Dreier, Franz AdrianAntiquariat.de
2304 risultati
1989rif. 52877ABBerlin, Dietrich Reimer Verlag, (1989). 8° (23x21), 147 S., reich illustriert, ill OKart (Brosch), Preisnotiz auf Innenspiegel, sonst fest sauber und gepflegt, [= Kataloge des Kunstgewerbemuseums Berlin : Staatliche Museen Preussischer Kulturbesitz],
1978rif. 67963ABStuttgart., Dr. Cantz'sche Druckerei., 1978. 30 x 24,1 cm. 38 unpaginierte S. OKarton mit illustriertem OKlappenumschlag., 67963A 1. Auflage. Fleck auf Buchdeckel recto, Rücken etwas lichtrandig und am Kopf leicht bestoßen, sonst gutes Exemplar.
1923In -folio grande, fogli sciolti; pp. 16 e 9 stampe (su 10); tiratura numerata, esemplare 92 di 200. Fogli sciolti in cofanetto di mezza pergamena; tutte le tavv. sono numerate e firmate a matita; manca la tav. IV (“Traghetto del Carbon”).
2009New Italian Original bdg. HC. 4to. (30 x 26 cm). In Italian and Turkish. 299, [1] p., color ills. Venezia e Istanbul in epoca Ottomana.= Osmanli döneminde Venedik ve Istanbul. [Exhibition catalogue]. 18 November 2009 - 28 February 2010. Sealed. La mostra propone la rappresentazione per immagini della lunghezza e della complessità della storia che accomuna i nostri Paesi, all'interno di quella cornice, straordinaria per varietà e ricchezza, che e il Mediterraneo. Per secoli, Venezia ha rappresentato per l'Europa la Porta d'Oriente, attraverso cui e stato possibile diffondere la conoscenza degli usi e dei costumi dell'Impero Ottomano. Ma e anche vero il contrario: quando la Sublime Porta ha avuto bisogno di rimarcare la sua prossimità con la cultura europea, e a Venezia che ha fatto ricorso. Questo e quello che fece, infatti, Maometto II, il conquistatore di Costantinopoli, quando chiamò alla sua corte il pittore veneziano Gentile Bellini. L'arte e il commercio rappresentarono i pilastri essenziali di questo rapporto fecondo, attraverso il quale con il tempo furono superate le distanze e diminuirono le diffidenze reciproche. Le relazioni non furono sempre pacifiche, come sappiamo. Venezia fece per esempio parte della coalizione di forze europee che inflisse all'Impero Ottomano la prima sconfitta sul suolo europeo, nel 1683. La stessa fine della Repubblica di Venezia, che avvenne nel 1797 con il Trattato di Campoformio, ebbe conseguenze inattese anche sull'Impero Ottomano.
1965190pp + 24 tavv. VG/G+ Prima (unica) edizione, rilegatura editoriale tutta tela verde con scritte dorate al dorso, in sovraccopertina editoriale illustrata, leggere tracce d'uso sulla sovraccopertina e sguardie lievemente ingiallite dal tempo, altrimenti in ottime condizioni, quasi nuovo. Autori Runciman, Dupre'-Theseider, Brezzi, Fasoli, Pertusi, Zakythinos e Bettini, con 24 tavole in b/n in fine del volume.
1858Together 1586 pages dealing with the history of Venice, text printed in 2 columns, 23cm., original softcover, pages still uncut, no foxing, good condition, text in Italian, [this lemma "Venezia" is published in 4 volumes, all present here: volumes 90 (320pp.), 91 (604pp.), 92 (712pp.) & 93 (324pp.) of Moroni's famous "Dizionario…"], total weight is almost 3kg., R84787
45x32cm., [26p.] Album de 26 photographies (tirages albuminés) de paysages vénitiens de Carlo Naya, de dimensions 34x26 cm, dont 4 photos en couleurs présentant une forte tonalité bleue, donnant un "effet nuit", et retouchées à l'aquarelle. Tampon de l'atelier sur certaines pages, mais pas sur toutes. Quelque traces d'usure sur la reliure, sinon très bon état.
