853 résultats
1946réf. 183610Paris: Verve 1946. Hardcover. Good Light wear/toning/scuffing/smudging to cover pages are very clean and clear; stitching loose toward the back of book. White paper covered boards gilt lettering on front cover gilt illustration on front and rear; bw illustrated end papers; 68 pp; profusely illustrated throughout in bw and color. Text is in French. From the series: Verve: revue artistique et littéraire; v. 4 no. 16. On cover wrapper: Le livre des tournois du Roi René. Verve hardcover books
1926réf. 194238Bruxelles: Bibliotheque Royale de Belgique 1926. One of 830 produced. Paperback. Good Folio and wraps contained inside are smudged and age-toned; they are moderately shelf/edgeworn but fully intact; pages are edgeworn; plates are clean and all are fully present. Le Tavernier Jean. Tan folio case with red lettering; 2 preliminary leaves vii-ixxxv 66 pp. some are unopened; 42 leaves of plates; frontispiece; richly illustrated. Text in French. Gorgeous plates! Bibliotheque Royale de Belgique paperback books
1926réf. 188481Vienna: Druck und Verlag der Österreichischen staatsdruckerei 1926. Hardcover. Good- missing front cover and spine pages loose but all present color plates are clean. Rear cover is tan paper boards missing front cover 7 leaves 24 color mounted facsimiles inlaid in cardboard mats coat of arms. Text is in German. This is volume 3 only of a 3 volume set the boards. Druck und Verlag der Österreichischen staatsdruckerei hardcover
1926réf. 194238Bruxelles: Bibliotheque Royale de Belgique 1926. One of 830 produced. Paperback. Good Folio and wraps contained inside are smudged and age-toned; they are moderately shelf/edgeworn but fully intact; pages are edgeworn; plates are clean and all are fully present. Le Tavernier Jean. Tan folio case with red lettering; 2 preliminary leaves vii-ixxxv 66 pp. some are unopened; 42 leaves of plates; frontispiece; richly illustrated. Text in French. Gorgeous plates! Bibliotheque Royale de Belgique paperback
2026réf. LRB31021035Paris: Editions Recreasoft 2026 Langue : Français. Environ 574 pages. Tomes 3 à 4 d'un ouvrage en plusieurs volumes reliés en un seul livre. / Volumes 3 to 4 of a multi-volume work bound together in a single book. Français : Réimpression à la demande. Édition originale : 1843. Ouvrage en français. Cette édition rassemble les oeuvres complètes du roi René d'Anjou incluant sa correspondance ses traités sur les tournois et la chevalerie ainsi que des poèmes et dialogues mystiques. L'ouvrage est enrichi d'illustrations lithographiées attribuées à son atelier. Une biographie détaillée du roi et une description des cérémonies funéraires tenues après sa mort en 1481 complètent ce recueil. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1843. Text in French. This edition gathers the complete works of King René of Anjou including his correspondence treatises on tournaments and chivalry as well as mystical dialogues and poems. The volume is illustrated with lithographs attributed to his workshop. A detailed biography of the king and an account of the funeral ceremonies held after his death in 1481 are also included. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 142-Io.J. Feder in Schwarz, über Bleistift, auf cremefarbenem Velin, aufgezogen. 31,5:48,7 cm. Das untere Drittel der Zeichnung sowie ca. 2 cm des rechten Randes wurden von Rebell korrigiert und mit dem neuen Entwurf überklebt, horizontale Mittelfalte geglättet, insgesamt etwas vergilbt. Vorstudie für ein Gemälde. Möglicherweise besteht ein Zusammenhang mit dem Auftrag für J. Murat 13 Ansichten von Neapel zu malen (s.u.).
1911réf. GITh440Paris Plon 1911. In-8 broché XL 228pp 1 feuillet non chiffré table. Auréole claire ancienne et rousseurs sur la couverture, intérieur frais, complet, non coupé.
1911réf. 32320Paris Plon & cie 1911 in-8° un portrait en héliogravure, LI - 577 pp importante bibliographie et une grande carte du Sud de l'Italie Bonne reliure en demi chagrin
réf. 2237Chez Zacharie Chatelain, à Amsterdam, 1743-1745.
1990réf. EYL-64Torriana, Paris, Booking International, 1990. In folio (270 x 380) de XVI p. et 27 planches en double page. Cartonnage glacé bleu de l’éditeur, illustration en couleurs sur le plat sup. Etat neuf.
réf. c6549Napoli, Francesco Giannini et Figli, 1889 ; volume grand in-8°, demi-chagrin rouge de l' époque, dos à nerfs, titre et année dorés ; 796pp. et 6 planches de filigranes de papier anciens. Avec à la fin la Table générale pour l'année 1889.Ex-libris étiquette armorié à l' intérieur du 1er plat de Fernand de Sassenay ( 1829 - 1899).
réf. c6550Napoli, Francesco Giannini et Figli, 1891 ; volume grand in-8°, demi-chagrin rouge de l' époque, dos à nerfs, titre et année dorés ; 886pp. et 1 tableau dépliant. Avec à la fin la Table générale pour l'année 1891.Ex-libris étiquette armorié à l' intérieur du 1er plat de Fernand de Sassenay ( 1829 - 1899).
