1329 resultados
1940ref. ABC_484251940. Contemporary embossed brown calf with flowers on the front and back board and an aluminium view of David's Tower and Jerusalem's old city wall embedded in the front board. Oblong album 30 x 20 cm. With 128 gelatin silver prints most ca. 6.5 x 9.5 cm. Beautiful album with 128 photographs of Egypt and Palestine present day Israel and the West Bank during the British Mandate. It was likely compiled by a British soldier who was stationed in the Middle East during the 1940s. Some of the photographs are numbered in the negative and may have been made by important photographers active in the area at the time like G. Eric Matson and his wife Edith the founders of the Matson Photo Service. The images show Cairo and various locations in Palestine including Jerusalem Bethlehem Nazareth Tiberias Sea of Galilee Nathanya Tel Aviv the Jordan river Haifa Beirut and the Dead Sea. Other than important locations like churches and gates the photographs also show many locals including for example street barbers in Cairo shepherds and farmers in Palestine and beautifully dressed women in Haifa. In the back of the work a few dried leaves from local plants have been mounted namely orange lemon fig eucalyptus grapevine and mulberry. The eucalyptus leaf still retains some of its scent.The edges and vorners of the boards are somewhat scuffed with some loss of material at the head and foot of the spine and around the edges of the embedded aluminium plate. The photographs mounted on the inside of the front board are slightly stained the fig leaf mounted on one of the final pages is damaged and the cyprus leaf is missing. Otherwise in good condition. unknown
2004As New As New English Paperback. Pbo. Dust wrapper. Mint. 4to. (30 x 24 cm). In English and Italian. 45, [1] p. Color ills. For Ali Hassoun, born in Saïda (Lebanon) in 1964, but living in Italy, art is inevitably a borderland, a fertile ridge where two different cultures meet: the traditional, spiritual culture of Islam and the dynamic, evolutionary culture of the West. In this meeting, East and West, North and South are only apparently geographical coordinates. They are rather topical places in the mind, spiritual directions which pass the baton to one another, like the perfect laps in a trip touching in turn upon the extreme opposites of ascension: the zenith and the nadir, Alpha and Omega, vile lead and alchemic gold, the terrestrial world and the imagination, the spirit and the body, and all the possible variants on a polarity which is always merely symbolic. In the artist's works the East and the West continually change sides, alluding to ambiguous meanings, now clear and now hidden. Ali Hassoun's iconography is constructed by stealing from contemporary visual culture images of a variegated humanity intent on the humble occupations of a daily life that has not yet been brutalised by the signs of the technological era. Like a computer hacker, but employing techniques which are entirely manual, Ali metaphorically "copies and pastes" onto his canvas photographs of people taken from the pages of a book or a magazine. He paints portraits of men and women, changing them using an ancient tool which contains within itself the balsamic germ of transfiguration. And yet, in his painting, precise and detailed to the point of verging on hyper-realism, there is nothing of the documentary. Like Emilio Salgari, Hassoun does not need to plough the waves or travel the caravan routes to come up with his visions. His travels are immobile, typical of a multimedia age such as our own, when information abounds but knowledge is rare. An age in which painting has come back into fashion - if it had ever gone out of fashion - but feeling the influence of the clarity of liquid crystal, of the pervasive vocabulary of the big plasma screen, of the hi-tech aesthetic born out of cyber imagery and the virtual settings of videogames. Painting containing gelid icons, the heroines of a new cybernetic sensuality, portraits of aidoru and computer alter egos, replicants and cyborgs, singing the fictitious myth of a trans-human future. In Italy, Ali Hassoun's painting is a return to Vasari's Bella Maniera, the full perfection of the great lesson of the Renaissance: painting with no mediation, no alibis and no tricks. In his works, Arab shepherds, students of the Koranic schools, cabalists, old wise men and African women dressed in fabrics of gaudy colours move about in a scenario in which landscape notation is abolished, swept away by an artificial background, a citation of great masterpieces of Art History, from the Michelangelo of the Sistine Chapel to Picasso's Guernica, from the fourteenth-century Sienese painters - Simone Martini and the Lorenzettis - to Capogrossi. The Levantine faces and statuesque bodies of his African women, the elegance and grace of his Indian maids are surrounded not by a desert, by a marketplace, by the interior of a mosque or a zawiyya nor by a minaret or a medina, but by a world of spirits, of platonic psychopomps floating suspended between Earth and Sky. In his most recent works Ali Hassoun has moved eastward. His women are now wearing the colours of India. They are wheat grinders, water bearers, even cabalists, intent on drawing a five-pointed star in the earth, hiding the secret of the golden section. The birth of a primitive femininity is everywhere, blended with the mystics of the elements - Air, Water, Earth and Fire - transfused in the grammar of light as in the use of clayey colours, in the transparency of ethereal figures and in the symbolism of water. Once again there are images of the "well of science" from which to draw the water of wisdom
(Milano), Edizioni San Paolo, 1995, in-8, cart. edit., pp. 212. Con dizionarietto e bibliografia.
