24.784 risultati
2003rif. PHILOSOPPPP90725Paris, Editions du cerf, "Patrimoines - Confucianisme", 2003, 14,5 x 23,5, 244 pages cousues sous couverture souple imprimée. Traduit du chinois par Ivan P. Kamenarovic et Jean-Claude Pastor. Introduction de Joël Thoraval. "Mou Zongsan (1909-1995) est l'une des figures majeures de la pensée chinoise contemporaine et peut être considéré comme l'un des représentants les plus marquants de ce qu'il a été convenu d'appeler le «néo-confucianisme contemporain», mouvement de pensée qui a commencé à se développer au tournant du XXe siècle. Au sein de ce mouvement, la démarche de Mou Zongsan est double : prendre ses distances, mais aussi se réapproprier une tradition chinoise qui a été ébranlée par le choc de la modernité provoqué par l'Occident. Il s'agit donc de rechercher une voie proprement chinoise capable d'intégrer, à travers une méditation morale qui se veut confucéenne, des données nouvelles comme la philosophie occidentale, la science moderne et la démocratie.--Mou Zongsan (1909-1995) is one of the principal figures of contemporary Chinese thought and may be considered as one of the most striking representatives of what is commonly called 'contemporary neo-Confucianism', a school of thought that began to develop around the beginning of the 20th century. In the context of this movement, Mou Zongsan's approach was twofold: to take his distance, but also to recover Chinese tradition, disturbed by the shock of modernity provoked by the West. It is a question of finding a truly Chinese path capable of integrating - through moral meditation that aims to be Confucian new realities like Western philosophy, modern science and democracy."
1953rif. 015280Paris Imprimerie Nationale, André Sauret 1953 2 volumes in-4 Broché, chemise & étui
4to, hardcover in dj. Feasting was an important social and ritual activity in China beginning in the Bronze Age, and cuisine retains a strong cultural significance to this day. This book focuses on feasting in the 10th through 14th centuries, examining Chinese paintings of feasts from the Song (960–1279), Liao (907–1125), and Yuan (1279–1368) dynasties. Feast images, more so than works from any other painting genre, depict scenes from the past, the present, and the afterlife alike. More specifically, as author Zoe S. Kwok explains in the book’s insightful text, they portray a continuum between life and what lies beyond it; this volume is the first to make such a connection. Full-color plates highlight a rare group of paintings as well as complementary ceramic, metal, stone, and textile objects, and the nearly fifty individual catalogue entries touch on diverse topics—not only food and drink but dance, music, costume, burial practices, artistic patronage, and more.
1988rif. ROD0138032LES EDITIONS DU CERF. 1988. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 218 pages - annotations à l'encre sur la page de titre - la couverture en couleurs se dédouble.. . . . Classification Dewey : 951-Chine
1959rif. 96569HBGütersloh:, Sigbert Mohn, 1959. 346 (4) Seiten, 32 Tafeln, OLn., OU., 20 x 12 cm.
1959rif. 9848Mohn, Gütersloh 1959. 349 S. mit zahlreichen Abbildungen auf Tafeln u. mehreren Karten. Leinen mit Schutzumschlag. Umschlag etwas beschädigt. Rücken verblichen. Etwas gebräunt. Gutes, ungelesenes Exemplar. Umschlag und Einband von Willi Wörmann.
1960rif. 111450Laffont, 1960, in-8°, 364 pp, 24 pl. de photos hors texte, 8 cartes à pleine page hors texte, broché, couv. illustrée à rabats, bon état
1973rif. 63577(Ohne Ort). Saison 1973. 14 n. n. Seiten. Mit zahlr. teils farbigen Abbildungen. Farbig ill. Originalbroschur. 30x21 cm
2003rif. 46744München : Dt. Verl.-Anst. 2003. 887 S. : Ill. ; 24 cm, Archiv-Stempel auf Vorsatzblatt (FAZ) Gewebe, gebundene Ausgabe, Leinen, sonst Exemplar in gutem Erhaltungszustand
1984rif. pp5529Foreign Languages Press Beijing Cartonné avec jaquette 1984 In-4°(26,5 x 33 cm), cartonnage d'éditeur sous jaquette illustrée en couleurs, 125 pp., ouvrage en anglais - book in english, nombreuses photographies en noir et blanc et en couleurs in-texte ; rousseurs légères sur la toile, jaquette abimée, état correct. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
2012rif. 16907Frankfurt am Main, Berlin, Bern..., Peter Lang, 2012. 433 Seiten. 8° , Original Karton
3 Hefte. Kl.8°. 32; 32; 32 S. Original Karton mit Deckeltitel. Einbände etwas stockfleckig, innen wenige Seiten auch etwas stockfleckig, sonst in gutem Zustand.
