4 164 résultats
réf. B306408-1Boston 1985-2000. 77 exhibition catalogues each 6pp. printed on a single sheet as follows: 84 Peterborough St. in order by date: Alex Katz: 'Twelve Hours'. Nov. 1985. Eric Fischl: The Works on Glassine 1979-80. Dec. 1985-Jan. 1986. Ross Bleckner. Jan.-Feb. 1986. Brett De Palma. Feb.-March 1986. Lucio Pozzi. March-April 1986. David Bowes Michael Byron Chuck Connelly McDermott&McGough. April-May 1986. David Salle. May 1986. Marcel Odenbach. June 1986. With Karen Meyerhoff. Frank Egloff. Oct.-Nov. 1986. Julian Schnabel. Nov.-Dec. 1986. Enzo Cucchi: L'elefante di Giotto. Jan. 1987. Michael Byron. Feb. 1987. Sandro Chia. April-May 1987. Terry Winters. May 1987. Nicos Baikos. Sept.-Oct. 1987. 4pp. Philip Taaffe. Oct.-Nov. 1987. David McDermott. Peter McGough. Nov.-Dec. 1987. Claudio Parmiggiani: A lume spento. Jan. 1988. Ray Smith. Feb.-March 1988. Francesco Clemente. April-May 1988. Ceccobelli. Pizzi Cannella. May-June 1988. David Bowes: A Painter's Lexicon. Sept.-Oct. 1988. Roni Horn. Oct.-Nov. 1988. Sherrie Levine. Nov.-Dec. 1988. Ross Bleckner. Jan.-Feb. 1989. Matt Mullican. Feb.-March 1989. Gerhard Merz. March-April 1989. Richmond Burton. April-May 1989. Alex Katz. Sept.-Oct. 1989. Meyer Vaisman. Nov. 1989. Baselitz. Dec. 1989. . 207 South St. in order by date: David Salle. March-April 1990. Richmond Burton. Moira Dryer. April-May 1990. Lucio Pozzi: "for the Sexes." May-June 1990 Annette Lemieux. October 1990. Peter Halley Nov. 1990. Peter Halley. Nov.-Dec. 1990. Günther Förg. Dec. 1990-Jan. 1991. Moira Dryer. Feb.-March 1991. Rosemarie Trockel. April 1991. Richmond Burton. May-June 1991. Frank Egloff.Sept.-Oct. 1991. Ray Smith. Nov. 1991. Meyer Vaisman. Dec. 1991-Jan. 1992. David Dupuis Christopher Lucas Carl Ostendarp Matthew Weinstein. Jan-Feb. 1992. Nicola De Maria. April-May 1994. Mimmo Paladino. Dec. 1994-Jan. 1995 with: invitation card for the exhibition. Scott Grodesky. Jan.-Feb. 1995 with: invitation card for the exhibition. Richmond Burton. April-May 1995 with: invitation card for the exhibition. Ophrah Shemesh. Sept.-Oct. 1995 with: invitation card for the exhibition. Peter Halley. Nov.-Dec 1995 with: invitation card for the exhibition. Jaqueline Humphries. March-April 1996 with: invitation card for the exhibition. Annette Lemieux. April-May 1996. Ray Smith. Oct.-Nov. 1996 with: invitation card for the exhibition. Tom Sachs. Nov.-Dec. 1996 with: invitation card for the exhibition. The Body of Painting: Ellen Gallagher Christopher Lucas Matthew Ritchie. Jan. 18 1997. Single folio sheet. Matthew Antezzo. March-April 1997 with: invitation card for the exhibition. Barry X Ball. April-May 1997 with: invitation card for the exhibition. Magdalena Campos-Pons. Sept.-Oct. 1997 with: invitation card for the exhibition. Philip Taaffe. Oct.-Nov. 1997 with: invitation card for the exhibition. Michael Craig-Martin. Nov.-Dec. 1997 with: invitation card for the exhibition. Nicky Hoberman. Jan.-Feb. 1998 with: invitation card for the exhibition. Donna Moylan. Feb-March 1998 with: invitation card for the exhibition. Ellen Phelan: Through Dolls and Flowers. April 1998 with: invitation card for the exhibition. Fabian Marcaccio. May 1998 with: invitation card for the exhibition. Joan Banach. Sept.-Oct. 1998. Peter Halley. Oct.-Nov. 1998 with: invitation card for the exhibition. Matthew Ritchie. Nov.-Dec. 1998 with: invitation card for the exhibition. William Wood. Jan.-Feb. 1999 with: invitation card for the exhibition. Tom Sachs. March-April 1999 with: invitation card for the exhibition. Alex Katz: February 5:30 PM. April-May 1999 with: invitation card for the exhibition. Ellen Gallagher. May-July 1999 with: invitation card for the exhibition. Cyber/Cypher: Pedro Barbieto Matthew Ritchie James Siena Joh Simon. Sept.-Oct. 1999 with: invitation card for the exhibition. Richard Patterson. Nov.-Dec. 1999 with: invitation card for the exhibition. Eric Fischl. Dec. 1999-Jan. 2000 with: invitation card for the exhibition. Ross Bleckner. Jan.-Feb.2000 with: invitation card for the exhibition. Annette Lemieux: Crossing the Rubicon. Feb.-March 2000 with: invitation card for the exhibition. 4to. Wraps. Mario Diacono came from Italy in 1968 to teach Italian literature at the University of California Berkeley and at Sarah Lawrence College. He returned to Italy to found his first art gallery in Bologna. There from 1978-1979 he showed young Arte Povera and Conceptual Italian artists like Jannis Kounellis and Vito Acconci. From 1980-1984 Diacono had a gallery in Rome showing mostly American artists including Julian Schnabel David Salle Joseph Kosuth Eric Fischl and Jean-Michel Basquiat in 1982. Mario Diacono opened his first gallery in Boston in 1985 at 84 Peterborough Street which had been the Starn Twins studio. In the spring of 1990 the gallery moved to 207 South Street a building that contained other art galleries as the area showed promise to be a new arts district. Diacono showed Alex Katz Eric Fischl Ross Bleckner David Salle Julian Schnabel Enzo Cucchi Sandro Chia Francesco Clemente Philip Taaffe Richmond Burton Roni Horn Ross Bleckner Rosemary Trockel Annette Lemieux and Baselitz among many others. However once the Gulf War broke out the art market collapsed and Diacono closed his South Street gallery in 1992. Diacono then moved to New York City for a short period of time and from early 1992 to the summer of 1993 he held exhibitions there together with Perry Rubenstein showing Ross Bleckner Philip Taaffe Richmond Burton and others. Upon his return to Boston he held exhibitions at 207 South Street again from 1994 to 2000. Artists he showed included David Salle Richmond Burton Peter Halley Rosemarie Trockel Annette Lemieux Barry X. Ball Matthew Ritchie Ross Bleckner and Günter Förg. Boston, 1985-2000. paperback
