68,758 results
1907ref. 211479Philadelphia: G.W. Jacobs 1907. Hardcover. G. Boards are moderately rubbed and leaving white scuffing. Joints starting to spit front and rear but binding is still solid. Small tear to front end paper. Octavo. Hardcover. Bound in green cloth with gilt titles. 351 pages : portrait ; 21 cm. The social mission of art.--Socialistic art-Constantin Meunier.--The question of style.--The old French masters.--A century of French art.--The school of 1830.--The triumph of a revolution: The realists; Alfred Sisley; Camille Pissarro; Whistler's Psychology.--Gustave Moreau.--Eugène Carrière.--Puvis de Chavannes.--Bright and dark painting-Charles Cottet.--Physiognomies in painting.--Auguste Rodin.--Resurrection-Bartholomé.--Jean Carriés.--Works of art and art criticisms.--My own opinion. G.W. Jacobs hardcover books
1976ref. 211548Paris: Le Centre 1976. Softcover. VG. Glassine has some small dingsm light toning along the spine and wrap is split from the tail about two inches up but does not affect binding. Square quarto. Softcover. Blue and white illustrated wraps in glassine jacket43 27 pages : illustrations some color ; 28 cm. French text. Le Centre paperback books
2013ref. 211605Paris: Centre Pompidou 2013. Hardcover. As new. Quarto. Hardcover. Matte illustrated boards. No jacket as issued. 319 pages : illlustrations some color ; 29 cm. "This catalogue offers the opportunity to discover the complete oeuvre of one of the most important artists of the second half of the 20th century: Simon Hantaï. From the first paintings after Hantaï's arrival in Paris in 1948 to the pliage paintings this publication which covers sixty years of the painter's life and accompanies the first retrospective of Hantaï's work since 1876 reveals the complexity and extreme diversity of his creation: from the Surrealist paintings to the writing-paintings from the Mariales the first series of works created using the pliage or folding method to the Laissées. Hantaï's approach is analyzed at each stage of its development. Essays accounts by those closest to the artist and a detailed chronology as well as numerous hitherto unpublished illustrations complement this first major reference work on the artist."--Page 4 of cover. Published on the occasion of an exhibition held at the Centre Georges Pompidou Paris May 22-September 9 2013./ Includes bibliographical references pages 312-316. Centre Pompidou hardcover books
2014ref. 211581Devon: Herridge & Sons Ltd 2014. Hardcover. As new. Square quarto. Hardcover. Black paper boards in illustrated jacket. 156 pages : color illustrations ; 27 cm. . The comprehensive photographic guide to correct factory specifications equipment and finishes with all components identified and described. Herridge & Sons Ltd hardcover books
1967ref. 211643Paris: Galerie Jean Fournier et Cie 1967. Staplebound. VG-. Small square twelvemo. Staplebound exhibition catalogue. Illustrated wraps. 9 unnumbered pages color illustrations 16 cm. Galerie Jean Fournier et Cie unknown books
2013ref. 211552Budapest: Kalman Maklary Fine Arts 2013. Hardcover. VG. tape repair to the top edge of the slipcase and split to the tail end of the slipcase spine. Both volumes are clean and unmarked besides the lightest touch of wear along the bottom edge of jackets from being removed from slipcase. Quarto. Hardcovers in slipcase. Illustrated boards in matching jackets. Profuse color illustrations and portraits. 29 cm. Text in English French and Hungarian. Volume 1. 1949-1959 295 pages 9789638944115. Volume 2. 1960-2001 375 pages 9789638944139. Kalman Maklary Fine Arts hardcover books
