1862ref. 14033Rostock: Stiller Hod Buchhandlung 1862. First Edition. original printed wrappers. Good copy; disbound from a larger volume; backstrip abraded. sm. 4to. Thirteen dramatic black and white lithographic plates and text illustrations. An important surgeon who wrote this landmark book establishing the technique and designing the instruments for this gynaecological operation. See Ricci and G-M for numerous citations. Stiller Hod Buchhandlung unknown books
1866ref. 1416991Boston: Little Brown and Company 1866. Twelfth Edition. Hardcover. 6mos Three Volumes. In Good minus condition. Bound in leather with red and green labels to spines and black volume numbering. Spines have red rot heavy rubbing and scuffing and scattered cracking and chipping to leather. Boards have red rot previous owner's name in pen to rear boards splitting to joints bumping to corners and peeling to leather rubbing and scuffing throughout; Vol. 1 has a black stain to bottom fore corner of rear board; Vol. 2 has a large stain to fore edge of front board and extensive staining to rear board; Vol. 3 has scattered staining to rear board. Text blocks have age-toning scuffing and tide marks to edges; have splitting to hinges adhesive toning to pastedowns and age-toning to margins throughout; Vol. 1 has book plate paper label and partially covered provenance marks to front pastedown and heavy pencil annotation throughout; Vol. 2 has provenance marks to pastedowns and tide marks to fore margins throughout; Vol. 3 has provenance marks to pastedowns provenance mark to front flyleaf and tide marks to fore margins of some pages near rear. Shelved in Room A octavo overflow. CONTENTS: Vol. 1 lxxi 1 675 pages-Vol. 2 lxxiii 1 637 pages-Vol. 3 xxxvii 1 518 pages. Originally published between 1842 and 1853 Greenleaf's treatise is widely considered the foundational 19th-century American legal text on evidence. It remained the standard reference work for courts and lawyers for over half a century. 1416991. Special Collections - Upstairs. Little, Brown, and Company hardcover books
1840ref. 2217Paris: Techener 1840. First Edition. Very good. 17 x 26.5 cm. 8vo. Hardcover. 83 pp. with 5 plates of which 3 are folding. Contemporary beige quarter calf patterned brown cloth sides hinges somewhat worn gilt armorial device of the Duc d'Arenberg on both covers some foxing throughout as is true in all copies. DUC D'ARENBURG - B.H. BRESLAUER COPY OF THIS ESSENTIAL HISTORY OF THE EARLIEST PRINTERS CONTAINING VERY SIGNIFICANT DOCUMENTATION OF GUTENBERG IN STRASSBURG THE MOST IMPORTANT BEING THE FIRST REPRODUCTIONS OF DOCUMENTS GIVEN AT THE MEMORABLE TRIAL OF 1439 IN WHICH GUTENBERG HIMSELF WAS PLAINTIFF. THE DOCUMENTS ARE NOW DESTROYED AND EVERY SUBSEQUENT REPRODUCTION DEPENDS ON THE PRESENT WORK. OUR COPY CONTAINS TWO EXTRA PLATES NOT FOUND IN ORDINARY COPIES. According to Pierce Butler Laborde's work is "of permanent historical scholarly value." This sentiment is shared by Frederick Goff who described Laborde's work as "valuable for us since it contains lithographic facsimiles of several of the important passages in the testimonies of the lawsuit then extant which is the nearest thing we have to the original documents." The text of the Gutenberg lawsuit is reprinted "verbatini et literatim" along with a French translation. Also included are reproductions of the WATERMARKS of said documents. All of these precious documents were incinerated during the Prussian bombardment of Strassburg in 1870. The additional full-page plates in the present copy are stylized reproductions of the woodcuts utilized as models for the steel engravings on pp. 16 and 17. "Whereas Laborde's conclusions have in great part been superseded these excellent and faithful reproductions will always possess a high historical interest. . The work opens with a bibliographical essay on the hypotheses of previous writers and concludes with the results arrived at by the author himself. These are: That 1410 is the probable date of the discovery of printing in the Low Countries; that 1423 is that of the invention of movable types by "Lorenz Coster" at Haarlem; that 1436 is the authentic date of the first experiments of Gutenberg at Strasbourg ; and that 1452 is the certain date of the invention by Gutenberg of cast types at Mayence sic. The rest of the book is occupied by an attempt to establish these theses and there are many facsimiles of type and woodcuts." Bigmore & Wyman I 410. Laborde transcribed not without errors the texts of the lawsuit of Strassburg resident Jerge Dritzehen against Gutenberg; these were derived from six entries in different parts of three several manuscript registers in the city of Strassburg. According to Laborde the first of these were written in a volume described by later scholars as "Vol. A" which consisted of two quires each of 42 sheets or 84 leaves in total; they were covered