Maahs, Rita, Heinz Bronowski und Ulrich MakoschAntiquariat.de
862 résultats
1963réf. 28036Leipzi, VEB F.A.BrockhausVerlag, 1963. 225 Seiten , 30 cm, Hardcover/Pappeinband
1955réf. 27054Freiburg i.Br., Atlantis Verlag, 1955. 4°, 46 S., mit zahlreichen s/w Abb., Bezahlung per PayPal möglich, we accept PayPal, Regalspuren am Fußschnitt, Einband ger. beschabt und ger. bestoßen, altersbedingte Bräunungen, sonst ger. Gebr.sp., broschiert
réf. 64802aafParis, l'Harmattan, 2000, gr. in-8vo, 437 p. + planches photogr. noir/blanc, brochure originale.
1931réf. 30709Helbing & Lichtenhahn, Basel 1931. 194 S., 8°, Original-Leinen, gutes Exemplar,
1928réf. 76683Berlin, Verlagsbuchhandlung Paul Parey, 1928. Gr.8°; 369 Seiten mit dem Bildnis des Verfassers, 121 Abbildungen auf Tafeln und einer Karte; 4., durchgesehene Auflage Orig.-Leinen Schutzumschlag fehlt, Einband fleckig; Schnitt und einzelne Seiten fleckig
1893réf. 0012691893 Tours, Mame, 1893. Grand in-quarto (215 X 300 mm) percaline rouge de l'éditeur, plaque polychrome d'après SOUZE sur le premier plat, dos lisse orné de même, tranches dorées ; 398 pages. Quelques rousseurs très éparses, plus marquées aux feuillets de faux-titre et d'appendice et de table in fine, quelques traces de décoloration au premier plat, tout à fait acceptables.
réf. KIBO59082Platanus Publishing n/a. n/a Platanus Publishing unknown
réf. KIBO112006Ceres Yayinlari n/a. n/a Ceres Yayinlari unknown
2023réf. B2307033Istanbul Modern 2023. New. n/a n/a In Another Place presents never-before-seen portraits by Nuri Bilge Ceylan one of the most authentic filmmakers of todays cinema. The exhibition brings together works that are unlike what the artist has created thus far: 22 portraits taken by Ceylan in Türkiye and geographies around the world as diverse as India Georgia China Morocco and Russia. Among the qualities that the portraits share are the relationships the characters establish with the built environment and natural landscapes carefully constructed photographic atmospheres the use of dramatic light the dialogue between different colors understated emotions and calm facial expressions. Ceylans portraits point to the depth of human experiences that bind us together while simultaneously bringing to mind that our lives cannot be separated from geography. The reference to another place in the exhibition title and series not only evokes the many countries to which Ceylan has traveled it also refers to the characters of his cinema who desire to be somewhere other than where they are. Revealing the daily struggles loneliness boredom and melancholy of people around the world through his subjects who gaze directly at the photographer and therefore also at us Ceylan focuses on the common emotions across geographies rather than the differences. The unique formal language in all of Ceylans photographs activate our imagination and make us feel connected to people and geographies that we have never been to or experienced. Istanbul Modern unknown
1992réf. 4426Stuttgart 1992, Parkland Verlag (Lizenz Haffmans). 534 S., fester Pp.-Bd. (rot) mit farbigem Deckelbild von Klaus Dill, kl.8° (neuwertig).
réf. KIBO120674Akademisyen Yayinevi n/a. n/a Akademisyen Yayinevi unknown
1898réf. 1193516Leipzig, 1898. 4to. 58 S., 2 Bl., 1 lithograph. Taf. m. 5 Abb. OBr.
1803réf. 58217ABLeipzig, Rein, 1803. XVI, 510 S., 1 Bl. Mit gest. Faltkarte. Halblederband der Zeit mit Rückenschild und -vergoldung.
réf. 78927Ankara: Yetkin Yayinlari. Paperback. New. In Turkish. Yetkin Yayinlari paperback
1919réf. VOEK0103's-Gravenhage, Martinus Nijhoff 1919. gr.-8°, VI, 637 S., XLIX S. Notulen van de bestuurs- en algemeene Vergaderingen van het Koniklijke Instituut . . . , 1918-1919, Priv. HLn., stärker berieben, Rü. fleckig u. etwas eingerissen, Vors. schwach angeschmutzt u. braunfl.
