Toscanini, ArturoBiblio.com
140 résultats
1906réf. 012283no place: No publisher 1906. Autograph. Very good condition. Unbound. Signed by Authors. First Edition. Quarto 4to. Two page note of approximately 80 words handwritten and signed by the great conductor Toscanini in red ink. Included is an envelope addressed to Augusto Berger Coreografo Hoftheater Dresden. It appears to be postmarked 4/12/1906. The envelope has another ten handwritten words and is also signed by Toscanini in red ink. The two items are accompanied by a black and white photograph from a later era with an image area measuring approximately 4 inches by 5.25 inches showing him conducting. The ensemble is attractively framed with double-sided glass to allow both sides of the note and envelope to be viewed and read. No publisher Paperback
2001réf. 240321029Sony Classical 2001-02-20. audioCD. New. 5x5x0. Sony Classical unknown
1619réf. 998911916-1922. 1916-1922. Very good. - A fascinating archive consisting of autograph letters signed by Carolyn Perera Nana Genovese Gazzale and others typed letters signed autograph notes flyers and other ephemera including a letter about securing Arturo Toscanini to conduct a benefit concert which was to be Toscanini's Carnegie Hall debut. Following is a detailed description of the material covering the period during and following the First World War: 1. A receipt for a donation given by Miss Genovese to the "Italian Bazaar for the Benefit of War Sufferers". The receipt is dated October 30 1916 and is signed by Arturo Di Pietro as secretary of the Italian Bazaar Committee. Di Pietro later was a contributor to "Il Nuovo Mondo" the anti-Fascist newspaper. 2. Undated circa 1916-17 Italian Red Cross flyer signed in print by its President Gian Giacomo Cavazzi Della Somaglia. Cavazzi 1869-1918 was a Senator of the Kingdom of Italy and from 1913 until the end of the war he was President of the Italian Red Cross. He actively collaborated with Tito Ricordi for the creation of the Hospital of the French Cities housed from January 1916 in a part of the Officine Ricordi. On the verso of the flyer are 2 handwritten columns of names and addresses of Italian Americans possibly members or potential donors. 3. Three items related to the Italian Red Cross: a A fund raising flyer in Italian translated: Those wounded in battle await proof of our sacred brotherhood. b A flyer in English from the American Red Cross - Italian Auxiliary requesting aid in "making surgical dressings hospital garments and knitted articles for our fighting men". c A receipt dated 1916 for a donation from Mme Genovese Gazzale signed with a stamp by Lionello Perera the Italian Delegate for the American Red Cross. Perera 1873-1942 was a prominent New York banker who had a prominent role in the creation of the Italian Welfare League. 4. A form letter addressed to "Mrs. Gazzale" asking her to become a member of the Italian Welfare League "And give it your support". "The Italian must be helped to understand America and America to understand the Italian so that he may become a self-respecting citizen and an integral part of the civic life of New York the second largest Italian city in the world." The letter is signed in ink "Luigina Littlefield / Chairman mem Com". 5. An autograph letter signed "Carolyn A. Perera" thanking Mme. Genovese for 2 tickets to a concert she was unable to use: "I should have loved to have heard you. May we make you a Director of the Italian League. I know your heart is with us." The wife of Lionello Perera Carolina Allen Perera 1883-1966 served from 1920 to 1942 as the League's first president. 6. Undated autograph letter signed "Carolyn A. Perera" thanking Mrs. Genovese for becoming "one of the Directors of the League for we need you and want you". She mentions a meeting Friday and asks her to "Bring in a list of possible members.". On the verso of the letter Genovese has written the names and addresses of 11 possible members. 7. An undated autograph letter on Italian Welfare League letterhead to Mme. Genovese signed "Carolyn A. Perera" soliciting money "to be sent thru the Italian Consulate to Italy for the earthquake sufferers." She mentions that Mrs. Wm. Guggenheim donated $500.00. The Garfagnana and Lunigiana regions were struck by a powerful earthquake on 7 September 1920. 8. A letter to Madame Genovese on Italian Welfare League letterhead dated September 22 1920. The letter signed by Margherita De Vecchi one of the founding members of the I.W.L. thanks Mme. Genovese for her contribution to the special fund for the earthquake victims. 