by a sheet of parchment which had become yellow and soiled; on the recto was written "Dicta. Testium magni consilij Anno Domini M.CCC. Tricesimo noni." The paper which had turned yellow and brown on the edge measured 10 x 9 inches. The second volume "Vol. B" was bound in parchment and consisted of 24 sheets or 48 leaves of paper sewn together 43 of the leaves being written upon. According to Laborde everything connected with the 1439 Lawsuit was written by the same scribe. Laborde's three illustrations of the watermarks two different bull's head and one balance were printed in sepia; the excellent facsimiles of eleven different passages from the Lawsuit were made from lithographic tracings. All were published here for the first time. THE AUTHOR: Marquis de Laborde 1807-1869 studied at Gottingen and afterwards travelled extensively in the East. He subsequently held several diplomatic positions and was curator of the antiquities in the Louvre from 1848 to 1854 and director of the Archives of the Empire from 1856 until his death. He wrote extensively on archeology art printing and engraving. PROVENANCE: From the library of the great Belgian bibliophile Prosper-Louis duc d'Arenberg d'Arschot et de Croy 1785-1878 for whom see Jonghe d'Ardoye et al. Armorial Belge du Bibliophile 1930 p. 645 with reproduction of the armorial device. -- subsequently in the famed bibliographical library of B.H. Breslauer Bibliotheca Bibliographica Breslaueriana Christie's NY 6/27/2005 lot 1235. REFERENCES: Butler "The Gutenberg Celebration of 1940: A Survey of the Literature" in: Library Quarterly vol. 13 no. 1 p. 64. Goff Review of Otto Fuhrmann's "Gutenberg and the Strasbourg Documents of 1439" in PBSA vol. 35 no. 1 pp. 76-7. NB: Fuhrmann relied heavily on the present work and reproduced all of Laborde's illustrations and transcriptions. COMMENT: At present the only other copy on the market does not contain the two additional plates and is apparently waterstained. In terms of completeness and provenance few copies in permanent collections are superior to ours. Techener unknown books
1968ref. 208421968. LGBTQ Drag Film & Entertainment Simon Frank. The Queen. New York: Grove Press. 1968. The Queen is a raw portrayal of the life of drag queens partaking in competitive drag shows in New York during the 1960s. Archive of 8 silver gelatin photographs containing stills from the film. The documentary was shown at Cannes and received positive American press for it's realism of an otherwise underrepresented group it has been referred to as the film that brought competitive drag to the public eye. The Queen follows and is narrated by Jack a 24 year old gay man who performs drag under the name Flawless Sabrina as he MC's the 1967 Miss All-America Camp Beauty Contest. In between rehearsing and performing the contestants discuss topics such as draft boards sexual identity sex reassignment surgery transgender identities and being a drag queen. One contestant Pepper LaBeija recounts receiving a draft notice and being turned away because of his feminine appearance despite requesting to serve and protect his country. One photograph shows Jack as Flawless Sabrina in an extravagant feathered and jeweled outfit with a blonde updo and heavy makeup as he presents the contestants to the audience and judges of which included Andy Warhol and writers George Plimpton and Terry Southern. Other photographs show behind the stage in the fitting room of the other contestants preparing for their on stage debut to the public. Some performers wear tall beehive hairdos popular of the 1960s. One photograph shows a dolled up performer meticulously applying lipstick using a compact mirror. Another shows one of the performers getting fitted into their evening dress by another person. Minor edge and corner wear archive is overall in very good condition. At the time both drag and homosexual relations were illegal in New York State. This groundbreaking documentary was overlooked for many years until it was restored and screened once again in 2019. unknown books
1800ref. 14404Paris: Printed by Langlois 1800. Rare colour-printed copper engraving on wove paper. Very good condition apart from some overall light soiling minor foxing and a tiny nick at the edge of the right margin. A beautiful plate with stunning early colour from Lacépède's "La Menagerie du Museum National d'Histoire Naturelle" an important scholarly work and one of the finest examples of eighteenth-century French natural history illustration. A professor of zoology at the Museum of Natural History the French naturalist Bernard-Germain-Étienne Delaville Comte de Lacépède 1756-1825 was a versatile and precocious scholar who published a number of books on zoology physics and music. He was greatly influenced by the pioneering naturalist Georges Louis Marie Leclerc comte de Buffon whom he succeeded as Intendant at the Jardin