1779réf. List3711London 1779. Autograph letter signed Joseph Green to Boston merchant Samuel Eliot. Folded letter datelined "London Mar. 26th 1779" with "Rec'd 22nd Decr. 1779" docket on top flap. 7 x 9 ¼ inches 3pp. Some repairs with archival tape folded small tears at some folds. Excellent. A thoughtful Revolutionary-era letter written by Joseph Green the Boston clergyman poet satirist and wit whose verses made him one of the best-known literary figures in colonial New England. A graduate of Harvard College and member of Boston's mercantile elite Green maintained friendships with figures including Mather Byles and Benjamin Church. He is known for his satirical poetry and as a signer of the 1773 attestation supporting Phillis Wheatley's authorship of Poems on Various Subjects Religious and Moral. A Loyalist during the American Revolution and named in the 1778 Massachusetts Banishment Act Green departed Boston in 1775 and spent the remainder of his life in England. The present letter was written only a year before his death in London in 1780. Written during the period of British blockade and privateering that turned the Atlantic into a contested military space the letter survives as a rare example of communication successfully passing between a Loyalist exiled in London and a Boston merchant. Green repeatedly returns to the difficulty of maintaining contact noting that "all means of correspondence seem to be cut off" and explaining that he is able to write only because he has found "a particular friend in whom I can confide." The letter itself written in March and not received until December 1779 provides tangible evidence of the obstacles confronting transatlantic correspondence during the Revolution. Green writes: "Having now an opportunity of writing by a particular friend in whom I can confide I embrace it to let you and our niece know that your Aunt and I are both well and very solicitous to hear of your health and welfare. We think it no small unhappiness to be so far removed from so many of our friends especially at a time when all means of correspondence seem to be cut off; but when we consider what scenes of confusion and distress we have escaped and what repose and quiet we have enjoyed here we ought not to repine. "Notwithstanding we have been so long in Engl'd I have seen nothing of the country and your Aunt next to nothing of the town. I amuse myself in trolling thro' several parts of it where new objects are perpetually presenting themselves; and I am the fonder of this exercise as it contributes to health as well as amusement. "The climate here agrees well with my constitution. I enjoy better health than I did at home & my friends tell me I am younger. But I know better than to believe them in this because I think if I was to go about it I could prove I am near four years older than when I left Boston." Green's remarks describe the reality of transatlantic communication during the Revolutionary War when Loyalists abroad and their friends in America frequently depended upon trusted private carriers rather than regular postal channels. The letter's journey from London to Boston-requiring months to arrive and bearing Eliot's receipt docket of December 22 1779-illustrates precisely the obstacles Green describes. Green continues with observations on one of the great public controversies of wartime Britain the celebrated court martial of Admiral Augustus Keppel following his engagement with the French fleet off Brest. Green describes the intense public reaction and the partisan passions surrounding the affair: "We have had a forced and ostentatious display of joy on acct. of Admiral Keppel's acquittal. He has been try'd by a court martial on a charge brought against him by Admiral Palliser for misconduct in the engagement he had the last summer with the French fleet off Brest. This has been made a party affair and has been carry'd to a most extravagant height. The whole city has been illuminated three or four nights and there have been great rejoicings thro' the Kingdom. But the matter is now pretty well over and Palliser has ruin'd himself by it." Most affecting however is Green's reflection on the increasingly remote prospect of ever returning to Boston. He seems to realize that his exile may be permanent writing that "At the time I left Boston it was uncertain when I should return or whether I should return at all. But the improbability was not so great then as it is now. The door was then shut now it is bolted." Green's letter offers a moving account of Loyalist exile-separation from friends and family with hope for return fading. We find no other records of letters written by Green during this period in commerce or at auction.
