36 résultats
2006réf. 64115KyÅnggi-do P'aju-si: An Gŭrap'iksŭ 2006. Large 8vo pp. 260; illustrated throughout mostly in color; fine copy in original red cloth and publisher's slipcase. Parallel text in English and Korean. Korean treasures from the Paleolithic Age to the 19th century including furniture ceramics textiles paintings manuscripts etc. An Gŭrap'iksŭ unknown books
1986réf. 65283Seoul: Sanhe Publishing 1986. Square 4to pp. 155 1; text in Korean; color text illustrations throughout; full green cloth gilt title on spine; fine in fine dust jacket and slipcase. During the Joseon Choson period the government sent a number of envoys to Japan for diplomatic missions. Those missions were met with intense curiosity by the local Japanese and became the subjects of many works from paintings to popular prints. Sanhe Publishing unknown books
réf. 7461Two parts in one vol. Small folio orig. wrappers somewhat tired & a little soiled some light staining & soiling here & there manuscript title on upper cover later stitching. Hansong Seoul: Kyujanggak the Royal Library Preface dated 1793 & 1796. First edition of this handsome and large-format 323 x 217 mm. royal publication. King Chongjo 1752-1800 was one of the most intellectual and enlightened of the Korean monarchs. Perhaps Korea’s greatest bibliophile as royal patron he supported all aspects of the book: typographers printers authors librarians and lexicographers. A number of “royal” editions were published under his auspices. He founded the Kyujanggak Library in 1776 now part of the library of the Seoul National University. “The official rhyming dictionary of Chinese characters compiled under the supervision of King Chongjo and engraved in 1796. The arrangement is different from the usual Korean system in that instead of three rows of characters in the same rhyme there are four rows with the ipsÅng characters distributed in the bottom row” Fang The Asami Library 12.3. The main compiler of this work was the reformer Tong-mu Yi 1741-93 who had travelled to China and was an important member of the Northern Learning School. This group of intellectuals recognized the practical benefits of commerce and technology and urged the modernization of Korean society. Yi was appointed by King ChÅngjo as one of the famed four editors of the Royal Library overseeing the publication of books. A very nice copy. References Fang Chaoying. The Asami Library: A Descriptive Catalog. Edited by Elizabeth Huff. Berkeley: University of California Press 1969. unknown books
réf. 11191. 1 p.l. 4 25 34 29; 37 30 28 folding leaves. Six kwÅn in two volumes. Small folio 360 x 223 mm. orig. wrappers some wear & rubbing handwritten title on covers orig. stitching. HansÅng: Kyujanggak ca. 1799. A royal gift presented by the king of Korea. In 1794 King ChÅngjo 1752-1800 of the ChÅson dynasty compiled and had printed a collection of the letters of the great Neo-Confucian philosopher Zhu Xi 朱熹 1130-1200 to be disseminated throughout his kingdom. As King ChÅngjo wrote on this occasion “the learning of Master Zhu in its expansive and oceanic plentitude is best represented by his collected writings; the writings of Master Zhu in their utmost subtlety and precision are best represented by his personal correspondences” “ChusÅ paeksÅn yukkwÅn” 朱書百é¸å…å· in Hongjae chÅnsÅ 弘齋全書 Collected Writings of King ChÅngjo kwÅn 180. Drawing from a number of established collections he selected 100 letters and carefully arranged them “beginning with the letter to Yanping 延平 i.e. Li Tong æŽä¾— 1093-1163 Zhu Xi’s teacher to pronounce his lineage of instruction and ending with the letter to Zhiqing ç›´å¿ i.e. Huang Gan 黃干 1152-1221 Zhu Xi’s disciple to demonstrate the bestowment of teachings.” That 1794 edition with moderate marginal annotations on “personal and place names as well as philological glosses and references” was sent to be printed with the chÅngyuja ä¸é…‰å— metal type cast in the year 1777. Printed copies were sent to various official printing houses throughout the kingdom and used as models to carve woodblocks for a xylographic edition ibid. Sometime around 1799 realizing that in the capital only metal type copies of the book remained the king ordered woodblocks to be made locally as well for the work so that more copies could be printed and distributed ChÅngjo “Sinin ogyÅng…” æ–°å°äº”經… in Hongjae chÅnsÅ kwÅn 36. Most woodblock re-editions of this work retain the original title-page which contains not only the title Royal Edition of a Hundred Selected Letters of Zhu K. ŎjÅng chusÅ paeksÅn