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rif. 29961-Global Oriental 2000-. First edition first impression 2000. xxvii147 pages. Illustrated in colour. Near fine in dustjacket. This copy signed and inscribed by the author. For the first time in an English language edition published outside Japan all 55 prints of Hiroshige's 'Fifty-three Stages of the Tokaido' are reproduced in full colour supporting a detailed and intriguing account of the author's rediscovery on foot of the historic 303-mile road from Edo Tokyo to Kyoto. Remarkably the Old Tokaido can still be found in many locations and photographs of the modern parallel the old. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 38 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. Rediscovering the Old Tokaido: In the Footsteps of Hiroshige Japanese artist 1901903109 -Global Oriental (2000)- unknown
2008rif. 081509-LNew York: George Braziller 2008. Book. Illus. by Hiroshige. New. Hardcover. 1st Edition. 1st. Edition 1st. Printing 2008 Red cloth hardcover in the dust jacket 159 page book with 71 full color plates . Condition : NEW. Size: 4to - over 9¾" - 12" tall. George Braziller Hardcover
rif. 106705o. Angaben o. Vlg. . 38 x 28 cm 6 lose Blätter 22 x 32 cm unter Passepartout 1 gefalzt. Textblatt. Flügelmappe m Schnurrverschluss m. losen Blättern unter Passepartout Mappe a. Rücken lädiert etwas berieben Blätter tadell. Text: engl./ jap.- Ando Hiroshige 1797–1858 war ein berühmter japanischer Ukiyo-e-Holzschnittkünstler bekannt für seine atmosphärischen Landschaftsdrucke die oft das tägliche Leben und berühmte Orte Japans darstellten insbesondere mit Serien wie den "53 Stationen des T kaid " und den "100 berühmten Ansichten von Edo" die auch den europäischen Impressionismus stark beeinflussten. Sein korrekter Name war Utagawa Hiroshige da er Schüler der Utagawa-Schule war aber "And Hiroshige" ist gebräuchlich.- Set of 6 woodblock prints each mounted in a cream overlay. Housed in a brown rice papered card stock string-tied portfolio. Includes explanations of each print in English and Japanese. Titles include: 1. Snowfall of Kambara; 2. Sudden shower at Shono; 3. Moon light by river Tama; 4. Stage-Town Nagakubo; 5.Asakusa Kinryuzan Temple; 6. Sudden Rain-Storm at Atake. 010 o. Angaben, o. Vlg., unknown
rif. 213356New York: Kotsu Nippon N.D. First Edition; First Printing. Softcover. Very Good in wraps. Faint soiling along spine. Kotsu Nippon unknown
1980rif. 62764Tokyo Japan 7 New York: The Metropolitan Museum of Art Viking Press 1980. Tall 8vo. 7.5 x 10.5 in. 54 leaves unnumbered. leporello accordion-style format with 20 double-page colour reprints of ukiyo-e colour woodblock prints black & white explanatory illustrated leaves title and intro. Red coloured publisher’s cloth printed label on front cover w/ open-backed slipcase colour-illustrated title label NF/NF copy. First edition thus of this splendid series of 20 ukiyo-e woodblock prints illustrating the lesser known ukiyo-e woodblock prints by Hiroshige of “Large Fishes” or “Trand Fishes” with ten published originally by Eijudo in 1832 and later by Marujin and Yamasho representing the seasonal joy with each featuring short light verses. The Metropolitan Museum of Art, Viking Press, hardcover
1910rif. 19807AB1910. Wien K.K. Hof- und Staatsdruckerei 1910. 24 : 35 cm. Farbenholzschnitt auf grauem Karton montiert. Einer der brühmten Holzschnitt Hiroshiges. - Combinationsdruck aus der K.K. Hof- und Staatsdruckerei. Im unteren Rand des Karton typographisch bezeichnet. unknown
1849rif. 18899AB1849. Tokyo Iseya Heikichi 1849. 18 : 125 cm. 20 woodblock printed leaves ink and colour on paper. Original boards japanese binding. Rare work by Utagawa Hiroshige the woodcuts show different flowers fish etc. and one view of Mount Fuji. - Binding wrinkled title-label missing inside the first three leaves with stains. hardcover