du Roi which later became the Musée d'Histoire Naturelle in 1793. During his tenure Lacépède completed a comprehensive study of amphibians and reptiles Historie Naturelle des Quadrupèdes Ovipares et des Serpens which was published as a supplement to Buffon's magnum opus on animal classification Histoire Naturelle Générale et Particulière. In 1800-1 he published the first edition of La Menagerie du Museum National d'Histoire Naturelle a thorough survey of the various species of quadrupeds reptiles and amphibians in the impressive collection of the Museum of Natural History. This magnificent work was comprised of descriptive text written by Lacépède and his colleague Georges L. C. Baron Cuvier 1769-1832 as well as a number of finely rendered plates after the most eminent natural history artists of the period Nicolas Maréchal 1753-1803 Nicolas Huet 1770-1830 and Léon de Wailly 1801-1824. Painted from life on vellum these beautifully detailed illustrations faithfully captured the appearance of the wondrous animals in the Paris menagerie. A pupil of J. G. Wille and C. N. Cochin Simon Charles Miger was a royal academician and a talented engraver who executed numerous portraits and natural history plates. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353. Printed by Langlois unknown books
1793ref. WB18433Rotterdam: Johannes Jakobus Meyneken 1793. Hardcover. Very Good. 4to 265 x 207 mm. 10 engraved plates with hand-coloring; engraved headpieces. Minor losses to lower margin of a few leaves some minor mostly marginal dampstaining. Contemporary calf-backed boards gilt uncut and unopened some wear. A rare later edition. The first edition of Boddaert's annotated translation of parts of Pallas' Spicilega Zoologica was published in 6 parts in 1767-1770; a second edition was published by Esveldt & Holtrop in 1779. The present edition is a reissue of the 1767-70 edition adding a new title-page and 6 section titles. According to Wood the present edition is "one of the many editions of the author's Dierkundig Mengelwerk" see Wood p.511. Plates depict several species of antelopes bats an opossum and the tufted puffin. Landwehr Color Plates 154; see Nissen ZBI 3072. Johannes Jakobus Meyneken hardcover books
ref. 160435N.p.: N.p. 2017. Archive of two Draft scripts for the 2020 film one undated and with the ownership name of screenwriter Christ Zois on the title page-this being from Zois' archive collection-with Zois' extensive annotations in manuscript ink throughout the other dated June 27 2017. From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter. The sixth collaboration between actor Willem Dafoe and director Abel Ferrara a psychological thriller heavily based on the work of Carl Jung about an American living a largely solitary existence in Siberia. Undated script: Self wrappers. Title page present undated. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Very Good plus unbound. June 27 2017 script: Self wrappers. Title page integral with first page of text dated June 27 2017. 37 leaves with last page of text dated 37. Pages Very Good plus partially bound with a single binder clip on the top left corner. N.p. unknown books
1771ref. 68470Paris: A. P. et A. chez l'auteur ruë des Arcis maison du commissaire Valade libraire r. 1771. Paris: A. P. et A. chez l'auteur ruë des Arcis maison du commissaire Valade libraire rue St. Jacques vis a vis celle de la Parcheminerie; 1771. A reissue of the sheets to the 1770 edition with pages 17-18 canceled being the divisional title page "Recueil de contredanses et menuets nouveaux et choisis" the final number of the date on the title-page covered in ink and the price information removed from title-page. Twelvemo 6 x 4 inches; 153 x 105 mm. 2 16 19-31 1 pp. With 12 pages of music and 12 colored plates. With two additional leaves bearing the "Almanach d'agenda pour l'année 1771." Printed in red and black pasted to wrappers as endpapers. The Harvard copy notes "letterpress almanac for 1771 inserted following the t.p." Engraved title-page title within ornamental border all hand colored. And with 12 engraved color plates depicting a couple dancing the allemande. These plates were issued both hand- colored and uncolored. An additional 12 pages of engraved dance music by Sauton and Lahante; signed at end: Coulubrier sculp. Also of note our copy has the pages of music printed out of order. No copy at auction of any edition in over 40 years and less than a handful of of all editions on OCLC. Bound in newer cream wrappers. Some wear and fraying to page edges. A small red stamp on bottom margin of title-page. Some occasional soiling to plates generally not affecting image. Traces of glue residue on inner blank margins of a few plates. Music leaves with some dampstaining. Overall a very nice copy. Referring to the allemande "When the dance was introduced in Paris where it became popular in