1779réf. 3689Scarce Contemporary Stony Point Battle Plan This rather crude woodcut depicts a battle plan of General "Mad Anthony" Wayne's daring and dramatic capture of the British fortification at Stony Point about 30 miles up the Hudson River from New York City. The battle planned in detail by Washington took place around midnight on July 16 1779. The lower portion of the battle plan includes a four item key: "A. The British Fortress B. Abattes abatis in front C. The Reserve D. The detached Party who stormed the Works." Nebenzahl's A Bibliography of Printed Battle Plans of the American Revolution 1775-1795 cites only a 1784 London-printed battle plan by Faden for the Stony Point engagement #145. The offered plan is not noted by Nebenzahl was published in America and was issued five years earlier than the Faden plan. The Bickerstaff's Boston Almanack for 1780 would almost certainly have been published in November or December of 1779 – within six months of the actual battle. A very scarce almanac in the trade. Auction records indicate the most recent copy sold at the Gutman sale in 2005 for $4800. Prior to that Swann sold an example in 1979. References: For the almanac: Evans: 16287; Drake: 3290. For the map: Cresswell: 309. Condition: Map appears on verso of title page and measures about 6 ½ x 3 ¾." Almanac is complete in 24 pp. Slight loss of road table text at upper tip of final leaf. ICN 7643. Printed and sold by Draper and Folsom, and John Mycall of Newbury.
1929réf. 10268Boston: various 1929. Archive. One medium-sized file box containing approximately six hundred twenty-five items including: commercial brochures 121 samples 11 posters 3 typed letters signed/TLS 304 autograph letters signed/ALS 149 postcards & telegrams 29 and periodicals 5. The commercial or trade brochures are mostly small booklets bi-folds and tri-folds graphically illustrated with images of the equipment on offer and frequently printed in two colors or in duotone. A small but deeply engaging archive depicting the business activities of the Boston Massachusetts kitchen equipment supply firm W.H. Davenhall. The supply company serviced businesses with food production and serving needs far beyond the traditional restaurants and hotels. There are in fact few of those represented therein. The company's stock in trade seemed to have been the many "secondary" food establishments growing in number in the early twentieth century including soda fountains candy shops tea rooms diners cafeterias educational dining facilities gas stations with food offerings cafes lunch shops beauty parlors fraternity houses and military bases. The types of equipment depicted in the archive represents changes in food production for a population rapidly moving away from traditional home dining and increasingly consuming food in new types of establishments. The rapid economic expansion that made all this change possible came to a halt with the Crash of 1929 and the Great Depression. The archive illustrates the experience of a small business in the years leading up to the Crash with issues collecting debts bankruptcy of suppliers and clients etc. The correspondence includes offers of new equipment or supplies often the line between brochure and correspondence is blurred orders inquiries demands for payments complaints requests for new supplier arrangements bankruptcy notices of former customers and more. In addition to the typed and handwritten letters there are postcards and telegrams. A handful of label samples and posters are included as well. Finally there are materials produced by trade periodicals including: Institutional Merchandising Hot Off the Griddle published by Westinghouse American Restaurant Magazine and The Soda Fountain. A wide range of business topics is visible in this archive: bill collection disputes about what was delivered or when disputes about salesmen adding items to an order bankruptcy of a client price changes a UNH fraternity orders a half dozen aluminum pitchers surprised complicated returns of defective merchandise development of school cafeterias the Crash of '29 deliveries abandoned or rejected and more. Condition is generally very good or better. A more detailed description including complete lists of suppliers and clients is available by request. various unknown
1835réf. 90478Boston MA: Prentiss Whitney / Boston Bewick Company 1835. Broadside. Fine. 26 x 21 x 1.0. Broadside. Condition: Fine. Prentiss Whitney / Boston Bewick Company Boston MA 1835. 1 pages. Paper on cloth backing hand-colored covered with a thin ancient layer of protective lacquer or varnish. No folds or tears. Short wrinkles on the untaut paper surface. Framed in glass. Size: 26 x 21 x 1.0. An imposing and beautiful broadside document! Prentiss Whitney of Boston Massachusetts published this beautiful copy of the Declaration of Independence. It is approximately 26"" tall by 21"" wide. It has a four-line title printed in 4 different fonts. The text of the document is primarily in a handscript font with some words enlarged and bolded in print type of four different fonts. Bottom section contains the signature replicas. The entire document is surrounded by two intertwined vines which encircle 13 state medallions filled with symbolic vignettes and an eagle and shield Federal medallion. Vines and medallions are fully hand-colored. At the very bottom is printed: 'STEREOTYPED BY THE BOSTON BEWICK COMPANY. PUBLISHED BY PRENTISS WHITNEY 30 WASHINGTON STREET.' It is undated but probably published in 1835. Prentiss Whitney 1787-1870 was an auctioneer publisher of historic patriotic American prints and an entrepreneurial investor at 30 Washington St. Boston in the 1830's and 1840's. His ancestor Rev. Peter Whitney of Northborough Ma was one of the first to call for publishing the Declaration of Independence 'American independence vindicated. A sermon delivered September 12 1776. At a lecture appointed for publishing the Declaration of Independence passed July 4 1776. By the representatives of the United States of America in general congress assembled'. The Boston Bewick Company no. 47 Court Street Boston was an association of authors artists printers and bookbinders which was in existence from 1834-1838. It is mostly known for producing engravings and for hiring Nathaniel Hawthorne as editor of the 'American Magazine of Useful and Entertaining Knowledge'. The Act to incorporate the Boston Bewick Company states it is founded for: 'the purpose of employing improving and extending the art of engraving polytyping embossing and printing and carrying on the business thereof.' 