å¾¡å®šæœ±æ›¸ç™¾é¸ but also the inscription in seal script that reads ç”²å¯…å…§é–£æ´»å° — “palace edition printed with movable type in the kabin year 1794.” This title-page compounded with the absence of any additional paratextual information likely resulted in the description of these woodblock re-editions as the original metal type 1794 edition in spite of lacking the features of metal typography. We have carefully examined our copy and found that it was likely printed with the woodblocks carved around 1799 undoubtedly through the cannibalization of a typographic copy and kept within the royal library. Certain qualities of our copy make it distinctive: not only are the cursive characters rendered with impressive clarity the marginal annotations mentioned in King ChÅngjo’s edict are also preserved in faux-manuscript style — a feature absent in some other copies we have consulted erroneously described as the 1794 edition. The best evidence that our copy was printed by the royal library K. kyujanggak 奎章閣 of course is the fact that it was a royal gift K. naesabon 內賜本 presented by the king himself to notable officials or individuals in this case an examinee from SuwÅnbu 水原府. The “Record of Presentation” K. naesagi 內賜記 is handwritten on the front endpaper of the first volume as usual and is dated to the second month of Xianfeng 5 1855. However both the name of the recipient and the official responsible for the Record have been obscured. A name Im Hŭi-ji 林熙之 is written next to the name of the recipient but in a clearly different hand and ink. Records of the Royal Secretariat K. SŭngjÅngwÅn ilgi 承政院日記 states that on the 29th day of this month copies of the Hundred Selected Letters were indeed bestowed to six examinees but all their names are not given. On the first leaf of the table of contents and facing the title-page is the Seal of Presentation K. naesa’in å…§è³œå° which reads å¥Žç« ä¹‹å® Treasure of the Kyujanggak. This seal was used for presentation copies roughly between 1782 and 1894 as shown by Lee & Song in “A Study on Naesabon Preserved in Kyujanggak” in Journal of Korean Library and Information Science Society 43 no. 2. This book is rare outside of East Asia. We find three copies under WorldCat 35891835 with a misspelled title and described as the 1794 edition on account of the aforementioned title-page which our copy also possesses. None of them is described as a presentation copy. Very good set. Some occasional soiling and dampstaining. Unimportant worming mostly marginal. ⧠King ChÅngjo Hongjae chÅnsÅ 弘齋全書 in Han’guk munjip ch’onggan 韓國文集å¢åˆŠ digital access via krpia.co.kr. unknown books
réf. 889392.5; 95 folding leaves. Two vols. Small folio orig. yellow-brown patterned wrappers some soiling to wrappers old stitching. ChÅnju today’s Jeonju: 1795 or possibly later. A selection of 100 letters written by Zhu Xi 1130-1200 the great synthesizer of the philosophical school known as Neo-Confucianism. Zhu Xi who lived in southeastern coastal China far from the center of power became extremely influential in East Asia for centuries following his death. His interpretation of Neo-Confucianism a metaphysically argued philosophy of the self the family and the state became official orthodoxy in late imperial China and ChosÅn Korea promulgated largely through the civil service examination system. However there were challenges to its primacy from intellectuals especially from the 18th century onward. “In the opinion of many historians the Song’s preeminent philosopher Zhu Xi outshined Confucius himself. He was the only person in Chinese history apart from Confucius and Mencius whom the official hagiography addressed as Master” Kuhn The Age of Confucian Rule 103. Given Zhu Xi’s standing in Korea several collections of excerpts from his works were published beginning in the 16th century. On account of its authorship Royally Authorized Selection of One Hundred Letters by Zhu Xi became one of the most widely circulated such collections for the last century of the ChosÅn period. According to the court chronicle the culturally ambitious King ChÅngjo 1752-1800 himself made the selection on the basis of Zhu Xi’s collected works a voluminous oeuvre that numbered 2354 pieces of writing in one scholar’s recent count. Text-critical notes e.g. on place names personal names official titles and expressions that might be unfamiliar to Korean readers were then added by four high civil officials which were printed in the upper margin of the text. The book was finished on the 25th day of the 12th month of