2014ref. 211768New York: The Morgan Library & Museum 2014. Hardcover. As new. Quarto. Hardcover. Green cloth boards in illustrated jacket. 163 pages : color illustrations ; 30 cm. "With Camille Corot and Jean-François Millet Théodore Rousseau 1812–67 ranks as one of the preeminent masters of the Barbizon School a group of nineteenth-century French artists whose preferred subject was the primeval Forest of Fontainebleau. The Barbizon School painters were greatly influenced by the Romantic movement producing works inspired by the powerful forces of nature. Surprisingly despite his pivotal role in French art and his profound impact on the development of landscape painting Rousseau has never before been the subject of a monographic exhibition in the United States. Composed of seventy works from private and public collections including the Morgan Library & Museum this exhibition considers the artist's wide-ranging achievements as a draftsman and his particular approach to the open-air oil sketch. It traces Rousseau's path to Barbizon from his early oil sketches in the Ile-de-France Auvergne and Normandy to his mature works in the Forest of Fontainebleau. Rousseau's works—some bucolic and evocative of a simpler pre-industrial age others brooding moody and redolent of Romanticism or testaments to the haunting majesty of the natural world—are both appealing and instructive. Collectively this selection chronicles Rousseau's artistic practice and highlights his contribution to the shifting conception of landscape in the wake of the Industrial Revolution. The show explores the range of techniques and handling of media as well as the sense of poetic melancholy that permeates Rousseau's art. "--. The Morgan Library & Museum hardcover books
2022ref. 212219Chichester / New Haven: Pallant House Gallery Trust / Yale University Press 2022. Softcover. VG. As new besides a small stamp inside stating withdrawn from a research library. Quarto. Softcover. Illustrated wraps. 132 pages : illustrations black and white and color ; 27 cm. A beautifully illustrated look at how the Sussex landscape has inspired creativity across the centuries reassessing the rich artistic lives and work of British artists and writers connected with the area. Sussex is a county defined by its iconic chalk-cliff coastline and the rolling expanse of the South Downs to the North. This enduring landscape has inspired artists and writers across the centuries most notably in the twentieth century when Sussex was home to leading artists and writers of the day. While some artists found solace and reflection in the landscape for others it provided the vital space to explore different ways of living and artistic innovation. Following in the footsteps of these artists this book tells a fascinating story of an area that continues to inspire. Reassessing the rich artistic lives and work of British artists connected with the area the book features work by leading artists including J. M. W. Turner William Nicholson Vanessa Bell Duncan Grant Ivon Hitchens Eric Ravilious and Edward Burra alongside new work by contemporary artists. As a commitment to understanding the landscape is being discussed with increasing urgency this book offers a moment to consider the work of those who have gone before and have captured a changing world. Exhibition: Pallant House Gallery Chichester UK 12.11.2022 - 23.04.2023. Pallant House Gallery Trust / Yale University Press paperback books
2023ref. 212208London: Paul Holberton Publishing 2023. Hardcover. VG. As new besides a small stamp inside stating withdrawn from a research library. Quarto. Hardcover. Bound in black cloth with illustrated jacket. v 246 pages : illustrations chiefly color portraits ; 30 cm. "One day in London in 1770 the polymath Georg Christoph Lichtenberg 1742-1799 wrote: 'What a work could be written on Shakespeare Hogarth and Garrick! There is something similar in the genius of all three.' Two-and-a-half centuries on this book takes up the challenge. William Hogarth 1697-1764 and David Garrick 1717-1779 consciously associated themselves with Shakespeare throughout their careers. The three of them together embody the age-old relationship between plays painting and performance that shaped in particular the formulation of history painting by the Académie royale in Paris in the seventeenth century. History painting was identified as the highest form of art: a picture interpreting just a few lines of a revered text. In Britain Hogarth's David Garrick as Richard III transformed those ideas because although it looked like a history painting it was also a portrait of an actor in performance. With it