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1943ref. 144484United States Naval Institute 1943. Hardcover. Good. Football The Naval Aviation Physical Training Manuals. Published by the United States Naval Institute Annapolis 1943. Measures 6-1/4 by 9-1/4 inches hardcover 244 pages. Numerous b/w photographs and illustrations. PH B3 V. United States Naval Institute hardcover books
1963ref. 168128Los Angeles: Embassy Pictures 1963. Vintage studio still photograph from the 1963 film. An American spy in Nazi-occupied Italy hides out in the house of a woman dating a Nazi officer. An early career effort by Irvin Kershner best known for directing "Eyes of Laura Mars" 1978 and "The Empire Strikes Back" 1980. 10 x 8 inches. Lightly creased at the bottom right corner else Near Fine. Embassy Pictures unknown books
1951ref. 164730Universal City: Universal-International 1951. Vintage publicity photograph from the 1951 film showing actress Marina Berti. A wartime comedy about two American GIs in Italy. Loosely based on "Willie and Joe" two humorous characters created by cartoonist Bill Mauldin. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Universal-International unknown books
1967ref. 148302N.p.: Anouchka Films 1967. Collection of 17 vintage French color lobby cards from the 1967 film 15 with "CFDC - LYON" stamp on the versos. One of three feature films Godard released in 1967 and like both "Weekend" and "La chinoise" one that showcases Godard's increasing focus on filmic deconstruction as well as vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 8 x 10 inches. Very Good plus with pinholes to corners light to moderate wear and a couple of small dampstains. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Anouchka Films unknown books
1979ref. 162221N.p.: N.p. 1979. Six vintage oversize borderless color reference photographs from the 1979 film all showing actress Marina Pierro. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. Approximately 11.75 x 7.25 inches. About Fine. N.p. unknown books
2000ref. 161774N.p.: N.p. 2000. Draft script for Episode 7 Season 4 of the long-running 1997-2007 television series. Originally aired on August 11 2000 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate crew help Russian scientists with their own Stargate portal. Self wrappers. Title page present dated April 4 2000 noted as WRITERS DRAFT and production No. 6712 with credit for screenwriter Robert C. Cooper. 46 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1967ref. 162351N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film showing actor and producer Raoul Lévy with actress Marina Vlady. French title stamp on the verso. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 9.5 x 7.25 inches. About Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1981ref. 160661N.p.: N.p. 1981. Collection of ten vintage borderless color reference photographs from the 1981 film including six in black-and-white and four in color. Black-and-white photographs with mimeo snipes on the verso. Loosely based on the classic 1866 novella. In nineteenth-century London a party guest turns up dead at a respectable couple's engagement gathering leading the remaining guests into a whirlpool of sex and debauchery in pursuit of the culprit. 9.5 x 7 inches. About Fine. N.p. unknown books
1979ref. 159618N.p.: N.p. 1979. Seven vintage reference photographs from the 1979 film. Annotations in manuscript ink on the verso noting the film title in French. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. Six photographs 9.5 x 7 inches with wide top and bottom margins and one photograph 9.5 x 6 inches trimmed irregularly. About Fine. N.p. unknown books
1965ref. 160276N.p.: Documento Film / Royal Films International 1965. Vintage borderless reference photograph from the 1965 film. An anthology that follows a group of Italian tourists and immigrants during their time on a trip to Sweden. Set in Sweden shot on location in Italy. 7.5 x 6.75 inches trimmed. Near Fine with a crease at the top right corner. Documento Film / Royal Films International unknown books
1961ref. 160374Paris: Cinedis 1961. Vintage invitation from Cinedis for a private screening of the 1961 film. The event was held Sunday March 26 at 9:45 AM at the Marivaux theater in Paris. The invitation is indicated as only being good for two people. The Princess of Cleves develops feelings for a young Duke even though she is married. She tells her husband who becomes dangerously jealous. Shot on location at Chateau de Chambord and Montlouis-sur-Loire. 5.5 x 4.25 inches. Near Fine. Cinedis unknown books
1975ref. 158520Paris: Sygma 1975. Vintage oversize borderless reference photograph from the 1975 French film showing actors Jane Birkin and Gérard Depardieu. Mimeo snipe and stamp of Sygma on the verso. A surgeon at a public hospital in a small French town faces harassment from a rival surgeon and his incompetent sons who hate competition. 12 x 8 inches with a wide right margin Very Good plus with moderate edgewear and a short closed tear on the right edge. Sygma unknown books
