rif. 49837Venise, Editions du Canal, 1972. 23 x 13, sans pagination, 101 illustrations en N/B, broché, bon état (couverture plastifiée).
1880rif. 102344BBVenedig, um 1880. Jeweils ca. 19,5 x 24,5 cm.
1998rif. 100158001Imprimerie Nationale 1998 256 pages 21x2x26 8cm. 1998. Broché. 256 pages.
2011rif. LFA-126737872Un ouvrage de 313 pages, format 150 x 240 mm, broché couverture couleurs, publié en 2011, Editions Timée, bon état
rif. AMA-98910 pp. in 8°, 2 pp. in 4°.
rif. D14686Ephemera. Very Good. Group of landscape photographs in sepia ca. 19 x 25.2 cm each mounted on black board 23.5 x 30.5 cm all edges gilt showing the Piazza San Marco from various views; the logetta underneath Campanile Sansovino; Basilica di San Marco and the Battisterio; Porta della Carta; Santa Maria della Salute; Santa Barnaba signed O. Nayatot; Scala dei Giganti; the Arsenale; monuments to Titian and Canova; the tombs of Doge Vendramino and Doge Loredano; the Orologio clock; Ponte Rialto; Ponte dei Sospiri; Palazzo Ducale exterior and Sala dei Pregadi Sala del Maggior Consiglio Cortile; Canal Grande with a view of Palazzo Cavalli and Chiesa della Salute numbered 18638 in lower left corner; the Palazzo Reale loggia; Palazzo Vendramin; Palazzo Cavalli/Franchetti; Palazzo Contarini; Palazzo Pesaro; the Palazzo Minelli staircase; the canal between Palazzo Wanaxel and Palazzo Salviati perhaps from a different series; a view of Isola San Lazzaro; and panoramas. unknown
rif. D14686Ephemera. Very Good. Group of landscape photographs in sepia ca. 19 x 25.2 cm each mounted on black board 23.5 x 30.5 cm all edges gilt showing the Piazza San Marco from various views; the logetta underneath Campanile Sansovino; Basilica di San Marco and the Battisterio; Porta della Carta; Santa Maria della Salute; Santa Barnaba signed O. Nayatot; Scala dei Giganti; the Arsenale; monuments to Titian and Canova; the tombs of Doge Vendramino and Doge Loredano; the Orologio clock; Ponte Rialto; Ponte dei Sospiri; Palazzo Ducale exterior and Sala dei Pregadi Sala del Maggior Consiglio Cortile; Canal Grande with a view of Palazzo Cavalli and Chiesa della Salute numbered 18638 in lower left corner; the Palazzo Reale loggia; Palazzo Vendramin; Palazzo Cavalli/Franchetti; Palazzo Contarini; Palazzo Pesaro; the Palazzo Minelli staircase; the canal between Palazzo Wanaxel and Palazzo Salviati perhaps from a different series; a view of Isola San Lazzaro; and panoramas. unknown books
rif. Bjuström, PerIn Pristine Condition. unknown
1977rif. AUB-467Ntel, RN 1977. Bel exemplaire broché, couverture ornée d'éd., gd in-8 numéroté, 33 p. avec davantage des dessins.
1984rif. 1643EBAmsterdam-Den Haag., The Netherlands Office for Fine Arts., 1984. 24 x 17 cm. 111 S. Illustrierter OKarton mit OKlappenumschlag., 1643E Erste Auflage. Einband etwas nachgedunkelt und berieben, ein kleiner Fleck am Buchschnitt. Sonst gutes Exemplar.
rif. Burkard, LeneIn Pristine Condition. unknown
rif. Abildgaard, Dorthe and SaIn Pristine Condition. unknown
rif. 17-4989Venice: My Art Guide Venice 2017. 16mo. 192 pp. Softcover. Very Good with pen marks on one page. Text in English. Venice: My Art Guide Venice, 2017. paperback
rif. DADAX0548181691New unknown
rif. DADAX0548097585New unknown
rif. DADAX1843533022New unknown
rif. DADAX1437365620New unknown
rif. Nykjær, MogensIn Pristine Condition. unknown
rif. 9217MILAN, Sylvana Editoriale - 1983 - Catalogue d'exposition The Peking Musean of Chinese History / Seminario di Lingua e Letteratura CInese of the University of Venice - In-4 - Broché - Couverture illustrée en couleurs - Nombreuses illustrations en couleurs, carte - 213 pages - Bel exemplaire
MILAN, Sylvana Editoriale - 1983 - Catalogue d'exposition The Peking Musean of Chinese History / Seminario di Lingua e Letteratura CInese of the University of Venice - In-4 - Broché - Couverture illustrée en couleurs - Nombreuses illustrations en couleurs, carte - 213 pages - Bel exemplaire
1847rif. 36278Venedig, Giuseppe Kier, 1847. Aus zwei Teilen zusammengesetztes Panorama von Giovanni Pividor (Ansicht 18,8 x 173 cm; Blattgröße 30 x 188,5 cm) in getönter Lithographie, gerollt in bedruckter lithogr. OPp.-Rolle.
rif. 17975Dimensions (marges incluses) : 663 x 478 mm.
rif. 17976Dimensions (marges incluses) : 753 x 543 mm.