Hogarth established the genre of theatrical portraiture and resolved a perpetual complaint about art in Britain: that there was no patronage of history painting and that all the British were interested in was portraits. This book offers a fresh examination of theatrical portraits -- best understood as a distinctly British kind of history painting -- through close analysis of the pictures and the actual texts used in performance recovering a sense of their contemporary reception and the context within which they were made. It also highlights the significance of Shakespeare Hogarth and Garrick within the European Enlightenment and the rise of Romanticism."--from the inside front flap. Paul Holberton Publishing hardcover books
1996ref. 212648New York / Munich: Museum for African Art / Prestel 1996. Hardcover. VG. Jacket has some wear along the top edge and bumping to the rear fore edge corner. Book itself is clean and unmarked. Quarto. Hardcover. Tan cloth in illustrated jacket. 267 pages : illustrations some color color maps ; 31 cm. Art of the Baga: A Drama of Cultural Reinvention traces the art and cultural history of these very special African people from their legendary flight from the mystical highlands of the interior of Guinea to the coast in their attempt to conserve their own religious ritual to the eventual destruction of their traditions at mid century with the conversion to Islam and with independence from France the establishment of the Republic of Guinea under an iconoclastic Marxist regime. In the book the Baga voice is heard prominently in the direct testimony of three Baga writers and forty Baga consultants of all ages and background experience from ten-year-old boys to elders and ritual leaders of over 100 years of age. Artistic creation and reinvention form the core of issues raised throughout the art historical drama. Museum for African Art / Prestel hardcover books
1978ref. 212973London / Jerusalem / New York: The Soncino Press 1978. VG. Light cocking to bindings jackets have light signs of. 1978 reprint of 1934 edition. Octavo. Hardcover. Light blue boards in teal jackets with white titles. Vol. 1: 390 pages Vol. 2: 404 pages; Vol. 3: 420 pages Vol. 4: 411 pages Vol. 5: 406 pages. Vols. 1-2 Genesis; v. 3-4 Exodus Leviticus I-XI; v. 5 Leviticus XI-XXVII Numbers Deuteronomy. The Soncino Press hardcover books
1980ref. 213205London: Studio Vista / Eastview Edition 1980. Hardcover. VG. Lightest touches of shelfwear. Quarto. Hardcover. Black cloth. 151 pp. 28 color 125 bw plates. Extensive notes to text; bibliography; brief chronology. Ten chapters of detailed essays. Studio Vista / Eastview Edition hardcover books
2008ref. 214060Paris / Nantes / Besancon: Hazan / Musee des Beaux-Arts de Nantes / Musee des Beaux-Arts et d'Archeologie de Besancon 2008. Softcover. VG. Some light rubbing/soiling to wraps and previous owners name penned inside otherwise clean and unmarked. Quarto. Softcover. Illustrated wraps. 207 pages : illustrations chiefly color ; 28 cm. French text. Catalog of an exhibition held at Musée des beaux-arts de Nantes Nov. 21 2008-Feb. 23 2009 and Musée des beaux-arts et d'archéologie de Besançon Mar. 27-June 29 2009./ Includes bibliographical references pages 202-207. Hazan / Musee des Beaux-Arts de Nantes / Musee des Beaux-Arts et d'Archeologie de Besancon paperback books
2022ref. 209878Woodbridge Suffolk: ACC Art Books 2022. Hardcover. As new. Inscribed by Shannon. Quarto. Hardcover. Illustrated boards with gilt stamped titles. 335 pages : illustrations color ; 30 cm. "Parisian churches are revered around the globe. Their stunning stained-glass windows and intricate Gothic architecture are accomplishments of unrivalled elegance. Churches of Paris gathers 50 of the finest in the City of Light spanning the 12th to the 20th centuries. Each entry is embellished with beautiful colour photography and behind-the-scenes historical commentary. Offering insight into the buildings' construction and genesis this book narrates how each church was shaped by war revolution and time. With information on travel opening hours restoration and preservation this is an