Utagawa, HiroshigeBiblio.com
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1930rif. 1417073Japan c.1930s. Hardcover. Disbound Plates fifty-three plates. In Poor condition. Accordion binding with two green cloth boards. Front board has a paper label with black ink titling; has heavy shelfwear and sunning to edges cloth in corner creased and peeling away from board dampstaining to bottom left corner and heavy scuffing throughout; rear board has heavy shelfwear and sunning to edges peeling to cloth at corners scattered holes in cloth and heavy scuffing throughout. Interior has heavy toning to edges of cardstock backing for prints and tearing and separation to edges of cardstock throughout. Prints have light to moderate scuffing but are in good condition. Plates have been numbered in pencil but the numbering starts with the preface plate rather than the station plates. Inside of rear cover has a gift inscription: "To/Mr & Mrs J.E. Knippe/November 18th 1938./From Setsuko Sasaki". Missing colophon and five plates: #1 Nihonbashi 日本橋; #28 Fukuroi 袋井; #47 Kameyama 亀山; #53 Kusatsu è‰æ´¥; #56 KyÅto: The Imperial Palace 京　内è£. Text in Japanese. Shelved in Room A octavo overflow. This 20th-century homage to one of feudal Japan's greatest artistic journeys is an example of the type of facsimile set made for tourists art lovers or collectors that became popular at the time. Though time has softened the outer cover and separated its pages the prints inside retain their vivid inkwork carrying viewers past the iconic pine-lined road of Yoshiwara where Mount Fuji famously appears on the traveler's left. It stands as a remarkable bridge between eras where ShÅwa-period master craftsmen faithfully preserved Hiroshige's immortal vision of Edo-period travel for a whole new generation of art lovers. In his lifetime Hiroshige created up to twenty different editions of his popular Fifty-three Stations of TÅkaidÅ changing each location's art every time. This album's contents are facsimiles of the second version which he made six years after the first Great TÅkaidÅ and are nicknamed the KyÅka TÅkaidÅ for his inclusion of comical poetry kyÅka on each print. 1417073. Special Collections - Upstairs. hardcover
1930rif. 5585Tokyo: Yuyudo C1930. A beautiful woodblock print reproducing one of Hiroshige's famous illustrations from the collection "One Hundred Famous Views of Edo." This print shows Komagata-do Temple and Azuma Bridge. Originally published by Uoei 1857 this reproduction is by Yuyudo. Although undated it is likely from the 1930's. Although a reproduction it is a genuine woodblock copy not a modern digital or lithographic print. In excellent clean condition it is loosely tipped into a card folder / passe partout but can be removed for framing. Komagata-do Temple is located in the triangular plot of land near Komagata Bridge in Kaminarimon 2-chome Taito Ward. Originally it was a storehouse-style temple located on the riverbank in Komagata 1-chome enshrining a Bato Kannon Horse-Headed Kannon. Edoites pronounce Komagata-do Temple as "Komando." The illustration perhaps inspired by the famous poem by the geisha Takao "You are now near Komagata singing the cuckoo" depicts a cuckoo flying in the sky. The print of the rainy May sky is magnificent showcasing the skill of the printer. The picture shows Azuma Bridge from the roof of Komagata-do Temple depicting houses on the Honjo riverbank on the other side. The white wall belongs to the lower residence of Hosokawa Notonokami. A red flag is visible in the foreground. This is the signboard flag of a general store called "Hyakusuke" located across the street from Komagata-do which sold rouge and face powder. It was designed to be visible from a distance featuring the rouge they sold. It was a very eye-catching signboard at the time. 34cm x 23cm. Passe partout is 49cm x 34cm. . Une magnifique estampe sur bois reproduisant l'une des célèbres illustrations d'Hiroshige issues de la collection « Cent vues célèbres d'Edo ». Cette estampe représente le temple Komagata-do et le pont Azuma. Publiée à l'origine par Uoei en 1857 cette reproduction est l'œuvre de Yuyudo. Bien qu'elle ne