1979ref. 158125N.p.: N.p. 1979. Vintage reference photograph from the 1979 film. Annotations in manuscript ink on the verso noting director Walerian Borowczyk's name and the film title in French. An anthology film divided into three segments set in three different time periods Rome in 1520 France at the turn of the century and modern Paris and following three women who are driven to commit crimes of passion. 9.25 x 7 inches. Near Fine. N.p. unknown books
1967ref. 155298N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. From the archive of film historian and author Joel Finler. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1983ref. 149305Rome: 2T Produzione Film 1983. Vintage grande French poster for the 1983 erotic film. Inspired by Ovid's 2 AD collection of poems "Ars Amatoria" "The Art of Love". Set in ancient Rome the poet Ovid teaches courses in the art of love. One of his students sets out to test his newfound skill on a woman whose husband has gone to war. 47 x 63 inches. One panel. Folded as issued. Near Fine. Bier 96. 2T Produzione Film unknown books
1961ref. 143272Paris: Cinedis 1961. Three original color transparencies from the 1961 film. Starring actors including Marais and Vlady are seen in lavish period costumes designed for the film by Marie-Claude Fouquet and Jacqueline Guyot. Housed in a light blue mailing envelope with annotations on the recto in manuscript ink noting contact information for Fouquet and Guyot. Based de La Fayette's 1678 anonymously published novel France's first historical novel widely regarded as an early psychological novel. The Princess Vlady marries a much older prince Marais but yearns for a handsome duke Poron. Her fidelity eventually coming into question. Marais also starred in Delannoy's and Cocteau's other collaboration "Love Eternal" 1943. Two transparencies 3.25 x 4.5 inches one slightly larger. Near Fine overall in original transparent sleeves. Cinedis unknown books
1961ref. 144012Paris: Cinedis 1961. Archive of 14 original single weight black-and-white photographs and various ephemera from the 1961 film here under the original French title. The photographs numbered on the versos in manuscript pencil detail costumes for starring actors Marina Vlady and Jean Marais an exhibit of film stills and costume designs at a bookshop called "Lavocat" costumes displayed at tge shop "Delvaux" and the ephemera consists of a press packet detailing film credits and biographies an invitation for two to the premiere on March 26 at the Marivaux cinema a small slip with annotations in manuscript ink and a carbon typescript from Maryse Martres to "Madame Armon" at Delvaux regarding the costumes. Housed in a large manila folder. Based de La Fayette's 1678 anonymously published novel France's first historical novel widely regarded as an early psychological novel. The Princess marries a much older prince Marais but yearns for a handsome duke Poron. Her fidelity eventually coming into question. Marais also starred in Delannoy's and Cocteau's other collaboration "Love Eternal" 1943. Delannoy directed over 50 films at first well-regarded dissipating at the end of his career with several B-grade films. Costuming for the film was produced by Pierre Cardin and Marcel Escoffier both also worked together on "Beauty and the Beast" 1946 and "Fernandel the Dressmaker" 1956. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. The Delvaux shop has been producing leather goods mostly handbags since the 19th century with central locations in Belgium. Photos range from 6.75 x 9 inches to 7.25 x 10.5 inches. Ephemera ranges from 3.5 x 4.75 inches to 8 x 10.5 inches. Very Good plus overall with scattered creases and toning. Cinedis unknown books
1970ref. 143871Rome: Fair Film 1970. Draft script for the 1970 film. An English language script for consideration by US filmmakers though the film was shot in Italian. Based on Alberto Bevilacqua's 1964 novel of the same name. The widow of a worker killed by police joins the militant strike against the factory owners one of which falls in love with her and is forced to face his glaring conflicts of interest. Shot on location in Parma Italy. Grey titled wrappers. Title page present with credits for screenwriter and director Alberto Bevilacqua. 82 leaves with last page of text numbered 82. Mechanical duplication. Pages Fine wrapper Near Fine bound internally with three gold brads. Fair Film unknown books
1967ref. 138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 5 x 7 inches. Fine condition. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown books
