14.096 resultados
1959ref. 255First Edition. Folio 39cm32cm. Tipped-in frontispiece portrait of Mao Zedong profusely illustrated throughout with black and white and colour photographs text in Chinese. Publisher's cream cloth front board lettered in red in Chinese with blind-stamped emblem of the People's Republic of China spine ends decoratively stamped in blind brown endpapers flecked with gold publisher's white bookmark 562pp. Housed in original box with the original recipient's address details written to the front of the box. Accompanying the book are three separate items: The publisher's compliments slip in French one small sheet from the publisher in Chinese and a table of contents booklet in French. Published by the China Album Editing Committee Beijing 1959. The book is in fine condition. The box is in very good condition with some expected wear and two of the edges are spilt. Provenance: This copy is from the collection of Julien Creytens 1897-1972 who was a Belgian Post-Impressionist painter Professor at the Antwerp Academy and a committee member of the Royal Museum of Fine Art in Antwerp. He was given this copy of the book during a study trip to China in 1959. This landmark propaganda photography book was commissioned by the Ministry of Culture to commemorate the tenth anniversary of the People's Republic of China. Created by leading photograph journalists and officials over more than a year copies of the book were distributed solely to political elites foreign dignitaries and key national libraries. Thus copies very rarely appear in commerce. RareBookHub records only a single appearance at auction. The book highlights a decade of achievements by the Communist Party in agriculture industry science education and the arts. It features images of modernisation such as airports factories mechanized farms together with views of Beijing revolutionary sites like Zunyi and scenes of China's rich cultural heritage such as artwork by Qi Baishi and Xu Beihong. Martin Parr & WassinkLundgren The Chinese Photobook: From the 1900s to the Present second edition 2016 pp. 176-179. Please contact us for shipping costs if ordering from outside the UK. hardcover
1959ref. 178136Beijing: "Zhongguo" huace bianji weiyuanhui 1959. Revolutionary imagery First edition first printing of this archetypal example of the propaganda photobook genre. Under the supervision of the Ministry of Culture top photojournalists and officials worked for over a year to deliver this ostentatious celebration of ten years of the People's Republic of China. Copies were distributed only to political elites foreign VIPs and important libraries. By the tenth anniversary of the People's Republic on 1 October 1959 the Chinese Communist Party had strengthened its hold on the country despite persistent threats from the US and the Kuomintang in Taiwan. This lavish photobook comprehensively reviews the party's decade in power from the successes of socialist agriculture and industrialization to breakthroughs in the arts education and the sciences. Images of modernity - airports factories and mechanized farming - mix with vistas of the capital and photographs of important revolutionary sites such as the meeting house at Zunyi. Numerous plates also celebrate China's rich history and culture including folk dancing recent archaeological finds and artworks by Qi Baishi Xu Beihong and He Xiangning. Folio. Tipped-in frontispiece portrait of Mao Zedong 474 plates 144 colour 5 folding. Text in Chinese. Original cream cloth spine ends decoratively stamped in blind front board lettered in red in Chinese with blind-stamped emblem of People's Republic of China brown coated endpapers flecked with gold white bookmarker. Housed in publisher's card box. Binding scuffed and somewhat soiled light wear foxing and offsetting internally but plates still bright; box scuffed and browned old tape strengthening splits along couple of edges: a very good copy. Martin Parr & WassinkLundgren The Chinese Photobook: From the 1900s to the Present second edition 2016 pp. 176-179. hardcover
1531ref. 47178Basel, Froben, 1531 + Coloniae, Petrus Quentell, 1536. Folio. Bound together in a beautiful contemporary full calf binding over wooden boards. Blindstamped ornamental frames to boards. Five raised bands to spine. Remains of brass clasps to boards. Brass at corners of boards and brass strips to bottom edges of boards. A tear through the letter at the lower capital, no loss. Some scrathing of leather, mostly to back board and upper part of spine. The titles of the two works written in contemporary hand to the outer edge. The strong vellum cords, which go through the the wooden boards can be seen on the inside of the wooden boards, which also have some initials in red and blue paint, possibly from a painted leaf that has rubbed off? First title-page a bit dusty, otherwise very nice, clean, and crisp throughout. [Eucherius:] Froben printer's device to title-page, to final leaf of the first part, to the half-title of the second part (Episcopi Commentariorum in libros Regum ad Veranium & Salonium) and to the last leaf of that part. Beautiful large woodcut initial at beginning of each new work. (8), 194, (2)" 310, (2) pp.[Radulphus:] Woodcut device to title-page. Numerous beautiful woodcut, allegorical initials, both large and smaller, throughout. (4 - title, dedications), (14 - index), (6), 314 pp.