1911réf. 1186521Berlin, P. Cassirer, 1911. Gr.-8vo. 66 S., 65 Bildtaf. Pp. m. aufgez. OUmschl. (Einbandvign. von Max Slevogt) (Einbd teils stärker verblichen u. gering bestoßen).
réf. 78131Ankara: Oniki Levha Yayinlari. Paperback. New. In Turkish. Oniki Levha Yayinlari paperback
réf. 80618Ankara: Bilge Yayinevi. Paperback. New. In Turkish. Bilge Yayinevi paperback
réf. 78133Ankara: Oniki Levha Yayinlari. Paperback. New. In Turkish. Oniki Levha Yayinlari paperback
réf. 74384Ankara: Seckin Yayincilik. Paperback. New. In Turkish. Seckin Yayincilik paperback
Oblong 4to., First Edition, with a coloured frontispiece, numerous coloured and monochrome photographs (a number full-page) in the text and patterned endpapers; silver cloth, upper board and backstrip lettered in black, a near fine copy in unclipped dustwrapper. Profusely illustrated and detailed history of one of the most famous pewter companies in the world.
réf. 78640Ankara: Yetkin Yayinlari. Paperback. New. In Turkish. Yetkin Yayinlari paperback
New English Original bdg. HC. Large 8vo. (22 x 22 cm). In English and Turkish. 228 p., color photos. Bright faces from a dark continent.= Karanlik kitadan aydinlik yüzler. [Album of photographs].
1934réf. 237251959. British Ceylon photographic archive circa 1934 documenting the labor systems that sustained one of the British Empire's most profitable plantation economies. Rather than emphasizing colonial administration or metropolitan life the photographs concentrate on the people whose agricultural work produced tea coconuts rice and other commodities that defined Ceylon's export economy during the final decades of British rule. The archive records both plantation labor and village agriculture placing field workers animal labor transportation and rural settlements within the same narrative of production that underpinned the island's economy before independence in 1948. Photo archive of 18 silver gelatin photographs each 4 x 5 inches British Ceylon circa 1934. The photographs depict women plucking tea leaves into large wicker baskets; groups of men women and children harvesting grain by hand; buffalo drawing plows through cultivated fields; coconut gathering and processing; elephants employed in heavy labor; cattle standing in flooded waterways; and villagers sorting agricultural products outside thatched dwellings. Other photographs show a village street lined with tiled roof buildings waterways with native boats landscaped gardens flowering branches tree-lined roads and portrait studies of rural residents including a Kandyan dancer in ceremonial costume and an elderly man identified only through the original negative caption. Several negatives retain contemporary handwritten captions identifying locations including Hambantota and describing subjects and related scenes indicating production for documentary or promotional use rather than private photography. The photographs were apparently produced during the S.S. Resolute World Cruise which departed on January 14 1934 for a 134 day itinerary through twenty nine countries and territories. Within that context the images record not only British Ceylon's plantation economy but also the way commercial world cruises presented the colony to Western travelers emphasizing tea estates agricultural labor village life wildlife and staged cultural performance as representative scenes of imperial Ceylon before independence in 1948. In reality production depended heavily upon Tamil labor recruited from southern India while Sinhalese villagers continued to dominate much of the island's rice cultivation and local agriculture distinctions reflected in the archive's movement between commercial plantations and village landscapes. Light surface wear with occasional curling at the corners; overall very good condition. A concentrated visual record of agricultural labor and rural production in British Ceylon during the final years of imperial rule. unknown
1890réf. 236871890. British Ceylon and Japan photo archive circa 1890 to 1910 documenting public ceremony craft production daily life during the expansion of imperial travel in Asia. The Japanese images record religious processions rickshaw travel workshops and leisure scenes associated with the late Meiji period while the Ceylon photographs depict Colombo streets architecture ceremonial dress and colonial urban space. Verso inscriptions identify Nagoya and Colombo without establishing a single photographer or original sequence. Photo archive of 24 photographs comprising eight hand colored photographs mounted to cardstock approximately 5 x 3½ inches and sixteen glossy and matte silver gelatin prints ranging from approximately 2½ x 2½ to 3 x 4½ inches Japan and British Ceylon circa 1890 to 1910. The hand colored Japanese views show women in rickshaws beneath flowering trees artisans making paper umbrellas workers shaping timber a cooper surrounded by tubs and hoops and a lantern shop filled with suspended paper lanterns. Other photographs depict monks attendants musicians and costumed participants moving through public squares with parasols banners and ceremonial objects. The Ceylon views include a Colombo street leading toward a clock tower palm lined compounds civic and religious buildings harbor craft and men in formal ceremonial dress. Inscriptions include "Nagoya" "Colombo" and "Vue de Colombo." The Japanese photographs belong to the commercial visual culture of the Meiji era when photographers produced hand colored views of occupations transport festivals costume and craft work for foreign travelers. These images often arranged workers and tools for clarity while the smaller prints record crowds streets and religious movement with less formal staging. The Colombo photographs reflect the parallel growth of photography under British colonial rule in Ceylon where ports municipal buildings and ethnographic subjects circulated through travel albums and commercial view markets. Light to moderate surface wear fading abrasions edge wear and occasional creasing; several mounts show staining or loss. Overall good condition. A compact visual record of Asian urban life religious practice artisanal labor and colonial travel at the turn of the twentieth century. unknown
