LICHTENSTEIN, Roy; GINSBERG, AllenBiblio.com
1.624 Ergebnisse
1992Best.-Nr. 153831Paris: Les Éditions du Solstice 1992. Ten etchings signed by Lichtenstein First edition first printing number 24 of 80 copies signed by Lichtenstein and Ginsberg on the limitation page from a total edition of 125; each print is initialled lower right by Lichtenstein numbered lower left. In 1991 Lichtenstein was approached to provide illustrations for a French edition of Allen Ginsberg's The New Fall of America. Ginsberg selected 11 poems to be translated into French and Lichtenstein created 10 collages inspired by them from which etchings were printed for the book. The imagery is characteristic of Lichtenstein's work in popular illustrations. "The image of Ginsberg as a Buddha in a lotus pose for instance was inspired by a vignette symbolizing meditation on a yoga class sheet. Cubistic visions of the city and emblems of explosions alternate with more peaceful landscapes to provide a visual counterpart to Ginsberg's vivid evocation of contemporary America" Morgan Library and Museum. Folio. 10 coloured etching and aquatints on 250 gsm Velin d'Arches paper. Sheet sizes: Approx 48 x 35.4 cm. Image sizes: Approx 37.5 x 27.8 cm. Original red cloth spine lettered in white Velin d'Arches paper pages unbound. With the publisher's blue cloth slipcase. Fine in fine slipcase. Corlett 267-276. hardcover
1964Best.-Nr. 362757Milan: Galleria Schwartz 1964. First Edition. Hardcover. Fine. A twenty-image gallery of original engravings printed from plates made in 1962 the defining year of American Pop Art by the defining artists of the era including Andy Warhol his first multiple Roy Lichtenstein Wayne Thiebaud Jim Dine and others. These etchings are presented in book format with each artwork bound into the book in a mat with a clear plastic protector. Usually these images are four removed from the book. However in your cataloguer's most humble opinion this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy. For this issue of the International Anthology of Contemporary Engraving the editors commissioned the hottest young artists on the American scene to make engravings for this book mostly in 1962 for publication two years later. The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16 1962 New York Daily News and made it visually interesting through clever cropping the ad may have appeared on other days as well but I found it first on October 16 and I stopped looking. These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals 25 numbered with Roman numerals for the contributors and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches plus the binding stub. This bound volume includes 8 leaves two blank for text with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver who worked with Andy Warhol. The original etchings presented in this volume are all signed by the artist with the exception of the Warhol which is blindstamped. They are as follows with captions for untitled works invented by your cataloguer and the mediums and plate sizes w x h taken from the cataloging of the Museum of Modern Art website: 1. George Brecht. Untitled "1 cut out this block". Etching; plate 4-3/4 by 5-1/2 inches; 2. Allan D'Arcangelo. "American Madonna." Etching; plate 4-3/8 by 5-7/8; 3. Jim Dine. "Corner Brace." Etching; plate 6 by 4-3/8; 4. Stephen Durkee. Untitled "Salvation". Photogravure; plate 4-7/16 by 6; 5. Lette Eisenhauer. Untitled Crossword Puzzle. Etching with pencil additions; plate 5-78 by 3-7/8; 6. Stanley Fisher. Untitled "BMOB". Etching; plate 4-7/16 by 5-7/8; 7. Sam Goodman. Untitled "6000000 Dead". Etching; plate 4-7/16 by 5-7/8; 8. Red Grooms. Untitled Walking Man. Etching; plate 6-1/6 by 4-5/8; 9. Robert Indiana. "Err." Photogravure with etching; plate 6 by 4-3/8; 10. Allan Kaprow. Untitled "srorriM". Etching; plate 4-7/16 by 5-13/16; 11. Roy Lichtenstein. "On." Etching; plate 4-1/2 by 5-7/8 inches. Corlett 32; 12. Boris Lurie. Untitled Stars of David. Etching and drypoint; two images each 5-3/4 by 4-1/2; 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate 4-7/16 by 5-7/8; 14. James Rosenquist. "Certificate." Photogravure and etching; plate 6 by 4-1/2; 15. George Segal. Untitled Telephone. Etching; plate 4-5/16 by 5-7/8; 16. Richard Stankiewicz. Untitled Ink Blots. Etching; plate 4-1/4 by 5-13/16; 17. Wayne Thiebaud. Untitled Yo-yos. Etching; plate 5-13/16 by 4-1/4; 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; 19. Robert Watts. Untitled Dollar Bill. Etching; plate 5-7/8 by 2-1/2; 20. Robert Whitman. Untitled Crossroads. Etching; plate 5-15/16 by 3-15/16. A fine volume complete with all artwork. In a near fine paper sleeve as issued. All works are from the smallest limitation of 15 artist's proofs; and all but the Warhol are signed by the artists as issued. Galleria Schwartz hardcover