1930rif. 1417073Japan c.1930s. Hardcover. Disbound Plates fifty-three plates. In Poor condition. Accordion binding with two green cloth boards. Front board has a paper label with black ink titling; has heavy shelfwear and sunning to edges cloth in corner creased and peeling away from board dampstaining to bottom left corner and heavy scuffing throughout; rear board has heavy shelfwear and sunning to edges peeling to cloth at corners scattered holes in cloth and heavy scuffing throughout. Interior has heavy toning to edges of cardstock backing for prints and tearing and separation to edges of cardstock throughout. Prints have light to moderate scuffing but are in good condition. Plates have been numbered in pencil but the numbering starts with the preface plate rather than the station plates. Inside of rear cover has a gift inscription: "To/Mr & Mrs J.E. Knippe/November 18th 1938./From Setsuko Sasaki". Missing colophon and five plates: #1 Nihonbashi 日本橋; #28 Fukuroi 袋井; #47 Kameyama 亀山; #53 Kusatsu è‰æ´¥; #56 KyÅto: The Imperial Palace 京 内è£. Text in Japanese. Shelved in Room A octavo overflow. This 20th-century homage to one of feudal Japan's greatest artistic journeys is an example of the type of facsimile set made for tourists art lovers or collectors that became popular at the time. Though time has softened the outer cover and separated its pages the prints inside retain their vivid inkwork carrying viewers past the iconic pine-lined road of Yoshiwara where Mount Fuji famously appears on the traveler's left. It stands as a remarkable bridge between eras where ShÅwa-period master craftsmen faithfully preserved Hiroshige's immortal vision of Edo-period travel for a whole new generation of art lovers. In his lifetime Hiroshige created up to twenty different editions of his popular Fifty-three Stations of TÅkaidÅ changing each location's art every time. This album's contents are facsimiles of the second version which he made six years after the first Great TÅkaidÅ and are nicknamed the KyÅka TÅkaidÅ for his inclusion of comical poetry kyÅka on each print. 1417073. Special Collections - Upstairs. hardcover
1930rif. 5585Tokyo: Yuyudo C1930. A beautiful woodblock print reproducing one of Hiroshige's famous illustrations from the collection "One Hundred Famous Views of Edo." This print shows Komagata-do Temple and Azuma Bridge. Originally published by Uoei 1857 this reproduction is by Yuyudo. Although undated it is likely from the 1930's. Although a reproduction it is a genuine woodblock copy not a modern digital or lithographic print. In excellent clean condition it is loosely tipped into a card folder / passe partout but can be removed for framing. Komagata-do Temple is located in the triangular plot of land near Komagata Bridge in Kaminarimon 2-chome Taito Ward. Originally it was a storehouse-style temple located on the riverbank in Komagata 1-chome enshrining a Bato Kannon Horse-Headed Kannon. Edoites pronounce Komagata-do Temple as "Komando." The illustration perhaps inspired by the famous poem by the geisha Takao "You are now near Komagata singing the cuckoo" depicts a cuckoo flying in the sky. The print of the rainy May sky is magnificent showcasing the skill of the printer. The picture shows Azuma Bridge from the roof of Komagata-do Temple depicting houses on the Honjo riverbank on the other side. The white wall belongs to the lower residence of Hosokawa Notonokami. A red flag is visible in the foreground. This is the signboard flag of a general store called "Hyakusuke" located across the street from Komagata-do which sold rouge and face powder. It was designed to be visible from a distance featuring the rouge they sold. It was a very eye-catching signboard at the time. 34cm x 23cm. Passe partout is 49cm x 34cm. . Une magnifique estampe sur bois reproduisant l'une des célèbres illustrations d'Hiroshige issues de la collection « Cent vues célèbres d'Edo ». Cette estampe représente le temple Komagata-do et le pont Azuma. Publiée à l'origine par Uoei en 1857 cette reproduction est l'œuvre de Yuyudo. Bien qu'elle ne porte pas de date elle date probablement des années 1930. Bien qu'il s'agisse d'une reproduction il s'agit d'une véritable copie sur bois et non d'une impression numérique ou lithographique moderne. En excellent état elle est simplement collée dans un passe-partout mais peut être retirée pour être encadrée. Le temple Komagata-do est situé sur un terrain triangulaire près du pont Komagata dans le quartier de Kaminarimon 2-chome arrondissement de Taito. À l'origine il s'agissait d'un temple de style entrepôt situé sur les berges de la rivière à Komagata 1-chome abritant un Bato Kannon Kannon à tête de cheval. Les habitants d'Edo prononcent le nom du temple Komagata-do « Komando ». L'illustration peut-être inspirée du célèbre poème de la geisha Takao « Tu es maintenant près de Komagata chantant le coucou » représente un coucou volant dans le ciel. La reproduction du ciel pluvieux de mai est magnifique et met en valeur le talent de l'imprimeur. L'image montre le pont Azuma depuis le toit du temple Komagata-do représentant les maisons sur la rive de la rivière Honjo de l'autre côté. Le mur blanc appartient à la résidence inférieure de Hosokawa Notonokami. Un drapeau rouge est visible au premier plan. Il s'agit du drapeau-enseigne d'un magasin général appelé « Hyakusuke » situé en face du Komagata-do qui vendait du rouge à lèvres et de la poudre pour le visage. Il était conçu pour être visible de loin mettant en avant le rouge à lèvres qu'ils vendaient. C'était une enseigne très accrocheuse à l'époque. 