porte pas de date elle date probablement des années 1930. Bien qu'il s'agisse d'une reproduction il s'agit d'une véritable copie sur bois et non d'une impression numérique ou lithographique moderne. En excellent état elle est simplement collée dans un passe-partout mais peut être retirée pour être encadrée. Le temple Komagata-do est situé sur un terrain triangulaire près du pont Komagata dans le quartier de Kaminarimon 2-chome arrondissement de Taito. À l'origine il s'agissait d'un temple de style entrepôt situé sur les berges de la rivière à Komagata 1-chome abritant un Bato Kannon Kannon à tête de cheval. Les habitants d'Edo prononcent le nom du temple Komagata-do « Komando ». L'illustration peut-être inspirée du célèbre poème de la geisha Takao « Tu es maintenant près de Komagata chantant le coucou » représente un coucou volant dans le ciel. La reproduction du ciel pluvieux de mai est magnifique et met en valeur le talent de l'imprimeur. L'image montre le pont Azuma depuis le toit du temple Komagata-do représentant les maisons sur la rive de la rivière Honjo de l'autre côté. Le mur blanc appartient à la résidence inférieure de Hosokawa Notonokami. Un drapeau rouge est visible au premier plan. Il s'agit du drapeau-enseigne d'un magasin général appelé « Hyakusuke » situé en face du Komagata-do qui vendait du rouge à lèvres et de la poudre pour le visage. Il était conçu pour être visible de loin mettant en avant le rouge à lèvres qu'ils vendaient. C'était une enseigne très accrocheuse à l'époque. 34 cm x 23 cm. Le passe-partout mesure 49 cm x 34 cm. Yuyudo unknown
1930rif. 5608Tokyo: N.P C1930. A beautiful woodblock print reproducing one of Hiroshige's famous illustrations. Although undated it is likely from the 1930's. Although a reproduction it is a genuine woodblock copy not a modern digital or lithographic print. In excellent clean condition it is loosely tipped onto a card backing sheet and has a stiff car folder with it. A humorous poem by Hachijintei written at the top of this painting. Shortly after completing "The Fifty-Three Stations of the TÅkaidÅ" Hiroshige published "Famous Places of Edo in the Four Seasons" a set of four prints: "Moon over RyÅgoku" "Snow over the Sumida River" "Flowers over Gotenyama" and "Red Maple Trees at KaimÅji Temple." Each of these works skillfully combines composition and color in a long-haired style and despite being small pieces from Hiroshige's prime they are considered one of his masterpiece series. There are no publisher details to the work. Overall in excellent condition with just a touch of staining from the original process to the right hand edge. Print is 44.5cm x 15.5cm. backing card and folder are 44.5cm x 31cm. . Une magnifique estampe sur bois reproduisant l'une des célèbres illustrations d'Hiroshige. Bien qu'elle ne porte pas de date elle date probablement des années 1930. Bien qu'il s'agisse d'une reproduction c'est une véritable estampe sur bois et non une impression numérique ou lithographique moderne. En excellent état elle est légèrement collée sur une feuille de carton et est accompagnée d'un étui rigide. Un poème humoristique de Hachijintei est inscrit en haut de cette estampe. Peu après avoir achevé « Les cinquante-trois stations du TÅkaidÅ » Hiroshige publia « Les lieux célèbres d'Edo au fil des quatre saisons » un ensemble de quatre estampes : « La lune sur RyÅgoku » « La neige sur la rivière Sumida » « Les fleurs sur Gotenyama » et « Les érables rouges au temple KaimÅji ». Chacune de ces œuvres combine habilement composition et couleur dans un style « à poils longs » et bien qu'il s'agisse de petites pièces datant de l'apogée de Hiroshige elles sont considérées comme l'une de ses séries de chefs-d'œuvre. Il n'y a aucune mention de l'éditeur sur l'œuvre. Dans un excellent état général avec juste une légère tache due au procédé d'impression d'origine sur le bord droit. L'estampe mesure 445 cm x 155 cm. Le carton de support et le dossier mesurent 445 cm x 31 cm. N.P unknown
rif. 6a375Tsutaya Kichizo Japan 1858. Maße: ca. 192 x 278 cm mit Stempel unten rechts im Motiv auf colorierten Stoff gezogen hinter Glas in schwarzer Holzleiste mit abgerundeten Ecken Leiste gering berieben/rückseitig zwei Papierschilder. - Japanische Kunst - unknown
