Lichtenstein, BurglBiblio.com
1.637 resultados
ref. 3756856909.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018ref. 1-3791357298Prestel Pub 2018. Paperback. New. 01 edition. 160 pages. 12.25x8.75x0.75 inches. Prestel Pub paperback
1984ref. BN510183Bund-Verlag. 1984. 1984. Im Namen des Volkes. Eine persönliche Bilanz der NS-Prozesse Im Namen des Volkes. Eine persönliche Bilanz der NS-Prozesse HEINER LICHTENSTEIN Bund-Verlag. unknown
1987ref. 114219Zürich: Verlagshaus Zürich, 1987. 29 x 25 cm ; kart.
ref. 28764Zurich, Verlagshaus, 1987 Gebunden, Leinen mit Schutzumschlag, 250 x 295mm., 319S., illustriert. ISBN 9783726365417.
1992ref. 151018Paris: Les Editions du Solstice 1992. Artist's proof aside from the edition of 42. Signed and dated in pencil lower right numbered lower left. There was also an edition of 80 plus 40 hors commerce editions printed on Arches paper published in a book format these were initialled by Lichtenstein and undated. This piece is one of ten etchings produced as a collaboration with Allen Ginsberg's poetry for a book titled La Nouvelle Chute de L'Amérique. Etching and aquatint in three colours on Japon nacré paper lower and right edge untrimmed. Image size: 27.9 x 37.8 cm. Sheet size: 35.4 x 48 cm. Framed size: 49.3 x 58.2 cm. Margins lightly toned hidden by the mount otherwise excellent condition. Presented in a white box frame with acrylic glazing. Corlett 275 unknown
2013ref. BN545026Hatje Cantz 2013. 2013. Hardcover. Ilja Tschaschnik. Art Bridge Projekte im Bereich Kunst und Kunstsammlungen. Einl. Beitr.: Alexandra Schatskich. Übers. aus dem Russ.: Barbara Conrad-Lütt. Katalog-Erl.: Tatjana Kuleschowa. Gestaltung: Alexander Konopljow Ilja Tschaschnik. Art Bridge Projekte im Bereich Kunst und Kunstsammlungen. Einl. Beitr.: Alexandra Schatskich. Übers. aus dem Russ.: Barbara Conrad-Lütt. Katalog-Erl.: Tatjana Kuleschowa. Gestaltung: Alexander Konopljow Ilja Tschaschnik - Schatskich Aleksandra S. Aleksandr Hrsg. Konoplev und Sepherdot Foundation Liechtenstein Hrsg. Hatje Cantz hardcover
1936Milano, 1936, stralcio con copertina posticcia muta, pp. 991/1009 con numerose fotografie e tavole fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1957Milano, 1957, stralcio con copertina posticcia muta, pp. 961/974 con fotografie, tavole fotografiche ed una cartina. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1963Firenze, 1963, 8vo stralcio con copertina posticcia muta, pp. 833/844 con 8 illustrazioni fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
2017ref. x-3525800215Vandenhoeck & Ruprecht 2017. Paperback. New. 160 pages. German language. 9.80x6.50x0.32 inches. Vandenhoeck & Ruprecht paperback
2011In-8 (cm. 28), brossura, titolo al dorso, pp. 201, con illustrazioni in bianco e nero e a colori, ISBN 978-88-904871-7-0. In buono stato di conservazione (good copy).
2002ref. Q-0871207222Association for Supervision & Curriculum Development 2002-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Association for Supervision & Curriculum Development paperback
1957ref. 151688New York: Jewish Science Publishing Co 1957. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Light stain on spine heel and bottom text block edge. Jewish Science Publishing Co hardcover
1968ref. 1029501968 affiche Affiche 1281x907mm, pour l’exposition à la Kunsthalle de Berne 23 février-31 mars 1968, imprimée en sérigraphie par Albin Uldry à Berne.D’après l’œuvre originale de 1963. Bel exemplaire malgré une déchirure marginale n'atteignant pas l'image. (102950)
ref. 17-6139Hannover Germany: Kestner-Gesellschaft 1973. 84 x 59.4 cm. sheet. Offset color lithograph. Printed signature and date in image. Very Good a few minor tears along sheet edges sheet slightly yellowed. Hannover, Germany: Kestner-Gesellschaft, 1973. unknown
1983ref. 0309531983. Softcover. Very Good Condition. Exhibition catalog from 1983 gallery opening. SIGNED and inscribed by Solomon in year of publication. Some bumping and nicking to edges. Artists represented include: Roy Lichtenstein; William Wegman; Andy Warhol; Christo; Laurie Anderson; Robert Mapplethorpe; and more. Installation views and BW plates. 126 pages. Binding is tight covers and spine fully intact. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Art::Painting Drawing & Sculpture; Signed by Author. Inventory No: 030953. BZDB373 paperback
1874ref. 1367820London: Macmillan and Co 1874. Second edition. Hardcover. Octavo; 2 volumes; G-; Hardcover; Spine brown with gold print raise bands; Boards 3/4 bound with brown leather to spine and corners and marbled paper to boards slight wear to spine caps and corners toning to spine else clean and strong; Text blocks have has gilt top edge marbled endpapers slight penciled note p. xiii v. 1 foxing to endpapers title pages and occasional foxing within else clean and tight; Illustrated with frontispieces and b&w plates some folded; 2 vols. xvi 289 pages ; xi 259 pages. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area ND-HV Column. 1367820. FP New Rockville Stock. Macmillan and Co hardcover books
