PIANO, Renzo - Traduit de l'italien par Nathalie BauerLivre Rare Book
1400 risultati
1997rif. 1245731997 Editions du Seuil - 1997 - In-8 carré, broché, couverture illustrée - 287 pages - Nombreuses illustrations en N&B et en couleurs, in et hors-texte, dans l'ouvrage
195136 pages. Features: Cover photo of gold panning on Eldorado Creek in 1898; B.C. Could Lose Peace River Block - If Southerners Don't Wake Up; Trapping is My Meal Ticket - article with photos; From Montana to the Klondyke - Part 2 of 3 - The Winter of 1897-1898 around Dawson City, in the words of Frank R. Miles, June 23, 1898 - article with great photos; Progress Report - Gas at an Estimated 70 lbs pressure blows mud from Kersley Oil & Gas Co. Test Hole - article with great photos; Sixth Annual Convention of Trappers' Association; Alcan Kitimat Plant Preparations; Red Cross Hospital at Alexis Creek; Nice Finning ad on back cover for the Caterpillar D4 with scraper; Dozens of nostalgic ads for local businesses. Average wear. Unmarked. A sound copy. Magazine
1875rif. 124110Portsea: F.Johnson 1875. Photograph. very good. Origninal vintage albumen photograph 6.5 X 10.3 CM on original printed mount. Minor soiling and small tape stain on rear. Small old crease just effecting the image but not very visible. A very nice example. very good This wonderful CDV comprises an image of each crew member and the mascot. The central image is of the ship. Souvenir photographs of both the Alert and the Discovery were taken by rival photographers before the departure of the expedition. Both produced CDV copes as well as much larger examples. Although quite small each potrait is very clear and the name of the individual is usually readable with a magnifing glass. Very Scarce. 1875 F.Johnson unknown
2002rif. sm3Editions Place des Victoires Cartonné avec jaquette 2002 grand in-4 (32.5*28), cartonné sous jaquette illustrée, 287pp., servi par de nombreuses photographies noir et blanc et sépia, préface de Franco Salvatori, président de la Société géographique italienne ; jaquette légèrement usée, très bon état Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. 11370In 8 broché, couverture illustrée de SAMIVEL Faux-titre, titre illustré, 320 pages, 16 jolies compositions en noir, hors-texte, de SAMIVEL. Paris Librairie Delagrave 1934. Les écrivains de la Montagne. Petites rousseurs sur la couverture, Intérieur en très bon état.
1917rif. GITc720Paris Plon 1917. Fort in-4 II 213pp. demi percaline tabac à coins, dos lisse, reliure de l'époque. orné de 2 portraits en frontispice et 58 planches hors texte, regroupant 102 photographies, 1 grande carte dépliante. exemplaire sans aucune rousseur, bien complet de toutes ses pièces.
rif. 204523S.l. [Paris], s.d. (1823) in-8, 16 pp., en feuilles, trace de brûlure dans l'angle supérieur des ff., sans manque de texte.
