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1939réf. ZB698570Rio de Janeiro: 1939-1956. Volumes 1 through 10 only; quarto plates illustrations in text; now in two later cloth bindings with oiginal paper sides retained library markings else very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Rio de Janeiro: hardcover
Rio de Janeiro, Instituto de Identificação, Imprensa Nacional, 1934. 4to. mayor; XVI-416 pp. y una lámina retrato de Cesare Lombroso. Cubiertas originales.
réf. 8032Association française d'action artistique, Paris, 1987. In-4, broché sous couverture illustrée en couleurs, 426 pp. Préfaces - Modernidade - Documents, documents - Livre Parcours : le Modernisme. - Années 30 et 40. - Abstraction I. - Abstraction II. - Contemporanéité - Entrée des artistes - Temps de Modernidade - Documents - Itinéraire brésilien à Paris. ...
réf. 69-8686Prefeitura da Cidade do Rio de Janeiro Secretaria Municipal de Urbanismo : Solar Grandjean de Montigny PUC/Rio Rio de Janeiro Brazil 1997. 8vo. Oblong. Soft Cover. 229pp. Very Good. Black and White Plates. Text in Portuguese. Prefeitura da Cidade do Rio de Janeiro, Secretaria Municipal de Urbanismo : Solar Grandjean de Montigny, PUC/Rio, [Rio de Janeir paperback
2018réf. DR-RGS7-IF2X2018 OUP hardcover edition. Unread copy in very good condition. From the cover: Art History and Postwar Fiction explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War to the present day. If art had long served as a foil to enable novelists to reflect on their craft this book argues that in the postwar period novelists turned to the visual arts to develop new ways of conceptualizing the relationship between literature and history. The sense that the novel was becalmed in the end of history was pervasive in the postwar decades. In seeming to bring modernism to a climax whilst repeating its foundational gestures visual art also raised questions about the relationship between continuity and change in the development of art. In chapters on Samuel Beckett William Gaddis John Berger and W. G. Sebald and shorter discussions of writers like Doris Lessing Kathy Acker and Teju Cole this book shows that writing about art was often a means of commenting on historical developments of the period: the Cold War the New Left the legacy of the Holocaust. Furthermore it argues that forms of postwar visual art from abstraction to the readymade offered novelists ways of thinking about the relationship between form and history that went beyond models of reflection or determination. By doing so this book also argues that attention to interactions between literature and art can provide critics with new ways to think about the relationship between literature and history beyond reductive oppositions between formalism and historicism autonomy and context. Contents: Introduction: Reviewing Postwar Fiction 1. Pig Vomit: Beckett's Art Historical Necessities 2. Canvas in the Cold War: William Gaddis and the Context of Art 3. The Moment of History: John Berger's Modernism After Realism 4. Art's Swindle: W. G. Sebald and History After Trauma Conclusion: The Perspective of the Present Bibliography Oxford University Press hardcover
1975réf. 013527Paris Hôtel Georges V Etude Loudmer - Poulain 1975 in-48° agrafé, couverture illustrée
réf. 13977959Paris: , 1987 2 volumes in-4, (7) - 502 pages (pagination continue), photographies hors-texte. Bibliographie. Broché. Sans la pochette d'illustrations annoncée dans la table des matières. Annotations du président du jury René Bureau et compte-rendu de thèse.
Madrid, AECI, 1999. Dos volúmenes en 8vo.; 2 hs., 58 ff. para el facsímil + 47 pp. para el estudio. Edición limitada y numerada. Cubiertas originales, el facsímil con un simil de pergamino. Estuche en tela.