invaluable guide for Francophiles and curious armchair travellers alike. Featured churches: Basilique du Sacre-Coeur-de-Montmartre Basilique Saint-Clotilde Cathedrale de Saint-Denis Cathedrale Notre-Dame de Paris Chapelle de l'Epiphanie et Salle des Martyrs Chapelle Notre-Dame-de-la-Medaille-Miraculeuse Chapelle Saint-Vincent de Paul La Madeleine Notre-Dame-de-Grace-de-Passy Notre-Dame-de-Lorette Notre-Dame-des-Blancs-Manteaux Notre-Dame-des-Victoires Saint-Alexandre-Nevsky Saint-Augustin Sainte-Chapelle Sainte-Elisabeth-de-Hongrie Sainte-Marguerite Sainte-Marie-des-Batignolles Saint-Etienne-du-Mont Sainte-Trinite Saint-Eugene Sainte-Cecile Saint-Eustache Saint-Francois-Xavier Saint-Germain-des-Pres Saint-Germain-l'Auxerrois Saint-Gervais Saint-Protais Saint-Jacques-du-Haut-Pas Saint-Joseph-des-Carmes Saint-Julien-le-Pauvre Saint-Louis-en-l'ile Saint-Merry Saint-Nicolas-des-Champs Saint-Paul - Saint-Louis Saint-Pierre-de-Montmartre Saint-Roch Saint-Severin Saint-Sulpice Saint-Thomas-d'Aquin Saint-Vincent-de-Paul The American Cathedral of Paris"--Publisher's description. ACC Art Books hardcover books
2022ref. 209877Woodbridge Suffolk: ACC Art Books 2022. Hardcover. New. In shrinkwrap. Quarto. Hardcover. Illustrated boards with gilt stamped titles. 335 pages : illustrations color ; 30 cm. "Parisian churches are revered around the globe. Their stunning stained-glass windows and intricate Gothic architecture are accomplishments of unrivalled elegance. Churches of Paris gathers 50 of the finest in the City of Light spanning the 12th to the 20th centuries. Each entry is embellished with beautiful colour photography and behind-the-scenes historical commentary. Offering insight into the buildings' construction and genesis this book narrates how each church was shaped by war revolution and time. With information on travel opening hours restoration and preservation this is an invaluable guide for Francophiles and curious armchair travellers alike. Featured churches: Basilique du Sacre-Coeur-de-Montmartre Basilique Saint-Clotilde Cathedrale de Saint-Denis Cathedrale Notre-Dame de Paris Chapelle de l'Epiphanie et Salle des Martyrs Chapelle Notre-Dame-de-la-Medaille-Miraculeuse Chapelle Saint-Vincent de Paul La Madeleine Notre-Dame-de-Grace-de-Passy Notre-Dame-de-Lorette Notre-Dame-des-Blancs-Manteaux Notre-Dame-des-Victoires Saint-Alexandre-Nevsky Saint-Augustin Sainte-Chapelle Sainte-Elisabeth-de-Hongrie Sainte-Marguerite Sainte-Marie-des-Batignolles Saint-Etienne-du-Mont Sainte-Trinite Saint-Eugene Sainte-Cecile Saint-Eustache Saint-Francois-Xavier Saint-Germain-des-Pres Saint-Germain-l'Auxerrois Saint-Gervais Saint-Protais Saint-Jacques-du-Haut-Pas Saint-Joseph-des-Carmes Saint-Julien-le-Pauvre Saint-Louis-en-l'ile Saint-Merry Saint-Nicolas-des-Champs Saint-Paul - Saint-Louis Saint-Pierre-de-Montmartre Saint-Roch Saint-Severin Saint-Sulpice Saint-Thomas-d'Aquin Saint-Vincent-de-Paul The American Cathedral of Paris"--Publisher's description. ACC Art Books hardcover books
2008ref. 203116London: Royal Academy of Arts 2008. Hardcover. VG/VG: Exlibrary book. Stamp on front free end page. Stamp sticker and due date card on back pasted end page. Stamp on top text block. Sticker on dust jacket at the base of the spine. Navy cloth casebound book. There is a dust jacket with the title in white and in light blue down a red spine. Pages: 4 6-160. Profusely illustrated with color images. "In this book the authors trace Philip Sutton's meteoric rise from humble beginnings to successful artist revealing the importance of Sutton's family and domestic surroundings to the shaping of his artistic vision. Illustrations span all aspects of Sutton's diverse output showing the influence of Matisse's and Sutton's exuberant use of color whether he is painting a portrait or the back garden a scene from Shakespeare of a view of the House of Parliament designs for ceramics of stamps." Royal Academy of Arts hardcover books
