1 006 résultats
réf. SONG0853453942Used: Good unknown
réf. SONG053104856XUsed: Good unknown
1910réf. 235901910. Late Qing China and Philippines photo archive depicting military authority public punishment foreign presence and imperial architecture circa 1910 in the years immediately before the Xinhai Revolution ended dynastic rule in China. The Chinese photographs show Beijing monuments urban crowds soldiers execution spectators and foreign personnel at a moment when Qing authority remained visible but unstable. The group places tourist views of imperial architecture beside scenes of coercion and military order linking travel photography to the political crisis of the late Qing state. Photo archive of 32 silver gelatin photographs each 2.5 x 4.25 inches cornered in on 11 x 13.5 inch brown album leaves mainly China with several Philippines views circa 1910. The images show Beijing landmarks including the Temple of Heaven palace buildings imperial gates stone lions carved walls ceremonial terraces walled compounds and garden architecture. Several views show Chinese crowds gathered near military or judicial scenes including a public execution aftermath with a severed head displayed from a pole before laughing onlookers and children with a placard stating the events transpired. Other photographs show Chinese soldiers and civilians in open grounds foreign military or naval personnel a group of men in white naval style uniforms seated in a circle Chinese junks harbor traffic street scenes rickshaws and colonial buildings. The Philippines photographs appear to include Manila street and harbor views a woman and girl a domed theater or civic building tropical shoreline and American colonial urban scenes. China in 1910 stood between the punitive settlement that followed the Boxer Rebellion and the republican revolution that began in Wuchang in October 1911. Foreign troops remained in North China under treaty rights imperial and provincial authorities tried to preserve order through policing army reform and public punishment and revolutionary societies used anti Manchu and anti foreign resentment to attack the legitimacy of Qing rule. The execution photographs show law as spectacle with the punished body displayed before civilians and soldiers rather than hidden within prison administration. The Beijing views record the ceremonial architecture of the dynasty at the same time that its political power was nearing collapse while the Philippines views place China within a wider American and European imperial geography of ports garrisons and colonial travel. Light surface wear toning and occasional fading; mounted with photo corners on album leaves. Overall very good condition. A concentrated visual record of military order public punishment foreign presence and imperial space in East Asia immediately before the fall of the Qing dynasty. unknown
1898réf. 236541898. Spanish American and Philippine American war US military photographs circa 1898 to 1901 documenting the Spanish American War mobilization and the subsequent American occupation of the Philippines. A caption identifying "Co. B Pa. Vol. Mt. Gretna" places one image within Pennsylvania's 1898 volunteer encampment where state militia companies entered federal service during the Spanish American War. A separate inscription "Vigan Philippine Islands Christmas 1901" establishes an American military presence in northern Luzon during the Philippine American War. The photographs record how soldiers were assembled housed transported armed and sustained across stateside and overseas settings. Photo archive of 11 photographs seven silver gelatin and two sepia toned photographs most mounted to cardstock ranging from approximately 5 x 4 to 8 x 10 inches Pennsylvania the Philippine Islands and unidentified locations circa 1898 to 1901. A large company portrait before a conical tent is captioned "Co. B Pa. Vol. Mt. Gretna" among the assembled officers and enlisted men. Other photographs show soldiers standing in opposing ranks along a wooded camp street; five armed men before numbered canvas tents; a mounted officer amid trees and tentage; a long formation carrying an American flag beside railroad tracks telegraph poles freight cars and industrial buildings; and uniformed men posed near a railroad water tower. Two soldiers stand before an open tent crowded with trunks bedding shelving cookware and personal effects while another view records enlisted men seated on the steps of a raised tent furnished with cots. An interior scene shows three soldiers eating smoking pipes and preparing food around a carved table with rifles resting across their laps and beside their chairs. One mount is inscribed "Chas. W. Grammes 925 Maple St. Allentown Pa." while another bears the dated inscription "Vigan Philippine Islands Christmas 1901." Mount Gretna served as Pennsylvania's principal volunteer encampment during the 1898 mobilization but Pennsylvania regiments received different assignments after mustering into federal service. Some units remained stateside or served in Puerto Rico while the 10th Pennsylvania Volunteer Infantry deployed to the Philippines and later fought Filipino forces after the war with Spain had formally ended. Because the Mount Gretna caption omits a regiment number the company shown cannot be securely identified with Philippine service yet the image preserves the state level mobilization from which such overseas assignments were made. By late 1901 Vigan functioned as an American controlled provincial center in Ilocos Sur where military authority and the new colonial administration operated amid continuing resistance elsewhere in the archipelago. Light surface wear and silvering to several images; tonal variation edge wear and staining to some cardstock mounts. Overall good condition. A concentrated visual record of American military organization from Pennsylvania's 1898 volunteer camps to the daily realities of occupation service in the Philippines. unknown
