12 056 résultats
1933réf. ABC_45905Cambridge Mumbai New Delhi: Scott & Wilkinson Clifton & Co Hamilton Studios and Kinsey Bros. 1933. Oblong half morocco photograph album by W. Johnson & sons London. With 105 photographs mounted in the album ranging from 16 x 28 cm to 4 x 6 cm 2 photographs loosely inserted and a watercolour mounted at the back 11.5 x 21 cm. Unique photograph album showcasing the vigorous "fox" hunting scene in British India in the early 1930s particularly around Delhi. Most of the photographs show members of the British upper class in India often mounted on horses or posing for a group photograph and accompanied by hounds. The album contains no titles captions or inscriptions and the photographs do not seem to figure recurring individuals which suggests that it was probably compiled to commemorate the hunting and or riding club and its activities in the early 1930s. Numerous photographs show groups of mostly men posing with hounds at lunches and possibly a hunt ball or mounted on horses at jumping events and even a few cup trophies. The very first photograph is by Scott & Wilkinson in Cambridge active before 1933 and was therefore probably taken in England. The other inscribed photographs are by Clifton & Co. and Hamilton Studios from Bombay and Kinsey Bros. which started in New Delhi in 1935.British life in India mirrored life in native Britain and included popular equestrian activities such as hunting. Starting in the second half of the 19th century foxhounds were imported from Britain and subsequently bred in India. Regiments and brigades kept their own packs but at the beginning of the 20th century these had morphed into local hunts. Hounds were kept at over 12 hunting clubs which included Delhi Meerut Narbuda Vale Jaora Poona Bombay Bangalore Ooty Madras Lahore Quetta Peshawar and Karachi. Although the Indian silver fox was sometimes hunted the most common prey was the golden jackal.A different type of hunting popular in India was pig sticking: the chase of a wild boar on horseback with the spear. Several photographs in the album show pig sticking parties either posing or in action and sometimes accompanied by spectators on elephants. In contrast to the jackal-hunt parties the pigstick groups are composed of more military looking men and also include Indian men as opposed to the British-only hound groups.Most photographs show the area around Delhi and include a hunt near Shah Alam's Tomb. A photograph of this event is loosely inserted in the album and dated 1933/34 on the back. Other photographs show the Rashtrapati Bhavan one group shows the Earl later Marquess of Willingdon India's Governor-General from 1931 to 1936. Two images show the monumental Gateway of India completed in 1924 in Bombay Mumbai which can also be seen in an aerial photograph. Several photographs show what is probably the airfield at Karachi as it shows two airplanes loading mail on apparently the first voyage of the Indian Transcontinental Airways. Imperial Airways liner "Hanno" departing from Croydon had left for Karachi on 1 July 1933 via Bahrain and Sharjah. In Karachi the cargo was transferred to the Transcontinental airliner "Arethusa" as can be seen on the photographs.It is unclear why only half of the album was used. It is possible the compiler transferred to Kut in British Mesopotamia Kut al-Imara in modern Iraq. A watercolour on the final page of the album is captioned "A river bank north of Kut".Binding slightly rubbed and worn at the edges. Album leaves foxed throughout but most of the photographs in very good condition. The paper of the large photograph of the group near Shah Alam's Tomb is heavily damaged at the top and left side but the image itself is undamaged. A unique collection of British-Indian hunting photographs in very good condition.l Cf. Hamid "Riding with the Peshawar Vale hunt" thefridaytimes.com; Hunt "Delhi" in: Ten cities that made an empire; "1933 Eastwards: Karachi to Calcutta" indianairmails.com; Lucas Hunt and working terriers pp. 116-120; Mitter et al. The artful pose. Scott & Wilkinson, Clifton & Co, Hamilton Studios and Kinsey Bros., unknown
1730réf. ABC_47423Augsburg 1730. 86 x 59 cm. Copperplate engraving. A grand engraving commemorating the achievements of the August Protestant Church in India features various scenes and elements. In the background there are mountains palm trees houses and people including a Chinese person. The foreground shows deciduous and palm trees with a lit grotto holding an idol inscribed with "Brama". In front of the grotto an evangelical missionary preaches to a large congregation of natives while holding a book of music in his left hand and pointing to Brama with his right hand. The missionary wears a turban a priest's cloak and has flappers. The audience under the hill is depicted in interesting groups with some closer to us appearing larger and clearer. At the bottom of the engraving there is an art altar with several books including the "Biblia Malabarica" "Catechism Malabaricus" and the hymnal "Liber Cantion. Malabar." The engraving was made by the German engraver painter draughtsman and art publisher Johann Elias Ridinger 1698-1767. He trained in Ulm and Augsburg under Christoph Resch and Johann Falch and learned engraving from Georg Philipp Rugendas. Ridinger later spent three years in Regensburg where he developed his style through coursing and visits to the riding school. His ornamental works show Rococo stylistic tendencies and he founded his own publishing house in Augsburg. His precise and tasteful drawings were highly regarded and transferred to decoration porcelain and ceramics.With two minor tears one partly repaired the other one not affecting the engraving. Overall in very good condition.l Thienemann Leben und Wirken des unvergleichlichen Thiermalers und Kupferstechers Johann Elias Ridinger 913; Thienemann "Nachträge Zusätze und Berichtigungen C. L. zu : Leben und Wirken des unvergleichlichen Thiermalers und Kupfer stechers Johann Elias Ridinger etc." in Archiv für die zeichnenden Künste 5 1859 pp. 148-149. unknown
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1911réf. 21538London: A & C Black. Very Good. First Edition. Hardcover. Slight fading to gilt lettering and decoration on spine. Hinges and front board near outer hinge professionally repaired. A handsome copy with a bit of browning to the last few pages and with a new front free endpaper.; Top edge gilt. Turkois boards blindstamped along edges. Gilt lettering to boards and spine and with gilt vignette. One of the most decorative books by A & C Black. 72 tissue guarded watercolors by the British military artist A. C. Lovett. This is the very rare first edition with gilt lettering and spine lettering and top edge gilt. Inman 39.; 8vo 8" - 9" tall; 224 pages . 1911. A & C Black hardcover
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réf. 118830Paris. De l'Imprimerie Royale 1770. 4 pages. Mouillure angulaire. 275x21 Cm. Broché. Publié en 1770 cet arrêt du Conseil d'État du Roi constitue un document essentiel pour comprendre la régulation du commerce français au XVIIIe siècle en particulier concernant les marchandises en provenance de l'Inde. À une époque où la France cherchait à étendre son influence commerciale et coloniale ce texte révèle les mécanismes administratifs et fiscaux mis en place par l'autorité royale pour contrôler et bénéficier de ce commerce lucratif. Compagnie des Indes. Paris. De l'Imprimerie Royale, 1770. unknown
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1929réf. 1225E097Florence: Privately Published 1929. 1st Edition . Hardback. Printed pages: 217. Good. 5.75 x 8 inches 14.5 x 21.5 cm. Signed by Author. Limited edition number 286 of 550 copies signed by the author. Decorative paper covered boards with paper title label to spine. Spine browned. Wear to ends of spine and corners of boards. Page edges untrimmed with light foxing and browning. Light foxing to endpapers occasional light marks and spots of foxing to text. Previous owner's name to front free endpaper. . Overall condition is Good. Size: 5.75 x 8 inches 14.5 x 21.5 cm. Privately Published hardcover
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