2 Hefte. Kl.8°. 32; 36 S. Original Karton mit Deckeltitel. Einbände etwas stockfleckig, innen paar Seiten auch etwas stockfleckig, sonst noch in Ordnung.
1925rif. 17324BSolothurn:, Tao-Verlag., 1925. Kl.8°. 32; 36 S. Original Karton mit Deckeltitel. 2 Hefte. Einbände etwas stockfleckig, innen paar Seiten auch etwas stockfleckig, sonst noch in Ordnung.
1923rif. 89699Leipzig, VerlaG von Klinkardt & Biermann, 1923. 440 S. + 161 Tafn. 4° Quart, Leinen
1926rif. 14713ABLpz, Hiersemann, 1926. Gr.-8°. XV, 369 S. 62 Taf., dv. 14 farb., u. 121 Textabb.. Goldgepr. Orig.-HPgt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1925rif. V38558Jena ( Die Neue Zeit ) 1925 (= Erste Ausgabe). 8°, Orignalbroschur (Paperback ) 32 S., 1 Abbildung 1
1924rif. V38557Solothurn (Tao-Verlag) 1924 (= Erste Ausgabe). 8°, Orignalbroschur (Paperback ) 24 S., 1
rif. 259987Köln: Böhlau 2022. 1392 S.Lit.verz. Reg. Kart. *ein Kapital mit kl. Druckstelle*.
1926rif. 14713ABLpz, Hiersemann, 1926. Gr.-8°. XV, 369 S. 62 Taf., dv. 14 farb., u. 121 Textabb.. Goldgepr. Orig.-HPgt.
1965rif. 6905Gütersloh, Bertelsmann, o.J 1965. Halbleder, 8 , 318 S., mit vielen Abbildungen und Karten, Inhalt: Götterwind (von 1912 bis zur Gegenwart) - Der Fünfte Kontinent (Geschichte Australiens und Ozeaniens) Guter Zustand. Hardcover
1960rif. 205114BBMurnau, Lux, (1960). Mit Abb. a. Taf., Ktn.- Skizz. 223, 111 S. OLwd. m. OU. - Ferner Osten, Bd. 4. - Gutes Expl.
1960rif. 205112BBMurnau, Lux, (1960). Mit Abb. u. Ill., Ktn.- Skizz. 303 S. OLwd. - Ferner Osten, Bd. 1. - Gutes Expl.
1976rif. V39915Frankfurt / Wien / Zürich ( Büchergilde Gutenberg) 1976 (= Erste Auflage). 4°, Originalleinen mit illustriertem Originalumschlag (Hardcover) 241 S, zahlreiche Abbildungen, ISBN 376322016X 1
8vo, hardcover in dj, pp.446. Shanghai has historically been China’s jewel, its richest, most modern and westernized city. The bustling metropolis was home to sophisticated intellectuals, entrepreneurs, and a thriving middle class when Mao’s proletarian revolution emerged victorious from the long civil war. Terrified of the horrors the Communists would wreak upon their lives, citizens of Shanghai who could afford to fled in every direction. Seventy years later, members of the last generation to fully recall this massive exodus have revealed their stories to Chinese American journalist Helen Zia, who interviewed hundreds of exiles about their journey through one of the most tumultuous events of the twentieth century. From these moving accounts, Zia weaves together the stories of four young Shanghai residents who wrestled with the decision to abandon everything for an uncertain life as refugees in Hong Kong, Taiwan, and the United States. Benny, who as a teenager became the unwilling heir to his father’s dark wartime legacy, must decide either to escape to Hong Kong or navigate the intricacies of a newly Communist China. The resolute Annuo, forced to flee her home with her father, a defeated Nationalist official, becomes an unwelcome exile in Taiwan. The financially strapped Ho fights deportation from the U.S. in order to continue his studies while his family struggles at home. And Bing, given away by her poor parents, faces the prospect of a new life among strangers in America. The lives of these men and women are marvelously portrayed, revealing the dignity and triumph of personal survival. Herself the daughter of immigrants from China, Zia is uniquely equipped to explain how crises like the Shanghai transition affect children and their families, students and their futures, and, ultimately, the way we see ourselves and those around us. Last Boat Out of Shanghai brings a poignant personal angle to the experiences of refugees then and, by extension, today. “Zia’s portraits are compassionate and heartbreaking, and they are, ultimately, the universal story of many families who leave their homeland as refugees and find less-than-welcoming circumstances on the other side.”—Amy Tan, author of The Joy Luck Club