1.400 Ergebnisse
1856Best.-Nr. E05603 volumes: xvii1537 pages with 90 lithographs plates including the usual expunged bathing plate many in color including 3 "facsimiles" of Japanese woodblock prints 2 folding; 6 maps and charts 2 folding; 79 woodcuts in the text; 2414414-1xi pages with 4 color lithographs of Chinese scenes; 2 uncolored natural history engraved plates; 6 hand-colored lithographs of birds; 10 hand-colored steel-engravings of fish; 5 lithographs of shells 2 hand-colored; 16 diagram plates of winds and currents; 14-page facsimile of Japanese language version of the U.S.-Japan treaty; 17 folding charts on 16 sheets; numerous woodcuts in the text; xliii17051 pages woodcut star charts throughout. Volume III titled "United States Japan Expedition. Observations on the zodiacal light from April 2 1853 to April 22 1855 . by Rev. George Jones A.M. chaplain United States Navy". Quarto 11½ x 8 ¾" bound in the original blind stamped cloth. Volume 1 rebacked with the original cloth spine laid down. Hill 1332; Sabin 30968 Stabbed signature of the author included. First edition of the House Issue. Detailed and profusely illustrated account of Perry's expedition to open Japan to the West; Upon his return to the U.S. his chief duty for the following year was to compile his reports of the expedition aided by Francis Hawks. The first volume has the account of the voyage and lithographs of the travel; the second volume has the natural history reports by D.S. Green and others and includes hand-colored plates of Japanese fishes and shells. In addition to the artist W. Heine from whose drawings a great number of the lithographs were made the daguerreotypist E. Brown Jr. went on the expedition taking what were undoubtedly the earliest photographic images of Japan many of them reproduced lithographically in this work. This copy with the nude bathing plate which was not included on the list of plates and not issued in all copies. In advance of his voyage to the Far East Commodore Perry read widely amongst available books about Tokugawa Japan. His research even included consultation with the increasingly well-known Japanologist Philipp Franz von Siebold who had lived on the Dutch island of Dejima for eight years before retiring to Leiden in the Netherlands. In 1852 Perry embarked from Norfolk Virginia for Japan in command of a squadron in search of a Japanese trade treaty. Aboard a black-hulled steam frigate he ported Mississippi Plymouth Saratoga and Susquehanna at Uraga Harbor near Edo modern Tokyo on July 8 1853. His actions at this crucial juncture were informed by a careful study of Japan's previous contacts with Western ships and what could be known about the Japanese hierarchical culture. He was met by representatives of the Tokugawa Shogunate who told him to proceed to Nagasaki where there was limited trade with the Netherlands and which was the only Japanese port open to foreigners at that time. Perry refused to leave and demanded permission to present a letter from President Millard Fillmore threatening force if he was denied. Perry ordered his ships to attack several buildings around the harbor to demonstrate US naval power. The Commodore was fully prepared for more hostilities if his negotiations with the Japanese failed and threatened to use unrestrained fire if the Japanese refused to negotiate. He sent two white flags to them telling them to hoist the flags when they wished a bombardment from his fleet to cease and to surrender. Perry's ships were equipped with new Paixhans shell guns capable of wreaking great destruction with every shell. The Japanese military forces could not resist Perry's modern weaponry; the term "Black Ships" in Japan would later come to symbolize a threat imposed by Western technology. Perry returned in February 1854 with twice as many ships finding that the delegates had prepared a treaty embodying virtually all the demands in Fillmore's letter. Perry signed the Convention of Kanagawa on March 31 1854 and departed mistakenly believing the agreement had been made with imperial representatives. The agreement was made with the Shogun the de facto ruler of Japan. On his way to Japan Perry anchored off Keelung in Formosa modern day Taiwan for ten days. Perry and crew members landed on Formosa and investigated the potential of mining the coal deposits in that area. He emphasized in his reports that Formosa provided a convenient mid-way trade location. Formosa was also very defensible. It could serve as a base for exploration as Cuba had done for the Spanish in the Americas. Occupying Formosa could help the US to counter European monopolization of the major trade routes. President Franklin Pierce declined the suggestion remarking such a remote possession would be an unnecessary drain of resources and that he would be unlikely to receive the consent of Congress. When Perry returned to the United States in 1855 Congress voted to grant him a reward of $20000 in appreciation of his work in Japan. Perry used part of this money to prepare and publish a report on the expedition in three volumes titled Narrative of the Expedition of an American Squadron to the China Seas and Japan. He was also advanced to the grade of rear-admiral on the retired list when his health began to fail as a reward for his services in the Far East. Condition: Wear and fading to cloth large map repair at with archival tape several others with stub tears and splitting to folds; light foxing spine ends rubbed with a few with chips corners bumped and rubbed through. Accompanied with encapsulated and graded signature of the author else good to very good. Due to the size and weight additional postage will be required. A O P Nicholson hardcover books
1914Best.-Nr. 40Smith Elder London 1914. First Edition. Hardcover Original Cloth. Very Good Condition/No Dust Jacket. 1st Edition; This copy is 243 of a limited edition of 350. Volume 1 & 2 were Scott's 1st "Discovery Expedition" whilst this Volume 3 is from his 2nd "Terra Nova" Expedition. Although often sold as a set Volume 3 is a complete book in its' own right. The original broadsheets were produced at Cape Evans to amuse the men on the 'Terra Nova' Expedition. It was designed to be published separately from Volume 1 & 2. Cherry-Garrard was the Editor and typist and Wilson the main illustrator. The 1st issue was presented on Midwinter's Day 1911 the 2nd on 8th September and the 3rd on 15th October. Content included poetry humorous articles illustrations of sledging flags and caricatures. Includes Wilson's moving poem 'The Barrier Silence' and Ponting's hilarious tongue twister 'The Sleeping Bag'. Original covers all page edges gilt. Copiously illustrated drawings in the text and full-page plates from sketches and paintings by E. Wilson H. Ponting and others. Ex Library with stamps on some pages Croydon Library. Spine shaken gutta-percha binding delicate some pages loose as is usual with the 1st Edition. Gutta Percha was used as the binding glue in many early books it is not a difficult job to remove and reback using modern glues The South Polar Times was a magazine written and printed by the members of Antarctic Expeditions during the various voyages they undertook. In 1907 the batches were printed and issued in some 250 copies. The South Polar Times form what is perhaps the most personal of the printed documents to have come out of that most remarkable of periods of Antarctic adventures revealing so many often contradictory aspects of these men's various personalities. It contains a diary of the events of each month a record of the proceedings of the local Debating Society a monthly acrostic humorous notes besides articles of a more solid nature as well as stories sketches of various kinds and poems. One of the corner stones of an Antarctic collection. PLEASE NOTE: This book will incur extra postage and insurance charges. Please contact us for a quote. Limited Edition. Quantity Available: 1. Shipped Weight: Under 5 kilogram. Category: Arctic & Antarctic; Antarctic; 1900-1920; Exploration. Pictures of this item not already displayed here available upon request. Inventory No: 40. . This book is extra heavy and may involve extra shipping charges to some countries. Smith Elder hardcover
Best.-Nr. 7712Several dozen manuscripts in various formats incl. long folded sheets stitched pamphlets sewn volumes and letters. Japan: ca. 1853-63. A substantial group of documents revealing internal high-level debates and discussions in response to Commodore Perry’s landings and later controversies that arose as Western powers established a foothold in Japan. This is an exceptional collection filled with top-secret information on government intrigues as the Japanese state responded to aggressive foreign expansion and dissenting groups within the government urging top-to-bottom reforms. The manuscripts touch upon pivotal events in Japan’s history: –Commodore Perry’s two expeditions July 1853 & February-March 1854 and the resulting ratification of the Treaty of Shimoda. –Japanese translations of the treaties signed with the United States Russia France and the United Kingdom from 1854 to 1858. –The assassination of Ii Naosuke in March 1860 also known as the Sakuradamon Incident which precipitated a violent backlash against foreigners under the banner of Sonno joi “Honor the Emperor expel the barbarians”. –General dissatisfaction with the bakufu and efforts to reform it. –The attempted assassination of Ando Nobumasa a chief councillor during this period. –The Namamugi Incident in September 1862 when the British merchant Charles L. Richardson was killed by Satsuma domain warriors. –The bombardment of Kagoshima August 1863. Among all these materials we must highlight several examples of manuscript kengen proposals and commentaries written by aristocrats with policy advice on the difficult situations faced by the Japanese state. These offer compelling perspectives on the most pressing dilemmas of the day. While they were not composed by the decision-makers these documents are filled with the minutiae and data employed in the policy-making process. All of the items are in a fine state of preservation. â§ John McMaster “Alcock and Harris. Foreign Diplomacy in Bakumatsu Japan” Monumenta Nipponica Vol. 22 No. 3/4 1967 pp. 305-367. unknown
Best.-Nr. 7712Several dozen manuscripts in various formats incl. long folded sheets stitched pamphlets sewn volumes and letters. Japan: ca. 1853-63. A substantial group of documents revealing internal high-level debates and discussions in response to Commodore Perry’s landings and later controversies that arose as Western powers established a foothold in Japan. This is an exceptional collection filled with top-secret information on government intrigues as the Japanese state responded to aggressive foreign expansion and dissenting groups within the government urging top-to-bottom reforms. The manuscripts touch upon pivotal events in Japan’s history: –Commodore Perry’s two expeditions July 1853 & February-March 1854 and the resulting ratification of the Treaty of Shimoda. –Japanese translations of the treaties signed with the United States Russia France and the United Kingdom from 1854 to 1858. –The assassination of Ii Naosuke in March 1860 also known as the Sakuradamon Incident which precipitated a violent backlash against foreigners under the banner of Sonno joi “Honor the Emperor expel the barbarians”. –General dissatisfaction with the bakufu and efforts to reform it. –The attempted assassination of Ando Nobumasa a chief councillor during this period. –The Namamugi Incident in September 1862 when the British merchant Charles L. Richardson was killed by Satsuma domain warriors. –The bombardment of Kagoshima August 1863. Among all these materials we must highlight several examples of manuscript kengen proposals and commentaries written by aristocrats with policy advice on the difficult situations faced by the Japanese state. These offer compelling perspectives on the most pressing dilemmas of the day. While they were not composed by the decision-makers these documents are filled with the minutiae and data employed in the policy-making process. All of the items are in a fine state of preservation. â§ John McMaster “Alcock and Harris. Foreign Diplomacy in Bakumatsu Japan” Monumenta Nipponica Vol. 22 No. 3/4 1967 pp. 305-367. unknown books
Best.-Nr. 224591Paris, Smith et Buisson, 1812-1817 4 vol. in-8, 17 planches, portrait en frontispice du tome 1, demi-basane noire, dos lisse orné en long, plats de moire noire, roulette dorée en encadrement (reliure de l'époque). Dos un peu frotté, coupes usées. Rousseurs et mouillures marginales.