réf. c6551Napoli, Francesco Giannini et Figli, 1893 ; volume grand in-8°, demi-chagrin rouge de l' époque, dos à nerfs, titre et année dorés ; 815pp. et 1 ill. à pleine page. Avec à la fin la Table générale pour l'année 1893.Ex-libris étiquette armorié à l' intérieur du 1er plat de Fernand de Sassenay ( 1829 - 1899).
réf. c6552Napoli, Francesco Giannini et Figli, 1896 ; volume grand in-8°, demi-chagrin rouge de l' époque, dos à nerfs, titre et année dorés ; 871pp. Avec à la fin la Table générale pour l'année 1896.Ex-libris étiquette armorié à l' intérieur du 1er plat de Fernand de Sassenay ( 1829 - 1899).
réf. c6553Napoli, Francesco Giannini et Figli, 1882 ; volume grand in-8°, demi-chagrin rouge de l' époque, dos à nerfs, titre et année dorés( relieur Gaetan Ronner) ; 835pp. et 3 tableaux généalogiques dépliants. Avec à la fin la Table générale pour l'année 1882.Ex-libris étiquette armorié à l' intérieur du 1er plat de Fernand de Sassenay ( 1829 - 1899).
1553In-4°, (80 cc), presenza di molte glosse coeve di più mani, alcune correzioni al testo, legatura in mezza pergamena moderna, due capilettera figurati. Al frontespizio nota di possesso manoscritta di William Godolphin (1635-1696), diplomatico e grande collezionista inglese. Ex libris Pagel. Dedica a Marco Antonio Colonna, firmata ex Accademia Pisana. Buone condizioni. Edizione originale dell’opera filosofico-epistemiologica di Simone Porzio, aristotelico radicale, materialista convinto, sostenitore della mortalità dell’anima. Questa è la sua più importante opera di fisica, in cui l’autore si inserisce nella disputa sul determinismo. Pensatore originale, uno dei primi grandi filosofi napoletani, profondo conoscitore dei testi in greco, Porzio fu il maggior esponente a Napoli della corrente degli ‘alessandristi’ (sostenitori della mortalità dell’anima; contro di lui scrisse Giacomo Antonio Marta), e ispiratore del pensiero di Bernardino Telesio; sosteneva la separazione di filosofia e teologia. Aristotele è accolto qui attraverso il suo interprete più famoso, Alessandro di Afrodisia (II-III sec. d.C), autore tra l’altro di uno scritto sul fato, contrario ad ogni forma di determinismo. In quest’opera Porzio definisce, approfondisce ed esamina in due libri i concetti aristotelici di materia e natura. Infine, dopo aver parlato delle cause efficienti, arriva discutere di ciò che stava diventando realmente interessante: il problema del fato e della libertà, citando Platone, Plotino, Aristotele, Crisippo. Fatum est lex nobis promulgata, instar divinae mentis. La totale libertà è negata all’essere umano, sostiene Porzio anche in due opuscoli precedenti, perché solo l’individuo che esiste in se stesso può avere completa libertà. La sua posizione si orienta verso una visione sempre più naturalistica, che riproponendo il valore centrale della visione e dell’esperienza nell’indagine dei fatti, automaticamente rinuncia alla spiegazione di questi attraverso il sacro e il miracoloso. Simone Porzio (1497-1554), filosofo napoletano, medico e professore di filosofia naturale tra le Università di Napoli e Pisa (qui per la seconda volta tra il 1545 e il ’53); a Napoli fu allievo di Agostino Nifo. E.Garin, History of Italian Philosophy, I, 362 Cesare Vasoli, Tra Aristotele, Alessandro di Afrodisia e Juan de Valdès: note su Simone Porzio, in Rivista di storia della filosofia, 4, 2001 Eva del Soldato, Simone Porzio: un aristotelico tra natura e grazia. istituto nazionale di Studi sul Rinascimento, 6, 2010 In-4 °, (80 cc), presence of many contemporary glosses by different hands, some corrections to the text, binding in modern half vellum, two figured initials. On the title page handwritten ownership note by William Godolphin (1635-1696), diplomat and great English collector. Ex libris Pagel. Dedication to Marco Antonio Colonna, by the former Accademia Pisana. Good copy. Original edition of the philosophical-epistemological work of Simone Porzio, radical Aristotelian, convinced materialist, advocate of the mortality of the soul. This is his most important work on phisics, in which the author is part of the dispute over determinism. Original thinker, one of the first great Neapolitan philosophers, profound connoisseur of Greek texts, Porzio was the greatest exponent in Naples of the current of the 'Alexandrians' (supporters of the mortality of the soul; Giacomo Antonio Marta wrote against him), and inspirer of the thought of Bernardino Telesio; he advocated the separation of philosophy and theology. Aristotle is introduced here through his most famous interpreter, Alexander of Aphrodisias (II-III century AD), author, among other things, of a writing on fate, contrary to any form of determinism. In this work, Porzio defines, deepens and examines the Aristotelian concepts of matter and nature in