9. A typed letter signed by Marie Di Giorgio a Vice-President of the Italian Welfare League. In the letter dated November 22 1920 she informs Mrs. Genovese that the I.W.L. "has secured Maestro Toscanini and the La Scala Orchestra for a Benefit Concert to be held at Carnegie Hall on the evening of January third." She asks for her "able assistance on the Committee of Arrangements". The January 3 1921 concert would be Toscanini's Carnegie Hall debut. 10. An undated receipt for $30.00 for three tickets from Nana Genovese. Signed probably with a stamp by Mrs. Stefano Paola Berizzi a founder and Treasurer of the I.W.L. 11. A pair of typed letters signed by the Italian baritone Ferruccio Corradetti are dated January 12 and February 4 1921. The letters in Italian concern business matters and are addressed to Signora Genovese. They are on "Lega Musicale Italiana Inc. New York" letterhead. 12. A third item signed in ink by Corradetti is a form letter inviting Nana Genovese to serve "as a member of the Honorary Dinner Committee" for Arturo Toscanini. The letter on "Lega Musicale Italiana" letterhead is subtitled "Banquet In Honor of Arturo Toscanini and La Scala Orchestra". The banquet is being planned for March 17 1921 the evening before Toscanini's second concert in Carnegie Hall. 13. A typed letter dated February 18th 1921 and signed "Vera L. Albore R.N." informs Mme. Genovese that "I have taken up the case of the Cuzzi family with Dr. and Mrs. Previtali and they do not know the exact physical condition of Mr. Cuzzi.Mrs. Previtali wishes me to thank you for the interest you have taken in this family.". 14. In a typed letter dated Oct-21 Albore asks Mme Genovese to speak to a Mr. Ely at the Rutherford Post Office on behalf of Mr. Cuzzi. She signs "Vera L. Albore R.N. / Headworker". 15. In an autograph letter signed "Vera L. Albore" she writes Mme. Genovese that Mr. Ely "will try to get Mr. Cuzzi work." She thanks Genovese for all she has done and implores "Please dont forget me and my dear people as I am anxious to help and with help from our ladies I can do more- I will do all I can for Mrs. Cuzzi". Although Albore signs with the terminal vowel "e" her name on the league's letterhead reads "Miss V. Albori R.N. Head Worker". 16. An autograph letter signed "Luigina Littlefield / Chairman mem Com" asks Mme Genovese to join the membership committee and "appeal to all the Italians you come across and to all lovers of our beautiful Italy to help us in this great work which is so much needed." On April 25 1921 Littlefield sends Genovese a thank you note "for the check and the new members". 17. In an autograph letter on her 38 West 83rd Street letterhead Carolyn Perera asks Mme. Genovese to help in the current membership campaign "by asking a few of your frinds to join. I note neither M. Scaramelli or the Antolinis are members." 18. In a response to Perera Genovese sends a draft of a letter she has written to Mrs. Antolini. "Mrs. L. Perera has kindly asked me to write you about our membership campaign.We cared for or investigated for relief over 250 Italian families last month as a part of our work". She signs "Nana Gazzale". On the verso of the letter is a draft of a note she has written to Mrs. Perera dated April 18 1921 letting her know she has written to Mrs. Antolini and to Mrs. Scaramelli. She signs the note "Nana Genovese". 19. The printed membership application for the Italian Welfare League. Annual membership dues were $5.00 and Life membership was $100.00. 20. A densely written autograph letter realized on both sides of Italian Welfare League letterhead and signed "Carolyn A. Perera". In her letter addressed to Mrs. Genovese Perera asks if she can help "a Miss Le Conte an Italian 21 years who is ambitious to become a singer." "Perhaps you could persuade someone to teach her or if you are sufficiently interested maybe you will give her some instruction.I forgot to say Miss Le Conte is one of 10 children & absolutely without means." Nana Genovese has scrawled a draft of her reply in the empty spaces on the verso of the letter. "I had promised Miss Labori ie Albori to secure her a place in the Metropolitan Opera Chorus." 21. A form letter dated April 8 1925 on Italian Welfare League letterhead. Signed in ink by Nan Ceribelli the letter is soliciting contributions to an "Emergency Fund" by having a "Renewal Membership Drive". 22. There are 3 lists of names and addresses one identified as "Life Members" with 14 names a second with 19 names identified on the verso as "For Benefit of Red Cross' and a third with 13 names and no further identification. 