1950rif. 79881950 cartonné in-octavo, dos rouge, premier plat orné d'une illustration photographique en noir, illustrations : in et hors-texte, 127 pages, sans date (les années 1930-40 environ) à Paris Tours Maison Mame,
1940rif. 8106Tours Mame 1940 -in-8 cartonné cartonné in-octavo, dos rouge, premier plat orné d'une illustration photographique en noir, illustrations photographiques in et hors-texte, 127 pages, 1940 à Tours Maison Mame,
1917rif. 265693jaParis, Libraire Plon Plon-Nourrit et Cie, Imprimeurs-Editeurs, 1917. fester Pappband, mit marmorierten Deckeln, BEACHTE!: mit einfachem Leinenrücken LAIENHAFT überklebt (unschön, ohne Beschriftung), etwas kl. DinA 4, 213 Seiten, dazwischen sehr viele Tafelseiten mit sw-Photos, 1 Falt-Kartenskizze am Ende des Buches eingeklebt, gemusterte Einbandinnenseiten/Vorsatzblatt, Einband mit einigen Gebrauchsspuren, stärker beschabt, berieben und bestoßen, leicht fleckig, Rücken an den Enden aufgerieben; ungleicher, leicht gesprenkelter Schnitt und Seiten papierbedingt stärker gebräunt, Falzen zwischen Einbandinnenseiten/Vorsatzblatt eingerissen, privater Stempel auf und hinter dem Vorsatzblatt, erstes Titelblatt stärker fleckig und leicht beschrieben, Eintrag hinter dem Titelblatt, zweites Titelblatt beschrieben, 1 Foto-Tafelseite bereits gelöst und liegt lose bei, weitere Seiten werden sich lösen, da sie an der Fadenbindung schon teilweise stärker ausgerissen sind, Buchblock überdehnt, STARKE Gebrauchs- und/oder Altersspuren / very used [5 Warenabbildungen]
1989rif. 15562München, Verlag Almuth Petersen-Roil, 1989. numm. Expl. (199 / 200). XXXI, 44 SS. 8°, Orig.- Broschur.
1888rif. 17411Benziger, Einsiedeln u. Waldshut 1888. XV, 582 S. mit 1 Tafel, 1 farb. lithogr. Karte u. zahlr. Abb. 4°. Illustr. rotes Leinen mit Goldprägung u. Goldschnitt im Original-Schuber. Geringe Gebrsp. Eine Ecke etw. beschabt. Papierbedingt gebräunt. Sehr gutes Exemplar im prächtigen Originaleinband.
1935rif. 064976New York: Dodd Mead & Company 1935. 5th printing New and Enlarged Edition which has a new final chapter. Square and unmarked with residue on front flyleaf from a bookplate removal. We've laid in another bookplate that can mostly cover this. Full blue cloth binding. 406pp. Photos. Dust jacket is moderately worn along edges with small chips toned spine. Now in a new mylar cover. Hardcover. Very Good/Very Good. 4to - over 9" - 12" Tall. Dodd, Mead & Company Hardcover
1991rif. CA0239654 pages with plates reproductions illustrations maps bibliographies and indexes. Quarto 12" x 8 1/2" bound in pictorial stiff boards. Translated by Luciano F Farina and Carla Onorato Wysokinski. Edited by Gianni Eugenio Viola. Volume XI of National Commission for the Celebration of the quincentennial of the Discovery of America. First edition.Contents:In Search of an Image by Gaetano Ferro; Landscapes Plants and Animals by Gaetano Ferro; Peoples and Cultures of the New World by Luisa Faldini; Sixteenth Century Cartography and the Origin of the Columbian Tradition by Marcia Milanesi; In Search of an Image: Illustrations by Carla Pampaloni; Other Landscapes Other Plants Other Animals: Text and Illustrations by Carla Pampaloni; People and Cultures of the New World: Illustrations by Luisa Faldini and Laura Monferdini; New World Images from Cartographic Sources: Illustrations by Maria Teresa de Palma.Condition:Light edge wear else a near fine copy. Instituto Poligrafico e Zecca Dello Stato Liberia Dello Stato hardcover
rif. 220056Paris, Imprimerie Impériale, 1867 6 vol. in-4, nbx plans et cartes en couleurs, demi-chagrin rouge, dos à nerfs (reliure de l'époque). Dos passé.
rif. 222758Paris, Imprimerie Impériale, 1867 6 vol. in-4, nbx plans et cartes en couleurs, demi-chagrin rouge à coins, dos à nerfs, tête dorée (reliure de l'époque). Dos un peu passé avec de petites traces noires, qqs épid. sans gravité.
rif. 16801Librairie de L. Hachette et Cie. Paris, 1874, petit in-4 demi-chagrin rouge, dos à quatre nerfs, dos richement orné, toutes tranches dorées. Reliure de l'éditeur. 60 gravures en noir et 6 cartes. 3ff.-600pp. Ouvrage traduit de l'anglais avec l'autorisation de l'auteur par Mme. H Loreau. Des rousseurs sinon bon exemplaire.