the 1760s and 1770s it was done quite differently from the German way at least according to the French dancing master Simon Guillaume. The main interest of the French version lay in a series of joined hand positions through which the partners moved by passing under each other's arms turning each other around and passing behind each other's back. The steps to the dance were of secondary importance judging from the perfunctory manner in which they are treated in French books describing the allemande and seem to have been subject to some variation.In his Almanach Dansant 1770 Guillaume described two allemande steps out of the several he said existed the main one in 2/4 time and another in 3/8." The International Encyclopedia of Dance. HBS 68470. $1250. A. P. et A. chez l'auteur ruë des Arcis maison du commissaire, Valade libraire r. unknown books
1659ref. 746071659. A Classic Roman-Dutch Treatise on Arrest Peck Pieter 1529-1589. Van Leeuwen Simon 1626-1682 Translator and Editor. Verhandelinghe van Handt-Opleggen ende Besetten: Dat is Arrest op Persoon Ende Goederen Eertijdts Beschreven door Petrum Peckium. Ende nu Vertaelt Ende Doorgaens met de Daghelijxsche Onderhoudinghe van Het Geene tot de Selve Stoffe Uyt de Nederlandtsche Rechtsoeffeninghe Bestaende in Allerhande Privilegien Handtvesten Statuyten Plackaten Ordonnantien Keuren Gewijsdens Ende Gewoonten op de Rijpsinnighe Bewerpsels van den Schrijver uyt den Rechten Ende Rechtsgeleerden Aenmercke Lijckheeft Kunnen by Gebracht Werden Bevesticht Ende Vermeerdert door Simon van Leeuwen. Dordrecht: Abraham Andriesz 1659. xxvi 573 36 pp. Main title page preceded by copperplate allegorical title page . Quarto 7-3/4" x 6"; 19.68 x 15.24 cm. Contemporary vellum with yapp-style fore-edges early hand-lettered title to spine speckled edges. Light rubbing light soiling to board edges spine ends bumped pastedowns beginning to loosen from boards. Moderate toning to interior underlining and brief notes in an early hand in a few places. An attractive copy. $1250. Second edition by Van Leeuwen. Peck was a professor at the University of Louvain the school where he studied law and a judge of the High Court of Mechelen. He was a prolific author; several of his works were standard texts. Verhandelinghe van Handt-Opleggen ende Besetten is a comprehensive treatise on arrest and seizure of property. First published in Latin in 1654 as De Iure Sistendi it went through several Latin editions into the seventeenth century and was one of the titles included in the Tractatus Universi Juris 1584-1586 the multi-volume anthology of key contemporary legal works edited by Francesco Ziletti under the patronage of Pope Gregory XIII. The translation edited by Van Leeuwen possibly the most widely read Dutch jurist of the late-seventeenth and eighteenth centuries expanded its audience. First published in 1653 it went through seven subsequent editions the last one in 1784. The striking title page in the 1659 edition features images of officials executing a seizure warrant flanked by Prudence and Lady Justice and a trial scene. The Van Leeuwen editions are scarce. OCLC locates 2 in North Ameri. unknown books
ref. 9818Engraved calligraphic title xii 199 pp. 8vo orig. cloth-backed printed slick orange boards a little worn. Berlin: September 1805. This is apparently the first catalogue of globes maps and printed geographical works issued by Schropp 1751-1817 the leading publisher and bookseller in cartographical materials in Berlin of his time. Approximately 2500 items are listed all priced. Due to Schropp’s successes the manufacture of globes shifted from Nuremberg to Berlin. Very good copy. WorldCat lists no copy outside of Germany. unknown books
1967ref. 55185Carbondale Edwardsville: Southern Illinois University Press 1967. First edition. Hardcover. Very good to fine condition. Quarto. Original light brown cloth with gilt lettering and ruling on black leather labels of spine in original tan dustjackets with black lettering and ruling on spine. Top edges variant light reds or white. Inscribed "For Jim Richards friend and patron with many thanks. John Y. Simon October 9 1997" on front free endpapers of vols. 4 and 5 the latter dated December 23 1997. "For many Americans the eighteenth President of the United States has been an image rather than a man and because he embodied so many of the characteristic virtues and faults of his time and symbolized Union victory in the Civil War this image has reflected the somewhat mixed feelings of Americans about their past. and Grant's life before the Civil War once casually dismissed as "forty years of failure." can now be properly assessed as a series of experiences shaping a complex personality." Publisher V. 1. 