1 624 résultats
1991réf. 71920Basel: Galerie Beyeler 1991. First edition. 4to. 74 pp. Fine in printed wrappers. Fully color illustrated. One fold-out plate. Basel: Galerie Beyeler, unknown books
réf. 22586WASHINGTON LICHTENSTEIN Gaston. GEORGE WASHINGTON'S LOST BIRTHDAY. Richmond: William Byrd Press 1924. Small 8vo. Cloth dust jacket. 115 pages plates. First edition. A series of short pieces on George Washington and his early Masonic activitie Bookplate else fine in a lightly soiled dust jacket. unknown books
1952réf. M8534St. Louis:: C. V. Mosby 1952. 1952. FIRST EDITION. 8vo. 315 pp. 155 figs. index. Gilt-stamped gray cloth; rubbed. Ownership signature of Erickson on front paste-down. Very good. C. V. Mosby, 1952. hardcover books
1920réf. 255947Richmond: Herbert T. Ezekiel 1920. Hard Cover. Very Good binding. Binding sound with light rubbing to extremities small amount of staining to covers; text is clean with no markings except a chip missing to page 409. Very Good binding. Herbert T. Ezekiel unknown books
1989réf. 25714New York: Mary Boone Gallery 1989. A little worn at the edges and extremities; back cover with irregular toning else close to near fine in textured boards. Rare signed copy of an unaccountably uncommon publication. First Edition. Tall quarto. SIGNED and briefly inscribed: "To Bob John / Roy / Roy Lichtenstein / 1/18/90." Tissue-guarded mirrored pastedowns and endpapers. Rare hardcover catalogue published in conjunction with Lichtenstein's exhibition "The Mirror Paintings" at Mary Boone Gallery New York 21 October - 18 November 1989. Introduction by Robert Rosenblum essays by Lawrence Alloway and Henry Geldzahler. 19 color illustrations black and white frontispiece. Elegant and iconic design high quality printing. New York: Mary Boone Gallery unknown books
1986réf. 2413New York: Harry N. Abrams 1986. FIRST EDITION. Original box. Very Good. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES SIGNED BY LICHTENSTEIN complete with 24 offset lithographs printed in color on Coronado Opaque SST Cover paper. Although known primarily for large bold works Roy Lichtenstein "always worked from meticulous finished sketches. During a distinguished career of almost three decades he has seldom deviated from the practice of using these sketches to generate paintings prints and sculpture in ongoing and discrete series. "The twenty-four drawings in this sketchbook are 'all landscapes figures and houses but they are essentially landscapes.' They do in part recall certain of his landscape images of the mid-sixties. However now devoid of the familiar Lichtenstein dots each is composed exclusively of brushstrokes-a combination of free seemingly spontaneous marks evoking Abstract Expressionism played against what the artist refers to as 'cartoon' brushstrokes that continue to represent his concern for artifice. "The drawings in Landscape Sketches 1984-1985 inspired by a semiabstract landscape that appeared as an element in his recent Paintings series constitute his first attempt at creating 'plain landscapes out of all brushstrokes'-the frankly 'fake' or cartoon marks providing the link that allows us to associate these new works with those we recognize as archetypal." Constance W. Glenn Introduction. Note: In addition to the 100 signed and numbered copies there were an additional 10 artist's proofs issued. New York: Harry N. Abrams 1986. Quarto 8.25 x 11 in loose as issued in cloth box with introductory booklet laid-in. Number 45/100 signed and dated on inside of portfolio. Complete with all tissue guards. Some soiling to box otherwise fine. RARE. Harry N. Abrams unknown books
1924réf. 22265Richmond: William Byrd Press 1924. Hardcover. Very Good. ii 103pp index and subscriber list. Very good hardback in a complete but somewhat grubby plain grey printed dustjacket. William Byrd Press hardcover books