23 "The Christmas Work of the Italian Welfare League" an undated 4-page brochure describing the donations given "twenty families so poor that they would have had no Christmas except what we gave them" and the "Christmas party on Ellis Island" undertaken because of an appeal made by Concert Soprano Alma Simpson. The various donors and the categories of their gifts are listed. 24. An April 19 1920 receipt for a donation made by Mrs. Gazzale to the Sunshine Settlement. Sunshine Settlement was a society formed in 1900 to provide education health services and seaside visits for poor children and their mothers. The receipt is signed by the treasurer S.E. Furry with his note turning down the idea of a concert benefit proposed by the singer. 25. Three autograph letters circa February 1920 in Italian soliciting funds for discharged Italian solders. Two of the letters are on cards with black borders and the third is on "Italian Committee for Discharged Italian Soldiers" letterhead. The three letters are signed by Paola Berizzi a founding member if the Italian Welfare League. Also included is a receipt for a ten dollar donation signed by Berizzi. 26. Three letters related to a benefit concert given by Nana Genovese for the "Paterson NJ Committee Near East Relief Formerly American Committee for Armenian and Syrian Relief / Operating in Armenia the Caucasus Persia Syria and Greece". All three of the letters are signed "D. A. Kurk" ie Diran A. Kurkjian. A May 5 1922 autograph letter thanking Genovese for sending the program for her concert and identifying her accompanist as Alberto Bimboni. "If personal efforts mean anything this mass meeting should be a real big thing." The "Mass Meeting" with the concert took place on Mother's Day May 14 1922. A typed letter dated May 15 thanks Genovese for helping make the event a complete success. "Results secured in pledges and cash totaled nearly $1000. You had an important part in the success of this meeting and in the name of the starving children in the Near East." An autograph note on a following Tuesday sends clippings not here presentand states that the correspondent will telephone her about an upcoming meeting in Morristown. Unique. [1916-1922].
1944réf. 199181944. Near Fine. The four line inscription beneath a large photo of the great conductor is written and signed by Arturo Toscanini and dated Natale 1944 which is Christmas 1944. The photo is large measuring 19 by 16.5 cm not counting margins or the space below with the inscription. Including the matting the object is 37.5 by 28 cm. We don't know to whom the inscription was dedicated and part of the cursive script is utterly indecipherable to us. The only words entirely clear are the most antiseptic and obvious -- his wishing whomever a most affection good wishes. It is clear to us though that the photo wasn't given merely to a fan but rather to someone professional or socially connected to the conductor and we favor the former as the likelier. The photo is one that was used promotionally at the time as it is a flattering image of how he looked at his age then. He looks distinguished without appearing the least bit stuffy and while posed you can easily imagine that he might be listening to you in a casual conversation. At the time Toscanini lived in New York. He had fled Italy with the outbreak of the Second World War and in 1944 resumed the leadership of the NBC Symphony Orchestra. He was unquestionably one of the most influential and famous conductors of the early to mid-20th Century having been head conductor of the Metropolitan Opera the New York Philharmonic etc. and having also conducted the premiers of countless standard works among them "La Boheme" when he was just starting out. The matting is fairly heavily age toned. Otherwise there are no condition issues. unknown
1950réf. 97103Sun Valley California 1950. 1950. Fine. - A superb 10 inch high by 8 inch wide candid photograph by Emmerich Gara depicting Arturo Toscanini attired in striped dark pants held up by suspenders over a striped white shirt & tie a beret upon his head. His jacket over his arm the conductor holds an "RCA Victor" program in his hand as he stands in front of 4 others including members of the orchestra. A small mountain one of the peaks still bearing snow is in the background. A beautifully composed and rare candid image of the great conductor photographed by cellist Emmerich Gara during the orchestra's Western tour. Gara's name & address are stamped on the verso of the photograph. Gara's signature has also been stamped on the verso by the estate. Fine. Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death. From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing. Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. Sun Valley, California, 1950. unknown