Best.-Nr. 122915Very Good. A large blue-toned carbon print 358 × 430 mm flush-cut on the original thick card mount recently matted visible image size 351 × 423 mm using archival materials ready for framing or long-term storage in its custom-made Mylar sleeve. Light brown discolouration about the top edge a tidemark is visible on the original mount on the reverse; two tiny surface blemishes; overall in excellent condition. This photograph is reproduced in 'The Home of the Blizzard' Volume 1 page 102 with the caption 'Adelie Land. Weddell seals asleep on pancake ice'. Several pages earlier Mawson writes: 'Seals and penguins on magic gondolas were the silent denizens of this dreamy Venice. In the soft glamour of the midsummer midnight sun we were possessed by a rapturous wonder the rare thrill of unreality' page 53. The print comes from the original 1915 Australian exhibition of Hurley photographs; this was a slightly larger version of the London exhibition held earlier in the same year. The label of the Fine Art Society New Bond Street London is on the verso of this print with the title as above and the catalogue reference number 48 added in ink. The full title of the Australian exhibition catalogue is 'Exhibition of Unique Photographic Pictures taken during the Australasian Antarctic Expedition. Also other Photographic Studies by Frank Hurley' small octavo 16 pages plus 8 full-page plates and the title wrappers; printed in Adelaide by G. Hassell & Son. A small advertisement appeared in the Adelaide 'Advertiser' on Saturday 25 September 1915 announcing a 'South Polar Exhibit. until October 6. This Exhibition is your only opportunity of viewing Historical Relics of the Australasian Antarctic Expedition and Frank Hurley's Unexcelled Photographic Reproductions'. Provenance: Ainslie Roberts AM 1911-1993 surrealist painter illustrator and photographer; president of the Adelaide Camera Club 1944-45 and life member from 1945; by descent. . unknown
Best.-Nr. 122914Very Good. A large black and white gelatin silver photograph 314 × 437 mm flush-cut on the original thick card mount recently matted visible image size 307 × 429 mm using archival materials ready for framing or long-term storage in its custom-made Mylar sleeve. Light discolouration to a thin strip along the bottom edge; overall in excellent condition. This print comes from the original 1915 Australian exhibition of Hurley photographs; this was a slightly larger version of the London exhibition held earlier in the same year. The label of the Fine Art Society New Bond Street London is on the verso of this print with the full title as above and the catalogue reference number 93 added in ink. The full title of the Australian exhibition catalogue is 'Exhibition of Unique Photographic Pictures taken during the Australasian Antarctic Expedition. Also other Photographic Studies by Frank Hurley' small octavo 16 pages plus 8 full-page plates and the title wrappers; printed in Adelaide by G. Hassell & Son. A small advertisement appeared in the Adelaide 'Advertiser' on Saturday 25 September 1915 announcing a 'South Polar Exhibit. until October 6. This Exhibition is your only opportunity of viewing Historical Relics of the Australasian Antarctic Expedition and Frank Hurley's Unexcelled Photographic Reproductions'. Provenance: Ainslie Roberts AM 1911-1993 surrealist painter illustrator and photographer; president of the Adelaide Camera Club 1944-45 and life member from 1945; by descent. unknown
1853Best.-Nr. 34749Edo 1853. Watercolour and ink drawing on Japanese paper. A contemporary Japanese watercolour of Commodore Perry and members of his expedition produced at the moment of the American squadron’s arrival in Japan and the opening of sustained diplomatic contact between Japan and the United States. This lively drawing belongs to the immediate visual culture generated by Commodore Matthew C. Perry's arrival in Japan in 1853. Perry entered Edo Bay in July 1853 to deliver President Fillmore's request for a treaty and returned the following year leading to the Treaty of Kanagawa on 31 March 1854. The event prompted wide Japanese interest in the appearance dress equipment and conduct of the visiting Americans and images of the "Black Ships" and their crews circulated in manuscript painted and printed form. The composition presents three American figures isolated against the paper ground arranged almost as a study of types. At right Commodore Perry is shown seated in a chair wearing a dark naval coat and holding his hat. At center stands an armed crewman or marine in a red jacket holding a musket upright; at left another crewman kneels while looking through a telescope or spyglass. The emphasis falls on uniform posture weaponry and optical instrument details that would have marked the Americans as visually and technologically unfamiliar to Japanese observers. The drawing is especially interesting as a Japanese interpretation of the expedition distinct from the official American pictorial record produced by artists such as Wilhelm Heine. The Japanese manuscript images such as the present work preserve a different perspective shaped by local observation report and curiosity. unknown
1853Best.-Nr. 34749Edo 1853. Watercolour and ink drawing on Japanese paper. A contemporary Japanese watercolour of Commodore Perry and members of his expedition produced at the moment of the American squadron’s arrival in Japan and the opening of sustained diplomatic contact between Japan and the United States. This lively drawing belongs to the immediate visual culture generated by Commodore Matthew C. Perry's arrival in Japan in 1853. Perry entered Edo Bay in July 1853 to deliver President Fillmore's request for a treaty and returned the following year leading to the Treaty of Kanagawa on 31 March 1854. The event prompted wide Japanese interest in the appearance dress equipment and conduct of the visiting Americans and images of the "Black Ships" and their crews circulated in manuscript painted and printed form. The composition presents three American figures isolated against the paper ground arranged almost as a study of types. At right Commodore Perry is shown seated in a chair wearing a dark naval coat and holding his hat. At center stands an armed crewman or marine in a red jacket holding a musket upright; at left another crewman kneels while looking through a telescope or spyglass. The emphasis falls on uniform posture weaponry and optical instrument details that would have marked the Americans as visually and technologically unfamiliar to Japanese observers. The drawing is especially interesting as a Japanese interpretation of the expedition distinct from the official American pictorial record produced by artists such as Wilhelm Heine. The Japanese manuscript images such as the present work preserve a different perspective shaped by local observation report and curiosity. unknown books
1855Best.-Nr. 46844Tokyo ca. 1855. Japanese Print of Perry's Ships in Tokyo Harbor Large wood block print comprised of two sheets showing the disposition of the Japanese soldiers and ships in preparation for the arrival of Commodore Perry's American fleet seen sailing into Tokyo harbor at the right side of the image. The top third of the print is comprised of text in Japanese characters. Three large American ships dominate the right side of the print while several smaller boats dot the rest of the harbor. The whole is dotted with Japanese characters denoting various people and places around the harbor. Perry first arrived in Japan on July 8 1853 with a fleet of four ships flying his pennant on the steam frigate Susquehanna. This first visit lasted ten days and culminated on July 14 with Perry's presentation of a letter from the President of the United States to the Japanese commissioners. Perry then absented himself for seven months returning on February 11 1854 for a stay of over four months. He negotiated a treaty opening Japan to trade with the western world providing for a U.S. consul in Japan and protecting visiting ships and crews. Perry's visit to Japan remains one of the most important events in the diplomatic history between western and eastern nations. A handsome print showing the Japanese side of this important historic event. 24½ x 16 inches. Matted. Old fold lines some minor wear and soiling. Near fine. unknown
1855Best.-Nr. 46844Tokyo ca. 1855. Japanese Print of Perry's Ships in Tokyo Harbor Large wood block print comprised of two sheets showing the disposition of the Japanese soldiers and ships in preparation for the arrival of Commodore Perry's American fleet seen sailing into Tokyo harbor at the right side of the image. The top third of the print is comprised of text in Japanese characters. Three large American ships dominate the right side of the print while several smaller boats dot the rest of the harbor. The whole is dotted with Japanese characters denoting various people and places around the harbor. Perry first arrived in Japan on July 8 1853 with a fleet of four ships flying his pennant on the steam frigate Susquehanna. This first visit lasted ten days and culminated on July 14 with Perry's presentation of a letter from the President of the United States to the Japanese commissioners. Perry then absented himself for seven months returning on February 11 1854 for a stay of over four months. He negotiated a treaty opening Japan to trade with the western world providing for a U.S. consul in Japan and protecting visiting ships and crews. Perry's visit to Japan remains one of the most important events in the diplomatic history between western and eastern nations. A handsome print showing the Japanese side of this important historic event. 24½ x 16 inches. Matted. Old fold lines some minor wear and soiling. Near fine. unknown books
1872Best.-Nr. 373132New York: Jules Bien 1872. First edition. Limited to 100 copies. 65 lithographed plates many folding preceded by 4pp. text. 4to. Original green cloth boards upper cover lettered in gilt rebacked endpapers renewed. Dampstaining. First edition. Limited to 100 copies. 65 lithographed plates many folding preceded by 4pp. text. 4to. This book was prepared to illustrate the work of the Hayden survey. It contains numerous panoramic illustrations many on folding sheets depicting sites in Wyoming Utah Colorado and Montana. This report contains the bulk of Henry Wood Elliott's art work for the Hayden Survey see preceding entry most of which was published nowhere else. These images are important because of their scientific contribution to several fields historical significance documentation of the Hayden expedition and their beauty and attention to detail. Elliott's illustrations were among the early images of many locations in the new territories of the West. From an edition of 100 copies issued in advance of the text. The Prefatory Note states p. 3: "A small edition of one hundred copies of the Profiles and Sections are issued in advance of the text for the purpose of placing them in the hands of the principal geologists in this country and in Europe. The first issue of two thousand copies in colors will be published with descriptions in about one year." We find no evidence that a subsequent edition in color was ever printed and it is stated of the present work in the Checklist of United States Public Documents 1789-1909 Washington: Government Printing Office 1909: "Originally intended to illustrate v. 4 of quarto series of reports but never thus used." The Hayden Survey was the most important of the four major government surveys of the American West undertaken after the Civil War the others being Powell King and Wheeler. Collectively these surveys filled in the map of the United States using accurate scientific methods to chart the land and investigate not only its geology but natural resources wildlife and plants as well. Schmeckebier Catalogue and Index of the Publications of the Hayden King Powell and Wheeler Surveys p. 32 #3 Jules Bien unknown
1872Best.-Nr. 373132New York: Jules Bien 1872. First edition. Limited to 100 copies. 65 lithographed plates many folding preceded by 4pp. text. 4to. Original green cloth boards upper cover lettered in gilt rebacked endpapers renewed. Dampstaining. First edition. Limited to 100 copies. 65 lithographed plates many folding preceded by 4pp. text. 4to. This book was prepared to illustrate the work of the Hayden survey. It contains numerous panoramic illustrations many on folding sheets depicting sites in Wyoming Utah Colorado and Montana. This report contains the bulk of Henry Wood Elliott's art work for the Hayden Survey see preceding entry most of which was published nowhere else. These images are important because of their scientific contribution to several fields historical significance documentation of the Hayden expedition and their beauty and attention to detail. Elliott's illustrations were among the early images of many locations in the new territories of the West. From an edition of 100 copies issued in advance of the text. The Prefatory Note states p. 3: "A small edition of one hundred copies of the Profiles and Sections are issued in advance of the text for the purpose of placing them in the hands of the principal geologists in this country and in Europe. The first issue of two thousand copies in colors will be published with descriptions in about one year." We find no evidence that a subsequent edition in color was ever printed and it is stated of the present work in the Checklist of United States Public Documents 1789-1909 Washington: Government Printing Office 1909: "Originally intended to illustrate v. 4 of quarto series of reports but never thus used." The Hayden Survey was the most important of the four major government surveys of the American West undertaken after the Civil War the others being Powell King and Wheeler. Collectively these surveys filled in the map of the United States using accurate scientific methods to chart the land and investigate not only its geology but natural resources wildlife and plants as well. Schmeckebier Catalogue and Index of the Publications of the Hayden King Powell and Wheeler Surveys p. 32 #3 Jules Bien unknown books