the 18th year of ChÅngjo’s reign Qianlong 59 which corresponds to 15 January 1795. While most of the 18th year corresponds to 1794 it is incorrect to date the book to that year. The book was first printed in Seoul with metal movable type — the so-called chÅng’yu cha ä¸é…‰å— set of type cast in 1777 the chÅng’yu year when ChÅngjo ascended the throne. Further editions were subsequently published at several provincial offices using woodblocks intended for wide dissemination among the educated elite. Our copy belongs to one of these provincial woodblock editions. The title-page says ŭlmyo wanyÅng kan’in ä¹™å¯å®Œç‡ŸåˆŠå° meaning that it was printed in 1795 the ŭlmyo year in the provincial government offices at ChÅnju Jeonju in what is now southern South Korea. However it is possible that the actual copy was struck later than that date as the blocks remained on the site. They were moved to the local official Confucian school in 1899 where they remain today. Fine set of a very rare book. Minor staining and soiling at beginning and end of each volume. ⧠WorldCat accession number 874756267. References Kuhn Dieter. The Age of Confucian Rule: The Song Transformation of China. Cambridge: Mass.: Harvard University Press 2011. unknown books
réf. 11384. 1 46 folding leaves. Small folio 346 x 227 mm. orig. yellow semi-stiff wrappers lightly rubbed title in manuscript on upper cover old stitching. HansÅng: Un'gak 1773. First and apparently only printing of the official record of "linked songs" composed at the royal banquet of elders on the occasion of King YÅngjo's r. 1724-76 80th birthday in 1773 printed the day after the banquet and presented to its guests. The title is not in WorldCat or KORCIS; we locate only two other copies both in Korea. In the intercalary third month of the 50th year of his reign King YÅngjo - the longest reigning monarch in ChosÅn history - held two birthday banquets within the KyÅnghŭigung 慶熙宮 palace complex. According to the colophon the first was a banquet of high-ranking officials held at the SungjÅng Hall 崇政殿 on the first day of the month. The second which took place a day later was a gathering of elders at the Kimsang Gate 金商門 "to reminisce about the events of the kingdom's past." The suggestion for these banquets came from the Grand Heir wangseson 王世孫 enthroned as King ChÅngjo in 1776 and was accepted by King YÅngjo only reluctantly. The high-ranking official SÅ MyÅng-ŭng å¾å‘½è†º 1716-87 who composed the colophon describes the festive banquet of elders as follows: "On this day the rain ceased and the sky cleared. A gentle breeze blew softly. Looking up at the throne one saw the King standing tall beneath the colorful canopies the table to his left and staff to his right. Looking down at the banquet hall one saw white-haired elders and toothless seniors their faces glowing amidst the delicacies. When the bells and drums were about to sound and the cups were not yet raised the elderly commoners delighting in this joyous gathering cast aside their staffs and rose to dance. Stooping and stumbling they advanced forward while shouting: 'May the King live a thousand years!'" King YÅngjo smiling at this sight composed a short verse that invoked the famous Song of Great Wind Ch. dafeng ge 大風歌 of Liu Bang 劉邦 256-195 B.C.E. the first king of the Han dynasty likewise written during an auspicious gathering of elders. He then asked the Grand Heir and other officials at the banquet to each compose a song echoing his own in three enneasyllabic lines ending with the sinographs sul 述 baek 百 and Åk 億 respectively. The sequence of "linked songs" thus composed - together with the names and positions of their authors - were collected and printed to ensure the longevity of their transmission. The colophon continues "King Gao of the Han in the prime of his life happily celebrated with the elders of his village. This was of course a common occurrence. Yet he did not know that throughout the four quarters of the realm ritual and music take precedence; instead he was preoccupied with recruiting fierce warriors.Now our sovereign achieving the seniority of Yao and Shun observes the flourishing rites of Yu and Xia. The sagely ruler honors the longevity of his subjects and his subjects likewise revere the longevity of the sage ruler. This is truly something unheard of among the rulers of the Han and Tang dynasties." SÅ MyÅng-ŭng believes that the format of linked songs which brought together King YÅngjo and his subjects through reciprocal "winds of transformation" K. p'unghwa 風化 elevated this