1914ref. 235561914. US Navy photograph archive 1914 to 1919 documenting American sailors in Cuba during the years when Guantánamo Bay served as a U.S. naval station for Caribbean fleet activity training and strategic movement. Verso inscriptions reading "25wyn" and "1914 to 1919" likely connect the group to USS Wyoming BB 32 whose documented service placed the battleship repeatedly in Cuban waters during this period. The photographs provide a sailor's vernacular record of Cuban streets roads transportation local residents agricultural hauling commerce and infrastructure within a wartime Cuba shaped by U.S. naval presence Caribbean patrol activity and the uneven modernization of industry under US Imperial rule. Photo archive of 14 silver gelatin photographs various sizes most approximately 5 x 3.5 inches Cuba 1914 to 1919. The images show U.S. Navy sailors posed among cactus and agave standing with Cuban men beside an open touring automobile and gathered in uniform at a public outdoor event with benches crowds buildings and hills beyond. Cuban infrastructure appears throughout the group: horse drawn carriages and wagons move through a town street lined with utility poles and commercial buildings; an ox team pulls a high wooden cart loaded with cut cane or brush along a rural road; a windmill or water pumping structure stands beside a group of local residents; a rail or tram line runs through a lightly built district; and a roadside scene combines naval uniforms automobile travel and undeveloped terrain. One commercial view shows a tourist photography and souvenir stand advertising "post cards made while you wait" "souvenirs & novelties" "Kodak films for sale" and "photo printing developing" placing commercial image making tourist exchange and modern photographic supply in the same Cuban landscape the sailors moved through during the US's imperial organization. The U.S. naval presence in Cuba began with the Spanish American War and the occupation that followed. The Platt Amendment which limited Cuban sovereignty after independence in 1902 and the 1903 lease agreements gave the United States a permanent base at Guantánamo Bay. By World War I Guantánamo was part of the working map of U.S. power in the Caribbean. It supported fleet exercises patrol movements and regional security from Cuban territory. These photographs show US imperial interest by depicting American sailors moving through streets and roads where motorcars utility poles photographic shops horse drawn traffic ox carts windmills rural tram lines and agricultural hauling all appear in the same landscape. Overall in good to fair condition with heavy image fading slight handling wear some curling. Some photographs have tears which do not obstruct the images. A visual record of U.S. naval presence in Platt Amendment Cuba and the roads shops vehicles animals and rural working systems during the World War I period. unknown books
1968ref. 235551968. U.S. Navy women's service press photograph archive released by the U.S. Naval Historical Center in 1968 documenting how the Navy represented women's military labor across World War I World War II and later twentieth century service. The group links the Yeomen F of 1918 the first women formally enlisted in the U.S. Navy to the WAVES established during World War II and still present in postwar naval administration inspection training and ceremony. The photographs show women's military participation as clerical work uniformed discipline barracks life recruitment public parade and institutional remembrance. Photo archive of 11 Large silver gelatin press photographs most measuring 8" x 10" released by the U.S. Naval Historical Center Al images produced in 1968 with images subjects from 1918 to the 1960s. The photos show a Navy Department office in Washington D.C. in 1918 with uniformed and civilian personnel at desks; a woman identified in the caption as "Counselor Eastwood in the office"; a group of WAVES passing in review on an airfield; women marching in formation in New York City during a wartime bond drive; women seated in an auditorium; uniformed officers posed outside a building marked "Uniforms"; a woman in Navy dress working beside a bunk; and a line of women in white shirts and dark skirts marching in formation. Earlier Navy memory appears through portraits of Julia Washington Allen Yeoman F First Class shown with her cap turned to reveal "U.S.N." and "Yeoman F" lettering and Elsie M. Long Yeoman Second Class identified as serving on active duty from October 7 1918 to June 4 1919. A recruiting poster reads "Women awake! Your country needs you. Learn to be of national service. Join the Navy League. Help the Navy local headquarters." Women entered the Navy in large numbers during World War I because clerical expansion created a labor need that could be filled under existing enlistment language; Yeomen F worked as stenographers clerks translators messengers radio operators and office personnel while remaining segregated by gendered expectations of acceptable