1857Best.-Nr. 375531New York: G. P. Putnam & Co 1857. One of 150 copies of the unofficial issue. Text: 4 777 1pp. Atlas: 100 engraved plates. 4pp. 2 vols. 4to text and folio atlas. Modern half russet morocco and cloth covered boards. Heavy foxing to the plates in the atlas small chip at fore-edge of atlas title minor dampstaining at lower outer corner of plates tape repair to final leaf of text. Provenance: University of Chicago ink stamp and blindstamp deaccession stamp. One of 150 copies of the unofficial issue. Text: 4 777 1pp. Atlas: 100 engraved plates. 4pp. 2 vols. 4to text and folio atlas. A very rare set of the text and plates of Asa Gray's report on the botany of the Wilkes Expedition illustrated with 100 engraved plates of plants collected by the first scientific expedition conducted by the United States Navy. The United States Exploring Expedition circumnavigated the globe under the command of Charles Wilkes between the summer of 1838 and the summer of 1842. The Wilkes Expedition "was the first American scientific expedition of any size charged to 'extend the bounds of Science and promote the acquisition of knowledge' and was one of the most ambitious Pacific expeditions ever attempted" Forbes. The Expedition represents "the first governmental sponsorship of scientific endeavor and was instrumental in the nation's westward expansion. Specimens gathered by expedition scientists became the foundation collections of the Smithsonian Institution. Significant American contributions in the fields of geology botany conchology anthropology and linguistics came from the scientific work of the expedition. Wilkes's evaluations of his landfalls influenced later U.S. positions in those areas" DAB. The Narrative of the expedition was first published in 1844 but the separately-issued scientific reports and atlases for the United States Exploring Expedition were published over a long period of time; the Expedition returned in 1842 and the final volume did not appear until 1874. Because of their limited issue and historical importance all the separately-issued scientific reports and atlases from the Expedition are highly sought after though they very rarely appear on the market. Gray's report is specifically on the "phanerogamia" seed plants or flowering plants collected during the four year voyage. The history of the publication of the many scientific reports that resulted from the Wilkes Expedition is filled with difficulties in their writing and production and Gray's botanical report is exemplary of these difficulties. "The preparation of the reports on the botanical collections brought back by the Expedition proved to be one of the worst headaches encountered during the course of the entire publication" Haskell. Asa Gray was one of the most acclaimed botanists of his era and he was the original selection as botanist for the Wilkes Expedition. In the time between his appointment and the expedition's departure in 1838 however Gray accepted the position of Professor of Botany at the University of Michigan and so he resigned from Charles Wilkes's command and was replaced by William Rich. Rich completed his botanical report in 1846 and submitted it to Wilkes who found it wholly unacceptable. Eventually Asa Gray was asked to study the specimens gathered on the expedition and to produce this report which he agreed to do and which he worked on for three years. Gray initially planned for a two-volume text report and an atlas including 300 folio plates. In the end the text was issued in one large volume and the atlas contained 100 plates drawn by the talented botanical artist Isaac Sprague. The botanical specimens described in the text and depicted in the atlas come primarily from throughout the Pacific Rim including the islands of the South Pacific Hawaii Singapore the Philippines Australia New Zealand and several countries in South America - predominantly Brazil and Chile. The total number of texts published from the voyage of the United States Exploring Expedition is massive - a total of twenty-four volumes of narrative and scientific reports. Asa Gray's botanical report is designated as Volume XV. As with Charles Wilkes's narrative account of the United States Exploring Expedition Gray's botanical report was issued in "official" and "unofficial" editions. The official edition of Gray's report was published by Sherman & Son of Philadelphia in an edition of 100 copies each of text and plates and the unofficial edition was issued by Putnam of New York in an edition of 150 copies again as quarto text and folio plates. Either edition is exceedingly rare in commerce as they were mostly intended for presentation or for placement in research libraries. Sabin writing in 1875 comments that "owing to some mistake a large number of copies of the Atlas were sold by auction unbound and without the letterpress the result is that odd volumes are comparatively common - whole sets are scarce." Actually the text or atlas individually or the two volumes together are exceedingly rare in the market. A highly desirable scientific report from the Wilkes Expedition with an atlas of 100 attractive plates with text by the noted botanist Asa Gray. Haskell 61 and 63; Rosove 354-10.A2 and 355-6.A2 both text and atlas described as "rare"; Sabin 28368; Meisel II pp.668-669; Nissen 2153; Stafleu 2129 2130; Pritzel 3529; Forbes 1993. Not in Spence G. P. Putnam & Co unknown
1857Best.-Nr. 375531New York: G. P. Putnam & Co 1857. One of 150 copies of the unofficial issue. Text: 4 777 1pp. Atlas: 100 engraved plates. 4pp. 2 vols. 4to text and folio atlas. Modern half russet morocco and cloth covered boards. Heavy foxing to the plates in the atlas small chip at fore-edge of atlas title minor dampstaining at lower outer corner of plates tape repair to final leaf of text. Provenance: University of Chicago ink stamp and blindstamp deaccession stamp. One of 150 copies of the unofficial issue. Text: 4 777 1pp. Atlas: 100 engraved plates. 4pp. 2 vols. 4to text and folio atlas. A very rare set of the text and plates of Asa Gray's report on the botany of the Wilkes Expedition illustrated with 100 engraved plates of plants collected by the first scientific expedition conducted by the United States Navy. The United States Exploring Expedition circumnavigated the globe under the command of Charles Wilkes between the summer of 1838 and the summer of 1842. The Wilkes Expedition "was the first American scientific expedition of any size charged to 'extend the bounds of Science and promote the acquisition of knowledge' and was one of the most ambitious Pacific expeditions ever attempted" Forbes. The Expedition represents "the first governmental sponsorship of scientific endeavor and was instrumental in the nation's westward expansion. Specimens gathered by expedition scientists became the foundation collections of the Smithsonian Institution. Significant American contributions in the fields of geology botany conchology anthropology and linguistics came from the scientific work of the expedition. Wilkes's evaluations of his landfalls influenced later U.S. positions in those areas" DAB. The Narrative of the expedition was first published in 1844 but the separately-issued scientific reports and atlases for the United States Exploring Expedition were published over a long period of time; the Expedition returned in 1842 and the final volume did not appear until 1874. Because of their limited issue and historical importance all the separately-issued scientific reports and atlases from the Expedition are highly sought after though they very rarely appear on the market. Gray's report is specifically on the "phanerogamia" seed plants or flowering plants collected during the four year voyage. The history of the publication of the many scientific reports that resulted from the Wilkes Expedition is filled with difficulties in their writing and production and Gray's botanical report is exemplary of these difficulties. "The preparation of the reports on the botanical collections brought back by the Expedition proved to be one of the worst headaches encountered during the course of the entire publication" Haskell. Asa Gray was one of the most acclaimed botanists of his era and he was the original selection as botanist for the Wilkes Expedition. In the time between his appointment and the expedition's departure in 1838 however Gray accepted the position of Professor of Botany at the University of Michigan and so he resigned from Charles Wilkes's command and was replaced by William Rich. Rich completed his botanical report in 1846 and submitted it to Wilkes who found it wholly unacceptable. Eventually Asa Gray was asked to study the specimens gathered on the expedition and to produce this report which he agreed to do and which he worked on for three years. Gray initially planned for a two-volume text report and an atlas including 300 folio plates. In the end the text was issued in one large volume and the atlas contained 100 plates drawn by the talented botanical artist Isaac Sprague. The botanical specimens described in the text and depicted in the atlas come primarily from throughout the Pacific Rim including the islands of the South Pacific Hawaii Singapore the Philippines Australia New Zealand and several countries in South America - predominantly Brazil and Chile. The total number of texts published from the voyage of the United States Exploring Expedition is massive - a total of twenty-four volumes of narrative and scientific reports. Asa Gray's botanical report is designated as Volume XV. As with Charles Wilkes's narrative account of the United States Exploring Expedition Gray's botanical report was issued in "official" and "unofficial" editions. The official edition of Gray's report was published by Sherman & Son of Philadelphia in an edition of 100 copies each of text and plates and the unofficial edition was issued by Putnam of New York in an edition of 150 copies again as quarto text and folio plates. Either edition is exceedingly rare in commerce as they were mostly intended for presentation or for placement in research libraries. Sabin writing in 1875 comments that "owing to some mistake a large number of copies of the Atlas were sold by auction unbound and without the letterpress the result is that odd volumes are comparatively common - whole sets are scarce." Actually the text or atlas individually or the two volumes together are exceedingly rare in the market. A highly desirable scientific report from the Wilkes Expedition with an atlas of 100 attractive plates with text by the noted botanist Asa Gray. Haskell 61 and 63; Rosove 354-10.A2 and 355-6.A2 both text and atlas described as "rare"; Sabin 28368; Meisel II pp.668-669; Nissen 2153; Stafleu 2129 2130; Pritzel 3529; Forbes 1993. Not in Spence G. P. Putnam & Co unknown books
Best.-Nr. 51581Leiden E. J. Brill 1901-1986. Large 4to ca. 33.0 x 27.0 cm; more than 1200 plates 188 in colour including lithographed and chromolithographed plates some etchings and photographic plates. Partly original printed wrappers partly blind wrappers. = Very rare complete set of the results of the largest oceanographic expedition in Indonesian waters which are renowned for their unsurpassed biodiversity. The expedition was initiated and lead by the Dutch biologist Max Wilhelm Carl Weber 1852-1937. "On 1 November 1898 the Siboga was officially commissioned and left for the Dutch East Indies the same day. On 7 February 1899 the ship arrived in Batavia and sailed on 11 February to the naval port of Surabaya on East Java. After the final preparations there including the removal of all other armament the expedition to investigate the marine fauna and flora of the Indonesian Archipelago as Max Weber described it began on 7 March 1899. When the Siboga returned to Surabaya on 26 February 1900 at the end of the expedition the ship had crossed an area of 1200 miles 1900 km in a north-south direction and 1500 miles 2400 km in an east-west direction covering a distance of more than 12000 nautical miles 22000 km. map of the route of the Siboga In total 181 fishing trips were made with the trawl or dredge during which depth measurements were also taken. In addition other types of nets such as the trawl were used at 103 positions and bottom samples were taken at 96 positions. Although the expedition was primarily focused on the deep sea of the Indonesian Archipelago shallow waters coral reefs and beaches were also investigated. And Weber and his companions also made regular land excursions during which they did not fail to search if appropriate sometimes successfully for scientifically unknown species at local fish markets! The expedition journal includes a total of 323 so-called measuring stations i.e. sea and land locations where the applicable observations catches or finds have been formally recorded. During the expedition a number of times a port was called at for provisions and bunkering of coal but also to send the already collected specimens preserved and packed in glass jars and zinc boxes to the Zoological Laboratory of the University of Amsterdam. There as Weber was later able to ascertain to his great joy they always arrived virtually undamaged. The enormous catch of zoological botanical and geological material that the Siboga Expedition yielded was the work of four scientists. No fewer than 61 scientists 54 zoologists 4 botanists 2 geologists and 1 hydrographer from 10 countries subsequently examined and described the collected material over a period of many decades. The results were published in 148 monographs or 'Livraisons'. The first appeared in 1901 the probably last in 1986." Dutch Wikipedia. Nearly 50 percent of the species described are new to science for example 131 new species of fishes. The Siboga results include even more species than those of the famous Challenger Expedition. Arguably this is te most important Dutch contribution to oceanography and hydrobiology ever. Published over a very long period and therefore rarely found complete. Papers are in German English or French. Three plates in Part 72 in photostat. Some wrappers slightly damaged a few with some staining to the interior otherwise a very good set. Not in Nissen which is downright ridiculous. unknown