1947réf. 29337Carnegie Hall November 1947. 1947. Fine. - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the legendary maestro Arturo Toscanini. Standing at the keyboard Toscanini is depicted in profile with columns at the right. Attired in black against a black background the conductor's head and hands stand out ethereally from the background. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso. Signed by Gara in pencil on the verso. Fine. Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death. From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing. Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. Carnegie Hall, November, [1947]. unknown
1957réf. 2110502150414816Asahishinbunsha 1957. Soft Cover. Fine. Volume: 1 Asahishinbunsha paperback
réf. C4124Arkadia: the 78's. New. Brand New CD FACTORY SEALED. Arkadia: the 78's unknown
2004réf. C2574Naxos Historical 2004-12-02. Audio CD. Like New. CD case and liner all in Excellent condition. Naxos Historical unknown
réf. 458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown
réf. 313793NY: KNOPF. 1956. First Edition. 1199588970 . Near fine in a very good dj. Color fade on spine of dj. Light traces of shelf wear to dj. Printed Christmas & New Year card from Arturo Toscanini laid-in. The folded card is inscribed on the rear blank to two-time Oscar winner for set design Harry Horner by the card's printer Robert Haas. Haas was an Ausrian calligrapher and book designer. G . KNOPF. unknown
2017br. «Toscanini non amava il divismo, ma suo malgrado finì per diventare un divo lui stesso. Perfino le sue stranezze e il terribile carattere contribuirono a suscitare nel pubblico eccezionali attese.» In queste pagine, Melograni racconta le tappe cruciali della lunga carriera artistica e dell'intensa vita privata di Arturo Toscanini, da molti considerato il più grande ed eccentrico direttore d'orchestra del Novecento. Sullo sfondo di un'epoca segnata da grandiosi cambiamenti e da tragedie immani, emerge un ritratto a tutto tondo dell'uomo e dell'artista, con la sua eccezionale sensibilità musicale, il suo carattere impossibile, il suo perfezionismo esasperato, e con quel carisma straordinario che ne fece un protagonista assoluto del suo tempo.
2018ill., br. Maestro e alfiere della musica, direttore intransigente e guida visionaria capace di ammaliare le platee di tutto il mondo: Arturo Toscanini, il più influente direttore d'orchestra del XX secolo, ha incarnato con la propria vita e la propria carriera il genio incandescente del panorama musicale globale. Dal Teatro alla Scala di Milano al Metropolitan di New York, ha diretto le prime mondiali di opere come "Pagliacci", "La bohème" e "Turandot", e prime italiane di Wagner, e Cajkovskij e Debussy, e ha collaborato con voci indimenticabili, da Enrico Caruso a Renata Tebaldi. Sempre guidato dalla convinzione che la musica non fosse qualcosa di «immobile», ma che esigesse una visione forte, assoluta, in grado di permeare ogni piega del proprio tempo, per farsi di quest'ultimo non un riflesso ma uno strumento di resistenza e avanguardia. "Toscanini" di Harvey Sachs è una lente che mette a fuoco i lati più intimi della sua vita. Ne affiora una generosità sconfinata, un amore critico ma puro per l'umanità, un temperamento esplosivo e illuminato dal coraggio. Sempre disposto ad aiutare gli amici e chiunque avesse bisogno anche a costo di rinunce personali, Toscanini fu in prima linea contro il fascismo e l'incalzare dei sentimenti nazionalisti, come quando nel 1931 venne picchiato perché si rifiutò di eseguire a Bologna l'inno fascista "Giovinezza" oppure quando volle inaugurare, viaggiando a proprie spese, un'orchestra di musicisti ebrei fuggiti in Palestina a metà degli anni Trenta. Pagine di vita scovate e raccolte da Harvey Sachs in quest'opera monumentale in cui si riversano gli archivi della famiglia Toscanini, tra lettere, fotografie inedite e documenti per molto tempo rimasti inaccessibili. Vi si scoprono le letture amate, tra le quali trovano posto Byron e Leopardi, Shelley e Dante, Shakespeare e Carducci, e si animano gli abbracci fraterni con Debussy a Parigi, i battibecchi con Richard Strauss, aneddoti dell'amicizia con Puccini, l'amore radicale e irrequieto per la propria famiglia. "Toscanini" narra una storia in cui la vita privata e la celebrità internazionale del grande direttore si confondono fino a smarrire le linee di demarcazione, e la verità dell'uomo si rivela profondamente più interessante della leggenda consegnata ai posteri.