Best.-Nr. 1119731997 . Screenprint in colours 1997 on 300 gram Somerset textured paper signed and dated in pencil numbered from the edition of 75 there were also 15 artist's proofs printed by Noblet Serigraphie Inc. published by The Estate Project for Artists with AIDS New York 75 x 56.2 cm. 30 x 22 in. Corlett 310 1997 unknown
1989Best.-Nr. 153840Vermont: Roy Lichtenstein/Gemini G.E.L. 1989. Six porcelain plates signed by Lichtenstein Edition of 50. Each plate signed titled and numbered by Lichtenstein in black ink on the verso. The proceeds from the original sales of these plates were for the benefit of The International Art Show for the End of World Hunger. Screenprints on 6 glazed porcelain plates. Plate sizes: 33 x 33 cm. All in excellent condition. Corlett 116-121. unknown
1967Best.-Nr. 87711New York: Tanglewood Press Inc. 1967. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein numbered lower left additionally signed on verso of image in pencil upper right. Two-colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white composition board with window mount as issued. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8. Framed size: 67 x 58 cm. Excellent condition. Presented float-mounted in a light ash frame. Corlett 50 unknown
Best.-Nr. 1106761976 . Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil 1976 on Rives BFK paper signed and dated in pencil numbered from edition of 30 there were also 9 artist's proofs published by Tyler Graphics Ltd. Bedford Village New York with their blindstamp 74 x 114 cm 29 1/8 x 44 7/8 in. 'The architectural elements in the Entablature series can be seen as providing the artist with ready-made designs in much the same way as comic strips and advertisements had provided him with easily recognised motifs in his earlier work.' Christoph Grunenberg July 2000 Tate Between 1971 and 1976 Lichtenstein produced two series of entablature paintings based on photographs he had taken in New York of 20th century architectural ornaments in Lower Manhattan and specifically in the vicinity of Wall Street and 28th Street. During this period in May 1974 he began to also discuss the creation of the 'Entablature' print series with Master Printmaker Ken Tyler of Tyler Graphics Ltd. who Lichtenstein collaborated with closely to make many of his original prints over the years. Together Lichtenstein and Tyler produced eleven 'Entablature' prints each one taking an epic two months to complete before they would move on to the next composition. This series Tyler explains would push him and Lichtenstein far beyond the known limits of printmaking. At the beginning of each print's creation a great deal of trial and error would ensue before they could perfect the complex foil layering and embossing/debossing of patterns. On the occasion of their exhibition 'Roy Lichtenstein: Pop Remix' 2014 the National Gallery of Australia described this series of prints as 'the pinnacle of technical complexity in Lichtenstein's collaboration with Tyler and the staff at Tyler Graphics'. Knowing this it is easy to understand why 'Entablature III' is seen as a ground-breaking artwork and with only 16 prints issued in the standard edition it makes this example all the rarer. Corlett 139; T.335. 1976 unknown
1992Best.-Nr. 151018Paris: Les Editions du Solstice 1992. Artist's proof aside from the edition of 42. Signed and dated in pencil lower right numbered lower left. There was also an edition of 80 plus 40 hors commerce editions printed on Arches paper published in a book format these were initialled by Lichtenstein and undated. This piece is one of ten etchings produced as a collaboration with Allen Ginsberg's poetry for a book titled La Nouvelle Chute de L'Amérique. Etching and aquatint in three colours on Japon nacré paper lower and right edge untrimmed. Image size: 27.9 x 37.8 cm. Sheet size: 35.4 x 48 cm. Framed size: 49.3 x 58.2 cm. Margins lightly toned hidden by the mount otherwise excellent condition. Presented in a white box frame with acrylic glazing. Corlett 275 unknown