Best.-Nr. 122909Very Good. A very large black and white gelatin silver photograph 409 × 555 mm flush-cut on the original thick card mount recently matted visible image size 395 × 537 mm using archival materials ready for framing or long-term storage in its custom-made Mylar sleeve. Minimal expert conservation to three tiny surface blemishes; in excellent condition. A striking view showing two unidentified expeditioners among the royal penguins at the colony on Nuggets Beach Macquarie Island. This vintage print comes from the original 1915 Australian exhibition of Hurley photographs; this was a slightly larger version of the London exhibition held earlier in the same year. The label of the Fine Art Society New Bond Street London is on the verso of this print with the title as above and the catalogue reference number 11 added in ink. The full title of the Australian exhibition catalogue is 'Exhibition of Unique Photographic Pictures taken during the Australasian Antarctic Expedition. Also other Photographic Studies by Frank Hurley' small octavo 16 pages plus 8 full-page plates and the title wrappers; printed in Adelaide by G. Hassell & Son. A small advertisement appeared in the Adelaide 'Advertiser' on Saturday 25 September 1915 announcing a 'South Polar Exhibit. until October 6. This Exhibition is your only opportunity of viewing Historical Relics of the Australasian Antarctic Expedition and Frank Hurley's Unexcelled Photographic Reproductions'. Provenance: Ainslie Roberts AM 1911-1993 surrealist painter illustrator and photographer; president of the Adelaide Camera Club 1944-45 and life member from 1945; by descent. unknown
1853Best.-Nr. 347471853. 9 3/4 x 6 7/8 inches. 31; 31; 61pp. plus a loose sheet. Worming not affecting legibility occasionally touching a letter. Some dampstaining and dust soiling. Original paper wrappers stitched as issued. Contemporary manuscript annotations in red ink in one volume Vital contemporary Japanese manuscript accounts of Commodore Matthew C. Perry's arrival in Uraga Bay in July 1853 preserving official documentary and observational responses by Japanese officials and participants to the encounter that transformed Japan's relations with the wider world. The first manuscript Uraga kurofune ni kansuru comprises an official account of events following Perry's arrival off Uraga. The volume is especially notable for its contemporary red-ink annotations indicating active correction or revision of the text. It records the encounter from within the administrative world of the Tokugawa shogunate as Japanese officials confronted an American squadron that included two steam frigates. The second account Edo Uraga Beikoku fune torai ikken records the arrival of the American ships and provides a contemporary Japanese narrative of the encounter. Its double-page manuscript sketch of the Uraga coastline with the arrangement of Perry's vessels offshore reflects the immediate effort of Japanese observers and officials to describe classify and understand the unfamiliar ships equipment and conduct of the American expedition. The third manuscript Gasshukoku shokan wage utsushi preserves contemporary texts associated with the shogunate's handling of the American communications. Abe Masahiro chief senior councillor in the Tokugawa shogunate accepted the American letter ordered translations of the official letter and related documents and circulated them among daimyo for advice. This manuscript includes Japanese translations of letters from President Millard Fillmore and Commodore Perry presented by the American expedition in July 1853. The accompanying loose manuscript sheet gives a description of one of the Black Ships. Together the three volumes and loose sheet offer a substantial Japanese record of Perry's first visit combining official reporting translated diplomatic correspondence visual observation and contemporary manuscript transmission. They belong to the immediate documentary culture produced by the arrival of the Black Ships before Perry's return in 1854 and the signing of the U.S.-Japan Treaty of Peace and Amity at Kanagawa. unknown
1853Best.-Nr. 347471853. 9 3/4 x 6 7/8 inches. 31; 31; 61pp. plus a loose sheet. Worming not affecting legibility occasionally touching a letter. Some dampstaining and dust soiling. Original paper wrappers stitched as issued. Contemporary manuscript annotations in red ink in one volume Vital contemporary Japanese manuscript accounts of Commodore Matthew C. Perry's arrival in Uraga Bay in July 1853 preserving official documentary and observational responses by Japanese officials and participants to the encounter that transformed Japan's relations with the wider world. The first manuscript Uraga kurofune ni kansuru comprises an official account of events following Perry's arrival off Uraga. The volume is especially notable for its contemporary red-ink annotations indicating active correction or revision of the text. It records the encounter from within the administrative world of the Tokugawa shogunate as Japanese officials confronted an American squadron that included two steam frigates. The second account Edo Uraga Beikoku fune torai ikken records the arrival of the American ships and provides a contemporary Japanese narrative of the encounter. Its double-page manuscript sketch of the Uraga coastline with the arrangement of Perry's vessels offshore reflects the immediate effort of Japanese observers and officials to describe classify and understand the unfamiliar ships equipment and conduct of the American expedition. The third manuscript Gasshukoku shokan wage utsushi preserves contemporary texts associated with the shogunate's handling of the American communications. Abe Masahiro chief senior councillor in the Tokugawa shogunate accepted the American letter ordered translations of the official letter and related documents and circulated them among daimyo for advice. This manuscript includes Japanese translations of letters from President Millard Fillmore and Commodore Perry presented by the American expedition in July 1853. The accompanying loose manuscript sheet gives a description of one of the Black Ships. Together the three volumes and loose sheet offer a substantial Japanese record of Perry's first visit combining official reporting translated diplomatic correspondence visual observation and contemporary manuscript transmission. They belong to the immediate documentary culture produced by the arrival of the Black Ships before Perry's return in 1854 and the signing of the U.S.-Japan Treaty of Peace and Amity at Kanagawa. unknown books
1850Best.-Nr. 423Chart and Capt. Charles Wilkes Calling Card Details: Lot of 15 black and white independently issued engraved charts on heavy paper bearing a printed oval stamp with Navy anchor and "U.S.Ex.Ex." and "Price thirteen cents" on each chart with occasional period manuscript notation on verso engravers: G.W. Boynton J. Knight George G. Smith 2 and unsigned dimensions: 26 1/2" x 19 1/2" approx. sheet size condition: professionally conserved good condition working charts have manuscript notations Capt. Charles Wilkes calling card: as found with manuscript ink inscription dimensions: 3 1/2" x 2 1/8" Please see Part II. for a list of the fifteen 15 U.S. Ex.Ex. chart titles and individual chart descriptions. I. Brief History and Description of the U.S. Exploring Expedition: Like a Homeric odyssey the United States Exploring Expedition 1838-1842 its six vessels2/ 346 man crew3/ of scientists artists naval officers and other personnel commanded by then U.S. Navy Lieut. Charles Wilkes 1798-1877 set out on a four year journey that touched six continents covered 87 780 miles and set a circuitous course en route to mapping and exploring the islands of the South Pacific and the Pacific Ocean the earth's largest body of water. The outcome of the squadron's journey was yet unknown. The U.S. Ex.Ex. as it came to be known was America's first exploring expedition funded by Congress.4/ Congress recognized that American commercial interests in the lucrative Pacific trade faced both opportunities and perils in this region due to incomplete knowledge especially the lack of surveys and maps to identify and chart a course to the Pacific Ocean islands their safe harbors coastlines inner terrain resources such as fresh water and hazardous coral reefs. Congress also responded to whaling interests in New England who had for a decade been a powerful advocate for Congress to finance improved charting of this dangerous sailing region. Congressional authorization in 1836 for this exploring expedition also spoke to America's identity as a new world power with the skill hunger for knowledge and ambition to demonstrate that America was on a par with older European nations' scientific explorations. 5/ On offer is a remarkable lot of fifteen U.S. Ex.Ex. navigation charts of the South Pacific islands America's first surveying and charting of the South Pacific. The charts were published after the expedition returned its mission fulfilled. The charts on offer in this lot sold separately to be distinguished from those bound into the two volume Atlas of Charts 1850 1858 from the same plates being the expedition's signal American contribution to the mapping of the Pacific Ocean and South Seas. These full size engraved charts on heavy paper were and are intended to be used for navigation. These charts are not to be confused with the small illustrations bound into the other U.S. Ex.Ex. Volumes I -XXII or even with those illustrating Wilkes' five-volume Narrative or its bound atlas of five larger folded maps on thin paper. This rare to market 15-chart lot consists of 13 unique titles and two duplicate titles that are representative of the historic mapping highlights of the U.S.Ex.Ex.: accurate surveys of the volcanic Fiji Group6/; islands newly identified by Western surveys new surveys of safe harbors harbor profiles island profiles7/; an expansive survey of the heavily traveled Sandwich Islands for the chart Map of the Hawaiian Group or Sandwich Islands 1841 representing Hawaii's three active volcanoes and volcanic landscape and the features of the other islands in this chain8/; Island of Upolu Samoan Group 1839 the controversial chart that triggered the U.S. Ex.Ex. squadron courts martial; and Tawara the 1841 survey chart still unique by WWII and thus used in WWII by the American Navy and Marines to take strategic Tawara and establish an air base for the WWII Pacific air campaign.9/ Please see a more detailed description of each chart below in Part II. Description of Charts. These nautical charts are part of a larger context. The U.S. Ex.Ex. squadron collected and prior to its return sent ahead crates of animal and plant specimens and artifacts. In 1842 the squadron arrived home to New York City with even more flora and fauna. This trove with accompanying notes journals art work and other materials by 1858 became the foundation of the Smithsonian Institution. 10/ The U.S. Exploring Expedition true to its mandate and name returned with discoveries in the natural sciences mammals and birds botany mollusks and shells corals ethnography and philology geology hydrography and physics observations on astronomy geography and meteorology. These scientific discoveries complement the survey and mapping mission at the heart of the 1836 Congressional authorization for the exploring expedition. Charles Wilkes prepared the squadron specifically for mapping. He traveled to Europe in 1836 to purchase the finest available surveying instruments for the U.S.Ex.Ex. survey and charting mission. As importantly he purchased European books and atlases of the Pacific including Dumon d'Urville's Voyage and Atlas folio of 69 plates Cook's reports of his three voyages Vancouver's Voyage of Discovery and Atlas with 10 plates. 11/ He also purchased existing hydrographic charts. Wilkes drafted a surveying handbook for his naval crew to follow strictly. The U.S.Ex.Ex. surveyed 280 Pacific islands and both discovered and mapped a new continent. At Wilkes' direction ships twice sailed south to the Antarctic and upon survey and observation determined that the Antarctic's icy body was in fact a continent and not just an ice shelf. 12/ Yet the official reception of Charles Wilkes and the squadron was tarnished by court martial trials 13/ recriminations among officers and mixed signals from the public and Capitol Hill. A publishing odyssey of the U.S.Ex.Ex. findings ensued from 1844 to 1872 also commanded and championed by Charles Wilkes.14/ Congress established a Library Committee to which Wilkes reported over this twenty-eight year span as he brought to fruition in manuscript twenty-four illustrated reports of both the U.S.Ex.Ex. scientists and the hydrographic work of the squadron's naval officers. Our subject the set of large navigation charts sold separately15/ along with the large bound folio Atlas of Charts Vol.I. and Vol. II of 106 navigational charts fulfilled Congress' 1836 mandate for a "surveying expedition" of the "Pacific ocean and South seas." to supply navigators whalers and trading ships with reliable nautical charts. Wilkes himself is the author of several of these reports beginning with Vols. I.-V his illustrated Narrative accompanied by its Atlas of five folded maps one colored. 16/ The entire published body of work became twenty-one published volumes. Congress had authorized an official edition of 100 copies of each volume although that goal was not met due to lack of funding.17/ As Wilkes' scope of work grew Congress met his repeated requests for additional funding with scepticism if not outright hostility. The outbreak of the U.S. Civil War ultimately caused the Congressional Library Committee to suspend its work and afterwards only two thirds of the intended edition of 100 published and distributed. The numbered volumes appear frequently in the trade. The full scale separately sold 1850 issue of nautical charts are rare to market and scarce in collections.18/ This massive and complex bibliographic output requires an expert guide. The indispensable bibliographic guide to the U.S. Ex.Ex. reports atlases and nautical charts is by Daniel C. Haskell New York Public Library Bibliographer published by the NYPL in 1942 in recognition of the one hundredth anniversary of the squadron's return. 19/ Haskell is cited here as the definitive source on editions issues and related matters except as otherwise noted. Haskell's extraordinary book collates all of the texts atlases legislation correspondence and third party commentary pertaining to the United States Exploring Expedition. He also lists extant holdings. The Smithsonian Institution amplified Haskell's work in 2004 with an equally extraordinary undertaking to digitize the entire U.S. Ex.Ex. bibliography and provide extensive educational materials about the exploration the specimens the U.S. Ex.Ex. brought back now in its and national collections and the knowledge the expedition fostered. 