2003In-8° pp. 635 con 1 ritratto f.t. Bross. edit. ill. Ottimo stato.
1954In-8° pp. 269 con 8 tav. f.t. Bross. edit. ill.
1983Mm 210x295 Volume nella sua brossura originale illustrata di 119 pp. con illustrazioni nel testo. Opera in buone condizioni. Mit einem Vorwort von H. H. Stuckenschmidt.
1957Mm 240x310 Brossura editoriale di pp. 92, con belle immagini in bianco e nero e a colori, anche a piena pagina. In buono stato di conservazione, minimo distacco al dorso. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1991Mm 100x115 Catalogo della mostra di Torino Fotografica, Biennale Internazionale. Brossura editoriale, 223 pagine con immagini fotografiche in nero e a colori, testo italiano e francese - french-italian texts. Libro in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1970Mm 145x225 Brossura editoriale con bandelle di pp.367, a cura di Fedele D'Amico e Rosanna Paumgartner, con appendici a cura di Franco Serpa, Giorgio Gualerzi, Raffaele Vegeto, in buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1979Mm 150x225 Collana "Le Scie". Volume di 149 pagine con 6 tavole fuori testo, legatura originale con sovraccoperta ingiallita dalla luce al dorso, dedica nostalgica in apertura. Condizioni generali buone. SPEDIZIONE IN 24 ORE DALL'ORDINE.
2007Mm 170x240 Catalogo della mostra di "New York Philharmonic Avery Fisher Hall - Grand Promenade, First Tier Lincoln Center for The Performing Arts, January-March 2007" e di Livorno poi, del 20 settembre - 28 ottobre 2007. Brossura originale, 134 pagine profusamente illustrate a colori. Copia ottima, spedizione in 24 ore dalla conferma dell'ordine.
2007Mm 135x215 Collana "Tascabili Bompiani". Brossura editoriale di XVI-288 pagine. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1965Mm 165x225 Collana "La Civiltà Europea" fondata da Giovanni Gentile - Brossura editoiale muta, sovraccoperta incamiciata con titolo a stampa in due colori, 525 pagine. Opera in buone-ottime condizioni con parte delle pagine ancora intonse. Leggere, sporadiche fioriture ai tagli che non compromettono in alcun modo il testo. Spedizione in 24 ore dalla conferma dell'ordine.
1972Mm 150x215 Brossura editoriale con bandelle, 257 pagine. Copia eccellente, spedizione in 24 ore dalla conferma dell'ordine.
1960Mm 135x205 Due volumi in copertina rigida, sovraccoperta non in buone condizioni con lacune e strappi; vol. I, (1921-1927) di xii-851 pagine; vol. II, (1928-1943) di 878 pagine. Entrambi i tomi sono con interni in buone condizioni e con legature ben salde. Spedizione in 24 ore dalla conferma dell'ordine.