rif. 75359München Prestel 1988. . Birds and flowers dt. - Mit Bibliographie. - Hiroshige 1797-1858 einer der letzten großen Meister des japanischen Farbholzschnittes wird hier mit hervorragenden Beispielen seiner schönsten Vogel- u. Blumen-Darstellungen vorgestellt Klappentext. - Gutes sauberes Exemplar München, Prestel, (1988). unknown
1877rif. 186040Tokyo: Okura Magobee 10 August 1877. Vivid scenes of industry from across Japan A striking set of prints produced at the time of the First National Industrial Exhibition 1877 an event designed to promote Japanese local craftmanship and encourage a growing export industry. This example shows tatami mat production in Bingo Hiroshima indigo farming in Awa Tokushima camphor logging in Hyuga Miyazaki and whaling in Iki Nagasaki. The First National Industrial Exhibition was held from 21 August to 30 November 1877 with a total of 16172 exhibitors showing 84353 items. "In anticipation of the event the government clearly stated its interest in encouraging the growth of export industries and requested that every prefecture in Japan participate in the exhibition suggesting that the domestic fairs were intended to provide a survey of the products and industries of the entire country and to offer a venue for assessing which of those products might be suitable for export" Lavenberg. At the same time Utagawa Hiroshige III 1842-1894 released approximately 120 prints showing local industries across Japan. He was known for his representations of Meiji period society and was one of the most popular artists of his age. Only 118 of the Dai nihon bussan zue prints survive representing 58 provinces. These were sold as individual sheets that could be bound into books with each book containing a different number and configuration of prints. The 30 prints in this example cover 14 provinces stretching from Hokkaido in the north to Hyuga in the south. The construction of the books mean that splits are often found along the central joints such as in the copy held by the British Museum 197307230.116. Octavo concertina-style. With 30 double-page colour woodblock prints; text in Japanese. Original patterned paper boards decorated with scenes of Japanese cranes red printed paper label on front board. Housed in grey archival box. Contemporary price sticker on one print. Boards a little creased and abraded prints bright with some light foxing in margins some split along central fold as usual: a very good example. "Dai Nippon Bussan Zue Products of Greater Japan 1877" The Lavenberg Collection of Japanese Prints 2018. hardcover
1958rif. B5149Tokyo: Charles E. Tuttle c. 1958. The book is in very good condition. Slip case is in good condition. . Edition: Second Edition Binding: Contemporary decorative cloth wrapping tied together with violet string. Pasted and free wood-grained endpapers. Decorative slipcase. Notes: Utagawa Hiroshige 1797-1858 also AndÅ Hiroshige was a Japanese ukiyo-e artist considered the last great master of that tradition. For scholars and collectors Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on Western painting towards the close of the 19th century as a part of the trend in Japonism. Western artists closely studied Hiroshige's compositions and some such as van Gogh painted copies of Hiroshige's prints. Size: 12mo 98x150mm. Illustration: Illustrated with small reprints of woodblock prints from Hiroshige’s fifty-three stopping places during his journey from Tokyo to Kyoto with Haiku's and poems that accompany each of the stopping places. A colour 4 page map of his journey is at the beginning of the book. Provenance: Inscription on endpaper “To Alfred and Doris with affection Helen and Dean.” Category: Book Asia Far East Charles E. Tuttle hardcover