20/The Smithsonian digital library also includes in chart form a summary of Haskell's bibliography. Yet research questions remain regarding the separately sold nautical charts.21/ The U.S. Ex.Ex. Nautical Charts on Offer: Themes and Highlights Each of the charts in this set on offer belongs to an island group - a chain or archipelago - formed as a result of distinct volcanic activity. This set of fifteen charts is thus a teaching tool both for America's first mapping of the South Pacific islands and to illustrate the correct hypothesis of the U.S.Ex.Ex. "Scientifics" that the South Pacific islands were not "scattered" as often described but rather each belonged to a distinct island chain with surrounding reefs that were produced by geologic forces and shifting tectonic plates below the ocean that gave rise to volcanoes. The ocean floor beneath the oldest volcanoes experienced subsidence or sinking to create what appears on these rare nautical charts as numerous patterns of amoeba- shaped atolls lagoons and islands ringed by coral reefs. The U.S.Ex.Ex. mapped both these island chains and the relationship among the chains of the South Pacific islands documented in the Atlas of Charts Vol.I and sold separately. Several graphic features distinguish the charts in this lot as individually sold nautical charts: i each nautical chart includes a printed oval stamp containing within its oval frame the U.S. Navy's insignia anchor and the text "US Ex.Ex." and outside the frame the words "Price 13 Cents"; ii the charts are unnumbered as are the charts in Atlas of Charts Vol. I. 1850 issue and possibly certain of the charts printed prior to Atlas of Charts Vol. II 1858 issue as the Map of the Hawaiian Group navigation chart on offer is unnumbered yet this title is bound into Vol.II of the Atlas of Charts1858 that Haskell notes is numbered; iii none of these charts show any indication of being bound and in fact have pencil notations that are typical of charts used for navigation. In manuscript the name "BGosnold"22/ appears twice on the backs of charts a Massachusetts family name in the maritime region where these charts were purchased and the name of an 1832 whaler out of New Bedford. Every aspect of publishing the U.S. Ex.Ex. reports and charts from inception to publication was overseen by Joseph Drayton one of the two artists on the expedition who Wilkes chose because he was familiar with Drayton's range of professional skills and the excellence of his work. The technical and aesthetic standards set by Drayton and Wilkes for U.S. Ex.Ex. publications - text illustrations and nautical charts - de facto became the standards of excellence for America's subsequent illustrated government reports.23/ Drayton selected the printer engravers paper manufacturers and binders. He drew or reviewed and prepared for engraving many of the manuscript maps 24/ and reviewed the engraved plates. Drayton and other U.S. Ex.Ex. officers reviewed printer's proofs of these charts made manuscript corrections and had the copper plates corrected. Hampered in printing the engraved nautical charts by the poor quality of printing paper Drayton continued to seek good paper that would withstand the numerous steps of wetting inking and press without distorting the surveys. 25/Drayton died in 1856 before completion of the mammoth publishing project. 26/ The U.S. Ex.Ex. reports atlases and charts were received with critical acclaim. Within a decade they were distributed by the French and British hydrographic offices in their chart series with survey attribution to Charles Wilkes. These U.S.Ex.Ex. South Pacific charts are of more than historic interest today. Conclusion: The nautical charts on offer are art American history and science. Then as now these maps are also baseline studies of human settlement patterns in the Pacific islands of Pacific island ecology and records of how the Pacific islands themselves were altered by natural geological forces. These maps deserve further attention today with reference to current altered environmental conditions such as sea water rise shoreline changes damage to these islands by foreign commercial or military uses as well as other circumstances. An overarching theme of the U.S.Ex.Ex. Atlas of Charts Vol. I and Vol.II to which these charts on offer belong is American innovation artistry and scientific excellence in naval surveying and map making. A second theme is political: America's presence as a new world power in scientific exploration and discovery. A third and final theme is less tangible yet perhaps the most graspable namely the American quest for knowledge and its preservation by public institutions as a legacy to future generations. II. Lot of 15 Charts on Offer: Alphabetical by Island Group Fiji Archipelago: Whippy Harbour South Side of Viti Levu By The U.S.Ex.Ex. 1840.; Suva Harbour South Side of Viti Levu By The U.S.Ex.Ex. 1840.; Granby Harbour South Side of Viti Levu By The U.S.Ex.Ex. 1840.; Ndronga Harbor South Side of Viti Levu By The U.S. Ex.Ex. 1840. one sheet four maps of different views of Viti Levu largest island of the Fiji nation 26 ½ x 19 ½ inches no engraver's name paper toned edge repair maps show anchorage topography villages areas "bare at low water" and boat passage Island of Yendua Feejee Group By The U.S.Ex.Ex. 1840; Nucumurry Harbour West End of Vanua Levu By The U.S.Ex.Ex. 1840; Wallea Bay North Side of Vanua Levu By The U.S. Ex.Ex. 1840. one sheet three island maps Eng by Sherman & Smith N.Y. 26 ½ x 19 ½ inches lower edge damage repaired pencil inscription on rev. "Navigation Islands Feejee." volcanic mountainous terrain shown with curved lines observatory location noted harbor bottom soils described reefs outlined Port Safety Island of Kea East End of Vanua Levu By The U.S.Ex.Ex. 1840.; Fawn Harbour South Side of Vanua Levu By The U.S.Ex.Ex. 1840.; Kombelau Harbour South Side of Vanua Levu By The U.S.Ex.Ex. 1840.; Baino Harbour South Side of Vanua Levu By The U.S. Ex.Ex. 1940. one sheet four views Engr. by Sherman & Smith N.Y. 26 ¾ x 19 ½ inches repaired tear in left margin edges reinforced paper toned. mountainous topography drawn with concentric lines coral reefs detailed harbor and lagoon soil bottoms identified and numerous harbor soundings in fathoms Harbour of Muthuata North Side of Vanua Levu By the U.S. Ex.Ex. 1840. Tibethe & Vicuna Harbour's on the North Side of Vanua Levu by the U.S. Ex.Ex. 1840. one sheet two maps two islands of Vanua Levu 26 ½ x 19 ½ inches detached paper chip reattached. town of Muthuata and villages identified two rivers shown steep terrain drawn with contour lines rocky atolls drawn extensive triangular patterned depth soundings Hawaiian Group Map of Hawaiian Group or Sandwich Islands By The U.S. Ex.Ex. 1841. Engr by Sherman & Smith N.Y. Survey of all Sandwich Islands with perimeter and topographic features: Hawaii Maui Kahoolawe Lanai Molokai Oahu Kauai Niihau; three volcanoes on Hawaii-Mauna Kea Mauna Loa Mauna Hualalai other mountains town names labeled no missions or churches. manuscript pencil charting and calculations compass rose on face of map surface abrasion and vertical wrinkles and puckering repaired tear in body of map near Kauai Island repaired tear in lower margin a working map possibly printed on poor paper dimensions: 19 ½ x 27 inches Kingsmill GroupGilbert Islands Taputeouea or Drummond's Island Kingsmill Group By The U.S. Ex.Ex.1841. Peacock's Anchorage at Drummond's Island Kingsmill Group By The U.S. Ex. Ex. 1841. one sheet two island maps seaman John Anderson disappeared and was presumed killed by villagers on Drummond's island when a small crew went ashore. The crew returned to the Peacock to report and a Naval crew of 87 returned with force and burned the village. Engraved by G.W.Boynton Boston 26 ½ x 19 1/2 inches paper toned town of Utiroa labeled location where Flying Fish struck marked with "x" Peacock's Anchorage "very foul rocky bottom" and a village noted Hudsons Island By The U.S.Ex.Ex. 1841 Maraki or Matthews Island Kingsmill Group By The U.S.Ex.Ex. 1841; Maiana or Hall's Island Kingsmill Group By The U.S.Ex.Ex. 1841 Apamama or Hopper's Island Kingsmill Group By The U.S.Ex.Ex. 1841 Kuria and Nanuki Islands Kingsmill Group By The U.S.Ex.Ex. 1841. one sheet five maps six islands Eng. by Sherman & Smith N.Y. 26 ½ x 19 ½ inches harbor profile Hudson's I. Maraki I. Apamama I. Maiana harbor profile Kuria with boat landing noted and Nanouki or Henderville Is. Knoll on small island Hudsons Island By The U.S. Ex.Ex. 1841.; Maraki or Mathews Island Kingsmill Group By The U.S. Ex.Ex. 1841.; Maiana or Halls Island Kingsmill Group By The U.S. Ex.Ex. 1841.; Apamama or Hopper's Island Kingsmill Group By The U.S. Ex.Ex. 1841; Kuria and Nanouki Islands Kingsmill Group by the U.S. Ex.Ex. 1841.one sheet five maps six islands Eng. by Sherman & Smith N.Y. 26 ½ x 19 ½ inches harbor profile Hudson's I. Maraki I. Apamama I. Maiana harbor profile Kuria with boat landing noted and Nanouki or Henderville Is. Knoll on small island manuscript ink signature: "B. Gosnold" on reverse small loss lower right corner and on bottom edge Apiá or Charlotte Island Kingsmill Group By The U.S.Ex.Ex. 1841; Tarawa or Knox Island Kingsmill Group By the U.S. Ex.Ex. 1841 one sheet two islands each with its own map Eng. by Sherman & Smith N.Y. 26 ½ x 19 inches Island profile Knox I. and printed note where the Peacock touched. Flying Fish anchorage Apiá chart shows passage through the reef to Lagoon site where Flying Fish struck on low ebb. Note "coral bottom from 2 to 10 fathoms." Paumotu Group Metia Island Paumotu Group By The U.S.Ex.Ex. 1841; Taweree or St. Simeon or Resolution Island Paumotu Group By The U.S.Ex.Ex. 1841; Takurea or Wolconsky Island Paumotu Group and Seagull Islands Paumotu Group By The U.S. Ex.Ex. 1841. one sheet 4 island maps Engraved by Sherman & Smith N.Y. 26 ½ x 19 ½ inches Metia island profile village shown island profile at 6 miles other islands not settled ink notation on back repaired tear to right margin. Reinforced top edge. Metia Island Paumotu Group By The U.S. Ex.Ex. 1841; Taweree or St. Simeon or Resolution Island Paumotu Group By The U.S. Ex.Ex. 1841; Takurea or Wolconsky Island Paumotu Group By The U.S. Ex.Ex. 1841 and Seagull Islands Paumotu Group by the U.S. Ex.Ex. 1841. one sheet4 island maps Engraved by Sherman & Smith N.Y. 26 ½ x 19 ½ inches Metia island profile village shown island profile at 6 miles other islands not settled paper toned Kawahe or Vincennes Island Paumotu Group By The U.S.Ex.Ex. 1839; Raraka Island Paumotu Group by the U.S. Ex. Ex.1839 Eng by Sherman & Smith N.Y. 20 x 27 inches bottom edge repair entrance to Lagoon on Kawahe island profile Raraka Island 5 miles distant. Village noted. Entrance to Lagoon on Raraka. ink notation on reverse Samoan Group Island of Upolu Samoan Group by the U.S. Ex. Ex. 1839. Engraved by J. Knight Philadelphia 27 x 19 ¼ inches Mapping of mountains and volcanoes. Bird's eye-like view of palm groves mountains and terrain. Island profile with detailed labeling of features and town viewed at 10 miles. "Good Boat harbour" noted. Entire perimeter of island labeled with "boat openings". Tuamotu Archipelago King Georges Group By the U.S. Ex. Ex. 1839 and Aratica or Carlshoff Island by the U.S. Ex.Ex. 1839 Engraved by Sherman & Smith N.Y. 26 ½ x 19 ½ inches one sheet 2 maps two islands harbor profile at 4 miles of Aratica Island location labeled "fresh water" entrance "deep water" on Tiokea I. Ahii and Manhii or Peacock and Wilsons Islands By The U.S. Ex. Ex. 1839 Engraved by Sherman & Smith N.Y. 26 ½" x 19 ½" one sheet two maps harbor profile of each island 3 miles distant. entrance for small vessels labeled on Ahii entrance for vessels labeled on Manhii. paper curls on map surface flattened and reattached to underlayer lighter than background after conservation Notes: 1. The Act of Congress limited the edition size of each volume in the U.S.Ex.Ex. reports to 100. Fewer than 100 copies of some volumes were printed. For the official issue of Hydrography Atlas of Charts Vol.I. Haskell states that for the 1850 issue of Vol.I 100 copies were printed consisting of 55 unnumbered charts of which 30 copies were destroyed by fire. Haskell notes that in this issue charts were also sold individually. An 1858 issue of Vol. I was printed in thirty copies to replace the burned copies. These charts were numbered and the Vol. I table of contents reset. For Vol.II Haskell states that 100 copies were printed and all charts were numbered. A table of contents lists the chart titles in each issue of each volume. 2. The squadron consisted of the Vincennes Peacock Porpoise storeship Relief Sea Gull and Flying Fish. The Sea Gull was lost at sea in 1839 near the Cape of Good Hope and all crew members died. In 1839 the slow Relief was sent home. 3. The crews of the six vessels were recorded by Midshipman William Reynolds cited in Stanton p.279-280. His accounts included the initial crew of 346 diminished renewed with accounts for those discharged those who deserted or died with a cumulative record of 524 men who had participated and recorded that 181 original crew returned to New York. Depending on the source authors thus quote the crew size variously. 4. Act of Congress dated May 14 1836 appropriating $150000 to send out a surveying and exploring expedition to the "Pacific ocean and South seas." including "other means in the control of the Navy Department not exceeding $150000.". The full scope of the expedition included the South Pacific the American Northwest Oregon and the mouth of the Columbia River San Francisco areas in South America Antarctica Australia New Zealand Singapore and other islands near China. 5. The August 26 1842 Act provided authority and funding for publishing the reports of the expedition's discoveries under the Joint Committee on the Library. The Act specified that the U.S. Ex.Ex. reports would be illustrated and modeled on the French government's 1829 publication of the Astrolabe expedition to the Pacific.Congress published a notice in the National Intelligencer March 23 1844 requesting proposals and selected C.onger Sherman of Philadelphia the low bidder as printer. 6. The U.S.Ex.Ex. Fiji charts were a source of pride and scientific accomplishment. Magnificent Voyagers p. 178 notes that Wilkes exhibited them - possibly in manuscript. 7. Stanton states at p. 245 that at the conclusion of surveying Tawara and the other small Pacific islands the U.S.Ex.Ex. surveys had corrected the positions of ten islands on existing charts and had completed their work "with sufficient accuracy to answer all the purposes of Navigation." 