1898réf. 231701898. Stereoview archive documenting the rapid overseas deployment of American troops at the moment the Spanish American War gave way to a longer and more revealing imperial presence in the Philippines. This archive marks the transition from the 1898 defeat of Spain to the far more sustained American military occupation that followed. After the U.S. victory over Spain the Treaty of Paris transferred the Philippines to the United States for $20 million. This resulted in a battle between American forces and Filipino nationalists under Emilio Aguinaldo in February 1899 when Filipino hopes for independence collided with the reality of a new colonial ruler. This collection of photos preserves the process of colonialism through troop deployment provisioning medical treatment and the routines of military presence. Archive of 19 stereoview cards most published by B. W. Kilburn and James M. Davis centered on American military activity in the Philippines with additional views from Puerto Rico Cuba and the United States. Each measure 3.5" x 7". The core of the images remain in Philippine occupation; "The 17th Infantry crossing the river P.I." shows movement through tropical terrain; "Our Volunteers awaiting orders under the tropical sun in the Philippines" captures the idleness and bodily strain of expeditionary service; "2nd Division Hospital established in Angeles Church P.I." reveals improvised medical infrastructure inside a colonial religious building; "Dealing out pork and beans to the Oregon Volunteers P.I." appears in multiple variants and preserves the logistics of feeding American troops in camp; and "The Insurgent House of Congress on Fire Malolos P.I." places the war directly in relation to the destruction of Filipino political institutions. The remaining cards broaden that story outward: "Troop D 5th U.S. Cavalry lining up for dinner Mayaguez P.R." points to U.S. military operations in Puerto Rico; "Modern Krupp Gun Morro Castle Havana Cuba" preserves the Spanish imperial military landscape at Havana just as U.S. power displaced it; and the exhibition drill cards including "The Little Commodore" Boston '98 and "Grand Stand Exhibition Drill Boston '98" connect the overseas war to patriotic spectacle and military display at home. Stereographs were a common late nineteenth century format for circulating military imagery and was used to render mobilization and drill into mass-viewed visual media. Minor toning edge wear and rubbing; images and printed captions remain legible; overall very good condition. This collection preserves the American campaign in the Philippines not as abstract policy but as a contemporary visual record of how troops were deployed housed fed and sustained while the United States transformed victory over Spain into colonial rule in the Pacific. unknown
1898réf. 231301898. Spanish-American War stereoview archive circa 1898-1899 documenting how the war was pictured through mass-produced photographic views that followed U.S. mobilization battlefield action occupation and military life across both Cuba and the Philippines. These stereoviews preserves the visual system by which the war was circulated to American audiences showcasing camp organization troop movement burial hospital care naval power and overseas deployment. Particularly notable is the archive's coverage of the Rough Riders the Santiago campaign in Cuba and U.S. presence in Manila and Malate showing how stereoview photography helped normalize the war's expansion from anti-Spanish conflict into a broader American imperial presence. Archive of 21 stereoviews Various publishers. Spanish-American War stereoview archive. Cuba the Philippines and the United States circa 1898-1899. each measuring 3" x 7". The views are drawn from multiple phases and theaters of the war including camp and drill scenes in the United States embarkation and troop arrivals at Tampa battlefield and occupation imagery from Cuba and extensive and some grisly scenes from Manila and surrounding areas in the Philippines. Captions and images show soldiers in formation cavalry drill military reviews naval artillery hospital interiors encampments burial grounds and troops in active position. Cuban views include Morro Castle after bombardment dead and wounded on the battlefield of Santiago U.S. soldiers preparing to invade Cuba and troops dining near Cabañas Fortress. Philippine views include a departure for Manila American pickets routing a Filipino reconnoitering party the 18th Infantry engaged by Filipino outposts volunteers awaiting orders under the tropical sun Army Hospital Manila and "Our Boys in Camp at Malate P.I." One stereoview identifies Roosevelt's Rough Riders in the mobilization phase linking the archive to one of the war's most publicly mythologized units. As a group the stereoviews demonstrate the process by which the Spanish-American War was framed not simply as a short military victory over Spain but as a sustained structure of U.S. troop deployment and occupation extending from Cuba into the Philippines. The Manila and Malate scenes are especially important in this regard since they place American soldiers within the opening phase of the Philippine conflict where U.S. military presence quickly moved beyond liberation rhetoric into imperial control. The archive's mixture of battlefield casualties camp routine naval spectacle and celebratory review scenes shows how stereoscopic publishing converted war into a domestic viewing experience while reinforcing the legitimacy of American expansion abroad. Wear to mounts some toning; overall very good condition. A strong cross-theater visual archive of the Spanish-American War and the emergence of U.S. imperial power in Cuba and the Philippines. unknown
