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1851ref. 28279Adelaide: Penman & Galbraith 1851. Print. An extraordinarily rare set of four of S. T. Gill's Adelaide views no. 1-3 i.e. Views in Adelaide No. 1. Hindley Street from King William St.; No. 2. Hindley Street Looking East; No. 3 Rundle Street Looking East; with a variant second copy of No. 3 which is black & white. The images are held at the Art Gallery of South Australia; the State Library of New South Wales the National Library of Australia and some a the City of Adelaide. There are tinted lithographs some with a tinted border others not and black & white lithographs as well. The street images appear to be the same in all the recorded prints consistent with these four- there are some minor variations which are noted. The three tinted lithographs are mounted on polished cloth. The period cloth mounting is unusual. It is not known if these were a reference set or perhaps proofs. Views in Adelaide No. 1./ Hindley Street from King William St./ Published by Penman & Galbraith Adelaide/ On Stone by S. T. Gill/ Printed by Penman & Galbraith/ Signed in the stone S T G 1851. Tinted plate with no tinted border outline. Image 17.5 x 22.5 on paper 18 x 23.5 cm. AGSA 684G11; SLNSW nmQdoR5n. SLNSW image has tan border outline this copy does not. Mounted on cream cloth trimmed outside the catty corners with margins. Views in Adelaide No. 2./ Hindley Street Looking East/ Published by Penman & Galbraith Pirie St. Adelaide./ On Stone by S. T. Gill/ Printed by Penman & Galbraith/ Signed in the stone S T G indistinct date. Tinted plate with a faint tinted border outline. Image 18 x 23.1 cm on paper 18.3 x 24 cm. AGSA 684G12; SLNSW 9PQ8kDxn; Nat Lib ID 7566602 Rex Nan Kivell Collection NK3544/B. Slt. foxing on left lower margin. Mounted on saffron cloth trimmed outside the catty corners with margins. Views in Adelaide No. 3/ Rundle Street Looking East/ Published by Penman & Galbraith Pirie St. Adelaide./ On Stone by S. T. Gill/ Printed by Penman & Galbraith/ Signed in the stone S T G 1851 S inverted. Tinted plate with tinted border outline. Image 18 x 22.8 on paper 18.2 x 23.4 cm. AGSA B 2430; SLNSW Yj7djR39 for 3 print set which is colored and without border outlines. Mounted on saffron cloth trimmed outside the catty corners with margins. Views in Adelaide No. 3/ Rundle Street Looking East/ Published by Penman & Galbraith Pirie St. Adelaide./ On Stone by S. T. Gill/ Printed by Penman & Galbraith/ Signed in the stone S T G 1851 S inverted. Black and white plate with no tinted border outline. Image 18 x 22.2 on paper 20.9 x 25.8 cm. AGSA B 2430; NLA Lib ID 7566601 Nan Kivell NK3544/C. Printed on cream paper some watermarks. A rare set of images by one of the master artists of this period in Australia. Penman & Galbraith unknown
ref. 129361First Edition. Hardcover. Very Good. A folio ledger 330 × 205 mm with information on the hotels on approximately 130 pages plus a further 90 or so letters documents notes floor plans and maps pinned to leaves or loosely inserted. Half calf and cloth; minor signs of external wear; trifling signs of handling to some of the inserted paperwork; overall in excellent condition. The Lion Brewing and Malting Company in North Adelaide was founded in 1884 and floated in 1888 the same year as the South Australian Brewing Company Limited 'in order to secure the brewing hotel and property assets of Beaglehole and Johnston . The company owned many hotels in South Australia' Wikipedia. 'The Register' on 24 April 1914 reported that 'At the Lion Brewery North Adelaide which has been in existence for many years the last brew of beer has been made. The company who owns it has arranged with the Walkerville Brewing Company to supply all its houses in future and a contract has been entered into with the Lion Company to supply the other with malt'. When Lion was eventually taken over by the SA Brewing Company in 1973 'The Canberra Times' 1 August 1973 noted that 'Lion's name is misleading as it operates in the hotel trade and not in the brewing field. It owns 25 hotel freeholds in SA and recently agreed to pay $550000 for the 50% interest of the estate of F.S. Sison deceased in six hotels'. When both these companies - the Lion and the SA Brewing Company - entered the industry in the 1880s 'it was common practice for breweries wishing to protect and expand their trade to do so by obtaining control over as many retail outlets as their finances would permit. The tenants of theses outlets hotels were required by contract to stock only the products of the brewer owner. Investment of hotels therefore was conceived and practised essentially as an aid to protect and expand brewery output. The return by way of rents was of secondary importance and was usually much below the yields available from alternative invests' Michael Cudmore: 'History of the South Australian Brewing Company Limited' page 33. The Trade Practices Act 1974 made illegal this very lucrative 'tied house' system. This unique register gathers together in one volume a wealth of fascinating detail relating to this system pertaining to approximately 60 hotels across the state. Country localities include Elliston Hamley Bridge Goolwa Jamestown Kingston Maitland Narracoorte Port Augusta Port Lincoln Rivoli Bay Saddleworth and Stockport. Many of the city and suburban hotels are still familiar names: the Bath Britannia British Cremorne Cross Keys Land of Promise Mitcham Inn Oxford Royal Oak Talbot Union Walker's Arms and Wheatsheaf. hardcover
ref. 98413Babbage was 'engineer scientist and explorer . son of Charles Babbage Cambridge professor of mathematics and the first computer pioneer and his wife Georgina sister of W.W. Whitmore a founder of South Australia. In 1856 Babbage was sent north to search for gold as far as the Flinders Ranges. He found none but discovered the MacDonnell River Blanchewater and Mount Hopeful. He was the first to dispel the current idea of the impassability of the Lake Torrens "horseshoe" . In late 1857 he was appointed leader of a northern expedition. Babbage left in February 1858 to explore the country between Lakes Torrens and Gairdner and further to the north and west. His concept of exploration was based on thorough survey mapping and examination of the country ideals with which Francis Dutton commissioner of crown lands agreed in his instructions and early correspondence. With cumbrous and ingenious equipment Babbage carried out the first part hampered by bad terrain and lack of water. But he had no sense of urgency and was thus completely out of tune with the current concept of opening up new country for quick exploitation. His slowness led to public and parliamentary clamour to which Dutton later succumbed and sent Peter Egerton Warburton to supersede him. Meanwhile Babbage had moved north from the Elizabeth River discovered Hermit