Best.-Nr. 1106481980 . Etching aquatint and engraving in colours 1980 on mould-made Lana paper signed and dated in pencil numbered 16th from edition of 32 there were also 12 artist's proofs published by Tyler Graphics Ltd. New Yorkwith their blindstamp 53 x 54.1 cm. 20 x 21 1/4 in. 'Night Scene' is one of six intaglio prints Roy Lichtenstein produced in 1980 during the same period as his 'American Indian Theme' series. This piece was hand drawn onto a copperplate by the artist using etching aquatint soft-ground and engraving. Within the 'American Indian Theme' series Lichtenstein combined one of his previously explored subjects the American Indian together with surrealist overtones as seen in the present work. A broad variety of influencing source materials can be identified in this series such as totems textiles beadwork quiltwork ceramics and baskets. Corlett 170; Tyler 1987 cat no. 354:RL22 1980 unknown
Best.-Nr. 747651 Cent Life. One Cent Life 1964 Written by Walasse Ting Edited by Sam Francis Published by E.W. Kornfeld Bern Bern Switzerland Publisher's pictorial cloth chemise laminated dust jacket in the blue cloth-covered slipcase. Comprising 62 34 double-page 59 in colour original lithographs by 28 artists on loose sheets. Lithographs by Pierre Alechinsky 5 Karel Appel 5 Enrico Baj 2 Alan Davie 3 Jim Dine 2 Sam Francis 6 Robert Indiana 2 Alfred Jensen 3 Asger Jorn 2 Allan Kaprow Alfred Leslie 2 Roy Lichtenstein 2 cover Joan Mitchell Claes Oldenburg 3 Mel Ramos 2 Robert Rauschenberg 2 James Rosenquist Bram Van Velde Andy Warhol and Tom Wesselman 2. With an extra folded sheet repeating pages 52 Indiana 61 Alechinsky and 68/69 van Velde. Copy number 717 from the unsigned edition of 2000 All offers are welcomed. hardcover
1986Best.-Nr. 2413New York: Harry N. Abrams 1986. FIRST EDITION. Original box. Very Good. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES SIGNED BY LICHTENSTEIN complete with 24 offset lithographs printed in color on Coronado Opaque SST Cover paper. Although known primarily for large bold works Roy Lichtenstein "always worked from meticulous finished sketches. During a distinguished career of almost three decades he has seldom deviated from the practice of using these sketches to generate paintings prints and sculpture in ongoing and discrete series. "The twenty-four drawings in this sketchbook are 'all landscapes figures and houses but they are essentially landscapes.' They do in part recall certain of his landscape images of the mid-sixties. However now devoid of the familiar Lichtenstein dots each is composed exclusively of brushstrokes-a combination of free seemingly spontaneous marks evoking Abstract Expressionism played against what the artist refers to as 'cartoon' brushstrokes that continue to represent his concern for artifice. "The drawings in Landscape Sketches 1984-1985 inspired by a semiabstract landscape that appeared as an element in his recent Paintings series constitute his first attempt at creating 'plain landscapes out of all brushstrokes'-the frankly 'fake' or cartoon marks providing the link that allows us to associate these new works with those we recognize as archetypal." Constance W. Glenn Introduction. Note: In addition to the 100 signed and numbered copies there were an additional 10 artist's proofs issued. New York: Harry N. Abrams 1986. Quarto 8.25 x 11 in loose as issued in cloth box with introductory booklet laid-in. Number 45/100 signed and dated on inside of portfolio. Complete with all tissue guards. Some soiling to box otherwise fine. RARE. Harry N. Abrams unknown books
1968Best.-Nr. 100144New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
Best.-Nr. 51-7261Paris: Editions du Solstice 1992. Folio. 36 x 48.5. 113pp. Printed on unwatermarked rag paper. Sheets loose as issued in original red cloth boards and blue cloth slipcase.One of 80 signed and numbered copies this one printed for Bruno Pons. The prints have been removed by a previous owner. This copy ideal for someone who owns any of the prints but not the actual portfolio. RLCR 4139 Corlett 267–276; RL 1654: ."The publisher Jean-Claude Meyer brought the poet Allen Ginsberg and Lichtenstein together for this collaboration. Work on the project began in 1991 and the book La Nouvelle Chute de l'Amérique The New Fall of America was published in 1992 by Les Éditions du Solstice Paris. Included are eleven poems by Ginsberg.WITHOUT the ten etchings created by Lichtenstein especially for this publication. One Ginsberg poem De Denver au Montana Départ 27 Mai 1972 is accompanied by two etchings; two poems are unillustrated Graffiti 12e Cabine des Pissotièrres – Aéroport de Syracuse Graffiti 12th Cubicle Men’s Room Syracuse Airport and Vendredi Treize Friday the Thirteenth. The Ginsberg text is given in both English and French translated from the English by Gérard-G. Lemaire Anne-Christine Taylor Robert Cordier Jean-Jacques Lebel and Yves Le Pellec.The unbound book is housed in a red cloth-covered folio cover fitted inside a blue cloth-covered slipcase. A Velin d’Arches paper folder surrounds