service. During World War II the WAVES brought women into the Naval Reserve under a formal wartime structure expanding their work into administration communications aviation support supply intelligence training and stateside naval operations. These 1968 release photographs show how the Navy later organized that history for public use: women appear as disciplined personnel administrative workers patriotic recruits and predecessors in a service tradition that the institution could claim as part of its own record. Light surface and corner wear verso captions stamps and release labels. Overall very good condition. An official record of how the U.S. Navy preserved and circulated the history of women's military service from the Yeomen F to the WAVES and their postwar successors. unknown books
1945ref. 41433np 1945. Very good . Small photograph collection of a Crossing the Line ceremony aboard an unnamed WWII-era US naval ship. A long-established naval tradition dating back at least until the 19th century such "Sons of Neptune" proceedings initiate sailors "Pollywogs" after their first crossing of the equator by their more seasoned shipmates "Shellbacks". Though these ceremonial hazings could be brutal the one here portrayed seems rather tame with most participants seen smiling and initiates confined to activities like scrubbing the deck. One image does picture a "Neptune Crawl" however where Pollywogs crawl along the deck and are "paddled." Collection of 9 loose approximately 6" x 4" black and white photographs one duplicate. Ink stamp of Universal Photo Service of Lacrosse Wisconsin to rear of each. Print edges slightly curled few with corner creases. Overall very good. unknown books
1933ref. 236941933. Colonial Italian Navy photo archive depicting sailors of the gunboat Lepanto in China circa 1933 to 1943 documenting Italy's Tianjin concession Italy's formal colonial territory in China granted in 1901 following the Boxer Rebellion. It covered approximately half a square kilometer and was strategically located on the east bank of the Hai River. Tianjin concession was governed by an Italian military official and maintained its own police force and legal framework. the Italian Navy maintained a strategic presence in China with personnel and several vessels including the gunboats Lepanto and Carlotto to protect Italian concessions in Tianjin and Shanghai. Originally built as an Azio class minelayer Lepanto reached Shanghai in 1933 and was reclassified as a gunboat in 1934 for coastal and Yangtze service protecting Italian citizens missions and treaty port interests. A United States Navy photograph places the vessel on the Whangpoo River at Shanghai during the mass evacuations of 1937 where foreign warships occupied the same congested waterway as refugee steamers and commercial traffic. The archive records this overseas station from the viewpoint of its sailors moving between shipboard hierarchy armed readiness collective leisure Chinese urban life and monumental sites visited under naval escort. Photo archive of 58 silver gelatin photographs ranging from 2" x 2" to 2" x 3.5" China circa 1933 to 1943. The photographs show Lepanto moored in Chinese harbors; Italian sailors posed on deck beside shipboard fittings and beneath the motto "In hoc signo vinces"; officers addressing assembled crews; uniformed men gathered around deck guns; rifle practice on open ground; sailors carrying packs and weapons; and formal and informal portraits of ratings petty officers and decorated officers. Group photographs place sailors at the Temple of Heaven and before other Chinese ceremonial buildings gates monuments and courtyards while wider views record Shanghai and Tientsin waterfronts docks municipal architecture Chinese junks sampans bridges rail lines and harbor shipping. Several images show Chinese residents at close range including children boatmen laborers and crowds encountered during shore leave; others depict shipboard entertainments meals athletic groups relaxed deck scenes and men photographed in work clothes apart from formal naval ceremony. The recurrence of the vessel uniformed crews weapons exercises official gatherings and organized excursions establishes the working structure of an Italian station ship rather than a general tourist itinerary. Italy's naval deployment in China descended from the foreign military privileges established after the Boxer Uprising including the Italian concession at Tientsin and the maintenance of armed detachments consular facilities and river patrol vessels. Lepanto replaced the aging gunboat Sebastiano Caboto and spent a decade operating from Shanghai and along the Yangtze using its shallow draft to reach places inaccessible to larger warships during years of civil conflict Japanese expansion and the Sino Japanese War. Following Italy's armistice with the Allies the crew scuttled Lepanto at Shanghai on September 9 1943 to prevent seizure; Japan raised and recommissioned the vessel as Okitsu in 1944 and the Republic of China received it after Japan's surrender operating it as Hsien Ning. Light surface wear toning occasional creasing and minor edge wear; photos remain legible and mostly clean. Overall in very good condition. A detailed visual record of how an Italian gunboat crew carried naval authority Fascist state ceremony armed preparedness and foreign privilege into the ports and public spaces of Republican China. unknown books