1531ref. 47178Basel Froben 1531 Coloniae Petrus Quentell 1536. Folio. Bound together in a beautiful contemporary full calf binding over wooden boards. Blindstamped ornamental frames to boards. Five raised bands to spine. Remains of brass clasps to boards. Brass at corners of boards and brass strips to bottom edges of boards. A tear through the letter at the lower capital no loss. Some scrathing of leather mostly to back board and upper part of spine. The titles of the two works written in contemporary hand to the outer edge. The strong vellum cords which go through the the wooden boards can be seen on the inside of the wooden boards which also have some initials in red and blue paint possibly from a painted leaf that has rubbed off First title-page a bit dusty otherwise very nice clean and crisp throughout. Eucherius: Froben printer's device to title-page to final leaf of the first part to the half-title of the second part Episcopi Commentariorum in libros Regum ad Veranium & Salonium and to the last leaf of that part. Beautiful large woodcut initial at beginning of each new work. 8 194 2; 310 2 pp.Radulphus: Woodcut device to title-page. Numerous beautiful woodcut allegorical initials both large and smaller throughout. 4 - title dedications 14 - index 6 314 pp. First editions of both works being the first edition of the works "Several Studies" of St. Eucharius most of them printed for the first time here as well as the first edition of Rodulfus Tortarius' or Radulphus Flaviacensis commentaries of Leviticus the third of the Books of Moses written in Latin in 20 books. Saint Eucherius bishop of Lyon ca. 380 - ca. 449 was a high-born and high-ranking ecclesiastic in the Christian Church of Gaul. He is remembered for his letters advocating extreme self-abnegation. Henry Wace ranked him "except perhaps St. Irenaeus the most distinguished occupant of that see"."St. Eucherius Bishop of Lyons theologian born in the latter half of the fourth century; died about 449. On the death of his wife he withdrew to the monastery of Lérins where his sons Veranius and Salonius lived and soon afterward to the neighbouring island of Lerona now Sainte-Marguerite where he devoted his time to study and mortification. Desirous of joining the anchorites in the deserts of the East he consulted John Cassian who in reply sent him some of his "Collationes" describing the daily lives of the hermits of the Thebaid. It was at this time that Eucherius wrote his beautiful letter "De laude Eremi" to St. Hilary of Arles c. 428. Though imitating the virtues of the Egyptian solitaries he kept in touch with men renowned for learning and piety e.g. Cassian St. Hilary of Arles St. Honoratus later Bishop of Marseilles and Valerian to whom he wrote his "Epistola parænetica de contemptu mundi". The fame of Eucherius was soon so widespread in southeastern Gaul that he was chosen Bishop of Lyons. This was probably in 434; it is certain at least that he attended the First Council of Orange 441 as Metropolitan of Lyons and that he retained this dignity until his death. In addition to the above-mentioned letters Eucherius wrote "Formularium spiritualis intelligentiæ ad Veranium" and "Institutiones ad Salonium" besides many homilies. His works have been published both separately and among the writings of the Fathers." Catholic Encyclopedia. His "Epistola paraenetica ad Valerianum cognatum de contemptu mundi "Epistle of exhortation to his kinsman Valerian On the contempt of the world" is an expression of the despair for the present and future of the world in its last throes shared by many educated men of Late Antiquity with hope for a world to come. Erasmus thought so highly of its Latin style that he edited and published it at Basel in 1520. His commentaries on the work are also included here. His "Liber formularum spiritalis intelligentiae" which is addressed to his son Veranius is a defence of the lawfulness of reading an allegorical sense in Scripture bringing to bear the metaphors in Psalms and such phrases as "the hand of God" The term anagoge in Greek is employed for the application of Scripture to the heavenly Jerusalem to come and there are other examples of what would become classic Medieval hermeneutics.Rodulfus Tortarius also known as Raoul of Tourtier Raoul de La Tourte Radulphus Flaviacensis c.1063 - c.1122 was a French Benedictine monk of the Abbey of Fleury-sur-Loire and a poet writing in Latin. He is known both for his style of writing his biblical commentaries and religious works and his literary and comic tales. His commentary on "Leviticus" is considered important and influential. The first edition of the work is rare. hardcover
1782ref. 16243A Edimbourg (Lyon), s.n., 1782 ; 2 tomes in-8, brochés dans leur première couverture de papier dominoté en couleurs marqué "A Orléans chez Leblond N°68" ; (4) de titre, blanc, avis des Editeurs et table, 276 pp. ; (4) faux-titre et titre, 244 pp.