the folio pages within the red folio. The book consists of 115 pages not all numbered including a title page and colophon page. Lichtenstein’s images were also published separately in an edition of forty-two suites on Japanese nacré paper."OCLC Number / Unique Identifier:29581308.Contents:.Amérique.Auto poésie : en cavale de BloomingtonBayonne en entrant dans NYC.Or automnal : arrière-saison en Nouvelle Angleterre.Une fenêtre ouverte sur Chicago.De nouveau au-dessus de Denver.Passage du Nord-ouest.Graffiti 12e cabine des pissotières-Aéroport de Syracuse.Vendredi treize.Hüm Bom!.De Denver au Montana départ 27 mai 1972.Notes:English and French on opposite pagesTranslations by Gérard-G. Lemaire and Anne-Christine Taylor except "America" Robert Cordier and Jean-Jacques Lebel--and "Hüm Bom" and "Denver to Montana" Yves Le PellecConsists of 25 bifolia and 10 prints. First and last leaf blank not counted in collation; p. 3-4 blank.Issued in white paper covers in burgundy linen portfolio and royal blue linen slipcase by Atelier Duval Paris. Paris: Editions du Solstice, 1992 hardcover
1875Best.-Nr. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown
Best.-Nr. 143165London: The Lilja Art Fund Foundation in association with Azimuth Editions. 1995. Signed by 7 Pop Artists First edition first printing number 18 of 50 copies. Signed by Dine Hockney Johns Lichtenstein Rauschenberg Rosenquist and Stella on a tipped in folding sheet. Together with a presentation letter from the publisher to Riva Castleman one of the contributors. The Lilja Art Fund Foundation is a charitable trust of the Lilja family in Sweden which has one of the finest collections of Pop Art prints. Quarto. Illustrated with 201 colour reproductions of prints. Original black boards titles to spine in white. With dust jacket. Fine in fine dust jacket. hardcover
1994Best.-Nr. 102398Hudson Hills Pr. New. 1994. Hardcover. 1555951058 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Hudson Hills Pr hardcover
1994Best.-Nr. C102398Hudson Hills Pr. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1994. 1555951058 . Hudson Hills Pr hardcover
Best.-Nr. Z1-C-038-02885University of Illinois Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. University of Illinois Press unknown
2011Best.-Nr. 90010Mitchell-Innes & Nash. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 64 pp. ; 48 ills. -- with a bonus offer--; Roy Lichtenstein Reflected presents a selection of paintings that treat ideas of reflections and doubling. A strategy that spanned Lichtenstein's career mirroring was explored in his Reflections series of the 1980s in which he used his early work as subject matter fracturing it with mirrored glass. Reflected also includes drawings source materials and exclusive clippings from the artist's notebooks. . 2011. 098145786X . Mitchell-Innes & Nash hardcover
2013Best.-Nr. 106363Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English. 296 pages; over 200 illustrations most in color. -- with a bonus offer-- . 2013. 8857218899 . Skira hardcover
2001Best.-Nr. 93919University of California Press; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pp. With 82 ills. 22 col. . 23 x 19 cm. -- with a bonus offer--; Discovery Series . 2001. 0520209842 . University of California Press; Et Al hardcover
2010Best.-Nr. 87619Hatje Cantz. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 208 pages; 138 illus. 118 col. . -- with a bonus offer--; Between 1961 and 1968 at the height of the Pop art movement Roy Lichtenstein 1923-1997 created about 50 large black-and-white drawings. Not only was their imagery culled from consumer culture entirely new--baked potatoes ads for foot medication and BB Guns--but so was their treatment which drew on the rudimentary character of cheaply printed commercial drawings. Conceived independently from Lichtenstein's paintings these drawings recast illustrations from newspaper ads and comic books into works of keen visual intensity curiously echoing the clean-edge aesthetic of 1960s geometric abstraction. "Drawing is the basis of my art" Lichtenstein later affirmed; "It is where my thinking takes place." Published for an exhibition at the Morgan Library in New York this richly illustrated publication offers 120 color illustrations plus essays on Lichtenstein's technique and on his little-known 1967 Aspen project in which the artist transformed a room into a black-and-white cartoon drawing. . 2010. 3775726438 . Hatje Cantz hardcover