1944réf. 224221944. Olson Laverne Edwin vernacular photo album circa 1944-1946 documents U.S. Navy enlisted service across the Philippines and Hawaii during the final phase of World War II and the immediate postwar occupation period providing direct visual and documentary evidence of military presence local communities and wartime social life in the Pacific Theater. The album is anchored by Olson's official U.S. Navy Certificate of Satisfactory Service confirming duty from December 18 1944 through April 23 1946 situating the material within the aftermath of the U.S. return to the Philippines following the Leyte landings and the transition into occupation and reconstruction. The photographs support research into Pacific War military infrastructure American servicemen's daily life and interactions with local populations in recently contested and strategically critical regions. Album titled "Snapshots: The Philippines and The Islands of Hawaii" compiled circa 1944-1946 contains 25 items: 23 silver gelatin photographs one wallet-sized U.S. Navy Certificate of Satisfactory Service and one Roosevelt Commemorative Birthday Ball exchange coupon dated January 30 1946. Album measures approximately 4.5 x 3.5 inches with most photographs approximately 4 x 2.5 inches. Images include candid and landscape views from the Philippines likely including Leyte depicting rural villages shoreline activity docked naval vessels and local labor such as fishing and canoe transport. One photograph shows a group of Filipino children and young men gathered along a beach while another captures men and boys navigating shallow coastal waters in a canoe. Hawaiian images include group recreation scenes and coastal landscapes reflecting off-duty life within a major U.S. naval hub. The Roosevelt Birthday Ball coupon printed with the slogan "Dance That Others May Walk" provided access to multiple Honolulu venues and connects the album to wartime charitable campaigns supporting polio treatment through organized social events. Created during the closing campaigns of the Pacific War and the first year of U.S. postwar presence in the Philippines the album situates an enlisted sailor within a broader military and geopolitical transformation that included amphibious warfare territorial reoccupation and the reestablishment of American administrative and logistical systems. The Philippines served as a critical site of both combat and reconstruction while Hawaii functioned as a central staging and support base for naval operations. The inclusion of both official documentation and leisure-related ephemera demonstrates how military service encompassed bureaucratic recordkeeping mobility across strategic locations and participation in organized morale and fundraising activities tied to the American home front. Light wear to album covers minor handling and edge wear to photographs with images remaining sharp; service certificate shows toning and wear; pages largely intact. Overall very good condition. unknown
1945réf. 212431945. World War II Philippines photo album 1940s documenting United States Army Forces Far East activity and civilian conditions in Luzon during Japanese occupation and subsequent military operations. The album records military presence infrastructure damage and daily life among Filipino civilians providing visual evidence of the Pacific Theater at a critical stage of conflict. The material captures both organized military environments and surrounding local landscapes situating the campaign within its geographic and social context. Album comprises 48 silver gelatin photographs each measuring approximately 3" x 4.25" mounted on 8 loose black album pages within faux brown leather covers measuring approximately 10.5" x 12". The photographs depict a range of wartime and civilian scenes including damaged buildings rural and urban environments and Filipino civilians engaged in daily activity. Several images show U.S. soldiers stationed at an encampment with rows of tents including one photograph of a Filipino man possibly affiliated with the Philippine Scouts posed in front of a tent. Additional photographs depict large U.S. naval vessels alongside smaller wooden boats occupied by Filipino men and women approaching or departing from these ships. Other images capture natural landscapes including volcanic terrain and cloud formations above Luzon. The sequence of photographs reflects both military occupation and local life with visual emphasis on interaction between American forces and Filipino civilians. Created during the prolonged conflict in the Philippines where American and Filipino forces resisted Japanese occupation from 1941 to 1945 these photographs provide a record of conditions during one of the most significant campaigns in the Pacific Theater. The images reflect both the presence of U.S. military operations and the lived environment of the island during wartime. Album pages are loose within covers; photographs remain clean and well-preserved with minimal wear; overall very good condition. This album offers a concentrated visual record of wartime Luzon and the intersection of military and civilian experience. unknown
