Derleth, GünterAntiquariat.de
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2000Best.-Nr. 17436DBThalwil/ Zürich + New York., Edition Stemmle., 2000. 34 x 28 cm. 112 S., 4 Blatt. OPappband mit illustriertem OUmschlag., 17436D.jpg Erste Auflage. Umschlagkanten mit Bereibungen, untere, äussere Ecke des Vorderdeckels mit kleiner Stauchung, die sich an den ersten Blattecken fortsetzt . Sonst gutes Exemplar.
1892Best.-Nr. 27541München, Städtebilder-Verlag, o.J. (um 1892). 2. Auflage VIII, 108, IV S. mit Abb. und einem Plan 19 x 13 cm, Broschur [3 Warenabbildungen]
1991Best.-Nr. 30083ABDüsseldorf., Kunstmuseum Düsseldorf., 1991. 30 x 21 cm. 415 S. Illustrierter OKarton., 30083AB 1. Auflage. Verlagsfrisches, neuwertiges Exemplar (originalverschweißt).
2004Fine English Venedik 1900 - 2000., edit by: Bülent Özükan, Ersin Altin; Boyut yayin grubu, Ist., 2004. Paperback. Pbo. Demy 8vo. Fine. 79, [14] p. B/w and color ills. Last 14 p. including color Venice map. Boyut publishing architecture and urbanism No. 24.
Best.-Nr. 11774Three nineteenth century photographs of Venice record St. Mark's Cathedral a sculptural detail outside the cathedral and the Ducal Palace concentrating on monuments associated with the civic religious and political center of the city. The views preserve contemporary visual evidence of Venetian architecture and public space during the nineteenth century with particular emphasis on buildings and sculpture surrounding St. Mark's. Three sepia toned photographs of Venice Italy. The first measuring 10 x 7.5 inches presents a frontal view of St. Mark's Cathedral one of Venice's principal churches. The second measuring 9.5 x 7.25 inches gives a close view of a horse statue outside St. Mark's Cathedral. The third also 9.5 x 7.25 inches depicts the Ducal Palace the historic seat of the Venetian government and residence of the doges. The grouping therefore records both the ecclesiastical architecture of St. Mark's and the adjoining palace associated with the political administration of the Venetian Republic. The photographs preserve nineteenth century views of monuments central to Venice's religious and governmental history including the cathedral overlooking Piazza San Marco and the Ducal Palace long associated with the city's political judicial and ceremonial life. The second photograph has a small tear at the upper right corner; otherwise the photographs are in excellent condition. unknown
Best.-Nr. 11774Three nineteenth century photographs of Venice record St. Mark's Cathedral a sculptural detail outside the cathedral and the Ducal Palace concentrating on monuments associated with the civic religious and political center of the city. The views preserve contemporary visual evidence of Venetian architecture and public space during the nineteenth century with particular emphasis on buildings and sculpture surrounding St. Mark's. Three sepia toned photographs of Venice Italy. The first measuring 10 x 7.5 inches presents a frontal view of St. Mark's Cathedral one of Venice's principal churches. The second measuring 9.5 x 7.25 inches gives a close view of a horse statue outside St. Mark's Cathedral. The third also 9.5 x 7.25 inches depicts the Ducal Palace the historic seat of the Venetian government and residence of the doges. The grouping therefore records both the ecclesiastical architecture of St. Mark's and the adjoining palace associated with the political administration of the Venetian Republic. The photographs preserve nineteenth century views of monuments central to Venice's religious and governmental history including the cathedral overlooking Piazza San Marco and the Ducal Palace long associated with the city's political judicial and ceremonial life. The second photograph has a small tear at the upper right corner; otherwise the photographs are in excellent condition. unknown books
1988No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 267pp. Detailed study of the paintings of Venetian artists Titian and Bellini from the 15th and 16th centuries with 222 illustrations.
19854to., First Edition, with fine coloured frontispiece, and coloured and monochrome full-page reproductions; pictorial wrappers, a fine copy. An invitation card to the exhibition and a 'Venice in Peril' flier are loosely inserted. The catalogue was sold in support of the Venice in Peril fund.
19888vo., Second Impression, with 17 plates on 8; blue cloth, gilt back, a fine copy in unclipped dustwrapper. Published in the same month as the first edition. Lees-Milne's delightfully personal account of a city he had known for over sixty years. Very elusive in this condition
1995Book is in excellent condition with a little shelf wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows very slight edge and corner wear, no tears. 109 pages of full page photos, about a thrid of which are in color, almost all of these being mosaics very rich in gold, detail, the Last Supper, etc. The b&w photos are of Venice proper, sculpture, bridges, canals, boats, facades, architectural detail.
45x32cm., [26p.] Album de 26 photographies (tirages albuminés) de paysages vénitiens de Carlo Naya, de dimensions 34x26 cm, dont 4 photos en couleurs présentant une forte tonalité bleue, donnant un "effet nuit", et retouchées à l'aquarelle. Tampon de l'atelier sur certaines pages, mais pas sur toutes. Quelque traces d'usure sur la reliure, sinon très bon état.
1858Together 1586 pages dealing with the history of Venice, text printed in 2 columns, 23cm., original softcover, pages still uncut, no foxing, good condition, text in Italian, [this lemma "Venezia" is published in 4 volumes, all present here: volumes 90 (320pp.), 91 (604pp.), 92 (712pp.) & 93 (324pp.) of Moroni's famous "Dizionario…"], total weight is almost 3kg., R84787
1965190pp + 24 tavv. VG/G+ Prima (unica) edizione, rilegatura editoriale tutta tela verde con scritte dorate al dorso, in sovraccopertina editoriale illustrata, leggere tracce d'uso sulla sovraccopertina e sguardie lievemente ingiallite dal tempo, altrimenti in ottime condizioni, quasi nuovo. Autori Runciman, Dupre'-Theseider, Brezzi, Fasoli, Pertusi, Zakythinos e Bettini, con 24 tavole in b/n in fine del volume.