1837-1861 -- V. 2. April-September 1861 -- V. 3. October 1 1861-January 7 1862 -- V. 4. January 8-March 31 1862 -- V. 5. April 1-August 31 1862 -- V. 6. September 1-December 8 1862 -- V. 7. December 9 1862-March 31 1863 -- V 8. April 1-July 6 1863 -- V. 9. July 7-December 31 1863 -- V. 10. January 1-May 31 1864.; V. 11. June 1-August 15 1864 -- V. 12. August 16-November 15 1864 -- V. 13. November 16 1864-February 20 1865 -- V. 14. February 21-April 30 1865 -- V. 15. May 1-December 31 1865 -- V. 16. 1866 -- V. 17. January 1-September 30 1867 -- V. 18. October 1 1867-June 30 1868 -- V. 19. July 1 1868-October 31 1869 -- V. 20. November 1 1869-October 31 1870 -- V. 21. November 1 1870-May 31 1871 -- V. 22. June 1 1871-January 31 1872 -- V. 23. February 1-December 31 1872 -- V. 24. 1873 -- V. 25. 1874 -- v. 26. 1875 -- V. 27. January 1-October 31 1876 -- V. 28. November 1 1876 - September 30 1878 -- V. 29. October 1 1878-September 30 1880 -- V. 30. October 1 1880-December 31 1882 -- V. 31. January 1 1883-July 23 1885 -- V 32 Supplementary documents. Vols. 1-6 price-clipped vols. 8 19-21 23-26 with white top edges. Else in near fine to fine condition. Southern Illinois University Press hardcover books
1739ref. D18457Amsterdam: Gysbert de Groot Keur 1739. Hardcover. Good. 8vo 155 x 90 mm. Engraved extra title page woodcut illustrations in text. Contemporary calf. Rubbed corners bumped spine slightly loose browning. Third edition. Gysbert de Groot Keur hardcover books
1861ref. 222517Paris: Delarue 1861. First edition variant issue. vi 7-288 pp. 1 vols. 16mo. Contemporary quarter brown morocco over marbled boards green vellum french tips spine gilt signed L. Pouillet. Near fine. First edition variant issue. vi 7-288 pp. 1 vols. 16mo. Rare first edition of Simon Blocquel's 1760-1863 history of tobacco and advice for its use. Sections include a discussion of its cultivation its introduction to Europe government control the advantages and disadvantages of its use and "Le Code du Cigare ou la politesse du fumeur." The Arents catalog identifies two issues of the first edition this being the issue without the folding plate but printed in the same year. Blocquel had no less than seven pseudonyms; he wrote on domestic economy for women gastronomy travel history white magic and literature. Arents 1696 Delarue unknown books
1819ref. 20079Paris 1819. FIRST EDITION. Modern boards uncut. First edition “excessively rare”- Dorbon. A refutation of Collin de Plancy’s Dictionnaire Infernal which the author believes trivializes and negates the true existence of the paranormal. Here Simonnet provides anecdotal evidence for ghost sightings miracles witchcraft werewolves demons and prophecies. In his conclusion he asserts that denying the existence of these things is heresy. The text concludes with an alphabetic table of the authors cited. This work was so incendiary to the Catholic Church that the Vatican invested huge sums of money to remove copies from private libraries. Caillet 10217; Yve-Plessis 76; Dorbon 977; Barbier Anon IV: 16. unknown books
1912ref. 410929London: Davey & Hackney 1912. Some rubbing to binding. Photos with some age toning and occasional fading but generally well preserved and crisp. Album containing 39 mounted black and white photographs the first nine 11 1/4 x 7 inches or vice versa; the remaining 6 1/4 x 4 1/2 inches or vice versa. Each photo is captioned in the lower margin of the print. In a padded leather album titled in gilt on the front cover. The photos presumably assembled in this album to commemorate a single voyage show: profile view of the ship from port the dining room social hall smoke room writing room gymnasium promenade deck swimming bath Captain Custance dancing deck boat deck Southampton docks deep sea trawlers playing cricket Leith thread the needle race tennis boxing. The final picture shows the "Arcadian" in a fjord in Norway. SS Arcadian was a Barrow-in-Furness built passenger liner constructed in 1899 by Vickers Sons & Maxim Ltd for the Pacific Steam Navigation Company originally named Ortona. She was renamed Arcadian in 1910 after the Royal Mail Steam Packet Company acquired her in 1906. She started her first world cruise in January 1912 the largest dedicated cruise ship in the world at that time. These photos document her use as a cruise ship so must date from circa 1912. In World War I she served with the Royal Navy and was sunk by a U-boat in 1917. On 15 April 1917 Arcadian was en route from Thessaloniki Salonika to Alexandria with a company of 1335 troops and crew and escorted by a Japanese Navy destroyer. Shortly after completing a boat drill while 26 miles north east of the Greek island of Milos Arcadian was hit by a single torpedo from the German submarine SM UC-74 and sank within six minutes with the loss of 279 lives. A contemporary newspaper article described how four of Arcadian’s overcrowded lifeboats were successfully lowered before she sank. Some of the dead were cooks and stokers who were working below decks. The escorting destroyer had two torpedoes launched at her while she was attempting to rescue men from the water; survivors reported that she had lowered three of her own boats while going “at full speed”. More survivors who had been clinging to a raft were rescued at midnight by the Q-ship HMS Redbreast. Among the dead was the eminent bacteriologist Sir Marc Armand Ruffer who was returning to Alexandria after advising on the control of an epidemic among troops based at Thessaloniki Wikipedia. Davey & Hackney unknown books