1944réf. 220931944. 40th Infantry Division Pacific campaign photograph album documenting combat operations and daily military life of U.S. Army forces during World War II. The 40th Infantry Division served extensively in the Southwest Pacific Theater participating in campaigns across New Guinea New Britain and the Philippines as Allied forces advanced against Japanese defensive positions. The photographs record amphibious landings artillery operations destroyed towns and the collaboration between American troops and Filipino guerrilla forces during the campaign to liberate the Philippines. The album therefore documents the operational environment of Pacific warfare including jungle terrain fortified Japanese defensive networks and the logistical systems required to sustain prolonged combat across island battlefields. Photograph album containing approximately 200 original black and white photographs documenting operations of the 40th Infantry Division during the Pacific campaigns of World War II. Each photograph is sequentially numbered in white ink at the lower corner and corresponds to descriptive entries in a photographic index within the album. Early images depict American Red Cross workers disembarking from landing craft and greeted by U.S. soldiers illustrating the presence of female support personnel assigned to medical and relief operations. Additional photographs record amphibious landing scenes aerial views of destroyed towns in Luzon artillery and tank operations and soldiers operating mounted machine guns overlooking jungle valleys. Several images depict Japanese military casualties reflecting the intense close combat that characterized fighting across the Pacific islands. A printed military map within the album shows Japanese tunnel and cave fortifications in the Zambales Mountains illustrating defensive positions encountered during operations in the Philippines. The album also documents logistical and civilian dimensions of the campaign. Photographs show ships unloading cargo Filipino guerrilla units marching through urban streets and groups of local porters assisting Allied forces in moving supplies through mountainous terrain. Weapons and equipment visible in the images include field artillery pieces mortars and armored vehicles such as the M4 Sherman. One photograph depicts African American soldiers accompanied by scout dogs operating in jungle terrain illustrating the presence of Black servicemen serving within the segregated structure of the wartime U.S. Army. Other photographs show tent encampments mess areas interactions with local populations and the recovery of prisoners of war following combat operations. The photographs collectively present a visual record of combat logistics and daily military life during the Pacific campaigns. Album contains approximately 200 photographs with indexed numbering. Light handling wear visible to album and photographs consistent with wartime field compilation. Overall condition very good. unknown
réf. SONG0857287761Used: Good unknown
réf. B9781019761595Hardback. New. hardcover
réf. B9781020886898Hardback. New. hardcover
réf. B9781020462283Hardback. New. hardcover
réf. B9781020446719Hardback. New. hardcover
réf. DADAX1742705634New unknown
réf. SONG1742705634Used: Good unknown
réf. SONG153810394XUsed: Good unknown
réf. SONG0333726170Used: Good unknown
réf. SONG0190924705Used: Good unknown
réf. SONG0190920602Used: Good unknown
1944réf. 159501944. United States Marine Corps photo album 1944-1945 documenting Marine service in the Pacific Theater during the final campaigns against Japanese forces including visual evidence of combat environments military infrastructure and daily life during Allied advances toward the Philippines. Compiled by an active Marine the album records conditions faced by servicemen during a decisive phase of World War II when United States forces intensified operations to dismantle Japanese control across strategic island territories. The photographs show armed Marines in field settings encampments and operational zones alongside damaged urban structures marked by bullet impacts aircraft staged on active airfields and transportation along jungle rivers providing direct visual documentation of wartime movement occupation and destruction. Photograph album containing 93 silver gelatin photographs and approximately 30 postcards assembled by a United States Marine serving in the Pacific Theater. Images depict Marines in group portraits at base camps informal scenes of soldiers at rest and aircraft on airfields including fighter planes with visible nose art. Additional photographs document jungle landscapes river travel using local barges and built environments showing structural damage consistent with recent combat. The album includes interactions between American servicemen and local civilian populations as well as images of local animals such as dogs and monkeys. Postcards depict illustrated views of Marine bases and wartime scenes several addressed to the compiler's family in Georgia. Laid into the album are photographic negatives newspaper clippings reporting wartime developments military documents and a ribbon extending the documentary scope beyond the mounted photographs. Produced during the closing phase of World War II this album aligns with major United States Marine Corps operations supporting the liberation of the Philippines in 1944 and 1945 and the broader Allied campaign across the Pacific. Marine aviation and ground units operated from forward airfields and temporary encampments such as those depicted here sustaining continuous engagement with Japanese forces while navigating tropical terrain and heavily damaged urban zones. The inclusion of civilian encounters and informal group scenes adds dimension to the study of occupation dynamics and servicemen's daily routines within active war zones. Album pages detached from original ties with some tearing and evidence of missing photographs light wear throughout; overall fair to good. A substantial primary visual record of Marine experience during the final stage of the Pacific War. unknown