two books. Finally, after talking about efficient causes, he comes to discuss what was becoming really interesting: the problem of fate and freedom, quoting Plato, Plotinus, Aristotle, Chrysippus. Fatum est lex nobis promulgata, instar divinae mentis. Total freedom is denied to the human being, as Porzio stated in two previous pamphlets, because only the individual who exists in himself can have complete freedom. His position is oriented towards an increasingly naturalistic vision, which by re-proposing the central value of vision and experience in the investigation of facts, automatically renounces the explanation of these through the sacred and the miraculous. Simone Porzio (1497-1554), Neapolitan philosopher, doctor and professor of natural philosophy between the Universities of Naples and Pisa (here for the second time between 1545 and '53); in Naples he was a pupil of Agostino Nifo. E. Garin, History of Italian Philosophy, I, 362 Cesare Vasoli, Between Aristotle, Alexander of Aphrodisias and Juan de Valdès: notes on Simone Porzio, in Review of the history of philosophy, 4, 2001 Eva del Soldato, Simone Porzio: an Aristotelian between nature and grace. National Institute of Renaissance Studies, 6, 2010
1784réf. 2005060026Napoli: Presso Giuseppe Campo 1784. First Edition. Hardcover. Good. The Devastation of Nature: Sarconi's study of the Calabrian Earthquake 2 volume set. Text and Atlas volumes. Text volume collation: pp. xiv 2 352 vi 2. Plate volume is an oblong folio 48 x 36 cm. 54 of 68 plates. Bound in contemporary leather-backed boards over green cloth. Contains plates 1-51 53-54 57. Some marginal foxing. In 1783 Calabria then the Kingdom of Naples and Sicily experienced a series of five devastating earthquakes. Nearly all of the built structures in the region were destroyed. The first two earthquakes created tsunamis which killed thousands of people sleeping on the beaches near Messina. Between 32000 and 50000 Italians died as a result of disaster. The Reale Accademia delle Scienze e Belle Lettere of Naples conducted the first scientific study of the event. This is the plate volume of their study engraved by Antonio Zaballi from the drawings by Pompeo Schiantarelli and Ignazio Stile. Ref: Kleemann Katrin. "Living in the Time of a Subsurface Revolution: The 1783 Calabrian Earthquake Sequence." Environment & Society Arcadia 2019 no. 30. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Napoli: Presso Giuseppe Campo hardcover
réf. 648493e année - N° 109 - 17 avril 1947 - revue illustrée - in-4 broché - 24 pages
réf. 18-8044Naples Italy: Centro Culturale Lo Spazio 1978. . Folio. 2 pp. Single soft black and white illustrated sheet. Very good. Black and white plates. Includes an essay by Ciro Ruju. Includes plate reproductions of works by Antonio Pistafferi. Publication is the January 1978 issue of a monthly periodical released by the gallery Centro Culturale Lo Spazio in Naples Italy in conjunction with the show “Antonio Pistaferri” held from January 4 through January 19 at Lo Spazio in Naples Italy. In Italiano. Scarce. From the Collection of the Art Historian Peter Selz. Naples, Italy: Centro Culturale Lo Spazio, 1978. unknown
réf. 1334040796.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19748vo, 24.7cm. Pp. 263,[2], 28 photogr. plates, few notes, bibl., index of personal names. Orig. wrappers. Very good. - With extensive warm presentation inscription by author across 2/3 of half-title: "All'amico Mistice Andrea, A "Mast'Andrea" che alla sua arte ha aggiunto gran parte del suo nobile cuore [...]" signed and dated 27th March 1980.
1853pp. 407, (7) [Publisher's catalogue] + Engraved Portrait Frontis. All edges marbled. Damp stained. Foxed. Early XLib from Ohio School Library, Independence, OH. Marbled endpapers. 8vo. Original leather spine over cloth boards. Gilt lettered spine. Binding worn and stained. Hardbound. AMERICANA BOX 2
2026réf. __3779981440Juventa Verlag GmbH 2026. Paperback. New. 300 pages. German language. 6.02x0.51x9.17 inches. Juventa Verlag GmbH paperback
1910réf. GIT0128eParis Plon 1910. In-8 broché XXXpp (introduction) + d-ipp (préface) + 367pp. Avec 1 fac-similé hors texte. Petit manque au bas du dos.
1910réf. 172141910 1volume, reliure demi-chagrin vert olive (binding half shagreen) in-octavo (22,8 x 14,5 cm), reliure d'époque, dos 5 nerfs (spine with raised bands) insolé (le vert olive a viré au soleil en marron-clair)- entre-nerfs à fleuron au fer plein or (floweret with full blocking stamp) - titre frappé or (gilt title) et tomaison (volume numbering), papier marbré vert aux plats (cover with marbled paper), toutes tranches lisses (all edges smooth), Avec 1 fac-similé hors texte en noir, [(1) f + XXX pp + (5) ff (préface) + 367] pages, 1910 Paris E. PLON, Nourrit et Cie Imprimeurs-Editeurs,