Hill and delineated the western shores of Lake Eyre South. There Warburton relieved him on 5 November. Based on his experiences of 1856 Babbage also believed in a gap in the "horseshoe" and at Hermit Hill confirmed his belief. He had actually crossed the gap but Warburton was the first to traverse it completely. On grounds of unfair treatment Babbage successfully petitioned for a parliamentary inquiry. In 1858-59 voluminous evidence was taken but no report issued. He then withdrew from public life until 1866. In 1870-72 Charles Todd employed Babbage as an assistant in planning and plotting the Overland Telegraph line and as a supervisor of contractors. His achievements as an explorer were notable but the accompanying controversy tended unduly to overshadow them and his attainments in other fields' 'Australian Dictionary of Biography'. Indeed 'the reports from the expedition were . a significant prelude to Stuart's successful crossing of the continent from south to north' in 1861-62 The Davidson Collection Third Sale July 2007 lot 565. This lengthy preamble should help explain the connection between the following eleven foolscap folio Parliamentary Papers relating to Benjamin Babbage published in Adelaide by the Government Printer in 1858 and 1859. 1 Northern Exploration. Reports &c of Explorations into the Interior by Messrs. Babbage Warburton Geharty and Parry. SAPP25/1858; 51 pages plus 2 large folding maps. 2 Northern Exploration. Further Correspondence respecting the Exploring Party under Command of Mr. Babbage. SAPP25/1858; 6 pages. 3 Cost of Northern Exploration. SAPP36/1858; 1 page. 4 Northern Exploration. Correspondence between the Hon. the Commissioner of Crown Lands and the Commissioner of Police Major Peter Egerton Warburton relative to the Progress of the Northern Exploring Parties. SAPP127/1858; 4 pages. 5 Northern Explorations. Reports from Messrs Babbage and Warburton and Police-Trooper Burtt on Exploration into the North and North-Western Interior of South Australia. SAPP151/1858; 19 pages plus 3 maps 2 folding. 6 Petition of B.H. Babbage. SAPP154/1858; 1 page. 7 Northern Exploration. Letter with Enclosure from Major Warburton relative to Exploration in the Neighborhood of Lake Torrens. SAPP159/1858; 3 pages. 8 Northern Exploration. Correspondence between the Honourable the Commissioner of Crown Lands and Major Warburton relative to the Northern Exploration. SAPP166/1858; 6 pages. 9 Cost of Northern Explorations. SAPP20/1859; 1 page. 10 Minutes of Evidence taken by the Select Committee appointed to enquire into and report on the Petition of B.H. Babbage. SAPP21/1859; 63 pages. 11 Northern Exploration. Correspondence between the Government and Messrs. Babbage and Warburton relative to Northern Explorations. SAPP37/1859; 2 pages. As often with these Parliamentary Papers relating to expeditions the maps are a constant source of pleasure. The best one in this group is one of the large folding maps in SAPP25/1858: 'Sketch of the Country North of the Gawler Ranges' 324 × 485 mm. It is a lithographed map printed in two colours in an unusual manner blue on the left red on the right: 'The portion in Blue is taken from a Plan supplied by Major Warburton. The portion in Red is taken from a Drawing supplied by Mr Babbage'. These parliamentary papers printed on blue stock have been neatly removed from several bound volumes; essentially they are in uniformly fine condition ideal candidates for preservation in a more appropriate binding. South Australian Parliamentary Papers Numbers 25 25 36 127 151 154 159 and 166 of 1858 and 20 21 and 37 of 1859 McLaren 4981-4983 16481 4984-4986 16485 16486 4987 and 4988 respectively. Items 16481 16485 and 16486 are listed under Warburton only and not Babbage as well. We suggest they should be there; we have called them 4983A 4986A and 4986B in our annotated copy of the bibliography. Offered together with a related item Victorian Parliamentary Paper Number 1 of 1859 'Report on the Plants collected during Mr Babbage's Expedition into the North-Western Interior of South Australia in 1858' by Ferdinand Mueller foolscap folio 21 pages stab-sewn and uncut as issued; a fine copy albeit with minor infill to the bottom corner of the first two leaves. McLaren 13749. The complete suite of Parliamentary Papers relating to Babbage's 1858 Northern Exploring Expedition and its aftermath is very rare; for example the exceptional collection of Rodney Davidson contained only six of the above twelve items which sold in four lots to the one buyer for $5360 in 2007. 12 items. unknown
ref. 137300Fine. Octavo 4 pages a bifolium on the crested notepaper of Parliament House Melbourne in the original envelope marked 'Personal' and addressed in Deakin's hand to 'The Honourable Sir J. Langdon Bonython C.M.G. Carclew Adelaide' contemporary Melbourne postmark; stamp removed. Letter folded in half for posting; apart from a couple of ink blotches in fine condition; envelope with flap detached and with some pencilling on the verso. Deakin was sworn in as Prime Minister on 2 June 1909 after being elected leader of the Liberal Party which had recently formed from the 'Fusion' of his Protectionist Party with the Anti-Socialist Party. Sir Langdon Bonython a fellow Protectionist had sat with Deakin in the inaugural Parliament of Australia as a member for the Division of South Australia later for the Division of Barker. In this letter Deakin reflects on the difficulties confronted by his new government including preselections in South Australia but is generally optimistic about its progress. However his government would soon suffer a resounding defeat at the hands of Andrew Fisher's Labor Party in the federal election of 13 April 1910. The letter reads in full 'Aug 11.09. My dear Sir Langdon Cockburn's very interesting description of the prose of our press delegates in England though possibly a little coloured by his natural disgust at their doctrines is obviously & substantially true. It defines their attitude of old & new always the same as is proper in a party that does not change. He very clearly perceives their policy of playing to both sides & sees when they have obtained encouragement. Your allusion to the Division of Wakefield is obscure. I have not been asked to assist & have not assisted in any way in the selection of a candidate. He has been chosen entirely on your side & by your associations. When Paddy Glynn got in he found the whole matter so far advanced in making the selection in the constituency that nothing could be done. Up to date I have not been asked to endorse Foster though no doubt we shall have to do so if required. You must be aware of this though you poke fun at me. The time has not yet come for getting into touch with the constituencies. We have not discovered whom we can rely upon or at all events how far. We are making good progress here & in NSW but the other states are still out of hand or rather none have been in order. It is a long task to attempt to get an effective control of Australia. We are gradually getting it within our immediate spheres of influence. But this is written at the table during the debate to which I have to listen with one ear & half my attention. Kind regards. Yours very truly Alfred Deakin'. Deakin's entry in the 'Australian Dictionary of Biography' gives some important context to these final months of his political career. 