1430 risultati
2013rif. 106920Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2013. 1935263846 . Gallery hardcover
2012rif. 105114UW Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pages; many illustrations most in color. -- with a bonus offer-- . 2012. 0642334285 . UW Press (Distribution) paperback
2012rif. 104718Abrams Distributor . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pages; illustrated with color and several black and white images. -- with a bonus offer-- . 2012. 1849760217 . Abrams (Distributor) paperback
1970rif. 59656Irvine California U. S. A. : Art Gallery University of California. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 66 pp. With 27 pls. 24 col. . 26 x 27 cm. -- with a bonus offer-- . 1970. Art Gallery, University of California paperback
2005rif. 72273Verlag Der Buchhandlung Walther Konig. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Text in English. 248 pp. 16 foldout with 158 ills. 126 col. . 34 x 25 cm. -- with a bonus offer-- . 2005. 3883759651 . Verlag Der Buchhandlung Walther Konig hardcover
2001rif. 62059Hudson Hills Press Inc. . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 104 pp. With 126 ills. 115 col. And 2 foldout. 29 x 25 cm. -- with a bonus offer-- . 2001. 1555952054 . Hudson Hills Press, Inc. hardcover
1984rif. 61003Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 50 pp. With 56 ills. 15 col. . 21 x 24 cm. -- with a bonus offer-- . 1984. Gallery paperback
2001rif. 62058D. A. P. /Distributed Art Publishers Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 60 pp. With 42 ills. 19 col. . 32 x 31 cm. -- with a bonus offer-- . 2001. 1880154625 . D. A. P. /Distributed Art Publishers (Distribution) hardcover
2008rif. 91392University of Chicago Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 232 pages. Description: "Beginning in the seventeenth century the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture touch or sight color or design ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes Roger de Piles Denis Diderot Charles Baudelaire and Émile Zola among others 'The Blind Spot' lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years." -- with a bonus offer--; Beginning in the seventeenth century the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture touch or sight color or design ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes Roger de Piles Denis Diderot Charles Baudelaire and Émile Zola among others The Blind Spot lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years. . 2008. 0892368926 . University of Chicago Press (Distribution) hardcover
1993rif. 53934University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Tight to spine - 269 pages -- with a bonus offer--; Lichtenstein Jacqueline translated By McVarish Emily The Eloquence of Color Rhetoric And Painting In The French Classical Age . 1993. 0520069072 . University of California Press hardcover
2009rif. 79147University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 160 pp. With 123 ills. 23 x 23 cm. -- with a bonus offer--; Through an examination of Surrealist photographs objects exhibitions activities and writings the essays in Twilight Visions the beautifully illustrated companion volume to the exhibition of the same name portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research the major Surrealist exhibitions and the photographs of Paris by Brassai Andre Kertesz Ilse Bing Germaine Krull and Man Ray among others all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar they seek to break down repressive hierarchies. At the same time they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein with essays by Therese Lichtenstein Julia Kelly Colin Jones and Whitney Chadwick this absorbing volume considers the social aesthetic and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality subjectivity and objectivity. Copub: Frist Center for the Visual Arts . 2009. 0520260813 . University of California Press hardcover
2010rif. 87434Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 372 pages; 489 illus. -- with a bonus offer--; One of the most complete monographs of the artist to date this volume depicts the career of Roy Lichtenstein one of the finest American pop artists of his era. Roy Lichtenstein 1923-1997 was the master of the stereotype and the most sophisticated of the major pop artists. An emblematic protagonist of the New York art scene of the second half of twentieth century he became a legend in his prolific lifetime. Even now thirteen years after his death his works and lexicon of symbols subjects and themes continue to intrigue the art world. Published on the occasion of the major exhibition at the Milan Triennial this monograph covers the entire artistic development of Roy Lichtenstein through more than 250 paintings and sculptural works a rich photographic section including unpublished material and critical text. The reproductions of Lichtenstein’s work are large-format in full color. The insightful quotes and most of the references to his personal life serve to explain how his art evolved or how he came to be in a particular place in the world. This deluxe edition large square format with padded cover offers a dynamic and provocative look at the works of Lichtenstein through a powerful combination of text and visual elements. It will appeal to Lichtenstein fans critics dealers and anyone interested in contemporary art. . 2010. 885720460X . Skira hardcover