1998ref. 204109London: Cygnus Arts 1998. Hardcover. VG/VG. A black casebound book with gilt lettering down the spine. There is a glossy dust jacket wtih yellow text down a red spine. Pages: 16 1-190. Illustrated with black-and-white and color images. "This is the first substantial monograph of the eminent Victorian painter Edwin Longsden Long RA 1820-1891. The main body of the text covers Long's life and works from his beginnings as an unknown portrait painter in Bath to his final years as a successful Royal Academician in London. It discusses the consistent themes that appear in his work - religion religious ritual archaeology and female beauty. With the first comprehensive catalogue of Long's work and three essays examining his life his studio houses and his patrons this book is the definitive study of this quintessentially Victorian artist. In his London heyday Long's work adorned the central position at the Royal Academy Summer Exhibition as well as being a permanent feature of the Bond Street galleries in London. Edwin Longsden Long RA is the first work to catalogue Long's prolific output and to give an account of his life and of the context within which he worked. Essays by Simon Olding and Juliet Kinchin focus respectively on The Russell-Cotes Art Gallery and Museum's prominent collection of Long's work and on his London studio houses." Contents are as follows: Foreword / Philip Dowson -- Preface / Mark Bills -- The Life and Works of Edwin Longsden Long RA 1829-1891 / Mark Bills -- "Mr. Long has the finest studio in London ." / Juliet Kinchin -- Edwin Long and Merton Russell-Cotes / Simon Olding -- Catalogue of the Oil Paintings of Edwin Longsden Long RA / Mark Bills. The Early Years 1829-1856. The Influence of Spain 1857-1873. Egypt Babylon and Associateship to the Royal Academy 1874-1880. Royal Academician and the Commercial Successes of Bond Street 1881-1887. The Final Years 1888-1891. Cygnus Arts hardcover books
2013ref. 204274Bat Yam: Muze'one Bat-Yam 2013. Softcover. VG. A matte white softcover book with black text along the spine. The book is read landscape-wise with the spine at the top. Pages: 5 6-84 4. Profusely illustrated with a healthy mix of color and black-and-white images. Muze'one Bat-Yam paperback books
2008ref. 203951Washington DC /Houston: National Gallery of Art / Museum of Fine Arts 2008. Hardbound. VG/VG as new. Grey cloth boards with gray lettering on spine color illustrated dust jacket ix 207 pp. profusely illustrated with 179 color and countless bw plates. Published to accompany an exhibition held at the National Gallery in Washington DC. The Forest of Fontainebleau located about 50 miles southeast of Paris held a singular place in 19th-century art. Variously called "savage" "wild" "romantic" and "beautiful" by visitors Fontainebleau's topography was viewed in many ways that reflected the sensibilities of the time. This is the first English-language publication to examine the significance of the region to the plein-air tradition in France. The book highlights four pivotal figures in the evolution of landscape painting: Jean-Baptiste-Camille Corot The;odore Rousseau Jean-François Millet and Claude Monet. It integrates into this history the photographers who worked at Fontainebleau including Eugène Cuvelier and Gustave Le Gray and explores the role the forest played in the development of early photography. It also considers the reception of paintings of Fontainebleau at the Salons and the influence of Fontainebleau on the advent of Impressionism. Contents as follows: Lenders to the Exhibition -- Map of Fontainebleau -- Landscapes Legends Souvenirs Fantasies: The Forest of Fontainebleau in the Nineteenth Century / Kimberly Jones -- Plates -- Discovery -- Topography -- Trees -- Rocks -- Village Life -- Nature and Observation -- Mystery of the Forest: Paintings of Fontainebleau at the Salon / Simon Kelly -- Infinite Museum: Photography in the Forest of Fontainebleau / Sarah Kennel -- Impressionists at Fontainebleau / Helga Aurisch. National Gallery of Art / Museum of Fine Arts hardcover books