1915Very Good Turkish, Ottoman (1500-1928) Modern cloth bdg. Small 4to. (26 x 19 cm). In Ottoman script (Old Turkish with Arabic letters). 24 p. First edition of this epic and historically important account, describing the siege and fall of the Byzantine Empire and Constantinople by Ottoman Sultan Mehmet II in 1453. This is one of the finest literary examples of sixteenth-century Ottoman prose. "This description of the conquest of Istanbul in 1453 is mentioned only by Ismail Pasha in his "Hediyyetü'l Arifîn". The text, which was published as a supplement to TOEM (parts 20 and 21, Istanbul 1331) is said to be taken from a manuscript owned by Halis Efendi. The introduction to Ca'fer Çelebi's life was also written by Halis Efendi. The work is written in a very elegant style, with ayets, hadith, and beyts in Arabic, Persian, and Turkish scattered throughout the text and may be considered one of the finest examples of sixteenth-century Ottoman prose writing. [.] Ca'fer's work is in some aspects a reliable source for the conquest of Istanbul. The preparation for the siege is given in this work. The council of war which was held before the siege and in particular Mehmed II's speech to the council is very detailed and the chain placed across the entrance to the Golden Horn and its history is very well described in this work as well. During the siege, the Byzantines received help from the outside. Ca'fer is specific about this and states that "four huge vessels full of provisions, soldiers and ammunition came to help of the Byzantines". After the last attack, Constantinople fell into the hands of the Ottoman army. The date given for this is 857 Cem. I. 20 Seshenbe in Ca'fer's work. The plundering and looting which occurred during the first three days of the conquest are vividly described by Ca'fer Çelebi, but the withdrawal of Justinian and his men which preceded the conquest and the death of the Byzantine Emperor during the capture of the city are omitted in this work. Ca'fer's closing lines are devoted to the conversion of St. Sophia (Ayasofya) into a mosque by Mehmed II. Ca'fer Çelebi used eyewitness accounts as well as written works. It is certain that he did not rely exclusively on any source which is not extant, for the departs from Ruhi, Enverî, Tursun Beg, Neshrî, and Asikpasha-zâde either by adding new information or giving a conflicting account." (Erünsal). Özege 11953; TBTK 7066.
199226 vols., 8vo., First Edition; cloth, gilt backs, a near fine run in unclipped dustwrapper. The set comprises: Death at La Fenice (SIGNED BY THE AUTHOR ON TITLE) (Chapmans, 1992); Death in a Strange Country (Chapmans, 1993); The Anonymous Venetian (Macmillan, 1994); A Venetian Reckoning (Macmillan, 1995); Acqua Alta (Macmillan, 1996); The Death of Faith (Macmillan, 1997); A Noble Radiance (Heinemann, 1998); Fatal Remedies (Heinemann, 1999); Friends in High Places (Heinemann, 2000); A Sea of Troubles (Heinemann, 2001); Wilful Behaviour (Heinemann, 2002); Uniform Justice (Heinemann, 2003); Doctored Evidence (Heinemann, 2004); Blood from a Stone (Heinemann, 2005); Through a Glass Darkly (Heinemann, 2006); Suffer the Little Children (Heinemann, 2007); The Girl of his Dreams (Heinemann,2008); About Face (Heinemann, 2009); A Question of Belief (Heinemann, 2010); Drawing Conclusions (Heinemann, 2011); Beastly Things (Heinemann, 2012); The Golden Egg (Heinemann, 2013); By its Cover (Heinemann, 2014); Falling in Love (Heinemann, 2015); The Waters of Eternal Youth (Heinemann, 2016; SIGNED BY THE AUTHOR ON TITLE); Earthly Remains (Heinemann, 2017; SIGNED BY THE AUTHOR ON TITLE). A SPLENDID RUN, COMPLETE TO DATE, WITH THE FIRST AND MOST ELUSIVE VOLUME (TOGETHER WITH TWO OTHERS) SIGNED BY LEON ON TITLE.