'In May 1909 he agreed to the fusion of anti-socialists Liberal-Protectionists and Forrest's "corner" group. A bewildered Fisher was curtly dismissed. Close friends still believed in Deakin's integrity but to many others his actions seemed nothing but a naked grab for power a base move to regain office at any price by a man who thought he was indispensable. The political confusion produced some of the most dramatic scenes in Federal parliamentary history. Lyne - never a friend of Deakin and now a foe - denounced his former leader as a "Judas" a charge which the vindictive Billy Hughes believed slandered the disciple. Deakin was sworn in for the third and last time as prime minister on 2 June 1909. The Fusion government given its short span of life and the few points of agreement between the uniting parties was remarkably active . The Fusion government entered the election of April 1910 confident of victory but in the event it was routed. In a heavy poll Labor gained absolute majorities in both the House and Senate. Deakin who campaigned on a mainly negative anti-Labor platform barely escaped defeat in Ballarat. Only a handful of his personal followers survived.' Sir John Langdon Bonython 1848-1939 was an important South Australian editor newspaper proprietor philanthropist and parliamentarian. 'He became a follower of Alfred Deakin who wanted him to give his full time to politics; their friendship survived a sharp disagreement over the composition of Deakin's ministry of July 1905 and his disappointment that Deakin's recommendation of him for a K.C.M.G. in 1908 was not accepted. Bonython did not contest the 1906 election although the Labor Party proposed to grant him and other Protectionists immunity from opposition; he suspected that his party would soon be out of power and travelling to Melbourne for parliamentary sittings was becoming irksome' ADB. The Cockburn referred to at the beginning of the letter is presumably Sir John Alexander Cockburn 1850-1929 former Premier of South Australia delegate to the Constitutional Conventions unofficial ambassador in Britain and friend of Sir Langdon's ADB. unknown
1862ref. 140418Adelaide: Printed and published at the 'Advertiser' and 'Chronicle' Offices 1862. First Edition. Paperback. Very Good. Adelaide Printed and published at the 'Advertiser' and 'Chronicle' Offices 1862. Octavo 78 xxii advertisements pages plus advertisements on both sides of the rear wrapper. Original green wrappers with the title page details repeated within a different border on the front cover; wrappers a little marked and creased with some slight wear at the corners affecting also the bottom corner-tip of the last few leaves; spine a little cracked but sound with minimal loss at both ends; minor signs of age and use but overall an excellent copy of a rarity seldom found in any condition - let alone as pleasing as this - now housed in a fine mid-green morocco Solander box by Sangorski & Sutcliffe. Descriptions 'are given of most of the most important vineyards and of some of the less important of them having due regard to age extent and quality of produce. South Australia will without doubt become one of the most important Wine countries of the world. The experiments of the past twenty years have proved the advantage of its soil and climate and enough practical knowledge has been acquired to enable its Vignerons to guard against the common errors which so frequently produced discouragement in the earlier days of the Colony'. The original articles are here supplemented 'by revision and some trifling annotations'. Ferguson 18189 noting only green cloth boards. Printed and published at the 'Advertiser' and 'Chronicle' Offices paperback
1927ref. 60008Sydney NSW; Hobart Tasmania & New York: Beatties Studio; Photographers Photo Service ca. 1927-1934. Two vols. Thick oblong folio. 13.5 x 10.25 x 2 in. 200; 170 pp unpaginated. on thick black paper stock. With 197 silver gelatin photographs all tipped-in nearly all w/ typescript mimeograph captions mounted below or alongside sized from 5 x 7 in. up to 8 x 10 in. most sized 8 x 10 in. all printed on glossy photo stock some on thicker heavier weight most w/ pencil annotations typescript or imprints on verso a few w/ photographer’s imprint w/in negative at lower fore-edge others w/ embossed armorial photo studio stamp of kangaroo on shield. Uniformly bound in contemporary black pebbled flexible shagreen nested steel backed post-binders black brass screw-posts at gutter margin chipping edgewear to covers some scuffing spine leather covering perished occasional closed tears & chipping to some leaves light faint previous mounting offsetting occasional soiling or slight dampstaining to a few leaves still a VG- set of albums with nearly all of the photographs in excellent condition and with strong bright contrast. These substantial land promotion albums appear to have been designed to tout the advantages for potential homesteaders investors and visitors to Australia from the end of the Roaring 20’s into the Great Depression. Nearly 200 photos depicting bustling cities & shipping ports mines manufacturing burgeoning housing sports flora & fauna and some of the indigenous Australian Aborigine peoples extol the possibilities in Oceania’s economic engine. Following World War I Australia had seen massive changes in population and increasing economic and social changes following the devastation of World War I and the worldwide influenza pandemic with over 215000 killed and wounded between both catastrophes. With the onset of the Great Depression economic activity slowed and unemployment soared to nearly 20%. These albums include several photos of the newly constructed Canberra Provisional Parliament House completed in 1927 with bare land and little infrastructure nearby except for the Hotel Canberra. Designed originally to hold politicians and visitors when the parliament was in session the Hotel was built by contractor John Howie and designed by John Smith Murdoch. Several photos of Sydney Australia the streets a flapper driving her sporty 1927 Chevrolet Capitol AA Roadster and the famed beaches of Sydney. Several photos depict the Australian Lifesaving Clubs which began in 1907 as surf life saving with the Bondi Surf Bathers’ Life Saving Club but which denied full membership to women until 1980. One particular photo