8. See below Ulukau. Hawaiian Electronic Library. 9. Tawara was the site of a WWII battle with thousands of casualties. The island was deemed strategic by the U.S. Command for establishing the first air base in the Gilbert chain to support American forces in the Pacific campaign against Japan. The next Gilbert island airfield was on Apamama another U.S.Ex.Ex. chart on offer. 10. For a staggering description of the whole see the Smithsonian Libraries digital Collection article From the Ends of the Earth The United States Exploring Expedition Collections. www.sil.si.edu/DigitalCollections/usexex/learn/Walsh-01.htm. 11. Magnificent Voyagers p. 167. 12. Wilkes' report of the 1839-1840 discovery of a new continent Antarctica was not universally accepted when announced notwithstanding that the discovery was documented with surveys reports and a nautical chart. 13. The court martial arose over allegations that one survey of Upolu Island in the Samoan Island group was erroneous. The island was surveyed twice early and late in the expedition by two different U.S.Ex.Ex. naval officers with an 8 mile discrepancy between their two surveys. The Island of Upolu chart is on offer. 14. Congressional funding acts expressly pertaining to printing charts texts and plates ensued in 1843 1844 1845 1847 1848 1850 twice 1854 1856 1859 1861 1862 1866 1872 twice. The June 1844 act states: "For the publication under the direction of the Secr. of the Navy and of the Secretary of the Treasury of such maps of the ex.ex as in their judgment will be serviceable to the navy and the commerce of the country. $2000." The March 3 1845 act includes the language "For completing the publication of the work on the Ex.Ex. including the printing of an extra number of charts." The language of the Congressional Acts on several occasions also specifically provides funding to replace charts lost in fires either at the publisher bindery or in government hands. 15. The separately sold charts on heavy paper to be used for navigation bearing a printed price stamp are from the plates used for the Atlas of Charts Vol. I. 1850 and Vol. II 1858 to accompany Vol. XXIII Hydrography 1861 by Charles Wilkes distributed separately in 1873. Haskell cites correspondence dated 1844 from Wilkes to the Library Committee and Tappan that the Atlas of Charts was ready for inspection. However the Atlas of Charts was not printed until 1850. The separately sold charts sale dates are treated variously in the literature reviewed. Haskell seems to date first sale to 1850. Viola cites a 1845 report by Wilkes that the copper plates for large charts were 1/3 finished and elsewhere states certain charts were published as early as that year. 16. Wilkes' five volume Narrative 1844 official edition was accompanied by an atlas that contained five folded charts measuring 13.4 x 9.65 inches 34 x 24.5 cm: U.S. Ex.Ex. track Chart of the World Chart of the Antarctic Continent Chart of the Viti Group or Feejee Islands Map of the Oregon Territory and Map of part of the island of Hawaii Sandwich Islands shewing craters and eruption of May and June 1840. These charts are on thin paper and bound in. The Narrative was published in an official issue distributed in 1845 and other unofficial issues. These folded bound atlas maps on thin paper are not to be confused with the separately sold large navigation charts on heavy paper from the plates of the Atlas of Charts Vol.I 1850and Vol.II.1858 to accompany Vol.XXIII Hydrography 1861. 17. Congress specified in 1845 that 100 copies of each volume produced for the U.S.Ex.Ex. be distributed according to an official distribution list - to each American state and territory and to foreign governments. France Great Britain and Russia each were to receive two sets. Other countries were also named. The Naval Lyceum and the three commanders of the principal ships Wilkes Hudson and Ringgold each were allocated one set. Unallocated sets were reserved for future distribution. In 1845 when the extent of the U.S.Ex.Ex. materials was not yet known Wilkes and others estimated a set of fifteen volumes. To account for the growth in the number of volumes as the scope of the U.S.Ex.Ex. collections became apparent and to replace plates pages and books lost to fire Congressional appropriations were sought and with great effort obtained almost annually until 1872. Ultimately twenty-four manuscript volumes were put forward by Wilkes not all of which were funded and only two-thirds of that set printed sometimes in fewer than 100 copies. The volumes were not published sequentially. 18. Few separately sold charts come to market. A complete set of such separately issued charts has not been located during this stage of research. See the New Bedford Whaling Museum collection. Harvard University. Rumsey. More typical are assembled or original whole editions of the bound Atlas of Charts Vol.I and Vol.II. 19. Daniel C. Haskell The United States Exploring Expedition 1838-1842 and Its Publications A Bibliography New York Public Library New York 1842. Haskell's Bibliography documents what was published distinguishing the date of actual publication from the publication date in the text and the official and unofficial issues or editions printed and number of volumes printed. How many charts were sold separately is not stated. Haskell identifies the separately published unnumbered nautical charts as associated exclusively with the 1850 issue of Atlas VOL.I. to accompany VOL. XXIII Hydrography. In fact one chart on offer the Map of the Hawaiian Group or Sandwich Islands is unnumbered yet identified in the index of the 1858 Atlas Vol.II that Haskell describes as only containing numbered charts. This small but intriguing fact illustrates that the separately sold charts are hard to classify as to publication date if only with reference to the 1850 and 1858 Hydrography atlases. Haskell dates the printing of the Atlas of large folio charts on correspondence of Drayton to Wilkes in 1850 stating ".Vol.I Atlas is now printed." 20. Smithsonian Libraries The United States Exploring Expedition 1838-1842 digital edition https://www.sil.si.edu/Digital Collections/usexex/learn/Overstreet-0. 21. Ehrenberg in Magnificent Voyagers at p. 174 states that navigational charts were printed between 1843 and 1856. When all plates for the U.S.ExEx large scale charts were finished or whether plates were used for printing as they became available or were only used in 1850 and 1858 and whether such plates were revised in the course of their being used is documented variously but not consistently. 22. "Gosnold" is a historic Massachusetts family name from the 17th century. Bartholomew Gosnold is the name of a bark built in Falmouth Massachusetts in 1832 and sailed from New Bedford Massachusetts from 1847-1851 and again later. see ShipIndex.org for further details. 23. The finely drawn illustrations for the U.S.Ex.Ex. reports by artists Drayton and Agate marry art and accuracy. Their artwork predates photography as the scientific mode of presenting natural science culture and other disciplines of the U.S.Ex.Ex. That Drayton also had control over the production of the art prints was essential to the fineness of the art prints. Wilkes also insisted that the engravers be of the highest level of skill. The books of art prints are also termed "atlases" of the reports. 24.The nautical charts were drawn by James Alden William May Frederick D. Stuart Robt. E. Johnson and the artist Joseph Drayton. Magnificent Voyagers p. 167. Wilkes ruled that no surveyor draftman or artist was permitted to put his name on any of the mapping work. Final drawings were prepared by Stuart and Drayton prior to shipping the manuscript maps to the engraver to create the copper plates. These plates were used to pull proofs that were then corrected by Wilkes and Stuart with Drayton making small corrections on the plates and larger corrections made by the plate engraver. In 1866 the charts' copper plates were transferred to the U.S. Navy Hydrography Office and updated as new surveys were performed. Stanton p.365. 25. Drayton ultimately sourced quality paper from Milton Massachusetts paper mills located either at Milton Upper or Lower Falls the site of the first paper mill in New England. See Library of Congress and Magnificent Voyagers p.173. 26. Drayton's legacy is a body of art and scientific literature about the world that were hitherto unknown and beyond the capacity of a single institution to manage. Drayton's art work guides generations in the ongoing appreciation of the U.S.Ex.Ex. References: Primary: Daniel C. Haskell The United States Exploring Expedition 1838-1842 and Its Publications A Bibliography New York Public Library New York 1842. Smithsonian Digital Library: From the Ends of the Earth The United States Exploring Expedition Collections. www.sil.si.edu/DigitalCollections/usexex/learn/Walsh-01.htm. Smithsonian Libraries The United States Exploring Expedition 1838-1842 digital edition https://www.sil.si.edu/Digital Collections/usexex/learn/Overstreet-0. https://www.sil.si.edu/DigitalCollections/usexex/learn/Overstreet-02.pdf Smithsonian Collections video of specimens collected see https://www.c-span.org/video/300321-1/us-exploring-expedition-1838-42-part-2 Stanton William The Great United States Exploring Expedition of 1838-1842 University of California Press Berkeley and London 1975 Ulukau the Hawaiian Electronic Library Early Mapping of Hawaii please see: http://www.ulukau.org/elib/cgi-bin/librarye=d-0map01-000Sec--11haw-50-20-frameset-book--1-010escapewin&a=d&d=D0&toc=0 Viola Herman J. and Margolis Carolyn Editors Magnificent Voyagers The U.S. Exploring Expedition 1838-1842 Smithsonian Institution Press Washington D.C. 1985 Other References: D.Graham Burnett "Chapter 5 Hydrographic Discipline Among the Navigators Charting an Empire of Commerce and Science in the Nineteenth Century Pacific" from James R. Akerman Editor Cartography and the Mastery of Empire The Imperial Map The University of Chicago Press Chicago and London 2009 Fiji Islands and U.S.Ex.Ex. first contact please see https://scholarspace.manoa.hawaii.edu/bitstream/10125/15538/1/OP31-12-49.pdf By Authority of the U.S. Congress
Best.-Nr. 950041907-1913. . A collection of six menus and one souvenir programme various sizes and dates concerning the Nimrod British Antarctic Expedition. Preserved in archival sleeves within a blue morocco-backed fold-over box with chemise. A rare opportunity to obtain a collection of signed printed ephemera from Shackleton's first Antarctic expedition 1907-1909 during which Shackleton reached 'Farthest South' and achieved the first ascent of Mount Erebus. with the provenance of the Ship's chief engineer. The collection comprises: 1. 'To Celebrate the birthdays of our Shipmates H.J. Dunlop; & W.A.R. Michell at "Latitude 40"S. 30'/ Longitude 50"E.30'' manuscript menu in red and black ink on printed card signed on the reverse by Michell Murray Davis Mackintosh Mackay Dunlop and Captain England headed with the printed National Antarctic Expedition badge Nimrod added in ink 8vo 15.5 x 11.2 cm. Menu for a meal to celebrate the birthdays of four shipmates of the Nimrod given whilst en route to Christchurch - at this point half way between South Africa and the Kerguelen Islands. Signed by four of the ship's officers and three of the eventual shore party. Food includes Potage. Dominion Crême D'Unloppè and Dessert. Abricot au Shackleton. 18 October 1907. 2. 'Complimentary Dinner Given to Lieutenant Shackleton and the Scientists and Officers of the Antarctic Expedition of 1907' menu signed by Shackleton Bernard Day William Roberts and 7 others 4pp. upper cover printed in gilt with the 'Antarctic Expedition S.Y. Nimrod 1907'. emblem in blue 12mo 11.3 x 8.8 cm. Christchurch Freeman's Rooms. 19 December 1907. Menu given for members of the Nimrod expedition by the Canterbury establishment. Shackleton was presented with a copper salver made from bolts taken from Nelson's ship Victory and Bishop Julius gave his blessing at an event attended by some eighty local dignitaries. 3. Menu held for the 'British Antarctic Expedition' dinner held at the Canterbury Club Christchurch signed by Shackleton Wild Edgworth Davis and approximately 30 others 4pp. oval photographic illustration of polar scenes on upper and lower cover signatures on inside and lower pages punch holes at fore-edge 8vo 15.5 x 10.5 cm. 30 December 1907. Nimrod arrived at Lyttleton harbour on 25 March 1909 to a heroic welcome by the New Zealand public. The 'luncheon' held at the United Service Hotel the following day appears to have been a relatively intimate one the menu signed by Shackleton all but 2 members of the Shore Party and 3 of the ship's officers but none of the usual local dignitaries and was apparently unreported in the press. 4. 'Luncheon Menu. British Antarctic Expedition. United Service Hotel Christchurch' signed by Shackleton and eighteen other members of the British Antarctic Expedition. 4-page menu the upper cover colour-printed with British flags. 26 March 1909. 5. 'Philosophical Institute of Canterbury. Complimentary Banquet to Lieut. E.H. Shackleton M.V.C. the Shore Party and Officers of the S.Y. Nimrod on their return from Antarctica' signed by John K. Davis Nimrod's first officer Henry Dunlop and 24 other attendees 4-page menu the upper cover printed with map of the South Pole showing position reached by Discovery and Nimrod split at fold. 3 April 1909. The banquet at the Philosophical Institute was a public affair at which 'a standing ovation was given to Shackleton and loud applause as he responded to the many toasts to the expedition. He said that 'They always felt dissatisfied with what might have been done. but on that plateau with no 'grub' inside them. they were forced to turn back. There had been no gentle maidens to rest their heads upon!' This was a reference to a duet that had been sung earlier in the evening and was received with laughter' The Press 5/4/09 p.8. 6. 'South Polar Dinner given by John Howard Mcfadden. June 13. 1913' large-format menu card embellished with an original watercolour oval vignette by George Marston the Nimrod artist of a polar scene man sledge and tent against snow-covered mountains large penguin and decoration signed by the artist on the vignette 28.4 x 19.4 cm. the oval vignette c.6.8 x 9.5 cm. Oddenino's Imperial Restaurant. 13 June 1913. Celebratory menu illustrated by George Marston. 'One wealthy friend was so far interested as to give an Antarctic dinner at a famous restaurant to all the available men who had been in the far South. The table was transformed into a picture of the Antarctic with artificial snow and real ice where large models of the Nimrod and the Aurora were placed at the edge of an ice-barrier thickly peopled by penguins and Marston the Antarctic artist painted special menu cards. It was a gay gathering enlivened towards the close by songs from Harry Lauder; but alas! the rich and kindly host did not pursue his hospitality to the point of providing transportation for his guests to revisit the haunts they longed for' The Life of Sir Ernest Henry Shackleton 1923 pp.191-2. 7. Souvenir programme. 4to 'Sir Ernest Shackleton to give his Popular Lecture entitled Nearest the South Pole at the Music Hall Chester' signed twice by Shackleton 'E.H. Shackleton' in ink on the map once at the location of Farthest South and once in the lower margin 4 pages first page printed in red and black with photographic portrait of Shackleton. 21 February 1910. A souvenir from Shackleton's extensive fund-raising lecture tour following the British Antarctic Expedition of 1907-9 during which Shackleton reached 'Farthest South' and achieved the first ascent of Mount Erebus. The series of talks accompanied by lantern slides proved hugely popular with audiences. An account of a similar lecture in Edinburgh describes his charismatic style of delivery: "'In the centre' he said 'you see the South Pole. Now you've seen as much as anybody else has ever seen". Hearty laughter greeted this opening as he knew it would. He had an orator's gift for dramatic effect and his humour was timed to perfection.' 'A born leader of men' article RSGSexplorers.com. 1907-1913. unknown