2015ref. 204410Berlin: Archive Books 2015. Softcover. VG. A small matte softcover book with black text down a white spine. Pages: 5 6-217 1. Profusely illustrated with color images. "For over a decade Ruti Sela's work has been focused on activating and documenting power relations as these are performed taround the camera through sexuality militarism parenthood and professional relations. Under the conditions of neoliberal optics of entertainment and surveillance Sela's films offer a groundbreaking visual ethics which is explored in this book." Archive Books paperback books
2020ref. 205262Paris: Editions 'Cahiers d'art' 2020. Hardcover. VG. Dark green leatherbound book with yellow text on the spine. The end pages are a heavy green fabric. Profusely illustrated with color tipped-in plates and many foldout displays. There are also black-and-white printed images. Pages focused on text are a pretty light green. "Taryn Simon's 'The Color of a Flea's Eye' presents a history of the New York Public Library's Picture Collection -- a legendary trove of more than one million prints photographs postcards posters and images from disused books and periodicals. Since its inception in 1915 the Picture Collection has been a vital resource for writers historians artists filmmakers fashion designers and advertising agencies. In her work The Picture Collection 2012-20 Simon born 1975 highlighted the impulse to organize visual information and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon's photographs is made up of an array of images selected from a given subject folder such as Chiaroscuro Handshaking Haircombing Express Highways Financial Panics Israel and Beards and Mustaches. In artfully overlapped compositions only slices of the individual images are visible each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue at the same time that history -- its classifications its contents -- seems the stuff of projection. Simon spent years sifting through letters memos and records that reveal an untold story between the library and artists media government and a broader public. These documents also divulge the removal and transfer of photographs from the democratically circulating picture-collection folders to the photography collection in the late 1980s when their marketplace value became apparent. Simon's selection of photographs from these transfers highlights gender immigration race and economy in America alongside the technical development of photography." Editions 'Cahiers d'art' hardcover books
1988ref. 205511Berkeley: University of California Press 1988. Hardcover. VG/VG: Exlibrary book. Sticker residue on the mylar jacket at the base of the spine. Plate on front pasted end page. Stamp on front free end page. Due date card pocket on back free end page. Sticker on back pasted end page. A yellow casebound book. There is a dust jacket with pink and yellow text on a black spine. There is a mylar jacket. 382 pages with several black-and-white images. University of California Press hardcover books
1974ref. 206891Leeds: W.S. Maney & Son Ltd / Furniture History Society 1974. Hardcover. Octavo. Hardcover. Bound in brown cloth with gilt titles on spine. x 54 372 pages : chiefly illustrations ; 23 cm. W.S. Maney & Son Ltd / Furniture History Society hardcover books
1879ref. 206866New York: Harper and Brothers 1879. G. Some light fraying at head and tail of spine light bumping to corners and light board scuffing. Inside front cover are remenants of a scraped sticker. Front joint just starting to split but binding is still secure. Text block has a few damp stains on the edges. Octavo. Hardcover. Bound in green cloth with gilt stamped titles and designs. xviii 571 1 pages frontispiece illustrations diagrams V folded plates 22 cm. Harper and Brothers hardcover books
1917ref. 207146Ithaca: The Comstock Publishing Company 1917. Hardcover. VG: Some wear to the edges and corners and some slight fading to the boards. Exlibrary book in excellent condition. White notation at the base of the spine. Two plates on the front pasted end page. Plate remains on the back pasted end page. Clean body pages and solid binding. A red casebound book with gilt text on the spine and front cover. ix 472 pages; illustrated in black-and-white. Author signiture on the donation plate on the front pasted end page. The Comstock Publishing Company hardcover books