depicts a young comely Australian woman surfer leaning against her wooden longboard only about 15 years after Isabel Letham’s famed ride with Duke Kahanamoku in 1915. Many of the Sydney images reveal a capitol city in transition including horse-drawn cars alongside 1920’s automobiles and electric trolleys and trams. Also featured are photographs of the New Castle Steel works the Lithgow Steel Works whose blast furnace site closed in 1928 and the Mt. Boppy gold mining process mill depicting the cyanid vats to extract the ore. Still others show the Burrinjack Dam construction which had begun before World War I but not finished until 1928; horse-drawn silver ore mining wagons in the Barrgorang Valley from the Yerranderle Mines along roads to Camden NSW; orchards long the McDonald River and raising rabbits for the New South Wales Wool & Fur Co. Ltd. at Castle HIll near Parramatta. Also featured are many aerial and street photos of Queensland Brisbane Docks Victoria Bridge Queen Street with streetcars horse breaking in outback stations grape & cotton harvesting children attending “Bush Schools” and more. Still more reveal the bustling wharves at the Freemantle sheep sheering railway yards boaters on Henley-on-Yarra Flinders Street Station wheat harvest and farming and even the one of the famed wheat windjammers “The Carnandale.” Several of the photos depict the indigenous Australian Aborigines with one of the captions noting that 60000 “Full-Blood and 19000 half-caste Aborigines with 40000 still nomadic and others working sheep and cattle stations.” Another photo is included of two young Maori girls as well.The second album also contains views of a traveling salesman or traveling “Bust Hawker” featuring a horse-drawn wagon with sides hinged up and shoppers as well as aerial photos of gardens banana plantations date farms logging Kerri Trees in Western Australia and an entire section devoted to photos of Australian fauna. These depict Wombats Kangaroos pink & white Cockatoos Cassowary birds Wallabys Barn Owls Koala Bears Black Swans Opossums a Platypus Lyre-birds Kokaburra birds Australian penguins and others. Identified photographs by John Beattie Jr. from Beatties Studio Hobart Tasmania include Mt. Rugby from Balmoral Beach Big Ben Gum Tree on the estate of W.L. Clennett Saw Mill Proprietor Port Esperance whose height was nearly 250 feet as well as Dobson’s Basin Geeveston depicting a remarkable group of fen tree bowers. Originally founded in the 1840’s by the Anson Brothers John Beattie d. 1930 son of a Scottish-Australian emigre photographer worked for them in the 1880’s and then purchased the business renaming it Beatties Studio. He operated the studio for decades was the photographer who first developed all of Amundsen’s original photos of his South Pole Expedition in a single day and was an active proponent of the indigenous Aborigine population often defying popular opinion and authority over their historical mistreatment. Sadly a 1933 fire destroyed the studio and most of the negatives but it was reconstituted and many negatives and images rediscovered afterwards. See: Elizabeth Heffernan Exciting New World: Australia in the 1920s Royal Australian Historical Society 2022; Georgie Burgess Photography Pioneer John Beattie Shared Tasmania’s Wild Places with the World ABC Radio Hobart March 9 2019. Beatties Studio; Photographers Photo Service, hardcover
1895ref. ABC_475631895. Oblong folio 28 x 39 cm. Contemporary gold-tooled black morocco gilt edges. With 58 photograph prints ca. 21 x 25.5 to 13.5 x 20 cm. Mounted on both sides of the leaves in the album. 60 pp. The album contains 15 silver albumen photographs of Melbourne taken mainly from the series C. Rudd's new views of Melbourne 1886-1887 by Charles Rudd 1849-1901. They show Collins Street Melbourne town hall the public library Parliament House the Court of Law Government House and various other buildings and infrastructure as well as botanical gardens such as Fitzroy Gardens. The photographs of Sydney were the work of the renowned Australian photographer Henry King 1855-1923 born in England in 1855 who emigrated to Australia with his family in 1856. He worked as a photographer at J. Hubert Newman's studio in Sydney before opening his own studio in 1880. King gained recognition for his photographic studies of Australian Aboriginal people and his scenic views of Sydney. He died in 1923 leaving behind his wife son and three daughters. His glass negatives were acquired by J.R. Tyrrell after his death and are now held by the Powerhouse Museum. King is one of Australia's most significant early photographers. The album contains seventeen of Kings photographs of the harbour including Farm Cove and the Circular Quay Government House and interior and exterior photographs of the town hall King and George Street the Mutual Life Association Building the General Post Office and the Ferner Botanical Garden. Rural New South Was appears in nine photographs including images of Illawarra National Park the Hawkesbury River and a series of outdoor photographs taken along the coast at Blackwall and dated July 1895.This curious album of 58 photographs from France Egypt and most importantly Australia opens with a section with six photos from Marseille showing street views the city harbour the Avenue du Prado and the castles.The ten photographs from Egypt depict both the cultural highlights of the country such as the Pyramids the Sphinx the Citadel of Cairo and the Palace of Gizeh as well as ordinary Arabian villages and street scenes. They stemmed from the ateliers of the Abdullah brothers of Constantinople. The Abdullah Frères namely Viçen 1820-1902 Hovsep 1830-1908 and Kevork 1839-1918 Abdullahyan were three Ottoman brothers of Armenian heritage who gained international fame as photographers during the late Ottoman Empire. Some evidence suggests that he may have collaborated with the Zangaki Brothers and he may have been the official photographer for the Universal Company of the Suez Canal. Later he worked in partnership with the British-Italian photographer Antonio Beato.With an owners inscription in pencil "a appartenu Alfred Schmid" some photographs are captioned in black ink or pencil detailing the places. With a small label from the bookshop that sold the album: "Papeterie Sauwen-Jehotte" in Antwerp. The edges are somewhat bumped and some browning and foxing throughout. Otherwise in good condition. unknown
1756ref. PHO-4862 Volumes in 4°de 1 titre ,XIV pp, 463 pp, 4pp pour le tome I et 1 titre ,513 pp, 2pp, veau marbré époque, dos à nerfs ornés avec pièce de titre et de tomaison ,tranches rouges, coins usés,charnières fendues Édition originale. UN DES RARES EXEMPLAIRES CONTENANT LES 7 FEUILLETS SUPPLEMENTAIRES (437*- 450*) dans le premier volume intitulé Découvertes des Hollandois dans l'Australasie.
ref. LBW-3943[1812]. 355 x 497 mm.
