Lichtenstein, HenryBiblio.com
1639 risultati
rif. 1333701497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 3749707022.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991rif. 11351Giessen 1991. Architektur. Einrichtung.Design. Zahlr. Beiträge diverser AutorInnen Stempel a.Vorsatzbl. Guter Zustand Anabas 4°. kt. Architektur unknown
1972rif. KFZZQ100647Kodansha 1972. Soft Cover. Fine. KFZZQ100647 Kodansha paperback
1992rif. KFZZQ100405Mori Art Museum 1992. Soft Cover. Fine. KFZZQ100405 Mori Art Museum paperback
1971rif. KFZZQ100579Lichtenstein: The Cosmic Implementation Committee of Printmaking 1971. Soft Cover. Fine. KFZZQ100579 Lichtenstein: The Cosmic Implementation Committee of Printmaking paperback
rif. B9780253018670Hardback. New. hardcover
1992rif. 029081Zurich Switzerland: Museum fur Gestaltung 1992. 1st Edition. Hardcover. Very Good. Color and b/w illustrated.A nice copy clean and unmarked int he inside. 4to. Museum fur Gestaltung hardcover
rif. 364247229X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1019390573.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1241495734.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009rif. 103022Nashville; Berkeley: University of California Press ; Frist Center for the Visual Arts Berkeley 2009. First Edition. Hardcover. As new copy with the slightest sunning to spine and foot of spine lightly bumped; else fine. Square quarto in white pictorial wraps with purple title; xi 208 pages; illustrations; 24 cm. Inscribed by art historian Whitney Chadwick. Personal name removed from photo for privacy. In their works photographers such as Jacques-André Boiffard Brassaï Ilse Bing André Kertész Germaine Krull Dora Maar and Man Ray used fragmentation montage unusual viewpoints and various technical manipulations to expose the disjunctive and uncanny aspects of modern urban life."-Worldcat listing. Contents: Darkly lit streets. The city in twilight / Therese Lichtenstein. Windows on the city. The bureau of surrealist research / Julia Kelly. Marvelous encounters. Surrealist exhibitions Parisian expositions / Colin Jones. Portraits after-hours. Mythic woman / real women: Embodying desire in 1938 / Whitney Chadwick. Surreal figures. Accompanied an exhibition held at Frist Center for the Visual Arts Nashville Tenn. Sept. 10 2009-Jan. 3 2010 and the International Center of Photography New York N.Y. Jan. 29-May 9 2010 and at Telfair Museum of Art Savannah Ga. June 9-Oct. 10 2010. More Information: Table of contents. Table of contents. Book review H-Net. Contributor biographical information. Publisher description. University of California Press ; Frist Center for the Visual Arts, Berkeley hardcover
1991rif. 0070491991. Soft Cover. Good. Publisher: D.C. Heath & Company 1991 Good Soft Cover ISBN: 0-669-19925-7 cover wear/creases. paperback
1875rif. 6750London: Macmillan. Near Fine with No dust jacket as issued. 1875. Third Edition. Hardcover. London: Macmillan & Co. 1875. Third Edition complete in one volume. 8vo. xx370pp. Later full burgundy ribbed 6-panel spine gilt letters and ornament on spine and covers all edges gilt marbled endpapers early name bookplate on front pastedown. Bright near fine condition few plates and facing text slightly foxed. Frontispiece portrait of Henry Edward Fourth Lord Holland vignette portrait on title page of Mary Augusta Lady Holland 11 other full-page engravings and lithographs 88 wood engravings in text. ; 13 full-page and 88 in text illustrations; 8vo 8" - 9" tall; 390 pages . Macmillan hardcover
1875rif. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown
rif. 1169703895.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. ACHnsLIC46np: Rosenthal Porcelain Studio-Linie nd. original plate multiple. 12 1/8 inches in diameter. glazed porcelain. loosely inserted in original clamshell box with printed certification booklet. Edition of 3000 numbered on verso; signed by Lichtenstein in the print on recto & verso. "When Roy Lichtenstein was asked over thirty years ago how he would classify this new trend in painting he replied: ". in reality it is industrial painting the significance of my work lies in the fact that it is industrial." By "industrial" Lichtenstein meant the kind of art which is in keeping with the machine age an art based on absolute precision and clarity of form: 'The style is cool'." Prof. Dr. Heinz Spielmann Director Museum of Schleswig-Holstein. Signed by Authors. np: Rosenthal [Porcelain], Studio-Linie, nd. unknown