1835 Boston Bewick ad: 'Engraving Stereotyping and Printing.: Boston Bewick Company. The Boston Bewick Company Respectfully Give Notice that They are Ready to Receive Orders for Engraving on Wood Steel and Copper; and for Copper-plate Letter Press and Xylographic Printing in All Their Branches.' Prentiss Whitney's prints are excessively scarce. The only other known copy of Whitney's 'Declaration' is in the Albert H. Small Declaration of Independence Collection University of Virginia. Whitney's other prints include an 1835 engraving titled 'Destruction of Tea in Boston Harbor in 1773' which was painted by artist George Loring Brown and engraved by Richard P. Mallory Collection of the Boston Athenaeum. 'The Capture of H.B.M. Sloop of War Frolic Capn. Whinyates by the U.S. Sloop of War Wasp Capn. Jab Jones on the 18th of Oct. 1812' Aquatint drawn and engraved by F. Kearny from a sketch by Lieutenant Claxton of the Wasp U.S. Naval Academy Annapolis. 'The Battle at Bunker's Hill or the Death of General Warren' Painted by John Trumbull and engraved by J. Norman. History::U.S.A.::Pre-Civil War Military History::USA::Revolutionary War History::U.S.A.::General/Other RBRoffice RBRoffice Prentiss Whitney / Boston Bewick Company unknown
1774réf. 24806Early report in the local Boston newspaper on implementation of Parliament's Boston Port Act the first of the Intolerable Acts and the reaction to it in Massachusetts and beyond. Taking effect on June 1 1774 rather than punishing individuals the Act besieged the entire city until the colonists paid for the tea destroyed in the Tea Party December 16 1773. "the Act of Parliament for blocking up the Port of Boston is now in all its Parts carrying into Execution with the greatest Severity many Vessels being already prevented from coming in and Fishing boats and other small Craft strictly search'd; so that we have reason to expect that in a little time this Town will be in a truly distressed and melancholy Situation." p3/c1 BOSTON PORT ACT.Newspaper. The Boston Evening-Post June 6 1774 No. 2019. Boston: Thomas and John Fleet. 4 pp. 9¾ x 15⅜ in. The majority of this paper is devoted to patriotic content. The front page features a series of Questions and Answers from New York "being conceived in some measure calculated to advance the cause of freedom in the present critical situation of affairs." It goes on to note that "A Congress of Deputies from the several Colonies is thought to be absolutely necessary to devise means of restoring harmony between Great Britain and the Colonies and prevent matters from coming to extremities" p1/c1-2. "A Friend to Mankind" wrote to the publishers "When I first read the barbarous Act for shutting up the port of Boston; an act made with the pious design to starve the poor; make the industrious idle; the happy miserable; and as an entering wedge to the horrid purpose of enslaving America although I was transported beyond measure I could not help reflecting that bitter as it was for the present it would absolutely be of happy tendency to America in the result." p2/c1. This issue prints a May 25 address from 33 Marblehead loyalists congratulating Massachusetts Gov. Thomas Hutchinson on his administration and wishing him a safe return trip to Great Britain p1/c3. On the other hand a public meeting in Marblehead denounced the address and declared Hutchinson "an inveterate Enemy to the Liberties of the Province" p2/c3. This issue also announces from Boston "the Corporation of Harvard Collegehave voted that considering the present dark Aspect of our public Affairs—There be no public Commencement this Year—and that the Candidates for the first and second Degrees shall receive their Degrees in a general Diploma" p3/c1. On May 1 1775 less than two weeks after the Battles of Lexington and Concord the faculty of Harvard dismissed the undergraduates early for the summer vacation again without a public commencement. Classes did not resume until October in Concord twenty miles away where students boarded with local residents and college courses were held in a deserted grammar school the courthouse and the First Parish meetinghouse. Meanwhile the five buildings of the college's campus in Cambridge housed 1600 American soldiers. After the British surrendered Boston in March 1776 and the American troops moved south to defend New York the college was permitted to reoccupy its buildings in June. Of 190 freshmen entering between 1775 and 1778 only 30 left prior to graduation. An advertisement is included for a just-published pamphlet Observations on the Act of Parliament commonly called the Boston Port Bill with Thoughts on Civil Society and Standing Armiesp2/c1. From September 1774 to March 1775 Josiah Quincy II 1744-1775 was in England arguing the American cause to sympathetic British politicians. He died of tuberculosis on the return voyage within sight of Massachusetts. Historic Background Relief for Boston was sent from as far away as South Carolina and the First Continental Congress convened in Philadelphia three months later to coordinate a colonial response to the Intolerable Acts. Parliament finally repealed the Boston Port Act in 1783 after fighting ceased in the American Revolutionary War but before the Treaty of Paris officially ended the war and recognized American independence. Condition Near fine; several professional mends to gutter margin. A bright and attractive issue of an important colonial newspaper. Thomas and John Fleet books