1966réf. 18463Lisboa Sociedade Nacional de Belas Artes 1966
réf. 9788524921933CORTEZ EDITORA. new. Arte � processo ou produto O que o artista ensina O que se espera da arte Quem forma os artistas Arte se avalia Quem frequenta a arte E a arte do aluno Quem n�o sabe ensina Essas s�o algumas das quest�es levantadas e discutidas por Isabel Marques e F�bio Brazil neste livro. Com os artigos aqui publicados os autores pretendem incitar di�logos provocar discuss�es e gerar reflex�es sobre as rela��es entre arte e educa��o que se processam em diferentes situa��es de ensino e aprendizagem. CORTEZ EDITORA unknown
réf. 9788524921933-11-124675CORTEZ. New. CORTEZ unknown
1971Octavo. White wraps, 235 p., b&w illus, 21 cm. Bibliography: p. 229-234. In Portuguese. Scarce. || Folklore -- Brazil.
réf. RO60137636Secretaria de Estado do Trabalho, Ação Social e Desportos. Non daté. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 22 planches volantes illustrées de photos en couleur, dans leur pochette d'origine. Introduction en portugais et anglais, sur 2 colonnes (Português / English).. . . . Classification Dewey : 981-Brésil
1990réf. LFA01a21Un ouvrage de 190 pages, format 160 x 240 mm, broché couverture couleurs, publié en 1990, P.U.G., bon état
réf. RO60123245Centro de Artesanato Mineiro, Minas Gerais. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette d'env. 30 pages, illustrée de nombreux dessins en noir et blanc dans et hors texte. Texte en français et en anglais, sur 2 colonnes.. . . . Classification Dewey : 981-Brésil
réf. 5i4286Volkswagen do Brasil S.A. Brazil 1984. 218 S. mit zahlreichen Abbildungen Leineneinband mit Schutzumschlag quart. - gutes Exemplar / good condition / Eins von 4500 Exemplaren / dreisprachig: portugiesisch englisch und deutsch - unknown
1984réf. 002922Sao Paulo: Volkswagen Do Brasil 1984. First Edition. Folio. Englaish Portugueses and German text. Folio 218pp. Gorgeously illustrated in full- and double-page color plates. Ex-library of a Church. In original red cloth boards and illustrated dust jacket two samll closed tears. Very scarce. Volkswagen Do Brasil unknown
réf. 68618aafNeuchâtel, Ides et Calendes, 1981, gr. in-4to, 320 p., rich. ill. en couleurs, reliure en toile originale, avec jaquette.
1952réf. 128382Emp. Graf. Ouvidor, Rio de Janeiro, 1952. 296 S. ; 31,5 x 24 cm ; kart. ;
1955In 16, pp. 28. Dedica autogr. di Vincenzo Guerriero al controp. ant.: 'Al compagno senatore Casadei, della vecchia guardia socialista e sindacalista, organizzatore e educatore del proletariato, con viva cordialita', amicizia e ammirazione offre. Vincenzo Guerriero. San Paolo 30-4-1955'. Br. ed. con foto in b/n di Vicente Guerriero al p. ant. Scritto di Vincenzo Guerriero sulla storia sindacale del Sudamerica. Guerriero fu un sindacalista attivo in Brasile.
réf. a488121973. In Portuguese. Sm.4to. 399pp. wraps. VG light wear. . paperback
1963réf. 68496Tirage à 2500 exemplaires numérotés (n° 873), 1 vol. in-folio reliure demi-vélin à coins blanc, Rio de Janeiro, 1963, 88 pp.
1984réf. 86291Couverture souple. Broché. 141 pages.
1962réf. G113697Sao Paulo, Difusao Europeia do livro 1962 312pp., 21cm., text in Portuguese, original softcover, in the series "Corpo e alma do Brasil" volume 7, ex-libris on first title page, text is clean and bright, good condition, G113697
1904Complete in 3 volumes: xv,479 + ix,627 + 335 pp. & 243pp. (= annexos), text in Portuguese, 1st edition, bound in 3 uniform hardcovers (spines in brown leather with gilt lettering), marbled endpapers, very few foxing, good condition, rare, cfr. OCLC 683365041, J103690