ref. B200650-1London Victoria Miro Gallery & Coracle Press 1987. Multiple. Edition limited to 50 copies signed and numbered by the artist and author in the colophon. A collaborative edition of text and image in which a poem by Cutts is set within a complex multiple by Tuttle in "wood aluminum canvas paper wire ink paint" as noted in the colophon and the ensemble encased in a lidded wooden box. Contents comprise the Cutts text "the green/ calyx of/ the petals/ of wallpaper/ &" printed in red on a large folding sheet or irregular dimensions the verso of which features a spray painting by Tuttle in blue; a unique large handcut gold-painted canvas construction by Tuttle with wire elements initialled by the artist on the verso; and a section of colored wallpaper. A colophon printed on brown kraft paper matching that of the Cutts poem wrapped around a floating panel is attached to the interior of the lid of the box. The box imprinted with the title features two decorative aluminum clasps at the sides designed by Tuttle cast from twisted cigarette foil papers. Box dimensions: 495 x 353 x 74 mm. ca. 19 1/2 x 13 7/8 x 3 inches. In this copy the two staples which originally attached one edge of the text to the canvas construction have been removed making accessible all elements of the ensemble. The Cutts text is reinforced with tape at the central fold. London (Victoria Miro Gallery & Coracle Press), 1987. books
1930ref. 59487New York: Horace Liveright 1930. Second Printing same year as the first. Octavo 21cm; black cloth with titles stamped in gilt on spine and front cover; illustrated endpapers; 1213-3093pp; illus. Inscribed by the author in year of publication the half-title page: "To Erskine and Sara / with never-ceasing affection / Sincerely & fraternally / Michael Gold." Further inscribed by Wood: "From Erskine & Sara to their dear friend Max Rosenberg - echoing the above - The Cats / July 1930." A tight clean copy in the original cloth binding; board corners lightly bumped and a few mild taps to board edges the endpapers illustrated after woodcuts by Howard Simon. Solidly Very Good lacking the scarce dustwrapper. A great association copy inscribed by Gold to one of the leading leftist intellectuals and authors of his time. Wood 1852-1944 was a self-styled anarchist aesthete and painter. As an attorney in the 1920s he defended a number of prominent figures on the left including the anarchist lecturer Emma Goldman and contributed prolifically to the radical periodicals of the period. With his second wife Sara Bard Field he was a long-time resident of Los Gatos California and was known for entertaining visitors at the estate "The Cats" mentioned in the present inscription. Interestingly Wood did not have a reputation for sympathy with doctrinaire Marxist thought; it seems unlikely that Gold would have written Wood such an effusive inscription even a few years later as during the Great Depression he would rise to become one of the leading apparatchiks in the CPUSA. Horace Liveright unknown books
1884ref. 55054Wien Vienna and Berlin: IM K.K. Schulbocher-Verlag / Gedruckt Von AD. Schulze 1884. Very good. First edition of this Austrian lesson books for blind children part of the famed series from the noted publisher containing both Braille and an embossed Latin alphabet showing the field's move toward the Braille system. Though Braille is now the dominant alphabet for the blind "the system was not given an immediate welcome" note Carter and Morison in PRINTING AND THE MIND OF MAN; indeed Braille was one of several competing writing and printing systems for the blind until 1878 when an international congress for blind education in Paris selected it as the standard. Even so the output of pedagogical materials did not immediately pivot to Braille. This volume captures that transition with a title page in raised letter and - more importantly - a raised latter key to the Braille system which follows mounted to a stub at the beginning of the book a snapshot of the slow but deliberate shift to the new standard. Austria has been called the "cradle of education for the blind" owing to its early establishment of K.K. Blinden-Erziehungs-Institut a school for the blind in Vienna in 1804 Monroe and its associated press. The editor of this volume from the press Simon Heller was director of the Israelitischen Blindeninstituts which specialized in the education of blind Jewish children. Austrian books for the education of the blind are now difficult to find. One of the largest collection of such books Alexander Mell's was "almost completely destroyed by the Nazis" in Word War II a fate that was common for many such collections Stuckey. 13'' x 10''. Quarter brown cloth with marbled boards. 144 pages with Braille embossment to rectos and versos. Spine cloth sunned label perished. Some staining internally unobtrusive. Front hinge started at top. Else sound. IM K.K. Schulbocher-Verlag / Gedruckt Von AD. Schulze unknown books