1775réf. 3851Six Views of Revolutionary War-era Boston from The Atlantic Neptune This rarely offered two-sheet set of six small views of Boston circa 1775 is from J.F.W. Des Barres' monumental Atlantic Neptune. The views present a wonderful visual record of Boston in the days immediately preceding the American Revolution. The views are: On sheet 1: · a A Front View of the Lines Taken from the Advanced Post Near Browns House · b A View of the Harbour of Boston Taken from Fort Hill · c A View of the Country Towards Dorchester Taken from the Advanced Works on Boston Neck On sheet 2: · d A View of Boston from Dorchester Neck · e Long Island Open on the North Side of Nicks Mate Island · f Boston from Willis Creek The Atlantic Neptune was a cartographic undertaking of heroic proportions. Consisting of more than 250 charts and views it was the first systematic survey of the east coast of North America. The project was important for both trade and military purposes. The latter need was clearly met in these views by references to military installations lines redoubts and advanced posts. Published between 1774 and 1802 the charts and views were of outstanding accuracy for their time; many served as the "best available" for decades to come. Each of the views was engraved on a separate plate with a platemark of 6 ½ x 10." The Stevens Catalogue notes in this regard: "Although the plates themselves do not appear to have been altered they were evidently reprinted several times for they have been found imposed and printed in different positions on the sheets. In some cases the plates were transposed from one sheet to the other hence it was necessary to describe both sheets together." The arrangement of the views on the present sheets coincides with State 3 cited in the Stevens Catalogue. Sheet 1 bears the J. Bates watermark; sheet 2 that of J. Whatman. Bates paper was used from roughly 1777-1781; Whatman from roughly 1782-1790. The Stevens Catalogue states that "All issues of the Boston views appear to have been printed on Bates paper." Sheet 2 here is on Whatman paper thus very likely a later impression of the sheet. References: Henry Newton Stevens Catalogue of the Atlantic Neptune: Nos. 99 & 100. Deak Picturing America: 132. Condition: Very good with scattered light foxing primarily in the text block beneath the images on sheet 1 and short professionally repaired edge tears. ICN 7808.3 British Admiralty
Very Good Turkish, Ottoman (1500-1928) Original dark brown handsome full leather bdg. with a traditional flap. Folio. (32 x 22 cm). In Ottoman script (Old Turkish with Arabic letters). [9], 288 leaves. The size of the text block in red borders: 25 x 14.5 cm. 33 lines on each page. Printed on paper with European watermarks. Handwritten title on bottom edge. Marginal cutting on the first page. Overall a very good copy. The 20th incunable of the Islamic world, printed by Ibrahim Müteferrika's legendary Basmahane. Süleymân Izzî succeeded Mehmed Subhî Efendi (ca. 1711 - 1769) in 1745 as an official court historian (vaka'nüvis) and held this office until 1753, and is known as one of the three chroniclers for coherent historiography, representing the events in the Ottoman history from 1730 to 1744 and is a particularly valuable source on the Habsburg-Ottoman War between 1736 and 1739, as proven by his chronicle titled "Tevârîh-i Sâmî ve Sâkir ve Subhî", published in 1784. During this time, he recorded the contemporary events taking place between 1744 and 1753 in the Ottoman Empire. This work was the last item in a series of chronicles published by the printing house founded by Müteferrika. Franz Babinger writes that some parts of the book have been translated into German. Hammer translated one of the parts in question into German. All published, Izzi has planned the third part of his work, but this third part was never published. Contents: "Ahd-i Hümâyûn".; "Zikr-i iâde-i fenn-i tiba'at" [i.e. On the book pressing and publishing with a preface by Ahmed Vâsif Efendi].; "Fihrist-i Târîh-i Izzî" [i.e. Content of Izzi's history].; Izzî tarihinin birinci bölümü [i.e. The first chapter].; Izzî tarihinin ikinci bölümü [The second chapter]. The workshop of Müteferrika began its historical mission in 1728. They published 17 works in 22 volumes. The printing house served as a means to the long-term goal of Müteferrika, his efforts to broaden the horizon and modernize the knowledge of Ottoman society and Islamic civilization. This is evidenced by the subjects of the books selected for publishing, the motivations put forth in the publisher's introductions, as well as by the documents illuminating the background of the publication of each book, also published in print. In 1742, with the publication of the Persian dictionary of Hasan Suûrî, a chapter of Ottoman book printing came to an end. With the death of Müteferrika, the printing of Turkish books was temporarily interrupted. The first generation of Ottoman-Turkish prints was soon followed by a new series, when in 1756 Ahmed and Ibrâhîm Efendi (the latter perhaps the founder's son, according to speculative sources) made an attempt to resurrect the legacy of Müteferrika through the possession of a decree obtained from the Sultan. However, this experiment did not prove to be lasting, as it did not last longer than the new edition of the first Turkish printed book, the Lugat-i Vankûlî. After this for several decades there was no continuation to the Turkish book printing established by Müteferrika, until in 1783 the workshop was put in operation again for the publication of six more works. The subjects of these late 18th century works were dominated by history and military technology, thus Müteferrika's strategy of book distribution made its way hand in hand with the efforts of modernization of the Ottoman state. The second edition of Lugat-i Vankûlî followed the principles of the first edition, and its introduction was composed on the model of the introductory pages of the two last books published under Müteferrika's supervision. The works published after 1783 display a noticeable development in typography not only as to its somewhat refined visual impression, but also in its structure. For example, the d+h and r+h ligatures, characteristic of the first generation of Müteferrika's printed books, are replaced by separate letters. This extremely rare presented book is from the seven publications of this late period of the