1890rif. B6305Japan. c.1890. A very good example of this beautifully designed book. . Binding: period soft paper wrapper. Notes: The Fifty-Three Stations of the TÅkaidÅ is a series of ukiyo-e woodcut prints created by Utagawa Hiroshige after his travel along the TÅkaidÅ. The TÅkaidÅ road linking the shÅgun's capital Edo to the imperial one KyÅto was the main travel and transport artery of old Japan. It is also the most important of the "Five Roads" GokaidÅ—the five major roads of Japan created or developed during the Edo period to further strengthen the control of the central shogunate administration over the whole country. The Fifty-Three Stations of the TÅkaidÅ was such a popular subject that it led Hiroshige to create some 30 different series of woodcut prints on it all very different one from the other by their size Åban or chuban their designs or even their number some series include just a few prints. Utagawa Hiroshige 1797 – 1858 was a Japanese ukiyo-e artist considered the last great master of that tradition. In terms of style Hiroshige is especially noted for using unusual vantage points seasonal allusions and striking colors. In particular he worked extensively within the realm of meisho-e pictures of famous places. During the Edo period tourism was also booming leading to increased popular interest in travel. Travel guides abounded and towns appeared along routes such as the TÅkaidÅ a road that connected Edo with Kyoto. Size: Oblong quarto Illustration: Illustrated title and 56 full page landscape woodcut prints. Category: Book Asia Far East unknown
2018rif. __1983174262Independently published 2018. Paperback. New. 461 pages. 11.00x8.50x1.09 inches. Independently published paperback
2007rif. ANAIS-0486460479Dover Publications 2007-08-31. Not Indicated. paperback. Good. 27.9x1.3x21.6. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
1991rif. SBBIH-CE46LG5KEDNGHonolulu Academy of Arts 1991. paperback. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Honolulu Academy of Arts paperback
rif. 5529685like new. unknown
rif. 5529685-nnew. unknown
rif. 85550Tokai Bank. VG. Oversize paperback / Boxed / Text: English & Japanese / Commemorating the Tokai Bank's 50th Anniversary Tokai Bank paperback
2008rif. 081509-LNew York: George Braziller 2008. Book. Illus. by Hiroshige. New. Hardcover. 1st Edition. 1st. Edition 1st. Printing 2008 Red cloth hardcover in the dust jacket 159 page book with 71 full color plates . Condition : NEW. Size: 4to - over 9¾" - 12" tall. George Braziller Hardcover
rif. 106705o. Angaben o. Vlg. . 38 x 28 cm 6 lose Blätter 22 x 32 cm unter Passepartout 1 gefalzt. Textblatt. Flügelmappe m Schnurrverschluss m. losen Blättern unter Passepartout Mappe a. Rücken lädiert etwas berieben Blätter tadell. Text: engl./ jap.- Ando Hiroshige 1797–1858 war ein berühmter japanischer Ukiyo-e-Holzschnittkünstler bekannt für seine atmosphärischen Landschaftsdrucke die oft das tägliche Leben und berühmte Orte Japans darstellten insbesondere mit Serien wie den "53 Stationen des T kaid " und den "100 berühmten Ansichten von Edo" die auch den europäischen Impressionismus stark beeinflussten. Sein korrekter Name war Utagawa Hiroshige da er Schüler der Utagawa-Schule war aber "And Hiroshige" ist gebräuchlich.- Set of 6 woodblock prints each mounted in a cream overlay. Housed in a brown rice papered card stock string-tied portfolio. Includes explanations of each print in English and Japanese. Titles include: 1. Snowfall of Kambara; 2. Sudden shower at Shono; 3. Moon light by river Tama; 4. Stage-Town Nagakubo; 5.Asakusa Kinryuzan Temple; 6. Sudden Rain-Storm at Atake. 010 o. Angaben, o. Vlg., unknown
rif. 29961-Global Oriental 2000-. First edition first impression 2000. xxvii147 pages. Illustrated in colour. Near fine in dustjacket. This copy signed and inscribed by the author. For the first time in an English language edition published outside Japan all 55 prints of Hiroshige's 'Fifty-three Stages of the Tokaido' are reproduced in full colour supporting a detailed and intriguing account of the author's rediscovery on foot of the historic 303-mile road from Edo Tokyo to Kyoto. Remarkably the Old Tokaido can still be found in many locations and photographs of the modern parallel the old. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 38 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. Rediscovering the Old Tokaido: In the Footsteps of Hiroshige Japanese artist 1901903109 -Global Oriental (2000)- unknown