1885ref. ABC_49517Australia 1885. Folio ca. 44 x 36.5 cm. Contemporary gold-tooled black morocco with the title lettered in gold on the front gold-tooled turn-ins gilt edges watered-silk end papers. With 65 albumen prints. 29 ll. Late 19th-century photo album with views of New South Wales. The album contains 65 albumen prints of highlights in the region primarily in Sydney and the Blue Mountains. It was bought by the civil engineer Clément van de Velde dates unknown who was born in Belgium and moved to Australia in 1884 where he attempted to set up a sugar-beet industry. He also served as the vice-consul for Belgium. He gifted the album to his friend Cobus in 1885 possibly as a keepsake for a trip they undertook together.At least a third of the photographs show important buildings and other landmarks in Sydney including the Government House the Town Hall the General Post Office the Australian Museum the different colleges of the University of Sydney the Department of Lands building and the public library in Bent Street that has been demolished in 1967. Most of these buildings were relatively new at the time these photographs were taken. Also included are photographs of Hyde park and the Captain Cook monument the Man O'War steps Argyle cut Mrs Macquarie's Chair and the botanic gardens. The other photographs in the album show the towns and nature surrounding Sydney such as the Katoomba Falls the Three Sisters Govetts Leap and Mount Victoria in the Blue Mountains the Zig Zag railway the Fitzroy Falls Fort Denison Broken Bay various views of the Nepean River as well as four portraits of Australian Aboriginals.With a contemporary French inscription on the verso of the first flyleaf "Mon cher Cobus Je prie de vouloir accepter cet album en souvenir de nos bons rapporte. Votre dévote Clément van de Velde. Sydney 10 may 1885.". The binding has been professionally restored the boards are somewhat scratched and dented. The leaves are warped and foxed the lower corners of some of the leaves are torn without affecting the photographs the photographs have somewhat discoloured. Otherwise in good condition.l Cf. McLennan N. T. "Henri van de Velde 1878-1947" in: Australian Dictionary of Biography 16 2002. hardcover
1835ref. 139494London: Longman Rees Orme Brown Green and Longman 1835. First Edition. Hardcover. Very Good. London Longman Rees Orme Brown Green and Longman 1835. Octavo xvi 304 xxii pages plus a folding frontispiece map 'Part of Southern Australia from the 132 to 141 degree of East Longitude' with an inset map of Australia both hand-coloured in outline 200 × 255 mm. Early blind-tooled calf rebacked to style; edges marbled; covers slightly worn; map a little offset; occasional foxing generally light; a few other trifling signs of age and handling; an excellent copy unopened in places. A presentation copy inscribed on the half-title to 'The Lord Durham from the Author'. John George Lambton 1st Earl of Durham 1792-1840 was a preeminent figure in early nineteenth-century British colonial policy and a sometime close colleague of the author. He was chairman of the New Zealand Company in the 1820s Torrens was a director helped draft the Reform Bill of 1832 earning the nickname 'Radical Jack' and was appointed Governor-General of British North America Canada in 1838. There he served alongside Edward Gibbon Wakefield who helped him prepare the important 'Report on the Affairs of British North America' London 1839 which was instrumental in delivering responsible government to Canada. Lord Durham's armorial bookplate and Lambton Castle library label are mounted on the front pastedown. Robert Torrens 1780-1864 'officer of marines political economist and colonization commissioner'; his 'economic writings are of much importance in the development of economic theory' DNB. In the preface to this book he writes: 'The art of Colonization is based upon the science of wealth; and the rules of the art are principles of the science naturally applied. In replying to objections and in explaining the plan and in unfolding the prospects of the New Colony the Author was naturally and indeed necessarily led into discussions upon some of the fundamental doctrines of Political Economy. In some of these discussions as it is believed new and not unimportant views have been opened'. Not least he was the father of Sir Robert Richard Torrens the lands title law reformer after whom the Torrens system is named. Ferguson 2056. Longman, Rees, Orme, Brown, Green and Longman hardcover
1905ref. 140504North Adelaide: The Photographer 1905. Very Good. North Adelaide The Photographer circa 1905. A collection of 87 stereo-microphotographs comprising original gelatin silver photographs with the pairs of images printed as one plate approximately 65 × 120 mm mounted on stiff card approximately 88 × 178 mm in various shades of grey. There are 21 with printed labels captioned 'Wm. P. Dollman John St. N. Adelaide S. Aus.' with numbered manuscript captions the numbers range from 2 to 228; there are 14 with unnumbered manuscript captions on plain labels; the remaining 52 are on plain cards. There are only six duplicates and none of them are an identical matching pair. Minimal signs of age and use; overall in excellent condition. The literature on the photographic history of Australia is singularly quiet on the life and work of William Parmeter Dollman 1846-1908. He is not to be found in Davies and Stanbury or Photohistory SA the pioneering research work of Robert Noye now on the website of the Art Gallery of South Australia. However he was definitely recognised in his own time. His obituary appears in the 'Evening Journal' on 7 October 1908: 'The death is announced from heart failure at the age of 63 of Mr. William Parmeter Dollman of North Adelaide. The deceased gentleman came to South Australia from England in 1853 and for about 30 years had been in the service of the proprietors of "The Register" and its associated journals as a printer and reader. He was sub-overseer of the newsroom for several years but relinquished that position to return to the reading room. Mr. Dollman was held in the highest respect for his integrity and ability and was much esteemed by his intimate friends. He was a member of the microscopical section of the Royal Society and conducted a great deal of microscopical research. He was an authority on the instrument itself a student of electricity and a skilful photographer'. We have traced a number of newspaper references to his photography not least in a list of prize-winners in connection with the 14th annual exhibition of the SA Society of Arts reported in the 'South Australian Register' on Thursday 15 December 1870. 'Six entirely untouched stereoscopic views . by W.P. Dollman' were awarded a cash prize of £1 1s. Given that the other prize-winners in the photography section were Bernard Goode and Townsend Duryea this is high praise indeed. An article by Dollman appeared in the 'Journal of the Royal Microscopical Society' in June 1906: 'A Simple Method of producing Stereo-Photomicrographs sic' 3 pages plus a full-page illustration of one of the stereo-microphotographs present in this collection 'Polyzoa Idmonea radians'. It was 'Read February 21 1906'. Dollman states 'I have made a hobby of stereoscopic photography since 1865 and as well have handled many Microscopes optical work being always an attraction to me. Some twelve or more months ago a friend called my attention to an article on stereo-photomicrography in the "British Journal of Photography Almanac" for 1894 by the then-editor . who therein explained several methods of producing stereograms of microscopic objects. I adopted what I thought the simplest method that of obscuring by a semicircular shield half of the objective in use. A good deal of my apparatus is makeshift - that is diverted from other uses - but is effectual. My optical outfit is the best both in low and high powers condensers etc.'. In addition to the 87 stereo-microphotographs there is a stereophotograph captioned on a plain label 'Photo-microscopic Apparatus' depicting an impressive set-up in Dollman's studio as described in the journal article. This card and two others with hand-written captions on plain labels have the following inscription in ink on the verso: 'Not for competition. Wm. P. Dollman North Adelaide'. Also included with the collection is a slightly damaged unmounted single microphotographic print 74 mm square. 89 items. The Photographer unknown