1818ref. 73269London: published by Bunney & Gold Shoe Lane later printed and published by Joyce Gold 1818. 8vo; 40 volumes each averaging about 500 pages engraved frontispieces and title pages and all 524 engraved and numbered plates showing portraits of naval heroes naval engagements views of ports and harbors charts coastal scenery etc.; uniformly bound in a handsome full contemporary mottled calf edges speckled gilt spines and contrasting title and volume labels; generally a clean sound set with occasional foxing. Collated complete. The contemporary account of England's navy at the peak of its influence. A mine of material covering the Napoleonic wars Nelson and the War of 1812. The Life of Lord Nelson which appears in volume III was apparently written by Dr. John M'Arthur a purser in the Navy and secretary to Admiral Hood who later teamed with James Stanier Clarke to produce the massive two-volume folio Life of Admiral Lord Nelson London 1809. Apparently Nelson himself wrote the basis for M'Arthur's work in October 1799 in the form of "The Sketch of my Life." The memoir is continued in volume 14 and completed in volume 15 of the Chronicle. Sabin 52076: "Contains full and generally accurate reports of the various conflicts between the English and American Navy in the War of 1812 not to be found elsewhere; also biographies of Earl Howe Vancouver Lord Cornwallis HoodAnson and other explorers. published by Bunney & Gold, Shoe Lane, [later, printed and published by Joyce Gold] unknown books
1918ref. 237261918. United States Marine photograph archive documenting Hato Mayor during the American occupation of the Dominican Republic circa 1918 to 1922 recording the military infrastructure established to secure the eastern sugar region under U.S. rule. The photographs place Marines within one of the occupation's most contested districts where military camps transportation routes and sugar estates became central to the campaign against Dominican insurgents known as the gavilleros. Hato Mayor stood at the intersection of military administration and the expanding sugar economy making it one of the principal inland centers through which the occupation asserted control over the eastern provinces. Photo archive of 12 silver gelatin photographs approximately 2.5" x 3.5" to 4" x 5" Hato Mayor Dominican Republic circa 1918 to 1922. The photographs show Marines posed in tropical field uniforms informal portraits captioned "Me & Cowley Hato Mayor" and a group identified as "The latest in dress." Several images depict Marine encampments including tents captioned "Camp Hato Mayor" and "Casa mio Hato Mayor" together with parade grounds roads and camp buildings. Two photographs record the Angelina Sugar Mill a substantial industrial complex with multiple smokestacks and associated buildings while another panoramic view identifies the "Town of Hato Mayor." Additional manuscript captions include "Native sugar mill outside Seibo" and "Field in front" and informal scenes of Marines standing with local civilians and posing beside village structures. The handwritten captions preserve the perspective of a Marine participant and firmly locate the photographs within the eastern occupation zone. The United States occupied the Dominican Republic from 1916 to 1924 establishing a military government that sought to protect customs revenues suppress armed resistance and secure the eastern sugar districts where American and foreign investment had become increasingly concentrated. Hato Mayor and neighboring El Seibo became focal points of operations against the gavilleros rural guerrilla forces resisting the occupation while estates such as Angelina formed part of the export economy whose roads rail links and industrial infrastructure Marines were tasked with protecting. The juxtaposition of military camps Marines civilian encounters sugar production and the town itself records the everyday mechanics of occupation rather than combat alone revealing how military authority and commercial agriculture operated within the same landscape. Light surface wear occasional fading and minor corner wear; manuscript captions throughout. Overall very good condition. A record of the United States Marine occupation of eastern Santo Domingo documenting the military administration within Hato Mayor during the final years of American military rule. unknown books