Korean banquet above its various Chinese precedents and into closer proximity to the sagely rites of old. Writing on the transregional tradition of linked songs in East Asia Amy Y. Zhang observes the "ubiquitousness of linked verse as a potential means of constructing defining and negotiating community" and when adapted by the Korean monarchy it became "a way to cultivate harmonious relations with his subjects and to ensure continued prosperous rule"-Zhang "Writing Communities into Being: The Art of Linked Verse" PhD diss. Harvard 2025 pp. 243-44. Based on the presentation inscription on the front endpaper in our and another copy see below the woodblocks for the Record were likely carved overnight so that imprints could be distributed to guests of the banquet the next day "the third day of the intercalary third month of the 38th year of the Qianlong reign." The title-page states that the woodblocks were carved at Un'gak 芸閣 i.e. the kyosÅgwan 校書館 the royal printing house and kept within the royal archives K. sago å²åº«. Our copy was presented to Sin U-sang 申禹相 1730-99 the Assistant Director of the Ministry of War K. pyÅngjo chwarang 兵曹ä½éƒŽ whose name together with the song he had composed at the banquet appears on f. 36r of the Record. Facing the title-page and on the first leaf of the royal Preface is the Seal of Presentation K. naesa'in å…§è³œå° which reads sÅnsajigi 宣賜之記. The oldest of five seals of presentation used throughout ChosÅn history the sÅnsajigi seal appears in royal presentation copies from 1534 to 1778 as Lee & Song demonstrate in "A Study on Naesabon Preserved in Kyujanggak" in Journal of Korean Library and Information Science Society 43 no. 2. The title though recorded in traditional Korean bibliography is not in WorldCat or KORCIS. We locate only two other copies one held at the Academy of Korean Studies in SÅngnam call no. MF35-2211 and the other at the Sudang kot'aek ä¿®å ‚å¤å®… residence of the Yi clan in Yesan. The front endpaper of the Academy of Korean Studies copy is not digitized while the Sudang kot'aek copy bears a similar royal presentation inscription dated to the same day as our copy. It was presented to Yi Su-il æŽç§€é€¸ 1705-79 whose composition is recorded on f. 30r-v. Excellent copy a few leaves lightly stained on upper corner. unknown books
réf. 942941 folding leaves. Large 8vo 337 x 206 mm. orig. semi-stiff wrappers new stitching. Korea: Simdo æ²éƒ½ 1756. First edition and rare; WorldCat lists only one printed copy at Berkeley. This book of exhortations on good government with striking royal calligraphy was written by King YÅngjo or Yeongjo of ChosÅn 1694-1776 in 1756. At this time YÅngjo was commemorating the death of his father the previous king. According to Fang Chaoying 1908-85 YÅngjo then in his 65th year “could not foresee that he was to live twenty more years and so it appears that he was trying to justify himself in his own mind with regard to posterity as well as to the ancestors whom he expected to face any day” The Asami Library 115. YÅngjo offered three main principles for a king to follow: “to venerate Heaven to love the people and to treat the officials with respect” ibid. Large standard script characters written by the king himself are reproduced in the beginning of the book. The king’s brush records Confucian assertions such as “the following of human nature is called the Way / the cultivation of the Way is called instruction.” Accepting the Mencian dictum that human nature is inherently good the king continues: “I possess the good human nature / to realize the bright mandate of Heaven.” The main text of the book is reproduced in the handwriting of the important scholar-official SÅ MyÅng-ŭng or Seo Myeong-eung å¾å‘½è†º 1716-87. SÅ wrote in many genres and had a cosmopolitan outlook. For example he wrote a Preface to one of the major multilingual lexicographical works produced in ChosÅn in the 18th century see Söderblom Saarela “Mandarin over Manchu” 379-80. Very fine and fresh copy beautifully printed. References Fang Chaoying. The Asami Library: A Descriptive Catalog. Edited by Elizabeth Huff. Berkeley: University of California Press 1969. Söderblom Saarela Mårten. “Mandarin over Manchu: Court-Sponsored Qing Lexicography and Its Subversion in Korea and Japan.” Harvard Journal of Asiatic Studies 77.2 2017. unknown books
1976réf. 73345Seoul 1976. 7½" x 5" pp. 703 1; decorative endpapers with musical motif printed music lyrics in Korean; fine copy in original limp black leatherette stamped in gilt on spine and upper cover sprinkled edges. 671 hymns with English indexes. unknown books