1880ref. 17189Lyon, imprimerie Mougin-Rusand, 1880 ; in-folio, demi maroquin à coins rouge vif, dos à nerfs, fleurons et titre dorés, triple filet doré sur les plats, tête dorée, tranches juste ébarbées (Magnin) ; (4), VIII, 224 pp. , (1) f. d'imprimeur, et en tout : 29 hors-texte photographique ou au trait, tous en 2 états dont 19 en 3 états, dont celui avant la lettre ; 5H.T. en chomolithographie dont 1 en 2 états plus les 2 vitraux originaux aquarellés et signés L. Bégule 1879 ; suite de 27 figures en double état sur Chine ; ajoutés : 5 figures non utilisées tirées sur Chine, 2 photographies originales de calques de vitraux de la chapelle des Bourbons ; 3 photographies originales de la Nef et de l'horloge et 9 photographies diverses, toutes les photographies ont été tirées peu avant la parution de l'ouvrage.
ref. albe1acd8ddce017f71The newest complete and universal divination book containing an astrologer or a new oracle of glorious astronomers and great sages: Tikhobrage Bruce Albert Martyn Zadek Zoroaster and others. A million dreams. In Russian (ask us if in doubt)/Noveyshaya polnaya i vseobshchaya gadatel'naya kniga soderzhashchaya v sebe astrolog ili novyy orakul slavnykh astronomov i velikikh mudretsov: Tikhobrage Bryusa Alberta Martyna Zadeka Zoroastra i drugikh. Million snov. Short description: In Russian (ask us if in doubt).M Typography of S. Orlov on Nikitskaya Street Cherneva House. 1866. 4 6 492s 96s 104 s 124s figures and tables. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbe1acd8ddce017f71
1830ref. 146901York Toronto: Colonial Advocate Press 1830. Very good. vi 46 p. 22 cm. Disbound pamphlet. Housed inside grey cloth solander box. Ink inscription at top of title bottom of title page cut off old tape mark at top. William Lyon Mackenzie 1795 1861 journalist and politician is one Upper Canada's most recognizable historical figures. He represented York County in the Legislative Assembly of Upper Canada and was the first mayor of Toronto. At first aligned only with Reformers he became increasingly more radical eventualy leading the rebels in the Upper Canada Rebellion of 1837. Afterwards he fled to the United States but eventually the parliament of the Province of Canada granted him amnesty. After his return he represented the constituency of Haldimand County in the province's legislature from 1851 to 1858. He published his first newspaper the Colonial Advocate in 1824 and continued to publish it weekly into the 1830s. Over its twelve years of publication Mackenzie explicitly advocated constitutional change for a responsible government that worked for the people. The Advocate was used as a voice for constitutional reform educating and inspiring citizens to take action against their government. However besides a newspaper the Colonial Advocate Press published treatises such as this Catechism of Education. Mackenzie believed education should be available to everyone not just the elite so that everyone could benefit. "Political Education consists in a right understanding of the science of Government the business of which is to increase to the utmost the pleasues and diminish to the utmost the pains which men derive from one another ." p. 44. Most of each page consists of Annotations and Illustrations which support the author's views. These points make entertaining reading as they include quotations from sources as diverse as the 1st Annual Report 1829 of the Philadelphia House of Refuge p. 11 Wiliam Penn's letter to his family p. 24 John Locke p. 19 and the Book of Proverbs p. 5. Colonial Advocate Press hardcover
1622ref. 9438Lyon, Jean Julliéron, 1622. Relié ensuite : RECEPTION DE TRES-CHRESTIEN, très-juste, et très-victorieux monarque Louys XIII Roy de France et de Navarre, premier Comte et Chanoine de l'Eglise de Lyon ; et de Très-Chrestienne, Très-auguste, et Tres-vertueuse Royne Anne d'Austriche ; par Messieurs les Doyens, Chanoines, et Comtes de Lyon en leur Cloistre et Eglise le XI Décembre 1622. Lyon, Jacques Roussin, 1623. Deux tomes reliés en un volume in-folio ; plein veau fauve marbré, dos à nerfs très décoré et doré, pièces de titre et date fauve, triple filet doré d'encadrement des plats, roulette décorative dorée sur les coupes et d'intérieur, tranches rouges (Bruyère) ; (10), (1) f. bl., 180 pp., fleuron de titre aux armes de Lyon par Petrus Faber (Pierre Favre) et 13 gravures hors-texte à pleine page par Philippe Van Mallery, Grégoire Huret, Pierre Favre, G. Autguers et D.V. Velchem pour le premier ouvrage ; 67 pp., (1) p. bl. et grand fleuron de titre, 6 planches hors-texte dont 2 dépliantes par Petrus Faber (Pierre Favre), Grégoire Huret et C. Audran. Ex-libris gravé aux grandes armes de Morel de Voleine (de Lyon).