1874rif. 12073Paris, Hachette, 1874. Gr.-8° (22,5-25 cm). 600 S. OLeinwand mit vergoldetem Rückentitel, geprägter Deckelverzierung und Ganzkopfgoldschnitt
rif. 142008aafLondon, Hurst, Robinson & Co. 1826. in-8vo, I) XI + 384 p. / II) 321 p. / III) 400 p., Ex-libris in each volume, Peter E. Obergfell, In contemporary red half calf, with corners and marbled boards, gilt ruled spines, green calf labels. Fine Copy.
Second edition, 8vo, 72pp., with the half-title, disbound. ESTC locates just 2 copies, The British Library and Staatsbibliothek zu Berlin.
1853rif. 34749Edo 1853. Watercolour and ink drawing on Japanese paper. A contemporary Japanese watercolour of Commodore Perry and members of his expedition produced at the moment of the American squadron’s arrival in Japan and the opening of sustained diplomatic contact between Japan and the United States. This lively drawing belongs to the immediate visual culture generated by Commodore Matthew C. Perry's arrival in Japan in 1853. Perry entered Edo Bay in July 1853 to deliver President Fillmore's request for a treaty and returned the following year leading to the Treaty of Kanagawa on 31 March 1854. The event prompted wide Japanese interest in the appearance dress equipment and conduct of the visiting Americans and images of the "Black Ships" and their crews circulated in manuscript painted and printed form. The composition presents three American figures isolated against the paper ground arranged almost as a study of types. At right Commodore Perry is shown seated in a chair wearing a dark naval coat and holding his hat. At center stands an armed crewman or marine in a red jacket holding a musket upright; at left another crewman kneels while looking through a telescope or spyglass. The emphasis falls on uniform posture weaponry and optical instrument details that would have marked the Americans as visually and technologically unfamiliar to Japanese observers. The drawing is especially interesting as a Japanese interpretation of the expedition distinct from the official American pictorial record produced by artists such as Wilhelm Heine. The Japanese manuscript images such as the present work preserve a different perspective shaped by local observation report and curiosity. unknown
1853rif. 34749Edo 1853. Watercolour and ink drawing on Japanese paper. A contemporary Japanese watercolour of Commodore Perry and members of his expedition produced at the moment of the American squadron’s arrival in Japan and the opening of sustained diplomatic contact between Japan and the United States. This lively drawing belongs to the immediate visual culture generated by Commodore Matthew C. Perry's arrival in Japan in 1853. Perry entered Edo Bay in July 1853 to deliver President Fillmore's request for a treaty and returned the following year leading to the Treaty of Kanagawa on 31 March 1854. The event prompted wide Japanese interest in the appearance dress equipment and conduct of the visiting Americans and images of the "Black Ships" and their crews circulated in manuscript painted and printed form. The composition presents three American figures isolated against the paper ground arranged almost as a study of types. At right Commodore Perry is shown seated in a chair wearing a dark naval coat and holding his hat. At center stands an armed crewman or marine in a red jacket holding a musket upright; at left another crewman kneels while looking through a telescope or spyglass. The emphasis falls on uniform posture weaponry and optical instrument details that would have marked the Americans as visually and technologically unfamiliar to Japanese observers. The drawing is especially interesting as a Japanese interpretation of the expedition distinct from the official American pictorial record produced by artists such as Wilhelm Heine. The Japanese manuscript images such as the present work preserve a different perspective shaped by local observation report and curiosity. unknown books
rif. 222417Paris, Pincebourde, 1866 in-12, XVI-146 pp., frontispice, bradel demi-percaline fantaisie, couverture conservée (reliure de l'époque).
rif. 95998Paris, Méricant, s.d. in-8, 318 pp., 1 carte, broché, couv. ill.
rif. 108523Paris, Méricant, s.d. in-12, 318 pp., carte en front., broché, couv. ill.