1995Book is in excellent condition with a little shelf wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows very slight edge and corner wear, no tears. 109 pages of full page photos, about a thrid of which are in color, almost all of these being mosaics very rich in gold, detail, the Last Supper, etc. The b&w photos are of Venice proper, sculpture, bridges, canals, boats, facades, architectural detail.
19888vo., Second Impression, with 17 plates on 8; blue cloth, gilt back, a fine copy in unclipped dustwrapper. Published in the same month as the first edition. Lees-Milne's delightfully personal account of a city he had known for over sixty years. Very elusive in this condition
19854to., First Edition, with fine coloured frontispiece, and coloured and monochrome full-page reproductions; pictorial wrappers, a fine copy. An invitation card to the exhibition and a 'Venice in Peril' flier are loosely inserted. The catalogue was sold in support of the Venice in Peril fund.
1988No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 267pp. Detailed study of the paintings of Venetian artists Titian and Bellini from the 15th and 16th centuries with 222 illustrations.
rif. 11774Three nineteenth century photographs of Venice record St. Mark's Cathedral a sculptural detail outside the cathedral and the Ducal Palace concentrating on monuments associated with the civic religious and political center of the city. The views preserve contemporary visual evidence of Venetian architecture and public space during the nineteenth century with particular emphasis on buildings and sculpture surrounding St. Mark's. Three sepia toned photographs of Venice Italy. The first measuring 10 x 7.5 inches presents a frontal view of St. Mark's Cathedral one of Venice's principal churches. The second measuring 9.5 x 7.25 inches gives a close view of a horse statue outside St. Mark's Cathedral. The third also 9.5 x 7.25 inches depicts the Ducal Palace the historic seat of the Venetian government and residence of the doges. The grouping therefore records both the ecclesiastical architecture of St. Mark's and the adjoining palace associated with the political administration of the Venetian Republic. The photographs preserve nineteenth century views of monuments central to Venice's religious and governmental history including the cathedral overlooking Piazza San Marco and the Ducal Palace long associated with the city's political judicial and ceremonial life. The second photograph has a small tear at the upper right corner; otherwise the photographs are in excellent condition. unknown books
rif. 11774Three nineteenth century photographs of Venice record St. Mark's Cathedral a sculptural detail outside the cathedral and the Ducal Palace concentrating on monuments associated with the civic religious and political center of the city. The views preserve contemporary visual evidence of Venetian architecture and public space during the nineteenth century with particular emphasis on buildings and sculpture surrounding St. Mark's. Three sepia toned photographs of Venice Italy. The first measuring 10 x 7.5 inches presents a frontal view of St. Mark's Cathedral one of Venice's principal churches. The second measuring 9.5 x 7.25 inches gives a close view of a horse statue outside St. Mark's Cathedral. The third also 9.5 x 7.25 inches depicts the Ducal Palace the historic seat of the Venetian government and residence of the doges. The grouping therefore records both the ecclesiastical architecture of St. Mark's and the adjoining palace associated with the political administration of the Venetian Republic. The photographs preserve nineteenth century views of monuments central to Venice's religious and governmental history including the cathedral overlooking Piazza San Marco and the Ducal Palace long associated with the city's political judicial and ceremonial life. The second photograph has a small tear at the upper right corner; otherwise the photographs are in excellent condition. unknown
2004Fine English Venedik 1900 - 2000., edit by: Bülent Özükan, Ersin Altin; Boyut yayin grubu, Ist., 2004. Paperback. Pbo. Demy 8vo. Fine. 79, [14] p. B/w and color ills. Last 14 p. including color Venice map. Boyut publishing architecture and urbanism No. 24.