1902réf. 311327np 1902. 5-67 manuscript pages on the rectos of unbound sheets. 8 x 5 inches. Lacking the first 4 leaves and an indeterminate number at end several leaves quite worn each crudely taped or pasted to modern paper and then crudely cropped at the top edge without loss of text. 5-67 manuscript pages on the rectos of unbound sheets. 8 x 5 inches. This account consists of pages five to sixty-seven of what appears to be a diary or copied letters of an unnamed soldier in the 21st United States Infantry. The author who may have been a corporal remains unidentified by name. The account begins in August 1898 at Camp Hobson Lithia Springs GA; in September he is transferred to Plattsburgh NY rejoining the bulk of his regiment which had suffered heavy losses in Cuba. The Philippine-American war ran from February 1899 to July 1902 and was regarded as a continuation of a war for independence by the Philippines and as an insurrection by the United States of America. This account spans the duration of it providing rich detail on topics ranging from food to the war-ravaged environment and American-Philippino interactions both on and off the battlefield. An epic train ride across the country and then a boat from San Francisco brought the 21st US Infantry to Manila on 11 May 1899 in the fourth month of the conflict. The author mentions shipboard conditions an engine breaking down and comments "We caught 4 sharks in our trip. The largest was 12 feet long and took the whole crowd to land him aboard. the men used the bones for rings and pen holders and in fact every thing you could think." Their first combat was the capture of an insurgent outpost at Guadaloupa Ridge on 9 June 1899 where they "joined General Lauter's Flying Column . with eight chinamen to carry our rations." The description of this combat and its aftermath pages 33-41 is the most dramatic passage in the memoir. The writer was sent with another soldier to gather up some supplies that had been left behind but they were separated from the regiment with no food or water. They made a makeshift fort from some old haversacks and brush when they were unable to return to the trenches that night. The author describes scavenging after battle as follows: "About 10:00 oclock there was several chinamen came looking around and picking up what-ever they seen. They came to close to us to suit me and we shot 4 and the rest ran away." Going out in search of water at about four in the morning despite ongoing fire the author found several dead and mortally wounded soldiers from a black regiment including a graphic description of one man who had been shot at close range and had a hole the size of a fist in his belly and was covered in blood. Of the only survivor the author says: "Found one poor cuss shot through the hip. He could not move. I gave him some hard tack and he gave me water then I went back to our haversacks." Another disoriented soldier whom the author names as H. McBain was found wandering without most of his clothing brandishing a bottle of wine and an axe. After waiting until the 11th for a reclamation detail the author and his companion crawled through the brush for a mile to San Peter McCarty and eventually rejoined their regiment at Los Penes where their captain threatened to have them court-martialed for losing their haversacks. Later while hospitalized the author was befriended by Señora Edna Luna cousin of an insurgent general who took him out riding daily: "She was stuck on me and that is no lie. I think I ought to go back and hook up with her as she has all that is required. She is hansome & plenty of money" page 45. The author -- first too ill to be moved then put in a wheel chair and with trouble with his vision -- was transferred back to the States on 15 May 1900 page 48 by way of Nagasaki May 21 1900 and Yokohama arrived in San Francisco on June 9 1900 then was sent to recover at Hot Springs Arkansas concluding in Vancouver Barracks Washington circa July 1901. Some of the pages are torn and some text is lost at the bottom edges due to wear but the handwriting is clear and the voice of the author shines through. This narrative though it took place before World War One reads more akin to a Vietnam War narrative than a Civil War diary in tone and disregard for authority and the morality of war. unknown
1975réf. 90050Quezon City: Task Force on Human Settlements Developments Academy of the Philippines 1975. Paperback. Good. illustrations 166p. Softcover in original wrapper. 28 cm. Text printed on one side. Some cover foxing/spotting. Modest staining along fore-edge. Institutional stamp on cover and title-page. Contents sound. Task Force on Human Settlements, Developments Academy of the Philippines paperback
1941réf. 52747Manila: Bureau of Printing 1941. First edition 8vo pp. 59 1; self wrappers; front wrapper unevenly toned; an Ayer Linguistics duplicate with a Newberry release stamp inside the front wrapper; no other markings. Text is in both Cebuano and English and was prepared for publication as the United States entered World War II. Bureau of Printing unknown
réf. DADAX1786574705New unknown