2012réf. L3 box257 a1osMasterpieces of Early Chinese Painting and Calligraphy in American Collections From Chinese Five Dynasties 907-960; Song Dynasty 960-1279; Yuan Dynasty 1271-1368. Sponsored by The Metropolitan Museum of Art Museum of Fine Arts Boston The Cleveland Museum of Art The Nelson-Atkins Museum of Art Shanghai Museum. Edited by Shanghai Museum Editors-in-Chief: Chen Xiejun Chen Kelun. Published by Shanghai Fine Arts Publishing House 2012. Burgundy red buckram cloth hardcover 600 pages. This book is oversize and heavy: 17" x 12.5" x 3". This book includes: Five Forewords and Dedication by the five Museum Directors in Chinese and English; Six introductory articles in Chinese and English; Sixty pieces of painting and calligraphy collections: 52 painting 8 calligraphy with brief introduction in Chinese and English detailed introduction in Chinese. Shanghai Fine Arts Publishing House. hardcover
1801réf. 31356Boston: D. Bowen 1801. Letterpress broadside woodcut coffin and urn decoration 23 x 18 1/4 inches. Minor losses in the margins at sheet edges not affecting text. A remarkably early American museum broadside. A broadside advertisement for the Columbian Museum in Boston one of the earliest American museum publications extant. Opened by Daniel Bowen in 1795 the museum specialized in the exhibition of fine art as well as curiosities. The museum was an expansion on Boston's first such institution also founded by Bowen in 1791 which was dedicated primarily to the exhibition of wax figures. The Columbian also played host to a variety of public performances and lectures. "One exhibit more suggestive of P. T. Barnum than the sedate offerings of a modern museum featured a bibulous elephant who consumed vast quantities of spiritous liquor the museum's advertising assuring the public that 'thirty bottles of porter of which he draws the corks himself is not an uncommon allowance.' . Despite such vulgarities Bowen's Museum is said to have had a significant influence on the history of American painting. The works of art on display there especially those of Robert Edge Pine formed the only public art gallery in Boston. Art historians credit this collection with influencing three major painters: Washington Allston the great Romantic painter Samuel F. B. Morse better known as the inventor of the telegraph and Edward Greene Malbone a miniaturist of note all of whom resided in the Boston area in the 1790s" W.P. Marchione Allston-Brighton Historical Society. This broadside advertises Bowen's wax sculptures of famous figures such as John Adams George Washington and Benjamin Franklin but further promotes a much more eclectic range of exhibited items. First among these are a collection of "large historical paintings" which depict a wide array of subjects including "Mrs. Yates in the character of Medea" "Time clipping Cupid's wings" and "His Excellency John Hancock late Governor of Massachusetts painted by Mr. Copeley." Prominently placed in the center of the broadside is an announcement that a "Monument to the Memory of General Washington has lately been erected in the centre of the Museum" with a small woodcut purporting to be the object in question. Also advertised are a collection of "automaton and musical clocks" and a concert organ "one of the most elegant Instruments of the kind ever imported" as well as a number of "natural curiosities" consisting mostly of birds snakes and a very large fish "12 feet in length" caught in Boston harbor. "The Museum has been established in Boston about five years during which time the collection of natural and artificial Curiosities elegant Paintings Wax Figures &c. have been constantly increasing and is now universally visited as one of the most rational and entertaining places of amusement in the United States: -- And will be removed from Boston at the expiration of the lease. Music on the Concert Organ. -- Admittance Fifty Cents." Though several editions of advertisements for the Columbian Museum have been noted by OCLC ESTC and Evans this particular broadside is apparently unrecorded. D. Bowen unknown books
1784réf. 3834This extremely scarce map of Boston appeared as part of the Geographical Gazetteer of the Towns in the Commonwealth of Massachusetts a work issued in parts as a supplement to The Boston Magazine from October 1784 through December 1785. The map appeared with the October 1784 issue of The Boston Magazine. Wheat & Brun note that this map is based largely on Norman's Plan of the Town of Boston with the Attack on Bunkers-Hill. published in the Boston edition of An Impartial History of the War in America in 1781. The present map covers a somewhat smaller geographic area and on a modestly larger scale than the map that appeared in An Impartial History. It also adds/eliminates/changes some street names and landmarks making it more than a direct re-engraving and suggesting the involvement of a cartographer -- perhaps Osgood Carleton with whom Norman collaborated on several maps and charts in the late 18th and early 19th centuries. Norman's 1781 Plan was itself sourced directly from the map appearing in the English edition of An Impartial History 1778. Although the present map is not listed in the Boston Engineering Department's List of Maps of Boston Published Subsequent to 1600 1904 it is referenced in the listing for a 1789 version of the map that had apparently been re-engraved for Norman's Boston Directory 1789. Very scarce. No examples listed for sale in the Antique Map Price Record 1983-2011 and we not aware of any other examples being offered in the past twenty years. A lovely example of one of the most uncommon 18th century maps of Boston. References: Wheat & Brun Maps and Charts Published in America before 1800: 242. Jolly Maps of America in Periodicals before 1800: 402. Lewis: A Guide to Engravings in American Magazines 1741-1810: p. 3. Stauffer American Engravers Upon Copper and Steel: 2361. Condition: A strong image. Soiling and some darkening to plate area apparently as printed. Blank area of upper right corner skillfully replaced and three short fold separations repaired on the reverse. ICN 7760. [Greenleaf and Freeman].