ref. 95220The Radfords were born in Devon emigrated to South Australia in October 1838 and lived in the Barossa Valley from the mid-1840s until their death. From the perceived ages of the subjects these images would appear to date from the 1850s. Other later images of the Radfords are held in the State Library of South Australia. They substantiate the identification and confirm that these daguerreotypes by an anonymous photographer are of rural South Australian origin as the Radfords did not leave the colony after they arrived here in 1838. Both images are in excellent condition with the original brass mats one a little tarnished preservers and glass but uncased as found. Any daguerreotype of Australian origin is rare rural South Australian ones excessively so in our experience. 2 items. unknown
1899ref. 111095London: Macmillan and Co. Limited 1899. Very Good. London Macmillan and Co. Limited 1899. Octavo xx 671 pages with 12 unnumbered line illustrations of churingas a map and 130 illustrations mainly after photographs plus 2 folding maps 3 folding charts 4 folding chromolithographic plates and an erratum slip tipped in at page 1 noting that on page 570 the tassel should be 'pubic' not 'public'. Olive-green gilt-pictorial buckram a little flecked and rubbed with the spine a little sunned; all edges uncut; scattered light foxing; minimal chipping to some uncut leading edges; an excellent copy. The head of the title page is signed in ink by both authors as 'W. Baldwin Spencer' and 'F.J. Gillen'. Inscribed in indelible pencil before the signatures in an unknown hand is 'With Kindest Regards from'. The 'Australian Dictionary of Biography' makes short work of the significance of the book and by extension this signed copy in its entry on Sir Walter Baldwin Spencer 1860-1929: 'The 1894 Horn scientific exploring expedition to central Australia recruited Spencer as zoologist and photographer. Because of friction between members and their sponsor Spencer later combined mediation with editorship of all four volumes of reports. His own seminal contribution included his classic biogeographic interpretation of Australian faunal distribution. This expedition rekindled his anthropological interest when he met F.J. Gillen the Alice Springs postmaster Francis James Gillen 1855-1912 ethnologist. What began as his offer to assist in publishing Gillen's ethnological notes matured into an enduring partnership and a landmark in anthropological history. In 1896 Spencer joined Gillen for the most intensive field-work then attempted in Australia. "The Native Tribes of Central Australia" 1899 which resulted was to influence contemporary theories on social evolution and interpretations of the origins of art and ceremonial. It impressed Sir James Frazer author of "The Golden Bough" who developed a lifelong friendship with Spencer'. Macmillan and Co. Limited unknown
1783ref. PHO-2039A Paris, Chez Barrois l’aîné, 1783. In-8° (195x120) Relié plein veau époque, pièce de titre rouge, dos lisse orné, tranches rouges. VIII, 290 pp, illustré de 2 cartes dont 1 repliée h.-t. et 5 pl. h.-t., Complet du dernier feuillet, extrait du privilège à la date du 11 mai 1782, établi par Condorcet secrétaire de l’Académie des sciences. Quelques frottements aux charnières.
1864ref. 142931Adelaide: The Author 1864. Fine. Adelaide The Author 1864. Eleven albumen paper photographs approximately 88 × 134 mm mounted on the recto of individual cards approximately 165 × 240 mm neatly captioned below the plate with the title at the head of the first one with all captions by George Hamilton himself. A few light spots and marks to some of the cards; essentially in fine condition with the photographs uniformly rich in colour. The Art Gallery of South Australia has all 11 original artwork - pen and ink with wash - in its collection. The 'Adelaide Observer' on Saturday 27 August 1864 contains a review of Hamilton's recently self-published book 'a well-conceived well-written neatly-printed and elegantly-illustrated brochure under the above title'. It describes at length the illustrations '11 in number photographed from the author's drawings by Colonel Biggs Mr. Baines and Professor Hall and they bear ample evidence of the artistic taste as well as the correct judgment displayed in the spirited originals'. Robert Holden 'Photography in Colonial Australia. The Mechanical Eye and the Illustrated Book' 1988 describes this book and one other Molesworth Jeffrey's 'Various Exercises and Fragments in Metre by Divers Authors' Hobart 1864 as being the 'first recorded use of original photographs as illustrations in commercially produced and dated books' in Australia. His descriptive bibliography records that the published work indeed contains 'Photographs of eleven drawings . by Colonel Briggs sic from rough sketches by the author. It would appear that these images were printed eleven to a sheet and then arranged in random order throughout the text'. His collation of the three copies in the State Library of South Australia indicates the individual print sizes range from 20 × 35 mm to a maximum of 40 × 60 mm. The present offering clearly predates the published use of these images and its presentation is much to be preferred. The first and most obvious difference is the superior size and quality of the prints. However the captions greatly enhance the images; when they are read and viewed in the intended order numbers 1-11 are lightly pencilled in the top right-hand corner of the cards this becomes a proto-photobook of the highest order . and far from being a prosaic account of how to look after a horse as the title might suggest it is a searing indictment of the widespread ill-treatment of horses. 'Mr. Hamilton proceeds with pen and pencil to describe and portray some of the trials a horse has to undergo from the time his liberty is first invaded in the bush until in the last scene of all that ends this painful history he is reduced to the drudgery of a hackney car'. See Ferguson 10180b and 10181a; Holden 50 and 51 plus pages 13-21. Both bibliographies contain errors. 11 items. The Author] unknown
1882ref. 7971CBBand 1 in 7 Teilen (von 2 Bänden). Sydney, Richards, 1882. Gr.-Folio. (2) Bl., IX S., 5 S., 83 Bl., (7) Bl. (Lieferungstitel). Mit 1 schw.-weissen Tafel und 66 farb. lithogr. Tafeln (davon 4 doppelblattgross). Späterer Halbleinenband mit Orig.-Umschlag (eingebunden).