34 cm x 23 cm. Le passe-partout mesure 49 cm x 34 cm. Yuyudo unknown
1930rif. 5608Tokyo: N.P C1930. A beautiful woodblock print reproducing one of Hiroshige's famous illustrations. Although undated it is likely from the 1930's. Although a reproduction it is a genuine woodblock copy not a modern digital or lithographic print. In excellent clean condition it is loosely tipped onto a card backing sheet and has a stiff car folder with it. A humorous poem by Hachijintei written at the top of this painting. Shortly after completing "The Fifty-Three Stations of the TÅkaidÅ" Hiroshige published "Famous Places of Edo in the Four Seasons" a set of four prints: "Moon over RyÅgoku" "Snow over the Sumida River" "Flowers over Gotenyama" and "Red Maple Trees at KaimÅji Temple." Each of these works skillfully combines composition and color in a long-haired style and despite being small pieces from Hiroshige's prime they are considered one of his masterpiece series. There are no publisher details to the work. Overall in excellent condition with just a touch of staining from the original process to the right hand edge. Print is 44.5cm x 15.5cm. backing card and folder are 44.5cm x 31cm. . Une magnifique estampe sur bois reproduisant l'une des célèbres illustrations d'Hiroshige. Bien qu'elle ne porte pas de date elle date probablement des années 1930. Bien qu'il s'agisse d'une reproduction c'est une véritable estampe sur bois et non une impression numérique ou lithographique moderne. En excellent état elle est légèrement collée sur une feuille de carton et est accompagnée d'un étui rigide. Un poème humoristique de Hachijintei est inscrit en haut de cette estampe. Peu après avoir achevé « Les cinquante-trois stations du TÅkaidÅ » Hiroshige publia « Les lieux célèbres d'Edo au fil des quatre saisons » un ensemble de quatre estampes : « La lune sur RyÅgoku » « La neige sur la rivière Sumida » « Les fleurs sur Gotenyama » et « Les érables rouges au temple KaimÅji ». Chacune de ces œuvres combine habilement composition et couleur dans un style « à poils longs » et bien qu'il s'agisse de petites pièces datant de l'apogée de Hiroshige elles sont considérées comme l'une de ses séries de chefs-d'œuvre. Il n'y a aucune mention de l'éditeur sur l'œuvre. Dans un excellent état général avec juste une légère tache due au procédé d'impression d'origine sur le bord droit. L'estampe mesure 445 cm x 155 cm. Le carton de support et le dossier mesurent 445 cm x 31 cm. N.P unknown
rif. 75359München Prestel 1988. . Birds and flowers dt. - Mit Bibliographie. - Hiroshige 1797-1858 einer der letzten großen Meister des japanischen Farbholzschnittes wird hier mit hervorragenden Beispielen seiner schönsten Vogel- u. Blumen-Darstellungen vorgestellt Klappentext. - Gutes sauberes Exemplar München, Prestel, (1988). unknown
rif. 5529685-nnew. unknown
1998rif. 032253Japan: Unknown Usui Hiroshige 1998. Book. Fine. Paperback. Assumed First Edition. 4to A4. 64 pages index. Fine botanical colour illustrations throughout. Covers fine. Contents clean and tight unmarked no inscriptions. A fine copy clean and bright. Scarce. Unknown (Usui Hiroshige) Paperback
1988rif. DADAX0807611999George Braziller 1988-10-17. First Edition. hardcover. New. 10.20x1.00x14.60. Buy with confidence. Excellent Customer Service & Return policy. George Braziller hardcover
1914rif. 224622東京. Tokyo.: 長谷川武次郎. Hasegawa Takejiro. Taisho 3 1914. Volume III only of three. Twelve full page colour woodblocks in original pictorial wrappers printed on what appears to be hōsho or a similar Japanese mulberry paper tassel tie. 20.5 x 14.5cm. Some later hand-colouring to the margins of the upper cover; lower cover marked with small tears along its lower edge neatly repaired. Good copy. . 長谷川武次郎. [Hasegawa Takejiro]. unknown