1991rif. 30083ABDüsseldorf., Kunstmuseum Düsseldorf., 1991. 30 x 21 cm. 415 S. Illustrierter OKarton., 30083AB 1. Auflage. Verlagsfrisches, neuwertiges Exemplar (originalverschweißt).
1892rif. 27541München, Städtebilder-Verlag, o.J. (um 1892). 2. Auflage VIII, 108, IV S. mit Abb. und einem Plan 19 x 13 cm, Broschur [3 Warenabbildungen]
2000rif. 17436DBThalwil/ Zürich + New York., Edition Stemmle., 2000. 34 x 28 cm. 112 S., 4 Blatt. OPappband mit illustriertem OUmschlag., 17436D.jpg Erste Auflage. Umschlagkanten mit Bereibungen, untere, äussere Ecke des Vorderdeckels mit kleiner Stauchung, die sich an den ersten Blattecken fortsetzt . Sonst gutes Exemplar.
rif. 0281-Co.J. Kaltnadel mit einigen Kohlestiftschraffuren im Himmel, auf chamoisfarbenem Japan, signiert. 26,7:34,9 cm. ? In den oberen Ecken leicht knitterfaltig. Vorzügliches, vollrandiges Exemplar dieser so schwungvollen Arbeit.
rif. 0280-Co.J. Kaltnadel, auf chamoisfarbenem Bütten, signiert und verso mit Nachlaßstempel. 26,7:34,9 cm. Probedruck mit vollem Rand, in den Ecken etwas Druckerschwärze.
1840rif. 030-I1840. Aquarell über Bleistift, auf cremefarbenem Aquarellkatron, links signiert, datiert und bezeichnet ?C. Werner f. 1840. Rom.? 24,3:33,1 cm. Provenienz: Galerie Arnoldi Livie, München. Wunderbar farbfrisches, charakteristisches Aquarell von herausragender künstlerischer Qualität! Vergleichsliteratur: Galerie Joseph Fach, Frankfurt am Main, Kat. 75 mit Farbabb. S. 71; Ausst. Katalog: Venedig Bilder in der deutschen Kunst des 19. Jahrhunderts. Karlsruhe/Paderborn, 2011, Seite 208, Farbtaf. 72.
1998rif. 20358CBFrankfurt/Main/New York, Campus-Verlag (= Edition Pandora Band 37), 1998. 8°, 150 S. mit s/w-Abbildungen, illustr. original Kartonage (Paperback), deutsche Erstausgabe schönes, sauberes Exemplar
1996rif. 13833DBMünchen. Heidelberg., Schack-Galerie. Edition Braus., 1996. 30,5 x 24,5 cm. 207 S. OPappband mit illustriertem OUmschlag., 13833D Erste Auflage. Umschlagkanten mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
1996rif. 56510ABEdition Braus, 1996. 4° (31x25), 207 S., mit einigen dokumentarischen Abb. und 89 ganzseitigen fotograf Aufnahmen mit gegenüberstehender Beschreibung, OPbd mit fotoill OU, Papier leicht gebräunt, sonst ohne Gebrauchsspuren, offensichtlich ungelesen,
1997rif. BN149861Köln : Könemann 1997. 1997. Venedig : Kunst & Architektur. 2 Bände komplett Hrsg.: Giandomenico Romanelli. Übers. aus dem Ital. und Engl.: Ulrike Bischoff . Venedig : Kunst & Architektur. 2 Bände komplett Hrsg.: Giandomenico Romanelli. Übers. aus dem Ital. und Engl.: Ulrike Bischoff . Venedig Venezia Venice - Romanelli Giandomenico Köln : Könemann unknown
1996rif. 2445CBFrankfurt am Main, Schöffling & Co., 1996. 8°, 123 S. mit Karte auf Einbanddeckel-Innenseite und Einbandrückseite- Innenseite, original Pappband mit original Schutzumschlag, Erstausgabe Schutzumschlag minimal berieben, sonst sehr schönes, sauberes Exemplar,