1800réf. WRCAM52103London: R. Laurie and J. Whittle 1800. Engraved map sheet size approximately 21 x 34 3/4 inches. Backed with linen. Mid-19th-century ownership inscription near title. A few small chips and minor closed tears at edges light soiling and scattered faint foxing. Very good. Framed. An extremely scarce nautical chart of Boston Harbor from the second edition of the important 18th-century American atlas the NORTH AMERICAN PILOT. The chart depicts the state of the harbor just after the start of the Revolution having been reprinted from the first edition published in 1776 and 1777. The Boston peninsula and the "Ruins of Charlestown" are located in the west / far left of the chart area which follows the mainland coast as far south as Dorchester and Milton and out to Point Shirley and the Shirley Cut to the northeast in the upper center of the image; the Hull peninsula and Point Allerton are also visible in the lower right-hand quadrant of the map. In the center of the chart are the numerous islands that dot Boston Harbor as well as depth measurements and clearly marked shallow areas such as the shoals formerly known as the Dorchester Flats now a populated area of reclaimed land. Additionally there are a number of guidelines showing the best routes through the harbour to various points and markings for various points on land to aid in navigation. The second edition of the PILOT contained seven more maps than the first for a total of seventeen charts of which this plan of Boston Harbor was the seventh. The first edition was published by Robert Sayer and John Bennett who were succeeded by Laurie and Whittle before the publication of this atlas. The original chart engravings were executed by Thomas Jefferys. Rare in any form or edition OCLC traces only one copy of this individual map from the 1800 printing located at the State Library of Massachusetts. OCLC 843954569. PHILLIPS ATLASES 1220 ref. HOWES J84 ref. SABIN 55557 ref. R. Laurie and J. Whittle unknown books
réf. 9850Boston: Commonwealth of Massachusetts 1785. Broadside 16.125” x 13.25”. Title above two columns of text. CONDITION: Good old folds with a few small losses to lettering and ornamental border along folds mostly reinstated by hand. One of only two known copies of an eighteenth-century broadside consisting of sailing directions centering around the Gurnet Light on the north side of Plymouth Bay to guide ships entering and leaving one of the most historic harbors in the United States—the site of the Mayflower’s landing. This pilot was originally published in 1768 in connection with the construction of what is thought to have been the second lighthouse “on the Gurnet head” which included twin beacons or “two lanthorns” as noted in the directions distinguishing it from the Boston Light and making it the first twin lighthouse in America. It was built on land rented from John and Hannah Thomas for five shillings a year and John served as its first keeper. During the Revolutionary War John Thomas raised and served with a regiment of volunteers from Plymouth County. Following his departure from home Hannah took over his lighthouse duties making her the first female lighthouse keeper in America. John died from smallpox in Quebec in 1776 and Hannah continued to serve as keeper until 1786. The Gurnet or Gurnet Point is located at the end of a long narrow peninsula that together with Saquish Neck forms the northern boundary of Plymouth Bay and protects it from some of the sea’s mightiest swells. The Gurnet lighthouse served as a critical aid in navigation through much of the latter half of the eighteenth century. These sailing directions advise “to the southward you may bring them the twin lights in one which is a very good Mark to clear you of Brown’s Island or Sand Bank.” Mariners “coming from the northward bound into Plymouth” are warned “you must not bring the Lights more Southerly than S. by W. to avoid High Pine Ledge which lays N. from the Gurnet Head about two and a half and three miles…” A number of other navigational hazards are mentioned throughout these very detailed directions including the Gurnet Rock Dick’s Flat Muscle Banks etc. While printed from a different typesetting the text of this second edition is nearly identical to that of the first edition suggesting that the directions had proven quite reliable. The Boston Marine Society began as a fellowship of mariners in 1742 and was incorporated in 1754. Among its founders was Moses Bennet the first of the committee members mentioned in this broadside’s title. The Society was founded to “make navigation more safe” 1754 charter and to provide relief for the families of mariners lost at sea. “The construction of lighthouses and placement of buoys and markers has often been accomplished with the advice of the Society. Of particular concern to the Society was the appointment of pilots to see to the safe passage of vessels in and out of the port” The Boston Marine Society. While OCLC appears to indicate eight holdings for the 1768 edition consultation of the catalogs of the libraries listed reveals that just two have physical copies Harvard and AAS. The Boston Public Library is also listed as having a copy of the 1768 but theirs is actually the 1785 edition. The OCLC records for the 1785 edition are similarly misleading showing what initially appears to be five physical holdings but all of these turn out to be digital or microform. Bristol and Ford record only the BPL copy. In short there are just two recorded examples of the 1768 edition and one of the 1785. An exceptionally rare and vital New England maritime broadside of the eighteenth-century. REFERENCES: Bristol R.P. Supplement to Charles Evans’ American bibliography B6058; Shipton C.K. National index of American imprints through 1800 44677; Ford 2408; Rink Technical Americana 3876; ESTC W24527; “Plymouth Gurnet Lighthouse” at lighthousefriends online; “The Boston Marine Society” at The Boston Marine Society online. Offered in partnership with Ten Pound Island Books of Gloucester Mass. Boston: [Commonwealth of Massachusetts,] 1785 unknown