1971rif. 61791Palais Liechtenstein. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - Text in German. 78 pp. With 20 ills. 20 x 19 cm. -- with a bonus offer-- . 1971. Palais Liechtenstein paperback
2006rif. 90277D. A. P. Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 77 illus. -- with a bonus offer--; Charles Stuckey writes in his essay "Lichtenstein and Surrealism" that "Searching for a worldwide audience in the 1930s the Surrealists nowhere received more welcome than in the United States with important exhibitions at the Wadsworth Athenaeum in Hartford and The Museum of Modern Art in New York. The Julien Levy Gallery quickly became something of an official New York headquarters. By the 1940s when Lichtenstein attended art school at Ohio State University Surrealism was widely acclaimed as the matrix style for contemporary American abstract art." So no one should be surprised that the young Lichtenstein's work of that era is "fundamentally Surrealist in spirit" and that the style that influenced him as a young man would carry over into his life's work. The paintings and works on paper in Conversations with Surrealism show the movement's continuing power and inspiration through to the 1970s when Lichtenstein drew on the work of Dali Magritte and Picasso. The works from this series endow Surrealist archetypes such as dreamlike landscapes with Lichtenstein's distinctive style weaving the artist himself into an art-historical narrative. Conversations with Surrealism offers a glimpse into the development of some of Lichtenstein's best-known motifs including his "self-portraits" in which various objects represent the artist's head and face. Includes a work of short fiction by Frederic Tuten author of The Green Hour. . 2006. 0974960748 . D. A. P. (Distribution) hardcover
2003rif. 63919Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 40 pp. With 23 col. Ills. 25 x 22 cm. Description: "Documents 16 paintings and drawings from the collection of television producer Cramer selected to examine contemporary artistic approaches to the body and sexuality including works by Warhol Hockney Salle Fischl Lichtenstein Pittman Currin and Essenhigh." -- with a bonus offer-- . 2003. Museum paperback
2008rif. 97614University of Chicago Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 330 pp. ; 72 illus. -- with a bonus offer--; AIMprint: New Relationships in the Arts and Learning offers an expansive model for arts integration that places relationships between people processes concepts and curricula at the center of effective teaching practice. Through curriculum samples essays and first-person testimony AIMprint outlines teaching methods that account for students' diverse learning styles and offers an expansive model for arts integration in the 21st century. AIMprint presents a new theory of arts integration practices in the multiple voices of teaching artists teachers principals college faculty program administrators and public school students. . addressed include: higher-order thinking strategies that link arts and literacy building partnerships between educational and community interests and creating a community of learners at every level of an arts partnership. . of School Partnerships and Amanda Leigh Lichtenstein Writer/Arts Educator and is a publication of Project AIM Arts Integration Mentorship and the Center for Community Arts Partnerships at Columbia College Chicago. Funding for the publication of AIMprint was provided by the US Department of Education's Fund for the Improvement of Postsecondary Education FIPSE the Oppenheimer Family Foundation and Columbia College Chicago. See http://www.colum.edu/ccap for more information. . 2008. 0929911229 . University of Chicago Press (Distribution) paperback
2010rif. 87435Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 228 pages; 154 illus. -- with a bonus offer-- . 2010. 1935263129 . Gallery hardcover
rif. Z1-C-038-02885University of Illinois Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. University of Illinois Press unknown
1994rif. 102398Hudson Hills Pr. New. 1994. Hardcover. 1555951058 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Hudson Hills Pr hardcover
