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Colonial British India Glass Lantern Slide Archive of Caste System Labor Bazaar Trade Village Labor Sikhs and Colonial Cavalry 1900-20

1900réf. 232871900. India glass lantern slide archive documenting class hierarchy dichotomy in British India with scenes of village labor bazaar exchange railway movement industrialization Sikhs and colonial cavalry circa 1900-20. Images clearly depict the class divide and caste system; villagers and laborers are shown seated on bare ground in carpentry work men and goats occupy an unpaved settlement space Sikh men stand beside a railway carriage tied to imperial transport networks a factory scene introduces mechanized industry and a formal portrait of turbaned cavalry soldiers. Photo archive of 8 glass lantern slides 3.25" x 3.25" India circa 1900 to 1920. Several slides retain manuscript captions on the mounts including "Central India" "Village School" "Bazaar Calcutta" and "MV. parannis an Indian carpentry clas." "Parannis" is probably a misspelling or misreading of "Pariahs" a historical caste/community term used in colonial-era descriptions of South Indi The British largely preserved formalized and exploited the Indian caste system rather than dismantling it. Their relationship with caste was pragmatic: caste became a tool for administration taxation labor control military recruitment and social organization across British India. The "Village School" slide shows a line of children and adults posed before a low building under dense tree cover with one figure standing forward in the open yard. The carpentry slide shows a large group of Indian boys outdoors beneath a tree seated or crouched on the ground around planks and hand tools with timber laid across the foreground and simple structures behind. The Calcutta bazaar scene places vendors baskets and goods in an open market setting under palms while the village scene presents men in loose garments in what seems to be a cattle farm setting. One slide shows Sikh men beside a railway carriage one barefoot in the foreground and others gathered near the rail car doors linking Indian bodies to the movement of goods troops and passengers through the colonial rail system. Another slide presents four uniformed soldiers in turbans possibly the Madras cavalry posed formally with boots sashes and weapons before a masonry wall. The factory view shows smoking industrial works with long roofs tracks and an extended production yard further cementing colonial industrialization within the archive. British rule in India relied on linked systems of extraction transport discipline and military force and these slides place those systems beside the people who bore their unequal social effects. Railways expanded under colonial finance and administration to move troops raw materials and commercial goods; industrial sites grew beside older economies of hand labor and bazaar trade; Indian soldiers and cavalry units served within an army organized to secure imperial control; and rural schools workshops and village scenes expose the local social world that existed under those pressures rather than outside them. Light edge wear some mount loss to several slides; no cracks or chips. Overall very good condition. British colonialism widened India's class divide by concentrating wealth transport and military power in imperial systems while leaving many Indians in village labor and low paid market work. unknown

Max Rambod Inc. · États-Unis785,00 $US≈ 701,33 €

Colonial British IndiaABAA

Colonial British India Glass Lantern Slide Archive of Caste System Labor Bazaar Trade Village Labor Sikhs and Colonial Cavalry 1900-20

Max Rambod Inc. · États-Unis785,00 $US≈ 701,33 €

British Colonial IndiaBiblio.com

Colonial India during World War II Captioned Photo Archive of Weapons Training and Mandu Excursions 1942

1940réf. 232161940. British India photo archive following an unidentified man likely a serviceman in Mhow and Mandu during World War II 1942-1943 preserving a localized record of colonial wartime life through mess scenes sport staff bungalows named companions imposed colonial social frameworks and visits to the major Islamic monuments of Mandu. The captions place the central figure in the company of "Carroll Sahib" Ken Davis and other men in uniform-style dress while repeated references to the "mess" weapon training staff and cantonment-like grounds situate the photographs within a British colonial wartime environment in central India. The group shows one participant moving between military or officer-adjacent daily life and the monumental landscape of Mandu at a moment when India remained a crucial base of Allied wartime activity. Photo archive of 43 silver gelatin photographs ranging from 2 x 3.5 to 2.5 x 2.5 inches Mhow and Mandu India 1942-1943. Most photographs bear substantial contemporary handwritten inscriptions on the versos often dated. Identifiable scenes include two men with tennis rackets outside a bungalow captioned as taken after tennis; a portrait inscribed "Me the Carroll Sahib & Ken Davis outside the Mess 25/12/42"; a group of eight men captioned "two scotsmen our four weapon training instructors the Carroll Sahib me outside the W/T staff bungalow 25/12/42"; men wearing garlands outside the mess; a sports or gymkhana ground with riders or runners in formation; tented grounds beside a large building; and a portrait of a man identified as "Machdo our bearer." The architectural and landscape views are closely tied to Mandu with captions naming the Jami Masjid Jahaz Mahal Rupmati's Pavilion Baz Bahadur's Palace mosque interiors courtyards pools lake views ravines and elevated plateaus. Several photographs show men posed on open parade or sports grounds in light uniform-style dress including group portraits outside the mess and the W/T staff bungalow with tennis rackets bicycles garlands and temporary tent lines indicating a social world organized around exercise communal dining and station routine. Other images turn to Mandu's built landscape in much greater detail with framed views of domed pavilions arcaded courtyards carved entrances long interior corridors water tanks and palace ruins seen from terraces lakesides and elevated lookouts. The landscape scenes broaden that record further including steep ravines river and waterfall views and plateau panoramas that place the serviceman's movements within the wider terrain of central India. During World War II Mhow remained an important cantonment in British India and these photographs place one serviceman within the daily social world of that station where tennis communal dining staff housing local attendants and holiday gatherings existed alongside travel to nearby historic sites. The Mandu views record the same hand moving through one of central India's best-known Sultanate monument complexes with captions naming the Jami Masjid Jahaz Mahal Rupmati's Pavilion Baz Bahadur's Palace and associated interiors courtyards pools and landscape features. Light general wear occasional silvering and minor handling marks; inscriptions strong and legible on most versos. The dense captioning and photographic record show British colonial India during World War II through the the personal lens colonial rank and language staff organization sport and leisure during wartime Indian attendants and movement through one of central India's historic architectural landscapes. unknown