LICHTENSTEIN, RoyBiblio.com
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ref. 1106761976 . Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil 1976 on Rives BFK paper signed and dated in pencil numbered from edition of 30 there were also 9 artist's proofs published by Tyler Graphics Ltd. Bedford Village New York with their blindstamp 74 x 114 cm 29 1/8 x 44 7/8 in. 'The architectural elements in the Entablature series can be seen as providing the artist with ready-made designs in much the same way as comic strips and advertisements had provided him with easily recognised motifs in his earlier work.' Christoph Grunenberg July 2000 Tate Between 1971 and 1976 Lichtenstein produced two series of entablature paintings based on photographs he had taken in New York of 20th century architectural ornaments in Lower Manhattan and specifically in the vicinity of Wall Street and 28th Street. During this period in May 1974 he began to also discuss the creation of the 'Entablature' print series with Master Printmaker Ken Tyler of Tyler Graphics Ltd. who Lichtenstein collaborated with closely to make many of his original prints over the years. Together Lichtenstein and Tyler produced eleven 'Entablature' prints each one taking an epic two months to complete before they would move on to the next composition. This series Tyler explains would push him and Lichtenstein far beyond the known limits of printmaking. At the beginning of each print's creation a great deal of trial and error would ensue before they could perfect the complex foil layering and embossing/debossing of patterns. On the occasion of their exhibition 'Roy Lichtenstein: Pop Remix' 2014 the National Gallery of Australia described this series of prints as 'the pinnacle of technical complexity in Lichtenstein's collaboration with Tyler and the staff at Tyler Graphics'. Knowing this it is easy to understand why 'Entablature III' is seen as a ground-breaking artwork and with only 16 prints issued in the standard edition it makes this example all the rarer. Corlett 139; T.335. 1976 unknown
1967ref. 87711New York: Tanglewood Press Inc. 1967. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein numbered lower left additionally signed on verso of image in pencil upper right. Two-colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white composition board with window mount as issued. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8. Framed size: 67 x 58 cm. Excellent condition. Presented float-mounted in a light ash frame. Corlett 50 unknown
1989ref. 153840Vermont: Roy Lichtenstein/Gemini G.E.L. 1989. Six porcelain plates signed by Lichtenstein Edition of 50. Each plate signed titled and numbered by Lichtenstein in black ink on the verso. The proceeds from the original sales of these plates were for the benefit of The International Art Show for the End of World Hunger. Screenprints on 6 glazed porcelain plates. Plate sizes: 33 x 33 cm. All in excellent condition. Corlett 116-121. unknown
ref. 1119731997 . Screenprint in colours 1997 on 300 gram Somerset textured paper signed and dated in pencil numbered from the edition of 75 there were also 15 artist's proofs printed by Noblet Serigraphie Inc. published by The Estate Project for Artists with AIDS New York 75 x 56.2 cm. 30 x 22 in. Corlett 310 1997 unknown
1992ref. 153831Paris: Les Éditions du Solstice 1992. Ten etchings signed by Lichtenstein First edition first printing number 24 of 80 copies signed by Lichtenstein and Ginsberg on the limitation page from a total edition of 125; each print is initialled lower right by Lichtenstein numbered lower left. In 1991 Lichtenstein was approached to provide illustrations for a French edition of Allen Ginsberg's The New Fall of America. Ginsberg selected 11 poems to be translated into French and Lichtenstein created 10 collages inspired by them from which etchings were printed for the book. The imagery is characteristic of Lichtenstein's work in popular illustrations. "The image of Ginsberg as a Buddha in a lotus pose for instance was inspired by a vignette symbolizing meditation on a yoga class sheet. Cubistic visions of the city and emblems of explosions alternate with more peaceful landscapes to provide a visual counterpart to Ginsberg's vivid evocation of contemporary America" Morgan Library and Museum. Folio. 10 coloured etching and aquatints on 250 gsm Velin d'Arches paper. Sheet sizes: Approx 48 x 35.4 cm. Image sizes: Approx 37.5 x 27.8 cm. Original red cloth spine lettered in white Velin d'Arches paper pages unbound. With the publisher's blue cloth slipcase. Fine in fine slipcase. Corlett 267-276. hardcover