ref. QWA-11387Editions de l'Escalier, 2000, in-8 br., 223 p., très bon état.
ref. awd-1075In-4 en feuilles à l’italienne, couverture illustrée à rabats (28 pp.).
2015ref. X23671xGallery Books 2015. 1st Edition. Hardcover. Very Good/Very Good. 9x6x1. Signed by Authors. In Very Good Condition Hardcover 1St Edition With The #1 With A Dust Jacket. 2Nd Printing. Signed By The Author "Lebanon Levi" Stoltzfus" At The Title Page. Autographed Proclamation Sticker At The Front.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Gallery Books hardcover
ref. 7495MONTPELLIER, Imp. Causse & Castelnau - ss date (vers 1967) - In-8 - Broché - 1 portrait en NB - 34 pages - Bon état
MONTPELLIER, Imp. Causse & Castelnau - ss date (vers 1967) - In-8 - Broché - 1 portrait en NB - 34 pages - Bon état
2026ref. LRB36036809Paris: Editions Recreasoft 2026 Hardcover binding. Language: English. Approximately 912 pages. English: Print-on-demand reprint. Original edition : 1853. Text in English. This reprint provides a faithful reproduction of the original 1853 Annual Catalog of McKendree College in Lebanon Illinois. It offers valuable insights into the academic programs faculty and student body of the institution during the mid-19th century serving as a key resource for historians and genealogists interested in educational history and regional studies in the United States. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
ref. 0260532894.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0265050103.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0366258176.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1527773930.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977ref. 140241977. Paris Éditions Ramsay 1977 e.o. (pas de grand papier) - Cartonné 16 cm x 22 cm 219 pages 219 vers d'auteurs décédés allant de Aicard à Villon en passant par Breton et Mallarmé sortis de leurs poèmes sans références à leurs auteurs (il y a un index et une table des matières à la fin du volume) et choisis par Georges Schéhadé pour répondre aux roquettes qui tombaient sur Beyrouth - Etat neuf
plaquette in-8 de 32 pages agrafee. Excellent etat [CA29-5]
français Bikfaya (Liban), 1958. 2 vol. in-4 de 110 et 109 pp. + cartes h.t.; broché, couverture muette. Sommaire : L'arbre - Le sol et le climat - La plantation - La taille et l'entretien - La greffe - Le matériel - Le fruit et ses vriétés - Les ennemis de l'arbre fruitier - Récolte, conservation, expédition - Produits chimiques et minéraux. Ensemble dactylographié. Texte en français et en arabe. Exemplaire unique, en bon état.
2011ref. LFA-126716101N° 491 (Septembre 2011) 82 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1998ref. LFA-126716105N° 342 (Février 1998) 82 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1991ref. LFA-126716121N° 270 (Juillet-août 1991) 86 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1998ref. LFA-126719691Hors-série N° 10H - 1998 : revue de 46 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
1975ref. LFA-126740042N° 87 (Octobre 1975) : 84 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1977ref. LFA-126740052N° 104 (Mars 1977): 84 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1991ref. LFA-126740212N° 272 (Octobre 1991) : 78 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1993ref. LFA-126746901N° 287 (Février 1993) : revue de 78 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
1994ref. LFA-126746912N° 299 (Mars 1994) : revue de 78 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état