ref. 158138Universal City: Universal City Studios 1979. Archive of three draft scripts for the 1981 film including a First Draft script a Final Draft script and a "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script for the 1981 film dated between June 29 1979 and February 13 1981. The first two drafts are under the working title "Family Dream." Two of the three scripts show an annotation in manuscript ink amending the film's title on title page. A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia to Seattle growing closer to the group in the process and gaining a new outlook on life. Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington. First Draft: Under the title "Family Dream." Green titled wrappers noted as First Draft on the front wrapper rubber-stamped copy No. 00545 dated June 29 1979. Title page present noted as First Draft with credits for screenwriter Roger L. Simon. 129 leaves with last page of text numbered 128. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine bound with three gold brads. Final Draft: Under the title "Family Dream." Red titled wrappers noted as Final Draft on the front wrapper rubber-stamped copy No. 00545 dated September 21 1979. Title page present noted as Final Draft with credits for screenwriters Roger L. Simon and Lonne Elder III. 121 leaves with last page of text numbered 120. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. "Second Revised Final Draft Screenplay / Added Scenes and Retakes" partial script: Under the working title "Richard Pryor's New Movie Formerly: Family Dream." Salmon titled wrappers noted as Second Revised Final Draft Screenplay / Added Scenes and Retakes on the front wrapper dated February 13 1981. Title page present dated February 13 1981 noted as Second Revised Final Draft with credits for screenwriter Roger L. Simon and story by Richard Pryor. With pink and blue revision leaves throughout. 59 leaves with last page of text numbered 57. Xerographic duplication rectos only with pink and blue revision pages throughout dated 2/13/81 and 2/18/81. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Universal City Studios unknown books
ref. 95258n.p.:: n.p. Near Fine. 2018. Hardcover. Color and black and white photographs throughout. Limited edition folio. SIGNED by Paul Simon. Near fine in blue cloth with white and black lettering. No dust jacket as issued. . n.p., hardcover books
1714ref. 39159A Bourdeaux ie. The Hague: James L'Aveugle 1714. First Edition. 12mo pp. viii 508. Bound in contemporary calf neatly rebacked in antique style little rubbed some minor foxing soiling a very good tight copy. Rosenberg "A" Gove 217-219; Cioranescu 62587; Barbier IV 1103; Atkinson 'The Extraordinary Voyage in French Literature' p. 70; Rosenberg pp. 84-5. The genuine first edition falsely dated. An important imaginary journey to Australia called a "landmark" by Atkinson. Based on a variety of real voyages the descriptions are believable and realistic. The author offers a detailed account of making a camp building a raft. While the book did not range much beyond the confines of the traditional Utopias of the times it did however include "living fossils" giant birds and strange flora that survived from prehistoric eras arguably making it one of the first modern Lost World novels. After being shipwrecked on the continent the narrator and a friend pressed on and developed a farm in "a plentiful fruitful country" until forced to flee by a treacherous woman. Tyssot de Patot 1655-1727 was a Huguenot who lived most of his life in Holland where he pursued a career as professor of Mathematics at the Athenaeum Illustre in Deventer the capital of the province of Overijssel. James L'Aveugle unknown books
1644ref. 59351Hagae-Comitis: I. Burchornius 1644. New edition. 12mo 191. Bound in contemporary full brown calf with marble end papers rubbed along the hinges slight losses to ther spine lacks the leather label little toning to the title page but genrally a very clean tight copy. Erdman page 183; Graesse vol. 2 p. 409.; Brunet IV 81.; Alle The Concept of Women Vol. 3 pp 164-66. . The "Disputatio" was first issued under the title: "Disputatio nova contra mulieres. It was a satire on the Socinian method of argument. Acidalius 1567-1595 German scholar and critic born in Brandenburg who embraced Catholicism and was much esteemed for his Roman commentaries comments on the religious group of Sociniens who asserted that women are not men ie. thinking and reasonable beings. Gedik responded that if women were as noted by Acidalius then they would not be humans! All of these books were first issued in the 16th century. Erdmann mentions just the one of them. I. Burchornius unknown books