rif. 143165London: The Lilja Art Fund Foundation in association with Azimuth Editions. 1995. Signed by 7 Pop Artists First edition first printing number 18 of 50 copies. Signed by Dine Hockney Johns Lichtenstein Rauschenberg Rosenquist and Stella on a tipped in folding sheet. Together with a presentation letter from the publisher to Riva Castleman one of the contributors. The Lilja Art Fund Foundation is a charitable trust of the Lilja family in Sweden which has one of the finest collections of Pop Art prints. Quarto. Illustrated with 201 colour reproductions of prints. Original black boards titles to spine in white. With dust jacket. Fine in fine dust jacket. hardcover
1875rif. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown books
rif. 51-7261Paris: Editions du Solstice 1992. Folio. 36 x 48.5. 113pp. Printed on unwatermarked rag paper. Sheets loose as issued in original red cloth boards and blue cloth slipcase.One of 80 signed and numbered copies this one printed for Bruno Pons. The prints have been removed by a previous owner. This copy ideal for someone who owns any of the prints but not the actual portfolio. RLCR 4139 Corlett 267–276; RL 1654: ."The publisher Jean-Claude Meyer brought the poet Allen Ginsberg and Lichtenstein together for this collaboration. Work on the project began in 1991 and the book La Nouvelle Chute de l'Amérique The New Fall of America was published in 1992 by Les Éditions du Solstice Paris. Included are eleven poems by Ginsberg.WITHOUT the ten etchings created by Lichtenstein especially for this publication. One Ginsberg poem De Denver au Montana Départ 27 Mai 1972 is accompanied by two etchings; two poems are unillustrated Graffiti 12e Cabine des Pissotièrres – Aéroport de Syracuse Graffiti 12th Cubicle Men’s Room Syracuse Airport and Vendredi Treize Friday the Thirteenth. The Ginsberg text is given in both English and French translated from the English by Gérard-G. Lemaire Anne-Christine Taylor Robert Cordier Jean-Jacques Lebel and Yves Le Pellec.The unbound book is housed in a red cloth-covered folio cover fitted inside a blue cloth-covered slipcase. A Velin d’Arches paper folder surrounds the folio pages within the red folio. The book consists of 115 pages not all numbered including a title page and colophon page. Lichtenstein’s images were also published separately in an edition of forty-two suites on Japanese nacré paper."OCLC Number / Unique Identifier:29581308.Contents:.Amérique.Auto poésie : en cavale de BloomingtonBayonne en entrant dans NYC.Or automnal : arrière-saison en Nouvelle Angleterre.Une fenêtre ouverte sur Chicago.De nouveau au-dessus de Denver.Passage du Nord-ouest.Graffiti 12e cabine des pissotières-Aéroport de Syracuse.Vendredi treize.Hüm Bom!.De Denver au Montana départ 27 mai 1972.Notes:English and French on opposite pagesTranslations by Gérard-G. Lemaire and Anne-Christine Taylor except "America" Robert Cordier and Jean-Jacques Lebel--and "Hüm Bom" and "Denver to Montana" Yves Le PellecConsists of 25 bifolia and 10 prints. First and last leaf blank not counted in collation; p. 3-4 blank.Issued in white paper covers in burgundy linen portfolio and royal blue linen slipcase by Atelier Duval Paris. Paris: Editions du Solstice, 1992 hardcover
1968rif. 100144New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
rif. 747651 Cent Life. One Cent Life 1964 Written by Walasse Ting Edited by Sam Francis Published by E.W. Kornfeld Bern Bern Switzerland Publisher's pictorial cloth chemise laminated dust jacket in the blue cloth-covered slipcase. Comprising 62 34 double-page 59 in colour original lithographs by 28 artists on loose sheets. Lithographs by Pierre Alechinsky 5 Karel Appel 5 Enrico Baj 2 Alan Davie 3 Jim Dine 2 Sam Francis 6 Robert Indiana 2 Alfred Jensen 3 Asger Jorn 2 Allan Kaprow Alfred Leslie 2 Roy Lichtenstein 2 cover Joan Mitchell Claes Oldenburg 3 Mel Ramos 2 Robert Rauschenberg 2 James Rosenquist Bram Van Velde Andy Warhol and Tom Wesselman 2. With an extra folded sheet repeating pages 52 Indiana 61 Alechinsky and 68/69 van Velde. Copy number 717 from the unsigned edition of 2000 All offers are welcomed. hardcover
rif. 1106481980 . Etching aquatint and engraving in colours 1980 on mould-made Lana paper signed and dated in pencil numbered 16th from edition of 32 there were also 12 artist's proofs published by Tyler Graphics Ltd. New Yorkwith their blindstamp 53 x 54.1 cm. 20 x 21 1/4 in. 'Night Scene' is one of six intaglio prints Roy Lichtenstein produced in 1980 during the same period as his 'American Indian Theme' series. This piece was hand drawn onto a copperplate by the artist using etching aquatint soft-ground and engraving. Within the 'American Indian Theme' series Lichtenstein combined one of his previously explored subjects the American Indian together with surrealist overtones as seen in the present work. A broad variety of influencing source materials can be identified in this series such as totems textiles beadwork quiltwork ceramics and baskets. Corlett 170; Tyler 1987 cat no. 354:RL22 1980 unknown