2008Best.-Nr. 77415Gallery; Yale University Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 96 pp. one foldout with 91 ills. 76 col. and one tipped-in artist's book with 43 col. Ills. 32 x 32 cm. -- with a bonus offer--; This publication surveys the seminal group of Girl paintings by Roy Lichtenstein. In the Summer of 1961 Lichtenstein embarked on a series of iconic images of women taken directly from newspaper clippings and the romance comic books prevalent in post-war America. The anonymity of mass-produced cheap comics helped him capture specific impressions of real life while maintaining the necessary degree of aesthetic distance afforded by what he understood to be the 'high restrictive quality of art'. The 'Girl' paintings together with the war images or 'Boy' paintings established him as a major protagonist of the American Pop Art movement. His amalgamation of text and image high and low culture and his strategy to involve appropriated images continues to be a rich source of inspiration for subsequent generations of artists from Richard Prince Jeff Koons and Raymond Pettibon to John Currin and Elizabeth Peyton.A conversation between Jeff Koons and Dorothy Lichtenstein opens the catalogue. The publication also brings together an exceptional collection of over 130 images of paintings drawings sources and documentary photographs. Included in these images are 22 full-coloured plates of the 'Girl' paintings 18 of which are featured in the exhibition. The catalogue closes with a select chronology of Roy Lichtenstein's life pinpointing important exhibitions and occasions.An artist's book response to the Girl paintings created by Richard Prince is also included as an insert. . 2008. 0300149271 . Gallery; Yale University Press (Distribution) hardcover
2011Best.-Nr. 96300The Monacelli Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 79 illus. 73 in color. -- with a bonus offer--; Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series Reflections and The Interiors. He is completely absorbed oblivious to the camera as he mounts ladders assembles colors composes and steps back to consider the effect. During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein’s entire career. There are stencils of Ben-Day dots clippings from newspapers and comic books Polaroid snapshots rolls of tape and boxes of colored pencils. Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein’s working processes and source materials as well as being vibrant works of art in their own right. In her essay Dorothy Lichtenstein wife of the artist recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s a time of extraordinary productivity. Edward Robinson an associate curator at the Los Angeles County Museum of Art describes Lambrecht’s process and approach. . 2011. 1580933181 . The Monacelli Press hardcover
2009Best.-Nr. 79234Museum; D. A. P. Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 48 pp. With 46 ills. 37 col. . 21 x 16 cm. -- with a bonus offer--; Roy Lichtenstein made a tremendous impact on Modern art in the twentieth century. As a pioneer of Pop art he was a key figure in the postwar tradition that brought American art to the forefront of the international scene. This new volume in the MoMA Artist Series which explores important artists and favorite works in the collection of The Museum of Modern Art guides readers through a dozen of the artist's most memorable achievements. A short and lively essay by Carolyn Lanchner a former curator of painting and sculpture at the Museum accompanies each work illuminating its significance and placing it in its historical moment in the development of Modern art and the artist's own life. This volume provides a unique overview of someone who shaped the development of American art since mid-century and is an excellent resource for readers interested in the stories behind the masterpieces of the Modern canon. . 2009. 0870707701 . Museum; D. A. P. (Distribution) paperback
2008Best.-Nr. 85414R. A. Publications. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 472 pages 460 color illustrations. -- with a bonus offer--; Henry Moore is one of the key figures in modern sculpture. His work both representational and abstract is some of the most significant and well-known of the twentieth century and can be seen today in museums and public spaces around the world. In this authoritative survey Christa Lichtenstern establishes Moore’s place in twentieth-century art history exploring the sculptor’s guiding principles and his artistic development from his study of Greek antiquity and his fascination with early Italian sculpture to his interest in English heritage and culture. A leading scholar in modern sculpture Lichtenstern provides a comprehensive and accessible study of this unique artist. . 2008. 1905711212 . R. A. Publications hardcover