1986rif. 501945New York : George Braziller Inc 1986. Hardcover. As New/As New. 10 x 14.5 inches approximately. As new condition. Blue cover with red script. Colour illustrated dust jacket protected in Brodart. 188 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo full colour full page prints. Reproduced from a first edition set in the Brooklyn Museum of Art. Introductory essays and commentaries by Henry D Smith. George Braziller Inc hardcover
1984rif. 7050New York: George Braziller Inc 1984. First Edition. Hardcover. Fine in Near Fine Slipcase. First Edition. Hardcover. Text by Lee; foreword by Boorstin. A very handsome set. Tight bright and unmarred. Slipcase shows minor shelf/edge wear else tight and clean. Brown cloth boards color paper onlay accordion bound. 8vo. 62pp. Illus. color and b/w plates. George Braziller, Inc hardcover
2008rif. __0807615935George Braziller 2008. Hardcover. New. illustrated edition. 160 pages. 13.80x10.30x1.00 inches. George Braziller hardcover
rif. 223136Set of six postcards picturing woodblock art works by Utagawa Hiroshige. Five "made in Japan" one from the British Museum. 14 x 9cm. Very lightly browned overall in very good condition. . unknown
rif. 0807611050.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1921rif. 85896New York: Orientalia. Very Good. 1921. First Edition. Softcover in hardcover wrapper. A portfolio of 19 examples of the mostly landscape art of Utagawa Hiroshige 1797-1858 Japanese master 'ukiyo-e' artist. Includes his tipped-in tissue-guarded frontis color "Evening Rain at Karasaki." The remaining paintings in black and white. With a 32-page essay and chronological table depicting eras coinciding with the life of Hirshige both preceding the paintings. One of limitation of 750 copies produced for sale in America and Europe. --- A delicate softcover portfolio in soft-to-the-touch Japanese paper in French folds also sometimes called Japanese fold in which all printing is on the outsides of uncut folded leaves. In flexible ivory wraps with gilt-stamped cover titling and tied with external silky white string. The book is surrounded by a blue cloth-covered hardcover three-sided custom binding held closed with two small bone 'daggers' which align with blue cloth eyelets paper labels to cover and spine. --- With conspicuous sunning to spine and covers otherwise a well-preserved excellent copy.; Tall Octavo - 9 to 10 in. tall; 12 32 44 pages . Orientalia hardcover
rif. 0824800257.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2005rif. G4522423195I3N10Tōkyō : Nagaoka Shoten 2005. 2005. Tankobon Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Tōkyō : Nagaoka Shoten, 2005. hardcover
1963rif. 219837Tokyo.: 美術社. Bijutsusha. 1963 -1965. Fifty five charming colour woodblock prints 18.4 x 25.7cm complete including commentary in twenty seven envelopes 26.5 x 35cm booklet 16pp presented in a slipcase with two cord ties. Envelope number 17 is duplicated but the contents of the 16th part is inside one. The set being complete. Minor browning inside slipcase but otherwise in excellent condition. This beautiful collection presents Utagawa Hiroshige’s celebrated woodblock prints of the Tokaido route. Each print was produced using traditional methods of woodblock carving and printing. In the foreword the publisher notes that this collection represents the first publication of Hiroshige’s Tokaido prints issued after the end of the Pacific War. The set was sold by subscription over 27 monthly instalments between 1963 and 1965 as the cost of purchasing the complete collection at once would have been beyond the reach of many members of the public at that time. An interpretive booklet included with the set provides background on Hiroshige’s work and on the techniques of woodblock print production together with short descriptions of each print. The publisher’s remarks suggest a renewed sense of pride in Japan’s traditional culture in the post-war period and a desire among the public to reconnect with and possess examples of this artistic heritage. . 美術社. [Bijutsusha]. unknown
1920rif. 218652No Place of Publication.: No publication details. Circa1920. Colour woodblock print. 17.5 x 25cm. A clean image laid down on washi. This print depicts travellers warming themselves by a bonfire by the road. The inns of Hamamatsu and Hamamatsu castle can be seen in the far right. . No publication details. unknown