1833ref. PHO-2302Paris, Imprimerie Royale, Arthus Bertrand, au dépôt général de la marine, 1833-1839. 5 vol. in-8 (25,5x16,5cm) demi-chevrette rouge, dos à nerfs orné (reliure de l'époque), supplément lépidoptères broché de I. [2] ff.-xli-558-[1] pp. ; II. [2] ff.-481-[1] pp., grande carte dépliante (piqûres, coupures aux pliures sans manque) ; III. [2] ff.-510-[1] pp. ; IV. [2] ff.- 480 pp. ; V. [2] ff., 195-200 pp., Supplément Lépidoptères 30pp., 70 planches dont 61 soigneusement aquarellées. Rousseurs touchant principalement le texte et très peu les planches, mouillures claires par endroits au texte, feuillets volants pour le supplément. Sans les deux grands atlas historique et hydrographique, mais bien complet du très rare 5e volume d'histoire naturelle, paru ultérieurement qui manque presque toujours et complet des planches. Ce rarissime cinquième et dernier volume de texte, qui comporte 2 parties, renferme le rapport fait à l'Académie des sciences le 4 février 1833 sur les collections d'histoire naturelle recueillies pendant le voyage de la corvette La Favorite…, les Recherches sur les marsupiaux par Fortuné Eydoux et Laurent, la 2e partie Zoologie par Fortuné Eydoux et Paul Gervais, le supplément sur les Lépidoptères nouveaux par Feisthamel.
1807ref. PHO-1A Paris, Dépôt général des Cartes et Plans de la Marine et des Colonies, 1807 et De L’Imprimerie Impériale, 1808 RARE ENSEMBLE COMPLET en 3 volumes TEXTE ; 2 forts vol. in-4° ; (2)-LVI-704 pp.-32 pl. h.-t. repliées in-fine (I-XXXII)/(2)-VIII-692 pp.-1 pl. h.-t. Repliée sur papier bleuté , relié demi cuir , dos lisse avec titre et tomaison , tranches mouchetées , mouillure angulaire sur 7 planches, petites rousseurs sur les planches . ATLAS ; 1 volume grand in-folio (560x445) ,page de titre-1 fnch. (Table )-39 cartes et vues h.-t. , dont 29 à double page ,dressées par l'ingénieur hydrographe C. F. Beautemps Beaupré et gravées sur cuivre par E. Collin , relié demi cuir , dos lisse ,cachets répétés , petites rousseurs .
1984ref. SBBIH-DGXWOY64X5MIAustralian Government Publishing Service 1984. unknown_binding. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Australian Government Publishing Service unknown
1866ref. 141595Adelaide: Townsend Duryea 1866. First Edition. Hardcover. Adelaide Townsend Duryea circa 1866. A photograph album 254 × 340 mm containing a magnificent panorama of Adelaide comprising five roughly uniform albumen paper photographs mounted as issued slightly overlapping to form a continuous image 124 × 880 mm on a linen-backed card mount 244 × 951 mm folded into three plus 12 albumen paper photographs nine of them around 130 × 200 mm or the reverse one 130 × 172 mm and the last two approximately 220 × 285 mm mounted on the rectos of stiff card leaves. Original russet pebble-grain cloth lettered in gilt on the front cover; cloth slightly flecked with minor wear to the extremities; endpapers foxed with slight loss to silverfish and the rear free endpaper is missing; leading edge ribbon ties appear never to have been inserted; mounts lightly cockled and occasionally lightly spotted and foxed; bottom margin of the final mount lightly stained with trifling loss to silverfish; minimal signs of age and use; overall a very pleasing copy with the photographs - and in particular the stunning panorama - in uniformly fine condition. The twelve individual photographs are captioned in pencil on the mounts: 'View in botanical gardens - showing Asylum' 'View in Botanical Gardens' 'View in Gardens' five captioned simply 'Botanical Gardens' 'Bridge between N & S Adelaide' 'near Willunga' and two captioned 'Willunga' both superb large-format prints. New York-born Townsend Duryea 1823-1888 emigrated to Australia Melbourne in 1852 and commenced work as a photographer the following year. In 1855 he relocated his studio to Adelaide. By the early 1870s Duryea's panoramas royal portraits and prizes won in Society of Arts photographic competitions had made him famous 'Australian Dictionary of Biography'. Much more detail on Duryea may be had from the lengthy article in Joan Kerr's 'Dictionary of Australian Artists . to 1870'. However the panorama in this album is not the one described in Kerr 'a fold-out 360-degree panorama of Adelaide taken from the tower of Adelaide Town Hall in 1865 was the album's major feature' nor is it the larger panorama 'taken from the top of the GPO tower soon after it was completed in 1870'. The present panorama is taken from a local rise in North Adelaide and sweeps left to right from the hills towards the sea. All of these panoramas are very rare indeed not least because 'Duryea's studio and enormous collection of glass-plate negatives stated to number 50 000 were destroyed by fire in 1875'. This catastrophe effectively ended Duryea's career as a photographer. It must assuredly account for the genuine scarcity of material by Duryea on the open market other than bread-and-butter carte de visite portraits. This album is very rare in our experience and if the available records are any guide for long before we came on the scene in the mid-1970s. Although this is the fourth example we have handled it is also only the fourth one we have seen on the open market in that time. We have inspected three other examples in institutions; all seven copies are bound similarly and contain the same panorama. However the balance of the contents varies in quantity and image selection in each instance. Duryea began to advertise these albums in Adelaide newspapers in August 1866. One such from the 'South Australian Register' for 28 August 1866 reads: 'DURYEA'S VIEW ALBUMS. These Albums are neatly bound in cloth and form a beautiful acquisition either for the drawing-room table or transmission home. A PANORAMIC VIEW of the CITY of ADELAIDE and the SUBURBS three feet in length has been introduced as a Frontispiece; and as a further advantage purchasers have the privilege of choosing Photographs from a large Album containing 90 of the most interesting and picturesque Views of Adelaide and the Country. The above are open to the inspection of the public at Mr. Duryea's Studio 66 and 68 King William-street. Any of the Views mentioned above can be had separately. Photographs of Gentlemen's Country Seats Business Offices Shops &c. taken at the shortest notice by Ross's Improved Wide Angle Lens'. Provenance: Edwin Ashby 1861-1941 South Australian property developer and naturalist; by descent. While Ashby was obviously not the first owner of this album its numerous images of the Botanical Gardens must have appealed to him. The fine gardens he established at his property 'Wittunga' at Blackwood in the Adelaide hills after the turn of the century were later donated to the State by his heirs and are now the Wittunga Botanic Garden. Townsend Duryea hardcover