1980réf. 160792Santa Monica: Hermes Productions 1980. Draft script for an unproduced film. Noted as "MASTER" in manuscript ink and copy No. 8 in manuscript pencil on the title page. A military drama about a coed group of US Marine recruits in San Diego. Screenwriter Nicholas Corea better known for his work on "The Incredible Hulk" television series enlisted as a Marine during the Vietnam War and was awarded a Purple Heart. Red titled wrappers with credit for screenwriter Nicholas Corea. Title page present undated with credit for screenwriter Nicholas Corea. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Hermes Productions unknown books
1989réf. 154362Seoul Korea: International Cultural Society of Korea 1989. Hardcover. VG-. Crimson cloth gilt letters on spine & front cover burgundy and color illus. dust jacket illus. flyleaves 504 pp. many color and BW illus. color illus. cardboard slipcase. Details works of Korean art found in 13 collections: The Newark Museum Metropolitan Museum of Art Minnesota Museum of Art and University Art Museum Birmingham Museum of Arts Museum of Fine Arts Boston The Brooklyn Museum Asian Art Museum of San Francisco Peabody Museum of Salem National Museum of Natural History at Smithsonian Institution Indianapolis Museum of Art Fogg Museum at Harvard University Honolulul Academy of Arts and Mr. Robert Moore Collection. Beautiful color plates. Uncommon. International Cultural Society of Korea hardcover books
1998réf. 9026714Seoul Korea: Korea Foundation 1998. Hardcover. Fine. Bound in publisher's original blue cloth stamped in gilt on spine cover and back. Book is in attractive original slipcase printed with colorful historic Korean art. Decorated end-papers and glossy pages featuring fine photograpns of Korean art relics throughout many in color captioned in both Korean and English. Korea Foundation hardcover books
1979réf. 13144Seoul Korea: Kwang Myong Publishing Co 1979. Second edition. Hardcover. vg. Folio. 398pp. Gilt stamped beige cloth with gilt lettering to spine in original dj. Tail of spine slightly bumped. Minor creasing and chipping to dj. "This book contains the essence of Korea's glorious artistic tradition which has been handed down from generation to generation throughout an unbroken history of fifty centuries. This tradition may be classified into genres such as painting sculpture lacquered woodcraft personal ornament Buddhist art ancient tomb artifacts ceramics stone and wooden architecture". Illustrated with full page color and b/w photographs. Dj in good book in very good condition. Kwang Myong Publishing Co hardcover books
2006réf. 131250Seoul Korea: National Museum of Korea 2006. Softcover. VG boards slightly rubbed. Black printed boards with bw illus. 231 p. : illustrates in color and BW. Includes some maps. In Korean and English. "The new world class building of the National Museum of Korea was designed and built by the Koreans' own hands and opened in 2005. The museum is an embodiment of the Korean architectural spirit reinterpreted for modernity." National Museum of Korea paperback books
1987réf. 1007141987. VG- slight soiling. Illustrated glossy wraps. 26 pp. 11 large color plates one bw portrait. Text is in Korean and English. Includes chronology. paperback books
1978réf. 204410San Bernadino: Los Padrinos of Southern California 1978. Magazine. 52p. includes covers. 8.5x11 inches photos ads stories very good magazine in stapled pictorial wraps. Cover story "Are Chicanos Getting Adequate Youth Services Los Padrinos of Southern California unknown books
1978réf. 202200San Bernadino: Los Padrinos of Southern California 1978. Magazine. 52p. includes covers. 8.5x11 inches photos ads stories very good magazine in stapled pictorial wraps rubberstamp on front cover. Cover story " Are Hispanic Seniors Getting Their Fair Share Los Padrinos of Southern California unknown books
1954réf. 73008New York: Columbia University Press 1954. Large 8vo pp.xviii 428 10; 5 maps in text; full gray cloth top edge dyed blue; small pen note on free endpaper else fine. Columbia University Press unknown books
1985réf. 145179Los Angeles: CBS / Universal City Studios 1985. Draft script for the 1986 pilot episode for the television show "Outlaws." A sheriff and his deputies are transported from the year 1899 into the future by a lightning storm and they establish a new life as private detectives. Set in Houston in 1899 and 1999. Gray titled wrappers. Title page present noted as production No. 86084 dated November 26 1985 with credits for screenwriter/executive producer Nicholas Corea. 123 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with three gold brads. CBS / Universal City Studios unknown books