Best.-Nr. 11288Japan: ca. 1854-55. An impressively assembled scroll that portrays the second American expedition to Japan February-March 1854 led by Commodore Perry; much of it is focused on the American vessels that anchored menacingly off the coast. Seven of the nine ships in the American fleet are carefully portrayed with notes on the estimated numbers of cannons and crewmembers. Steam-powered ships with black smoke gushing from the stacks and rows of powerful cannons shocked the Japanese most of whom had never seen such a demonstration of advanced military technology. The observations in this scroll must have been crucial to inform the decision-making of Japanese officials. "Black Ship Scrolls" conveying eyewitness reports were disseminated among the Japanese elite and kept top secret. Our scroll was presumably created for a high-ranking Japanese official since any information on the American interlopers was carefully controlled by the local authorities to maintain public order in the face of an anticipated foreign invasion. Compared to other depictions of the foreigners which frequently showed them as caricatures hairy oversized red-faced and blue-eyed the more dignified portraits in our scroll demonstrate the increasing familiarity between the Japanese and American contingents. In the years following Japan's opening to the West Japanese artisans produced countless scrolls commemorating the American expeditions catering to the tourist trade and as gifts to visiting dignitaries. Mass-produced with foreigners' preferences in mind these scrolls took liberties with the events that transpired straying far from the earliest accounts and sketches. They pale in comparison with the elaborate and scrupulous illustrations found in this early scroll. Though the later mass-produced scrolls are easily found on the market examples like ours presumably created for a Japanese official or nobleman remain greatly treasured for their revealing depictions. We have ordered the scroll into 15 individual scenes most of which have a contemporary manuscript caption translated below: I. Three sailors in the American marching band two of whom are uniformed drummer boys. The band led the American march to Yokohama where negotiations between the two nations were held in a newly constructed reception hall. The Japanese manuscript caption reads: "Illustration of musicians." II. Two sailors with swords sheathed are holding their muskets with bayonets fixed. A fine indigo ink has been employed to depict the uniform on the left. Caption: "Rank: Sergeant/Soldier." III. Commodore Perry on the right faces a sailor who may be the conductor of the American expedition's marching band. Perry is depicted rather sympathetically compared to exaggerated and even outlandish portraits that depict him as quite large hairy and red-faced. The artist has once more used a deep indigo to capture the color of the uniforms. Caption: "Ambassador Perry/Conductor Commandant." IV. A larger portrait of a lone sailor probably an officer clutching his sheathed sword and clenching his fist. Caption: "Foreigner Captain landed near Kanagawa." V. An elaborate and realistic portrait of Perry capturing even the individual hairs on his head and the wrinkles on his face. Caption: "American Envoy Perry." VI. A portrait of Perry's chief-of-staff Henry A. Adams done by the same artist as Perry's portrait. Caption: "American Vice Envoy Adams." VII. upper portion A very long horizontal painting of the American column marching to the Yokohama reception hall for negotiations regarding the opening of Japan to American trade. There are more than 100 armed Americans soldiers following the marching band. The top of this sheet has been slightly cropped cutting off part of the American flag in the middle. Caption: "Illustration of American landing column." VIII. lower right A sizable rendering of the USS Vandalia a sloop-of-war that joined the Perry Expedition in late 1853. Caption: "Name of ship: Vandalia 20 cannons 200 crewmembers." Minuscule mended wormholes to the image. IX. lower left The USS Saratoga another sloop-of-war. Caption: "Name of ship: Saratoga 20 cannons 200 crewmembers." Expertly mended wormholes touching the image hardly visible. X. upper portion A panoramic view with a fleet of 23 American rowboats headed to shore. Mending to the top of the scroll. XI. right lower portion The USS Mississippi a steam frigate that was part of the first expedition. Caption: "Name of ship: Mississippi 8 cannons 240 crewmembers." XII. left lower portion The USS Southampton a storeship. Caption: "Name of ship: Southampton 6 cannons 50 crewmembers." Expert mending of wormholes affecting the image. XIII. USS Supply a supply ship. Caption: "Name of ship: Supply 6 cannons 40 crewmembers." Wormholes repaired and with some foxing. XIV. USS Lexington a supply ship. Caption: "Name of ship: Lexington 26 cannons 50 crewmembers." Repaired wormholes and small sections of the white wash used for the sails have come off. XV. USS Susquehanna a steam frigate. Caption: "Name of ship: Susquehanna 6 cannons 240 crewmembers." Careful mending of wormholes to head and tail of scroll. In very good condition; there are a number of wormholes all expertly restored to the point that most are invisible to the naked eye and some browning and speckles to blank segments of the scroll. Two unidentified ownership seals next to the illustration of the USS Vandalia no. VIII. Housed in a custom-made 20th-century wooden box. â§ Renata V. Shaw "Japanese Picture Scrolls of the First Americans in Japan" in The Quarterly Journal of the Library of Congress Vol. 25 No. 2 April 1968 pp. 134-53. For helpful recapitulations of accounts from the Japanese and Americans William McOmie The Opening of Japan 1853-1855: A Comparative Study of the American British Dutch and Russian Naval Expeditions to Compel the Tokugawa Shogunate to Conclude Treaties and Open Ports to Their Ships 2006. unknown
Best.-Nr. 11288Japan: ca. 1854-55. An impressively assembled scroll that portrays the second American expedition to Japan February-March 1854 led by Commodore Perry; much of it is focused on the American vessels that anchored menacingly off the coast. Seven of the nine ships in the American fleet are carefully portrayed with notes on the estimated numbers of cannons and crewmembers. Steam-powered ships with black smoke gushing from the stacks and rows of powerful cannons shocked the Japanese most of whom had never seen such a demonstration of advanced military technology. The observations in this scroll must have been crucial to inform the decision-making of Japanese officials. "Black Ship Scrolls" conveying eyewitness reports were disseminated among the Japanese elite and kept top secret. Our scroll was presumably created for a high-ranking Japanese official since any information on the American interlopers was carefully controlled by the local authorities to maintain public order in the face of an anticipated foreign invasion. Compared to other depictions of the foreigners which frequently showed them as caricatures hairy oversized red-faced and blue-eyed the more dignified portraits in our scroll demonstrate the increasing familiarity between the Japanese and American contingents. In the years following Japan's opening to the West Japanese artisans produced countless scrolls commemorating the American expeditions catering to the tourist trade and as gifts to visiting dignitaries. Mass-produced with foreigners' preferences in mind these scrolls took liberties with the events that transpired straying far from the earliest accounts and sketches. They pale in comparison with the elaborate and scrupulous illustrations found in this early scroll. Though the later mass-produced scrolls are easily found on the market examples like ours presumably created for a Japanese official or nobleman remain greatly treasured for their revealing depictions. We have ordered the scroll into 15 individual scenes most of which have a contemporary manuscript caption translated below: I. Three sailors in the American marching band two of whom are uniformed drummer boys. The band led the American march to Yokohama where negotiations between the two nations were held in a newly constructed reception hall. The Japanese manuscript caption reads: "Illustration of musicians." II. Two sailors with swords sheathed are holding their muskets with bayonets fixed. A fine indigo ink has been employed to depict the uniform on the left. Caption: "Rank: Sergeant/Soldier." III. Commodore Perry on the right faces a sailor who may be the conductor of the American expedition's marching band. Perry is depicted rather sympathetically compared to exaggerated and even outlandish portraits that depict him as quite large hairy and red-faced. The artist has once more used a deep indigo to capture the color of the uniforms. Caption: "Ambassador Perry/Conductor Commandant." IV. A larger portrait of a lone sailor probably an officer clutching his sheathed sword and clenching his fist. Caption: "Foreigner Captain landed near Kanagawa." V. An elaborate and realistic portrait of Perry capturing even the individual hairs on his head and the wrinkles on his face. Caption: "American Envoy Perry." VI. A portrait of Perry's chief-of-staff Henry A. Adams done by the same artist as Perry's portrait. Caption: "American Vice Envoy Adams." VII. upper portion A very long horizontal painting of the American column marching to the Yokohama reception hall for negotiations regarding the opening of Japan to American trade. There are more than 100 armed Americans soldiers following the marching band. The top of this sheet has been slightly cropped cutting off part of the American flag in the middle. Caption: "Illustration of American landing column." VIII. lower right A sizable rendering of the USS Vandalia a sloop-of-war that joined the Perry Expedition in late 1853. Caption: "Name of ship: Vandalia 20 cannons 200 crewmembers." Minuscule mended wormholes to the image. IX. lower left The USS Saratoga another sloop-of-war. Caption: "Name of ship: Saratoga 20 cannons 200 crewmembers." Expertly mended wormholes touching the image hardly visible. X. upper portion A panoramic view with a fleet of 23 American rowboats headed to shore. Mending to the top of the scroll. XI. right lower portion The USS Mississippi a steam frigate that was part of the first expedition. Caption: "Name of ship: Mississippi 8 cannons 240 crewmembers." XII. left lower portion The USS Southampton a storeship. Caption: "Name of ship: Southampton 6 cannons 50 crewmembers." Expert mending of wormholes affecting the image. XIII. USS Supply a supply ship. Caption: "Name of ship: Supply 6 cannons 40 crewmembers." Wormholes repaired and with some foxing. XIV. USS Lexington a supply ship. Caption: "Name of ship: Lexington 26 cannons 50 crewmembers." Repaired wormholes and small sections of the white wash used for the sails have come off. XV. USS Susquehanna a steam frigate. Caption: "Name of ship: Susquehanna 6 cannons 240 crewmembers." Careful mending of wormholes to head and tail of scroll. In very good condition; there are a number of wormholes all expertly restored to the point that most are invisible to the naked eye and some browning and speckles to blank segments of the scroll. Two unidentified ownership seals next to the illustration of the USS Vandalia no. VIII. Housed in a custom-made 20th-century wooden box. â§ Renata V. Shaw "Japanese Picture Scrolls of the First Americans in Japan" in The Quarterly Journal of the Library of Congress Vol. 25 No. 2 April 1968 pp. 134-53. For helpful recapitulations of accounts from the Japanese and Americans William McOmie The Opening of Japan 1853-1855: A Comparative Study of the American British Dutch and Russian Naval Expeditions to Compel the Tokugawa Shogunate to Conclude Treaties and Open Ports to Their Ships 2006. unknown books