1823réf. 47748Montpellier France 1823. Letter now housed in an archival mylar sleeve. Age-toning. Fold-lines. Faint tide line to verso under address. Stamped "33 Montpellier" above address. Very Good. Bifolium with 1st page of manuscript ~ 33 lines ~ 300 words. Text in French. Writing small neat precise & legible. 10" x 7-7/8" Schröder & Schyler a longtime wine merchant from Bordeaux founded in 1739 and still in business today. Here offered a letter ordering quanties of 'vin blanc' et 'vin rouge' along with other related correspondence. unknown books
1925réf. 1341984Richmond: The William Byrd Press 1925. Hardcover. Octavo; Fair; Ex-library; Hardcover; Spine grey with black print call number taped at bottom; Boards in grey paper with black print long tears to front and rear hinges taped wear to spine caps and corners light peripheral toning 2 punctures and scratches to front shelfwear; Text block has library pocket on rear pastedown tanning to endpapers intermittent spine breaks loose plate at p. 40 clean text; 112 pages frontispiece illustrated b&w plates. 1341984. FP New Rockville Stock. The William Byrd Press hardcover books
1915réf. 40081Evanston: Northwestern Univ. Press 1915. Second edition. Paper wrappers. A very good partially unopened uncut copy edgeworn and lightly soiled wrappers contents clean. 43 pp. Illus. with 4 b/w plates. Sm. 4to. Northwestern University Bulletin Volume XVI Number I September 3 1915. A fascinating description of Lichtenstein's buying trip for major American universities -including Harvard College Library Harvard Law School Library The John Crerar Library Northwestern University Library John Carter Brown Library Northwestern University Law School Library and the American Antiquarian Society- obtaining collections of extremely valuable and rare books manuscripts and newspapers at unbelievably low prices averaging approximately four dollars a piece for the printed books and two cents each for the newspaper sheets. Palau 138248. Northwestern Univ. Press unknown books
2006réf. 82092São Paulo: Editora 34 2006. 21cm. Direção geral de ; Colaboração de Jean-François Groulier. et al. ; Apresentação de Nadeije Laneyrie-Dagen; Cordenação da tradução Magnólia Costa 144p bibls. color pict. fldg. wrps The present 10th volume gathers descriptive and sometimes polemic texts that present a panorama of the reflective studies regarding the hierarchies and aspects of the various painting genres since the 15th century to modern times from Alberti and Leonardo da Vinci to the modern Hegel Baudelaire and Maurice Denis. The collection of Pintura is an anthology of translated fundamental texts regarding western art written by 130 authors from the 4th century to the 20th century. Originally published in French in 1995 in one volume Editora 34 unknown books
2006réf. 82091São Paulo: Editora 34 2006. 21cm. Direção geral de ; Colaboração de Jean-François Groulier. et al. ; Apresentação de Nadeije Laneyrie-Dagen; Cordenação da tradução Magnólia Costa 152p bibls. color pict. fldg. wrps This volume of the collection gathers texts that debate the two main elements that define painting: design or color. The edition presents texts regarding this artistic debate of "intellect against passion" that started during the Italian renaissance between the two rival painting schools of Venice and Florence and lasted until the 20th century when the art of Matisse gave total autonomy to color. The collection of Pintura is an anthology of translated fundamental texts regarding western art written by 130 authors from the 4th century to the 20th century Editora 34 unknown books
1874réf. 2063068Macmillan and Co 1874. Second Edition. Half-Leather. Very Good/No Jacket. Second edition. Rebound in half leather. Boards rubbed bookplate on front endpaper minor tears to front & rear endpaper of first volume. 1874 Half-Leather. xvi 289; xi 259 pp. 8vo. A historical account of the structure also known as Cope Castle which was largely destroyed during World War II by German bombing raids. Macmillan and Co hardcover books