1873réf. 168911873. Original Map Asia: China Korea Thailand India Taiwan Malaisia Kuwait Arabia 1873 With The Title "Asia" in the left corner. Origin of the Map is from the "Stieler's Hand-Atlas." continent-based upon von Stulpnagel published in Gotha by Justus Perthes. Germany. Beautifully Hand Colored. Date of issue: 1873. Size: The sheet measures aprox 18 in x 15 in or 45 x 37 cm. Overall very good condition. unknown books
2008réf. 176692Seoul: Cultural Foundation of National Museum of Korea 2008. CD-ROM. As new in shrinkwrap. Red slipcase 2 CD-ROMs ; 4 3/4 in. program guide CD-ROM index. Title from disk surface. "Includes 209 objects in the collection of the National Museum of Korea 13 video clips and 7 pieces of music."--Program guide. System requirements PC: Pentium 4 64 MB RAM resolution 1024 x 768 CD-ROM 8x Windows XP / Vista.; System requirements Macintosh: Power PC G4 867MHz 512 MB RAM resolution 1024 x 768 CD-ROM 8x Mac OS X recommended system Mac OS X 10.5 Leopard. Cultural Foundation of National Museum of Korea unknown books
réf. 37501One page of text in Japanese and English. 105 plates on 45 pages many in color. 1 vols. Small Folio. Loose in cloth portfolio. Minor wear to portfolio plates fine. One page of text in Japanese and English. 105 plates on 45 pages many in color. 1 vols. Small Folio. unknown books
réf. 9430Four leaves of illus. 30 folding leaves. Large 8vo 305 x 208 mm. orig. yellow semi-stiff wrappers upper wrappers somewhat soiled both wrappers with some worming new stitching. Korea: 1765. First edition of this book published on royal command by King YÅngjo of ChosÅn. The book was compiled by Kim Kwi-ju 金龜柱 1740-86 the older brother of Queen Consort ChÅngsun 1745-1805. The royal Preface is furthermore written in Kim’s standard script calligraphy. Years after the compilation of this book factional intrigue under YÅngjo’s successor ChÅngjo led to Kim being exiled after which he soon died. Our book outlines sacrifices at the Confucian temple in Seoul including the KyesÅng å•“è–ç¥ and SongjÅl 崇節祠 shrines. The KyesÅng shrine built in 1669 was the site of sacrifices to the fathers of several Confucian sages including Confucius and Mencius. At the temple as a whole a number of Chinese and Korean Confucian sages and worthies were worshipped. The book contains illustrations outlining the layout of the shrines with the placement of the tablets for the various Confucian scholars marked with their names. The royal Preface is dated 1765. Ordering the compilation of a record of past exemplars apparently made the king reflect on his own character and actions. He wrote “when I with my shallow learning recite the writings of the sages and worthies but remain unable to learn the Way of the sages and worthies and when I admire the deeds of the sages and worthies but cannot act in their manner it is like knowing what something tastes like but not get to eat it or like knowing the road but being unable to follow it. Even though I might laugh at people of the past why would people of the future not laugh at me too” Minor worming mostly marginal towards end. See WorldCat 855527023 for a digital copy. unknown books
1971réf. 92085Seoul Korea: Seoul: Korean National Commission for UNESCO 1971. Hardcover. Very Good. illustrations some color index 159p. Original blue cloth. Oblong 24 x 26 cm. Modest cover soil and wear. No jacket. Inscription dated 1978 in Korean on front free endpaper. Seoul: Korean National Commission for UNESCO hardcover books
2021réf. 204344Seoul: Korea Arts Management Service 2021. Softcover. VG. A glossy softcover book with black text down a white spine. Pages: 3 4-332 4. Profusely illustrated with color images. Text in Korean and English. "Created in 2020 as an online platform for artists and galleries unable to hold face-to-face events due to the pandemic." Artists include: Mi Rim Chu Hyekyung Ham Yunsoo Kim Mingyu Song Haiminsun Lee Sanghoon Ahn Jeong-ju Jeong Unui Jang MinJeong Guem and Suniy Im. Korea Arts Management Service paperback books
1992réf. 90017Seoul: Yesul ui Chondang 1992. Paperback. Very Good. color illustrations 86 unnumbered pages. Softcover in original wrapper. Square 25 cm. Light crease along left side of front cover. Korean and English text. Catalog of an exhibition held at Art Grand Hall Sept. 23-Oct. 4 1992. Yesul ui Chondang paperback books