1998rif. 032253Japan: Unknown Usui Hiroshige 1998. Book. Fine. Paperback. Assumed First Edition. 4to A4. 64 pages index. Fine botanical colour illustrations throughout. Covers fine. Contents clean and tight unmarked no inscriptions. A fine copy clean and bright. Scarce. Unknown (Usui Hiroshige) Paperback
1955rif. 42796Paris Huguette Berès 1955. Large 4to. Orig. printed wrappers. 42 pp. and 16 plates of which 4 are lithographed in colour. Ce catalogue tiré à 1200 exemplaires tiré à 1200 exemplaires a été réalisé par l'Imprimerie Union. Les Lithographies en couleurs sortent des presses de Mourlot frères. unknown
rif. 0486460479.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1905rif. 1033H30Tokyo: T. Hasegawa c1905-1914. Paperback. Very Good Indeed. 6" by 8". Utagawa Hiroshige; Katsushika Hokusai. Two very scarce early Hasegawa woodblock albums comprising twenty-four beautifully printed reproductions after Hiroshige and Hokusai in the striking original pictorial wrappers. In the publisher"s original dark grey pictorial paper wrappers bound in the Japanese manner with orange silk ties. Masterpieces by Hiroshige Collection II forms the second part of Hasegawa"s three-volume series devoted to Hiroshige. The complete Hiroshige series comprised three such albums the first appearing in 1904 the present second collection around 1905 and the third in 1914. The second volume Selections from Hokusai"s Views of Mount Fuji is undated and without a colophon as issued. Dated here using Jisc from a copy held at the University of Oxford Libraries. Masterpieces by Hiroshige contains twelve colour woodblock reproductions including The View from the Tea-house at Yoshida Hodogaya Tamagawa Fukagawa Yedo Kajikazawa The Foot of Fuji Tago-no-ura Noborito Ejiri Mishima-goye Lake Kawaguchi and Koishikawa Yedo. Selections from Hokusai"s Views of Mount Fuji comrpomises twelve colour woodblock reproductions selected from Hokusai"s celebrated Fuji landscapes. The contents comprise Mishima in the Morning Fog; Tsukuda The White-bait Fishing; Asuka-yama under the Snow; and Yokkaichi in a Violent Wind among others. Utagawa Hiroshige 1797-1858 was one of the great masters of nineteenth-century ukiyo-e landscape printing. Katsushika Hokusai 1760-1849 was among the most influential Japanese artists of the Edo period his Thirty-six Views of Mount Fuji becoming one of the defining achievements of ukiyo-e. In the publisher"s original pictorial paper wrappers bound in the Japanese manner with orange silk ties. Externally smart. Wraps age toned with light rubbing. Slight edge wear to extremities resulting in minor creasing and loss. Loss to head and tail of backstrips exposing binding. Internally firmly bound. Retaining the delicate tissue guards with slight creasing to one or two guards. Leaves age toned more so to perimeters. Very Good Indeed T. Hasegawa paperback
1988rif. DADAX0807611999George Braziller 1988-10-17. First Edition. hardcover. New. 10.20x1.00x14.60. Buy with confidence. Excellent Customer Service & Return policy. George Braziller hardcover
1914rif. 224622東京. Tokyo.: 長谷川武次郎. Hasegawa Takejiro. Taisho 3 1914. Volume III only of three. Twelve full page colour woodblocks in original pictorial wrappers printed on what appears to be hōsho or a similar Japanese mulberry paper tassel tie. 20.5 x 14.5cm. Some later hand-colouring to the margins of the upper cover; lower cover marked with small tears along its lower edge neatly repaired. Good copy. . 長谷川武次郎. [Hasegawa Takejiro]. unknown
1986rif. 501945New York : George Braziller Inc 1986. Hardcover. As New/As New. 10 x 14.5 inches approximately. As new condition. Blue cover with red script. Colour illustrated dust jacket protected in Brodart. 188 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo full colour full page prints. Reproduced from a first edition set in the Brooklyn Museum of Art. Introductory essays and commentaries by Henry D Smith. George Braziller Inc hardcover
rif. BN134513Dover Publications. Softcover. The Sketchbooks of Hiroshige Pictorial Archive Series The Sketchbooks of Hiroshige Pictorial Archive Series Ando Hiroshige Dover Publications paperback