2009New Italian Original bdg. HC. 4to. (30 x 26 cm). In Italian and Turkish. 299, [1] p., color ills. Venezia e Istanbul in epoca Ottomana.= Osmanli döneminde Venedik ve Istanbul. [Exhibition catalogue]. 18 November 2009 - 28 February 2010. Sealed. La mostra propone la rappresentazione per immagini della lunghezza e della complessità della storia che accomuna i nostri Paesi, all'interno di quella cornice, straordinaria per varietà e ricchezza, che e il Mediterraneo. Per secoli, Venezia ha rappresentato per l'Europa la Porta d'Oriente, attraverso cui e stato possibile diffondere la conoscenza degli usi e dei costumi dell'Impero Ottomano. Ma e anche vero il contrario: quando la Sublime Porta ha avuto bisogno di rimarcare la sua prossimità con la cultura europea, e a Venezia che ha fatto ricorso. Questo e quello che fece, infatti, Maometto II, il conquistatore di Costantinopoli, quando chiamò alla sua corte il pittore veneziano Gentile Bellini. L'arte e il commercio rappresentarono i pilastri essenziali di questo rapporto fecondo, attraverso il quale con il tempo furono superate le distanze e diminuirono le diffidenze reciproche. Le relazioni non furono sempre pacifiche, come sappiamo. Venezia fece per esempio parte della coalizione di forze europee che inflisse all'Impero Ottomano la prima sconfitta sul suolo europeo, nel 1683. La stessa fine della Repubblica di Venezia, che avvenne nel 1797 con il Trattato di Campoformio, ebbe conseguenze inattese anche sull'Impero Ottomano.
1923In -folio grande, fogli sciolti; pp. 16 e 9 stampe (su 10); tiratura numerata, esemplare 92 di 200. Fogli sciolti in cofanetto di mezza pergamena; tutte le tavv. sono numerate e firmate a matita; manca la tav. IV (“Traghetto del Carbon”).
1978Best.-Nr. 67963ABStuttgart., Dr. Cantz'sche Druckerei., 1978. 30 x 24,1 cm. 38 unpaginierte S. OKarton mit illustriertem OKlappenumschlag., 67963A 1. Auflage. Fleck auf Buchdeckel recto, Rücken etwas lichtrandig und am Kopf leicht bestoßen, sonst gutes Exemplar.
1989Best.-Nr. 52877ABBerlin, Dietrich Reimer Verlag, (1989). 8° (23x21), 147 S., reich illustriert, ill OKart (Brosch), Preisnotiz auf Innenspiegel, sonst fest sauber und gepflegt, [= Kataloge des Kunstgewerbemuseums Berlin : Staatliche Museen Preussischer Kulturbesitz],
Best.-Nr. 243-Wo.J. Lithographie, auf JW-Zanders-Bütten, signiert und numeriert. 17:23 cm. Nr. 32 von 100 Exx. - Im breiten Rand etwas unfrisch und mit diagonaler Knickfalte.
1914Best.-Nr. EEzz3901nBln., Simion Nf. 1914. 44 S., OBrosch., abgegriff., etw. rissig, innen sauber und gut.
G (no dj, limp boards, black cloth with red stripes top and bottom, gilt titles on spine and front board, light wear top and base of spine and 4 small chips at top of front board, red edged pages, frontis page missing - but not front free endpaper or title page. neat pencil annotatin top of title page else contents extremely clean and tight, a very nice copy) 16mo 214pp. Second edition. With map at front, no illustrations.
1973UK edition. Hardback in a protected dust jacket. VG/VG (price clipped). (Wonders of Man). 20177. eng
1907Vintage travel book describing Venice c.1900 with 29 full colour plates based on charmimg watercolours by Reginald Barrett. 336p. Text block clean and neat but loose in original covers which are slighty worn at head & foot of spine. Donor inscription dated 1912 on ffep Book
2005Best.-Nr. 1873Berlin, Aufbau-Verlag, 2005. zahlreiche, meist farbige Abbildungen, 191 S., 1. Auflage. Original-Pappband. ZUSTAND -1.
Splendida incisione su acciaio del 1860 circa, riproduzione di un quadro di Joseph Mallord William Turner (1775-1851) ora conservato presso la Tate Gallery. Il dipinto venne esposto per la prima volta nel 1840. L'incisione mostra il famoso Ponte dei Sospiri a venezia. A sinistra il Palazzo del Doge e a destra il palazzo delle prigioni. TECNICA: Incisione su acciaio INCISORE: J. C. Armytage DIMENSIONI FOGLIO: cm 32,5x23,5 DIMENSIONI INCISIONE: cm 26,5x17,5 EPOCA: 1860 circa CONDIZIONI: Ottime, rare fioriture. Beautiful steel engraving of around 1860, reproduction of a painting by Joseph Mallord William Turner (1775-1851) in the Tate Gallery The painting was exposed for the first time in 1840 The engraving shows the Bridge of Sighs. In the left the Doge Palace and in the right the Prison Palace. ENGRAVING: steel engraving ENGRAVER: J. C. Armytage LEAF DIMENSION: cm 32,5x23,5 ENGRAVING DIMENSION: cm 26,5x17,5 DATE: around 1860 CONDITIONS: Very good, occasional foxing
1847Veduta del Ponte di Rialto