1789Best.-Nr. 48038Puerto Deseado Argentina. ca. 1789. Two Extraordinary Native American Portraits from the Malaspina Expedition A superb pair of highly finished red chalk portraits of two Patagonians made at Puerto Deseado in southern Argentina during the Malaspina expedition by one of the expedition's artists. The Malaspina Expedition was Spain's single effort at a voyage of exploration and discovery comparable to the great English and French voyages of the late 18th and early 19th centuries. More specifically it was designed to gain geographical knowledge and underpin Spain's territorial claims to the Northwest coast of America. It also had ambitious plans to publish its findings in the tradition of the other great European voyages. The Malaspina voyage is famous for the quality of the scientific material collected not least the anthropological drawings of peoples drawn at their many ports of call accurate and lifelike depictions very much in the tradition of the artists who accompanied James Cook William Hodges and John Webber. The expedition circumnavigated the globe leaving Cadiz on July 30 1789 visiting the coast of Patagonia in November working on the west coast of the Americas in 1790 and 1791 and ultimately returned to Spain in 1794 after a five-year voyage. Although unsigned both portraits offered here have been firmly attributed to voyage artist José de Pozo Ximénez 1757-1821 who made a series of drawings in Patagonia including one sketch in which he and his fellow artist Pineda are depicted in the act of drawing some of the local people. Pozo Ximénez was a native of Seville hired as an expedition painter by the Spanish government in June 1789. At the time of his recruitment he was described as "an excellent subject and perspective painter having a very good education with a wealth of geometry and is very robust for the age of 32" quoted in Puig-Samper p.18. A specialist in perspective and portraits his ethnological work is considered his greatest contribution to the results of the voyage but although Malaspina admired his "accuracy and speed" Journal of the Voyage p.140 the commander became increasingly infuriated with what he saw as the artist's laziness and indifference and forced him to leave the expedition in Callao in May 1790. Although ordered back to Spain Pozo in fact never left Peru founding a school of painting in Lima. The bulk of his Malaspina voyage originals are in the Museo Naval Madrid where much of the original material from the expedition resides. The portraits depict a man and woman drawn during a well-recorded encounter between the Spanish and the Patagonians in December 1789. It can be established that the man is a chief called "Junchar"; and the young woman is apparently the young woman called "Jujana" or "Cátama" who is described in detail in Malaspina's journal as having captivated the Spanish officers. The expedition had reached Puerto Deseado in late 1789 and Malaspina personally describes their interaction with a local tribe of some forty people on three separate occasions pp.85-90. Pozo joined Malaspina on the second of these visits drawing these portraits and a larger sketch of the encounter between the Spanish officers and a large group of Patagonians a sketch which seems to have an each-way bet on whether they were in fact giants: Pozo's Patagonians are strapping but not absurdly tall Serrano plate 36. Indeed it is plausible that the two present portraits are of people who are also in that larger scene: Junchar may be the man with a cloak over one shoulder talking to one of the Spanish men while the young woman could conceivably be the person standing at the far right of the Patagonians with dark eyes and parted hair. What is clear is that both subjects were described in detail by Malaspina personally. Of Junchar he notes: "In general they were all including the women and children very large and solidly built. Their height was not in proportion to their build but they were tall: the cacique Junchar who was carefully measured by Don Antonio Pineda and found to be six Burgos feet and ten inches in height and almost twenty-three inches broad from shoulder to shoulder" p.87. No doubt Junchar was singled out by Pozo because his large stature spoke to the ancient misconception of Patagonians as giants a myth which had gripped the European imagination since the time of Magellan. In a much longer passage Malaspina also describes how they singled out one particular woman to have her portrait taken: a "Patagonian girl aged about fourteen later referred to as Jujana by Malaspina whose good looks great charm and exceptional loquacity had made us choose to portray her rather than the other women was drawn to our attention even more when the time came for them to go ashore" as she struggled to modestly use her poncho to carry away some biscuits and vegetables that had been given to her as a gift p.89. In the catalogue raisonné of the art of the Malaspina voyage Carmen Sotos Serrano located two preliminary gridded sketches of these portraits "Patagon" and "contorno de la Patagone" respectively see cat. 39 and 40. Pozo also did a full-length study of Junchar and two other studies of a second woman with child cat. 41 and 42. All of these sketches are in the Museo Naval in Madrid which collection also includes two later oil paintings of Junchar and the young woman now called "Cátama." The oils were acquired by the museum in 1932. The drawings presently offered were originally in an album or portfolio entitled "Spanish Drawings" which had been acquired by Elizabeth Lady Holland when travelling extensively in Spain between 1802 and 1805. The Whatman paper into which they have been window-mounted for the album is watermarked 1801 confirming this approximate date of acquisition and their having been mounted in an album. Many of the other drawings in the collection were topographical works by another Malaspina voyage artist Fernando Brambila. When the present drawings were sold in the large sale of drawings from Holland House in 1979 they were attributed to Brambila with the rather telling comment that "no comparable drawings by the artist are recorded." However a comparison with the works illustrated by Serrano and a reading of the journals make it clear that Pozo Ximénez is the artist. Because Malaspina quickly fell into official disfavor and with the disruptions of the Napoleonic Wars the extensive planned publications of the expeditions never came to be. Virtually all of the archives of the voyage are now to be found in the Museo Naval in Madrid. These drawings acquired only a few years after the return of the voyage by Lady Holland are thus among the very few original works of the voyage to ever appear in the market. An extraordinary opportunity to acquire two significant portraits of Native Americans from one of the greatest voyages of the Second Age of Exploration. Two red chalk drawings: the young woman on a sheet 228 x 190 mm. paper watermarked with a combined "P" and smaller "L"; the man "Junchar" on a sheet 228 x 195 mm. Both drawings window-mounted probably about 1801 into a larger sheet of Whatman paper with ink borders added. Fine. HOWGEGO I M26. Carmen Sotos Serrano Los Pintores de la Expedicion de Alejandro Malaspina Madrid 1982 cat. 39-42. Miguel Ãngel Puig-Samper "Illustrators of the New World: The Image in the Spanish Scientific Expeditions of the Enlightenment" in Culture and History Digital Journal Vol. 1 no. 2 December 2012 pp.1-28. Andrew David et al. eds. The Malaspina Expedition 1789-1794 Journal of the Voyage by Alejandro Malaspina Vol. 1 Cadiz to Panama London: The Hakluyt Society 2001. unknown
1789Best.-Nr. 48038Puerto Deseado Argentina. ca. 1789. Two Extraordinary Native American Portraits from the Malaspina Expedition A superb pair of highly finished red chalk portraits of two Patagonians made at Puerto Deseado in southern Argentina during the Malaspina expedition by one of the expedition's artists. The Malaspina Expedition was Spain's single effort at a voyage of exploration and discovery comparable to the great English and French voyages of the late 18th and early 19th centuries. More specifically it was designed to gain geographical knowledge and underpin Spain's territorial claims to the Northwest coast of America. It also had ambitious plans to publish its findings in the tradition of the other great European voyages. The Malaspina voyage is famous for the quality of the scientific material collected not least the anthropological drawings of peoples drawn at their many ports of call accurate and lifelike depictions very much in the tradition of the artists who accompanied James Cook William Hodges and John Webber. The expedition circumnavigated the globe leaving Cadiz on July 30 1789 visiting the coast of Patagonia in November working on the west coast of the Americas in 1790 and 1791 and ultimately returned to Spain in 1794 after a five-year voyage. Although unsigned both portraits offered here have been firmly attributed to voyage artist José de Pozo Ximénez 1757-1821 who made a series of drawings in Patagonia including one sketch in which he and his fellow artist Pineda are depicted in the act of drawing some of the local people. Pozo Ximénez was a native of Seville hired as an expedition painter by the Spanish government in June 1789. At the time of his recruitment he was described as "an excellent subject and perspective painter having a very good education with a wealth of geometry and is very robust for the age of 32" quoted in Puig-Samper p.18. A specialist in perspective and portraits his ethnological work is considered his greatest contribution to the results of the voyage but although Malaspina admired his "accuracy and speed" Journal of the Voyage p.140 the commander became increasingly infuriated with what he saw as the artist's laziness and indifference and forced him to leave the expedition in Callao in May 1790. Although ordered back to Spain Pozo in fact never left Peru founding a school of painting in Lima. The bulk of his Malaspina voyage originals are in the Museo Naval Madrid where much of the original material from the expedition resides. The portraits depict a man and woman drawn during a well-recorded encounter between the Spanish and the Patagonians in December 1789. It can be established that the man is a chief called "Junchar"; and the young woman is apparently the young woman called "Jujana" or "Cátama" who is described in detail in Malaspina's journal as having captivated the Spanish officers. The expedition had reached Puerto Deseado in late 1789 and Malaspina personally describes their interaction with a local tribe of some forty people on three separate occasions pp.85-90. Pozo joined Malaspina on the second of these visits drawing these portraits and a larger sketch of the encounter between the Spanish officers and a large group of Patagonians a sketch which seems to have an each-way bet on whether they were in fact giants: Pozo's Patagonians are strapping but not absurdly tall Serrano plate 36. Indeed it is plausible that the two present portraits are of people who are also in that larger scene: Junchar may be the man with a cloak over one shoulder talking to one of the Spanish men while the young woman could conceivably be the person standing at the far right of the Patagonians with dark eyes and parted hair. What is clear is that both subjects were described in detail by Malaspina personally. Of Junchar he notes: "In general they were all including the women and children very large and solidly built. Their height was not in proportion to their build but they were tall: the cacique Junchar who was carefully measured by Don Antonio Pineda and found to be six Burgos feet and ten inches in height and almost twenty-three inches broad from shoulder to shoulder" p.87. No doubt Junchar was singled out by Pozo because his large stature spoke to the ancient misconception of Patagonians as giants a myth which had gripped the European imagination since the time of Magellan. In a much longer passage Malaspina also describes how they singled out one particular woman to have her portrait taken: a "Patagonian girl aged about fourteen later referred to as Jujana by Malaspina whose good looks great charm and exceptional loquacity had made us choose to portray her rather than the other women was drawn to our attention even more when the time came for them to go ashore" as she struggled to modestly use her poncho to carry away some biscuits and vegetables that had been given to her as a gift p.89. In the catalogue raisonné of the art of the Malaspina voyage Carmen Sotos Serrano located two preliminary gridded sketches of these portraits "Patagon" and "contorno de la Patagone" respectively see cat. 39 and 40. Pozo also did a full-length study of Junchar and two other studies of a second woman with child cat. 41 and 42. All of these sketches are in the Museo Naval in Madrid which collection also includes two later oil paintings of Junchar and the young woman now called "Cátama." The oils were acquired by the museum in 1932. The drawings presently offered were originally in an album or portfolio entitled "Spanish Drawings" which had been acquired by Elizabeth Lady Holland when travelling extensively in Spain between 1802 and 1805. The Whatman paper into which they have been window-mounted for the album is watermarked 1801 confirming this approximate date of acquisition and their having been mounted in an album. Many of the other drawings in the collection were topographical works by another Malaspina voyage artist Fernando Brambila. When the present drawings were sold in the large sale of drawings from Holland House in 1979 they were attributed to Brambila with the rather telling comment that "no comparable drawings by the artist are recorded." However a comparison with the works illustrated by Serrano and a reading of the journals make it clear that Pozo Ximénez is the artist. Because Malaspina quickly fell into official disfavor and with the disruptions of the Napoleonic Wars the extensive planned publications of the expeditions never came to be. Virtually all of the archives of the voyage are now to be found in the Museo Naval in Madrid. These drawings acquired only a few years after the return of the voyage by Lady Holland are thus among the very few original works of the voyage to ever appear in the market. An extraordinary opportunity to acquire two significant portraits of Native Americans from one of the greatest voyages of the Second Age of Exploration. Two red chalk drawings: the young woman on a sheet 228 x 190 mm. paper watermarked with a combined "P" and smaller "L"; the man "Junchar" on a sheet 228 x 195 mm. Both drawings window-mounted probably about 1801 into a larger sheet of Whatman paper with ink borders added. Fine. HOWGEGO I M26. Carmen Sotos Serrano Los Pintores de la Expedicion de Alejandro Malaspina Madrid 1982 cat. 39-42. Miguel Ãngel Puig-Samper "Illustrators of the New World: The Image in the Spanish Scientific Expeditions of the Enlightenment" in Culture and History Digital Journal Vol. 1 no. 2 December 2012 pp.1-28. Andrew David et al. eds. The Malaspina Expedition 1789-1794 Journal of the Voyage by Alejandro Malaspina Vol. 1 Cadiz to Panama London: The Hakluyt Society 2001. unknown books