1941ref. 41150London; New York; Toronto: Oxford University Press 1941. First edition. Hardcover. g to vg. Folio 15 1/4 x 12". XVI 279 1pp Text 56 leaves Plates; 10pp Supplement. Original gilt-stamped olive cloth with gold lettering to spine. Title page with printed Chinese seal in red. A printed 10-page supplement published in 1941 laid in at rear. "The volume begins with an Introduction and a general description of the collection. These are followed by a description of each painting and the translation of its seals and inscriptions. At the end of the book is a chapter on seals their carving and use together with the photographic reproduction of 115 seals and a key with their translation and the identification of their owners and Biographical Notes on the painters commentators poets and seal-owners connected with the paintings. There are also an Index of Chinese names words terms and seals with their Chinese characters and English Indexes of proper names seals in translation and miscellanea covering such subjects as calligraphy its styles and use as an art form; discussion of paper and silk and of signatures; duties of officials legends and stories connected with the paintings; paintings ancestral animals birds flowers and plants religious subjects and their use on special occasions and for special purposes symbols and symbolism; technique brush strokes materials used and preparation of and methods used for Buddhist paintings buildings flowers etc and by individual painters" from the publishers. Of the 56 collotype plates featured in this work 48 deal with paintings and are composed of 36 full-page monochrome plates 3 full-page color plates 7 manifold monochrome plates and 2 manifold color plates. The remaining plates are composed of 5 full-page plates of calligraphy and 3 full-page plates of seals. The paintings in the collection date from pre-T'ang times to the Ch'ing Dynasty some of them among the greatest Chinese paintings known. Among them are the great landscape by Hsia Küei and such recorded paintings as "An Assembly of Birds on a Willow Bank" attributed to Huang Ch'üan; "Snow River and Returning Boat" by Emperor Hui Tsung; "An Orchid in Autumn" by Chêng Ssu-hsiao; "Mountains and Water" by Mi Fei; "A White Prunus in Blossom" by Wang Mien etc. Minor to moderate shelf wear. Binding in overall good interior in very good condition. Oxford University Press hardcover books
1837ref. 1071961837. Cornopolis: Imprimerie de l'Encorné i.e. Lille: printed for the author chez Bloquel c. 1837. 12mo 3-107 1pp. With a folding hand-colored frontispiece. Printed on yellow paper bound with three "sermons" at the end. Early quarter calf marbled boards bookplate of E. Alexander. § Very rare and amusing treatise on cuckoldry; known in at most 4 copies Univ. of Chicago plus 3 in France. No copy recorded at auction or through the trade except for this one ex-Nina Musinsky. Musinsky's long note accompanies this copy: "First edition of an illustrated spoof printed on yellow paper. it provides plentiful anecdotes of adultery featuring cuckolds from every walk of life from Kings to shopkeepers. the book belongs to a tradition of French cuckold satires of which the earliest example.was published in 1708. bound in at the end are three facetious sermons.". unknown books
1963ref. 36970Paris: Société d'Histoire de la Médecine Hébraïque 1963. First edition. Hardcover. g. Quarto. Original tan cloth with gold lettering on spines. Original wrappers bound in. Complete collection of all the 62 issues published during the first 16 years of the "Revue d'Histoire de la Médecine Hébraïque." Each issue contains important studies on the history of medicine among Jews. With prestigious contributions by Harry Friedenwald Mark Dworzecki Esti Freud Salomon R. Kagan Roger Cattan Lazare Mayersohn Prof. F. S. Bodenheimer Henri Baruk Rabbi Elie Munk Meyer Sal Prof. Mayer A. Halevy Prof. Walther Riese Jean Choukroun Hadas I. Achel Rachel Minc Prof. Werner Silberstein Jacques Launay etc. The first volume gathers all the issues published between 1948 and 1953 No 1 to 15 bis the second volume contains all the issues published between 1953 and 1956 No 16 to 34 issues No 35 to 50 for the third volume and issues No 51 to 62 for the last volume. Binding of first volume sunned and slightly foxed. Minor shelf wear. Moderate age-toning along paper margin. Text in French. Bindings and interior in overall good condition. Société d'Histoire de la Médecine Hébraïque hardcover books