réf. 9998Boston: October 1835. Letterpress broadside 8.875" x 12 sheet size. Early ink inscription on verso reading: "Return to C.C. Mason of the Me Cong. the M.E. Ch." CONDITION: Good old folds a few tissue repairs on verso to small holes loss along fold in lower margin just nicking "2" in "2 o'clock" a few small losses to lower edgesome toning and foxing. with Garrison William Lloyd. Autograph letter signed to William E. Gould regarding the confrontation with the pro-slavery mob in October 1835. Boston 8 December 1877. 2 pp. 7.75" x 5" with original cover addressed to Gould with 3 cent stamp and Boston postmark. Written in response to Gould's letter requesting information on the Thompson broadside see below. CONDITION: Very good old folds. with Gould Emma Maynard Dow. Autograph letter signed by Emma Maynard Dow Gould William Gould's wife to John likely John Mead Gould William's brother regarding the broadside and Garrison letter offered here. Probably Boston 2 May 1892. 1 p. 7.75" x 4.875". CONDITION: Very good old folds. with Half plate daguerreotype of the Gould family. Portland Maine 1853. Housed in a thermoplastic case. CONDITION: Very good image clear and un-touched mat tarnished case fully intact and attractive. An exceptionally rare broadside relating to one of the most notorious moments in the history of abolitionism accompanied by a letter of William Lloyd Garrison providing an account of events and referring to his "ruffianly seizure" by the pro-slavery mob with a related family letter and Gould family daguerreotype. In 1835 one of the leading British abolitionists George Thompson 1804-1878 traveled from the United Kingdom for a lecture tour of the United States in response to an invitation from William Lloyd Garrison whom he had met in 1832 in Scotland where the two became friends. In the 1877 ALS included here Garrison recalls the events surrounding the broadside: "On the 21st of October 1835 the Boston Female Anti-Slavery Society attempted to hold its annual meeting. At that time George Thompson the eloquent and successful advocate of British West India Emancipation was laboring here with the Abolitionists and by their invitation to effect a similar deliverance for the Southern slave population. To intensify the popular pro-slavery spirit against him he was falsely and maliciously branded by the press as a British emissary who had been sent here by the British Government with his pockets lined with British gold 'for the purpose of overthrowing our Glorious Union' etc etc." The broadside explicitly intended to incite a mob yet attempting to characterize its purpose as patriotic calls for the pro-slavery supporters to seize and tar Thompson: That infamous scoundrel THOMPSON will hold forth this afternoon at the Liberator Office No. 48 Washington Street. The present is a fair opportunity for the friends of the Union to snake Thompson out! It will be a contest between the Abolitionists and the friends of the Union. A purse of $100 has been raised by a number of patriotic citizens to reward the individual who shall first lay violent hands on Thompson so that he may be brought to the tar kettle before dark. Friends of the Union be vigilant! Aware of the gathering mob Thompson did not attend the meeting as scheduled and Garrison instead went to speak to the Society. Garrison continues with his description of the events unfolding including fascinating details of the author and publisher of the inciting broadside: "It was deemed prudent by ladies for his own personal safety that he should not attend the meeting aforesaid; nevertheless it was rumored that he was to be present and this led to the issuing of the mob-exciting placard which you have copied in your letter and about which you express a wish to be further informed. That placard was written by James L. Homer editor of the Boston Gazette and printed in his office and distributed throughout the city!" Garrison concludes with his own experience on the day: "The result was the gathering of a mob of five thousand persons the breaking up of the ladies meeting my ruffianly seizure and being dragged through the streets finally rescued by the city constabulary and incarceration in Leverett Street jail to save my life." Garrison was indeed seized by the pro-slavery mob and was dragged through the streets with a rope around his waist with the intent of tarring and feathering him or worse. Boston Mayor Theodore Lyman II intervened and confined Garrison for his own safety. The example of the broadside offered here at one time owned by Reverend C. C. Mason of the Methodist Episcopal Church was subsequently given to William Gould whose curiosity regarding events surrounding it led him to write to Garrison. Gould's letter penned from Portland Maine on November 14th 1877 is in the Boston Public Library's Anti-Slavery Collection MS A.1.2 v.39 p. 154A. He writes in part: "I have copied upon the page annexed a sheet sent me by an old minister. It is so very different from the state of things today that I want to frame it for my Library & I would be very glad to frame also any reply you may be pleased to make to me when I now ask you if you will. Kindly tell me what year this was. What was the result of the appeal and if it is known who was the author of the document." Also included here is an 1892 letter from Gould's wife Emma 1836-1918 to his brother John offering the collection of items to him: "Edw. has framed a relic which he thinks you may like. It is a placard printed in Boston in Feb. sic 1835 intended to incite a pro-slavery mob at the time of an anti-slavery meeting with it is an autographed letter from Wm. Loyd sic Garrison explaining it which he wrote Edw. in reply to one from him asking information about the affair. If you would like it perhaps Theo will come for it. I am breaking up and packing and it will be one thing out of my way. If you do not come for it he will give it to the Historical Society." Emma refers here to her husband by his middle name Edward. Lending additional interest to this lot is a half plate daguerreotype of the Gould family of Portland Maine. Edward Gould 1805-1894 and his wife Althea Chase Gould 1808-1894 are seated at center surrounded by their six children. William E. Gould the eldest son stands at the center his hand resting on his father's shoulder. To the left of William is his brother John Mead Gould who would go on to achieve distinction in the Civil War. Although often cited in accounts of the abolitionist movement the Thompson broadside is exceptionally rare. We locate just two copies in institutions at The National Museum of African American History & Culture and the Massachusetts Historical Society. OCLC records a copy at the Library of Congress dated 1851 in the record but it is pictured on the LC site and appears to be a reproduction of some sort. An important group of items documenting the conflict in Boston surrounding abolitionism in the 1830s and a wonderful example of private historical preservation. Provenance: Reverend Charles C. Mason b. ca. 1820 to William E. Gould 1837-1919 to his brother John Mead Gould 1839-1930. Boston: [October, 1835] unknown