1964rif. 362757Milan: Galleria Schwartz 1964. First Edition. Hardcover. Fine. A twenty-image gallery of original engravings printed from plates made in 1962 the defining year of American Pop Art by the defining artists of the era including Andy Warhol his first multiple Roy Lichtenstein Wayne Thiebaud Jim Dine and others. These etchings are presented in book format with each artwork bound into the book in a mat with a clear plastic protector. Usually these images are four removed from the book. However in your cataloguer's most humble opinion this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy. For this issue of the International Anthology of Contemporary Engraving the editors commissioned the hottest young artists on the American scene to make engravings for this book mostly in 1962 for publication two years later. The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16 1962 New York Daily News and made it visually interesting through clever cropping the ad may have appeared on other days as well but I found it first on October 16 and I stopped looking. These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals 25 numbered with Roman numerals for the contributors and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches plus the binding stub. This bound volume includes 8 leaves two blank for text with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver who worked with Andy Warhol. The original etchings presented in this volume are all signed by the artist with the exception of the Warhol which is blindstamped. They are as follows with captions for untitled works invented by your cataloguer and the mediums and plate sizes w x h taken from the cataloging of the Museum of Modern Art website: 1. George Brecht. Untitled "1 cut out this block". Etching; plate 4-3/4 by 5-1/2 inches; 2. Allan D'Arcangelo. "American Madonna." Etching; plate 4-3/8 by 5-7/8; 3. Jim Dine. "Corner Brace." Etching; plate 6 by 4-3/8; 4. Stephen Durkee. Untitled "Salvation". Photogravure; plate 4-7/16 by 6; 5. Lette Eisenhauer. Untitled Crossword Puzzle. Etching with pencil additions; plate 5-78 by 3-7/8; 6. Stanley Fisher. Untitled "BMOB". Etching; plate 4-7/16 by 5-7/8; 7. Sam Goodman. Untitled "6000000 Dead". Etching; plate 4-7/16 by 5-7/8; 8. Red Grooms. Untitled Walking Man. Etching; plate 6-1/6 by 4-5/8; 9. Robert Indiana. "Err." Photogravure with etching; plate 6 by 4-3/8; 10. Allan Kaprow. Untitled "srorriM". Etching; plate 4-7/16 by 5-13/16; 11. Roy Lichtenstein. "On." Etching; plate 4-1/2 by 5-7/8 inches. Corlett 32; 12. Boris Lurie. Untitled Stars of David. Etching and drypoint; two images each 5-3/4 by 4-1/2; 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate 4-7/16 by 5-7/8; 14. James Rosenquist. "Certificate." Photogravure and etching; plate 6 by 4-1/2; 15. George Segal. Untitled Telephone. Etching; plate 4-5/16 by 5-7/8; 16. Richard Stankiewicz. Untitled Ink Blots. Etching; plate 4-1/4 by 5-13/16; 17. Wayne Thiebaud. Untitled Yo-yos. Etching; plate 5-13/16 by 4-1/4; 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; 19. Robert Watts. Untitled Dollar Bill. Etching; plate 5-7/8 by 2-1/2; 20. Robert Whitman. Untitled Crossroads. Etching; plate 5-15/16 by 3-15/16. A fine volume complete with all artwork. In a near fine paper sleeve as issued. All works are from the smallest limitation of 15 artist's proofs; and all but the Warhol are signed by the artists as issued. Galleria Schwartz hardcover
1981rif. 2New York: Hudson Hills Press in association with the St. Louis Art Museum 1981. First Edition. Hardcover. Near Fine/Near Fine. Stated first edition of this collection of Lichtenstein's pop masterpieces including paintings sculptures and drawings and featuring 67 colorplates 5 gatefolds and 100 BW illustrations. Hardcover 12.25" x 9.25". 175 pages. Near fine copy with light creasing on several gatefolds. Near fine unclipped $35 dust jacket with minor edgewear and light sunning on flaps. Clean and bright; wrapped in archival mylar. Hudson Hills Press in association with the St. Louis Art Museum hardcover
2007rif. U29Very good large - 916 pps - German Hardback in dustwrapper English & German languages. U 01/23 - B:21012384. Nomos Verlag Publishers hardcover
rif. 159907Berlin: Springer 978-3-642-84413-3 978-3-642-84413-3 1992 reprint edition. Trade paperback 170pp. Fine. Illustrations tables formulas references index. Publisher series: Springer Series in Solid-State Sciences 98. Science Crystals Materials Science Science. Springer 978-3-642-84413-3 Paperback
rif. 0323227333.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1959rif. 43280Cleveland OH: Case Western University 1959. Very Good/Very Good. Cleveland OH: Polemic Society of Western Reserve University Case Western Reserve University 1959. Magazine 25cm; 135pp. Lichtenstein’s woodcut dust jacket with wine text to front panel; stiff staple-bound wrappers. All ten woodcuts and relief etchings present. Jacket predictably bumped and toned especially along spine with surface-level scratches to front panel. Wrappers bumped at spine ends and lightly toned; otherwise clean. Binding sound. Textblock clean. Toning due to ink transfer on pp84; interior pages otherwise clean. A Very Good copy. A typed signed note from Lichtenstein is laid-in in its original envelope. Lichtenstein’s brief note dated 1990 confirms that the woodcut cover is the only piece he contributed to Polemic during the magazine’s run. Case Western University unknown
rif. 1416051708.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1965rif. 610029Paris: Ileana Sonnabend 1965. Softcover. Near Fine. First edition. Quarto. 14pp. Text in French. Stapled wrappers. Light age-toning to wrappers near fine. Ileana Sonnabend unknown