1999réf. 70855London: Granta Books 1999. First edition limited issue of 250 numbered copies signed by Lichtenstein and Sinclair on the limitation page. Copy #201. Cloth-covered boards with original photograph on the front board. Issued without dustjacket. Slipcase. Cloth of one slipcase corner just touched; otherwise an unread copy in Fine condition in a Fine slipcase. Signed by Authors. First Edition. Hardcovers. Fine/Not Issued. 8vo - over 7¾" - 9¾" tall. Limited Edition. Granta Books hardcover books
1970réf. 19451EIrvine CA: University of California Irvine 1970. First Edition. Oversize paperbound 10 3/8” x 10 1/4”. An illustrated catalogue issued to accompany an exhibition of art work by Roy Lichtenstein. With an interview by John Coplans. Near fine copy with a very faint bit of use in printed wrappers. University of California, Irvine unknown books
2005réf. 296872New York: Zwirner & Wirth 2005. paperback. fine. Illustrations in color & in black & white. 72 pages slim 4to stiff pictorial wrappers. New York: Zwirner & Wirth 2005. A fine copy as new in the original shrinkwrap. Zwirner & Wirth unknown books
2011réf. 293996New York: Monacelli Press 2011. First. hardcover. fine/near fine. Roy Lichtenstein. Illustrated color and black & white. 128 pages. Square 4to pictorial boards dust wrapper. New York: Monacelli Press 2011. First edition. Fine in near fine dust wrapper. Monacelli Press unknown books
1984réf. 294139New York: James Goodman Gallery 1984. First. paperback. fine. Lichtenstein Roy. Text by Pincus-Witten. Illustrated throughout some in color. Thin oblong 8vo pictorial wrappers. New York: James Goodman Gallery 1984. A fine copy. Exhibition catalogue on the occasion of the twenty-fifth anniversary of the gallery. James Goodman Gallery unknown books
1984réf. 294194New York: James Goodman Gallery 1984. paperback. near fine. Lichtenstein Roy. Text by Pincus-Witten. Illustrated throughout some in color. Thin oblong 8vo pictorial wrappers. New York: James Goodman Gallery 1984. Spine and edges are just a bit sunned else a fine copy. Signed and dated by Lichtenstein on the title page Exhibition catalogue on the occasion of the twenty-fifth anniversary of the gallery. James Goodman Gallery unknown books
1989réf. 292973London: Waddington Graphics 1989. paperback. near fine/near fine. Roy Lichtenstein. Illustrated color plates. 36 pages. Thin 4to paper wrappers printed mylar wrappers. London: Waddington Graphics 1989. A near fine copy. Published in conjunction with the exhibition of the same title Waddington Graphics May 22-June 17th 1989. Waddington Graphics unknown books
2000réf. 281307Ostfildern: Hatje Cantz 2000. hardcover. near fine. Lichtenstein Roy. Foreword by Gijs VAN TUYL Gijs. 50 color illustrations one folding additional illustrations in black and white. 117pp. 4to pictorial boards; minor bumping to spine ends. Ostfildern: Hatje Cantz 2000. A near fine copy. Hatje Cantz unknown books
2005réf. 269998New York: Gagosian 2005. hardcover. near fine. Organized in collaboration with Roy Lichtenstein Foundation. 132pp. 4to yellow boards with decorative black dot pattern. New York: Gagosian Gallery 2005. A near fine copy. With essay by Hal Foster Pop Pygmalion Gagosian unknown books
1874réf. 223351London: Macmillan 1874. hardcover. fine. Extra illustrated with lithographs copper and steel engravings mainly portraits and numerous woodcuts throughout the text several fold out facsimlies. 2 volumes tall 8vo beautifully rebound in 3/4 brown morocco with black spine labels marbled boards t.e.g. London: Macmillan 1874. Fine. Macmillan unknown books
1874réf. 214672London: Macmillan 1874. Second. hardcover. very good. Numerous steel engravings and lithographs several fold out facsimlies. 2 volumes tall 8vo ornately gilt blue cloth top of spines repaired. London: Macmillan 1874. Second Edition. Very Good . Macmillan unknown books
1998réf. 047103Frankfurt am Main: Edition Tribüne 1998. 372p. b/w illus. original stiff printed wrappers. Edition Tribüne unknown books
