unattractive copy. Anonymous twenty page description of Venice which captures for the American public the history and romance of La Serenissima including images of the most famous palazzi the Doge's Palace. This issue of the Magazine also includes a biography of Edgar Allan Poe an essay on the political character of modern Greeks and the concluding chapter of Anthony Trollope's The Golden Lion of Granpere to name a few of the articles. Harper & Brothers unknown
1835réf. 3220261Concertina-folding hand-coloured lithographic peepshow with three cut-out sections front-face measuring 98 × 137 mm; the peepshow extends by paper bellows to approximately 275 mm. Hand-coloured lithograph housed in a custom made cloth box. Rare German peepshow of St. Mark's Square in Venice rather naive in appearance resembling the illustrations found in chapbooks of the time. The front-face consists of the title a view of St Mark's Square viewed from an architectural arrangement at the west end of the square symbols of carnival - a tambourine masks and a jester's bauble - and a circular peephole. The staffage on the cut-outs and backboard consist of commedia del arte figures including a dancing man with a mandolin and two dwarfs. The campanile hopelessly represented and wrongly positioned features on the third cut-out and St Mark's on the backboard. [Germany,
1895réf. 22206Italy: No Photographer Noted 1895. A series of loose plates with tipped-on photographs on paper in black and white; about 1/2 of the plates with 2 images; sizes vary with the largest approx. 10" x 13" and ranging to 3" x 6" for those having 2 plates per page; especially well-taken with gravure quality and fine detail; views of the upper cupolas; ornate frieze-work; many of the column-tops and detailed ornamentation; no photographer or studio indicated; some with numbers on the plates which correspond to numbers found in the impress margins and with an additional sequence of numbers found at the edge of the stiff-paper matte-surround; the mounts make these 12 1/4" x 15 1/2" approx.; small rubber stamp of the School of the Museum of Fine Arts on the backs of the mounts which is the only marking; occasional spotting on the mounts some with some darkening towards the margins and edge-chipping wear a little rippling too; imagery generally very good and clean; a good collection and a detailed reference for this Venetian architectural masterpiece. . Art. Not Bound. Very Good. No Photographer Noted Paperback
182312mo., Second Edition, with engraved portrait frontispiece (original tissue guard present), neat contemporary signature on front paste-down, some light marginal spotting; contemporary mottled red and brown calf, sides with floral frame border in gilt, back tooled and ruled in gilt, second compartment with red leather label lettered and ruled in gilt, gilt edgesexpertly rebacked with old backstrip laid down, a very good, bright, clean copy. With fine early nineteenth century engraved armorial bookplate bearing the widespread motto 'pro aris et focis'. This scarce work contains the twenty-four prayers and orisons of the Armenian patriarch Nerses IV (1102-1173). Effectively a type specimen book, it was printed at the Armenian monastery on the isle of St. Lazarus off Venice and presents the prayers in no fewer than 24 different languages, including Dutch, Gaelic, Hungarian, Spanish and Russian. The collection was first issued in 1818 with the prayers present in fourteen languages; a fourth edition (1837) was several times reprinted. Brunet IV, 859; Nersessian 510.
18938vo., First Edition, with maps and plans; original cloth, uncut, bckstrip chipped with minor loss at head and tail, corners rubbed else a good, clean copy. A second edition was published in 1895. The first edition is scarce.
19928vo., First Edition, with 19 plates on 8; black cloth, gilt back, a very good, clean copy in price-clipped dustwrapper.
1989Oblong 4to., First Edition, with a frontispiece, a coloured portrait photograph and 54 full-page illustrations (a number coloured or tinted) in the text; red cloth, gilt back, a fine copy in unclipped dustwrapper.
19568vo., First Edition, with 8 coloured plates, and 240 monochrome photographs and 13 plans (a number full-page) in the text; original pictorial boards, upper board and backstrip blocked and lettered in red, a near fine copy in unclipped dustwrapper, the latter lightly rubbed at extremities and with minor loss at head and tail of backstrip. A remarkably well-preserved copy of this famous guide. EXTREMELY SCARCE IN THIS CONDITION.