1844ref. 30734Nouvelle-Hollande 1844 40,5 x 26,5 cm environ marie-louise, sous-verre et encadrement moderne (48 x 41 cm)
ref. 108073The very fine portrait visible image size 545 × 395 mm in its original ornate gilt frame external dimensions 740 × 595 mm is exquisitely hand-painted and signed by the famous colonial photographer Townsend Duryea 1823-1888. His original label is affixed to the paper backing on the verso of the frame 'T. Duryea Artist Photographer 66 and 68 King William Street Adelaide' and in our opinion he has created a masterpiece as both artist and photographer with this work. James Hurtle Fisher commenced practice as a solicitor in London in 1816 and 'was drawn into the colonizing movement in 1835. He was selected as resident commissioner one of the most important offices under the South Australian Act . second only to the governor'. Fisher 'left England in July 1836 with the governor's party in the "Buffalo" arriving on 28 December 1836 at Holdfast Bay where the official oaths were administered a proclamation was read and a ceremony marked the beginning of settlement. In January 1837 Fisher erected his reed hut and Land Office near the survey camp of Colonel William Light at the north-western corner of the new capital site; the destruction of these temporary buildings by fire on 23 January 1839 caused both men serious loss. Fisher had been allowed to draft his own instructions which were not shown to Governor Sir John Hindmarsh. Disputes between the two men over their respective powers had begun on the voyage and were soon revived in the new Council of Government and more violently outside and led in February 1837 to the Resident Magistrate's Court binding the participants over to keep the peace towards each other. The new governor George Gawler was appointed both governor and resident commissioner a radical departure from the principles on which the colony had been founded' ADB. Fisher returned to his profession and became a leader of the South Australian Bar. In October 1840 he was elected first mayor of Adelaide; in 1860 he became the first resident South Australian to be knighted. Townsend Duryea was at the King William Street address from 1858 until his illustrious career as a photographer 'was cut short when his studio and entire collection of 50000 negatives were destroyed by fire on 18 April 1875' ADB. We suggest as a date for this magnificent portrait 'circa 1870'. unknown
1868ref. 142860Adelaide: Townsend Duryea 1868. First Edition. Hardcover. Very Good. Adelaide Townsend Duryea 1868. A large quarto album approximately 415 × 365 mm containing 18 albumen paper portraits each approximately 280 × 210 mm mounted on the rectos of cloth-hinged thick card leaves interleaved with guards plus one leaf of letterpress see below. Contemporary half roan and cloth lettered and tooled in gilt with a binder's ticket on the front pastedown 'Bound at the "Register" Office Grenfell Street Adelaide'; covers slightly worn; leaves slightly cockled; one guard missing; most photographs lightly discoloured near the right-hand edge; a few light spots of foxing mainly to the guards and the versos of the mounts and some minor signs of age and handling but overall in excellent condition. The subjects include some of the most prominent figures in early colonial South Australia. In order of appearance the portraits depict John Morphett President Henry Ayers Charles Hervey Bagot John Henry Barrow Charles George Everard John Baker William Wedd Tuxford Thomas Elder William Peacock William Morgan Thomas Hogarth John Tuthill Bagot Thomas English Henry Mildred John Crozier William Parkin John Hodgkiss and Emanuel Solomon. The 'South Australian Advertiser' for 20 August 1868 records that: 'Mr. Duryea is preparing a parliamentary group containing the members of both Houses of the Legislature which promises to be an effective affair. The members of the Council have already given him sittings and a fine series of portraits is the result'. In the subsequent months Duryea exhibited the photographs at his King William Street studio but most accounts refer to them assembled as a group around Morphett. This photo-collage with the portraits all heavily cropped is almost certainly the basis for a contemporary carte de visite published by Duryea see SLSA B 9258. However most of the images in this album appear to be rare or even unrecorded in their uncropped form; indeed the only other examples we located were of Henry Ayers and Charles Hervey Bagot. It is also rare to find photographs of early colonists at all let alone of this size quality and quantity. The guard leaves for the portraits of Morphett Hogarth J.T. Bagot and Mildred contain manuscript biographical details in a single hand. Although we have not identified the writer it is likely to be one of the eighteen MLCs as he refers to 'our chamber' in the entry for Morphett. The portrait of C.H. Bagot is accompanied by a similar short biography but this time in letterpress and misspelling his middle name as 'Harvey'. C.H. Bagot English Mildred Crozier Parkin and Solomon are identified in another hand on the mounts beneath the image. Townsend Duryea] hardcover
ref. 95963The archive comprises nearly 440 pieces each approximately 320 × 510 mm or larger many from the later 1970s when Mitchell was at the height of his powers. A unique commentary on the personalities and events of the times: when Hawke Fraser and Dunstan were in power Nixon went to China the war in Vietnam ended and the first wave of 'boat people' began to arrive here many Indigenous Australians were in a parlous state cricket and cricketers still caused grief . Approximately 440 items. unknown