1875ref. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown books
1874ref. 223351London: Macmillan 1874. hardcover. fine. Extra illustrated with lithographs copper and steel engravings mainly portraits and numerous woodcuts throughout the text several fold out facsimlies. 2 volumes tall 8vo beautifully rebound in 3/4 brown morocco with black spine labels marbled boards t.e.g. London: Macmillan 1874. Fine. Macmillan unknown books
1874ref. 214672London: Macmillan 1874. Second. hardcover. very good. Numerous steel engravings and lithographs several fold out facsimlies. 2 volumes tall 8vo ornately gilt blue cloth top of spines repaired. London: Macmillan 1874. Second Edition. Very Good . Macmillan unknown books
1875ref. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown
1875ref. 50811London: Macmillan and Co 1875. Hardcover. 8vo. Blue pebble-grain cloth with extensive gilt and black lettering and decorations. xx 370pp. Top edge gilt. Tissue-guarded frontispiece numerous illustrations several foldouts decorative head- and tailpieces. Very good. Binding a bit edgeworn more so at spine head/tail; text block tight and nice with front inner hinge bearing an old but neat and discreet archival cloth tape reinforcement. Tight and decent third edition. Marie Fox 1850-78 was the adopted daughter of Henry Fox 4th Baron Holland 1802-1859 of Holland House in Kensington near London and Lady Mary Augusta Coventry 1812-89; she married Prince Louis Liechtenstein and in 1874 published a history of the magnificent mansion and its art collection in which she was raised. From the collection of William B. Allison 1829-1908 the powerful Iowa Republican who as U.S. senator from that state 1873-1908 was one of the "big four" who controlled the Senate. Early 20th century bookplate on front pastedown notes "This book is part of Allison Memorial Collection Gift of Mrs. Jennie A. Brayton" and until deaccessioned was part of Allison's non-circulating collection at his hometown public library across the street from his Dubuque residence. According to Leland L. Sage in his 1956 biography "William Boyd Allison: A Study in Practical Politics" Allison owned "hundreds of books on government economics history banking finance and the tariff as well as volumes of American and English literature. An omnivorous reader Allison doubtless read most of these volumes if only for relaxation from the strain that accompanied his efforts to solve the many problems facing the Nation." Senator Allison's mentor and closest confidante was Iowa's Republican third governor 1854-58 and U.S. Senator 1859-69 James W. Grimes 1816-72 and he was close also with Grimes' wife Elizabeth Nealley Grimes 1825-90. During his eight years at the House of Representatives 1863-71 Allison boarded at their home which is where he met his future wife their niece and adopted daughter Mary Nealley 1849-88; they wed in 1873 and she drowned herself in the Mississippi River ten years later. On an inner flyleaf is his large and bold inscription in brown ink to his mother-in-law: "Mrs. Grimes / from / Mr. Allison / Jany.1.1875. / Happy New Year. Macmillan and Co hardcover
2026ref. LRB51014339Paris: Editions Recreasoft 2026 Language: English. Approximately 610 pages. English: Print-on-demand reprint. Original edition : 1874. Text in English. This comprehensive study originally published in 1874 provides an in-depth examination of Holland House one of the most significant aristocratic residences in British history. The work explores the architectural evolution of the estate its role in political and cultural circles of the 19th century and its enduring legacy as a symbol of British heritage. Princess Marie Henriette Norberte of Liechtenstein offers a meticulously researched account drawing on historical records and contemporary observations to present a vivid portrait of this iconic landmark. The volume is particularly valuable for scholars of British architecture social history and the aristocratic traditions of the period. This reprint preserves the original text in its entirety offering modern readers access to a foundational work on one of England's most storied estates. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1874ref. 24393London: Macmillan and Co 1874. Second edition. All quite fine in worn slipcase. Second edition. Two volumes. xvi 289p; xi 259p. Extra-illustrated with 128 fine plates 24 in color an autograph of Lord Holland and an autograph of Lord Breadalbane. Bound by Bayntun in full blue morocco with silk endpapers a.e.g. the spines in six panels with gilt titles and geometric ornaments the covers with triple-ruled rectangle and diamond superimposed. Macmillan and Co unknown