2005ref. 87055Kerber. New. 2005. Paperback. 3936646864 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 120 pages; 133 images. Catalogue Raisonne Catalog Raisonné Complete Works Leben Und Werk Oeuvre-Katalog Kritischem Oeuvrekatalog Raisonnee Kerber paperback
1779ref. AMO-2281Dans l'antre de Trophonius, au Pays des Visions, 1779 [Genève ?]. 4 volumes in-12 (17 x 10 cm) de 363-(1) ; 338 ; 316 et 417 pages. Frontispice gravé à l'eau-forte aux tomes I et II (imprimés sur papier bleu). Cartonnage plein papier à la colle bleu à l'imitation des cartonnages de l'époque. Petits coins de parchemin. Pièces de titre à l'encre sur papier aux dos. Les gardes blanches sont absentes. Bien complet de tous les faux-titres et des deux très-jolis frontispices. Très bon état de l'ensemble. Édition originale rare et unique édition de cet ouvrage complètement "fou".
1824ref. 21251Lyon, 1824 ; in-8, maroquin rouge à long grain, dos lisse à décor de grands losanges de filets pointillés, fleurons, semé de fleurettes, palette en queue, pièces vert-empire, large dentelle d’encadrement des plats, roulettes sur les coupes et d’intérieur, tranches dorées (reliure de l’époque) ; [2] ff. Faux-titre et titre sur papier vert clair, [8] ff. bl, LXXIX planches gravées, protégées par des serpentes, gravées par Voysard, Perée, Berthault, Bigant, Duhamel, Voyez, Jourdan, Miger, Mlle Levé, Cugnet, J. B. Racine, Hubert, Mme Vilain, Delignon, Philipau, d’après Barraband.
1712ref. 9402Lyon, Léonard De La Roche, 1712 ; in-4 ; plein veau havane, dos à nerfs richement décoré et doré, pièce de titre grenat, tranches mouchetées rouges (reliure de l'époque) ; (16) y compris le frontispice gravé, titre en rouge et noir, Dédicace aux médecins et chirurgiens de Lyon, table, 369, (3), 138, (22) pp. de tables ; 46 planches numérotées plus 4 non chiffrées soit 50 planches gravées hors-texte au total, certaines dépliantes, représentant de très nombreux outils et appareils, des opérations et 3 planches de monstres.
ref. 20798[Lyon], Aux Editions de l’Arbalète, [25 dessins (nus féminins) à la mine de plomb, reproduits en offset, précédés d’un texte de Marc Barbezat [...] achevé d’imprimer sur la presse à bras de Marc Barbezat le 3 novembre 1943]. Tirage à 505 exemplaires : 5 sur vieux Japon numérotés A à E ; 500 sur vélin blanc numérotés 1 à 500 ; in-4° raisin (334 x 265 mm) en feuillets sous couverture crème rempliée, étui-portefeuille en vélin rigide à dos carré (reliure éditeur) ; [20] pp. non chiffrées et 25 planches.
1932ref. 5101Lyon, Imprimerie Vaucanson et chez le graveur Philippe Burnot, 1932 ; in-folio ; plein maroquin écorce de chêne (marron), dos lisse, titre en long composé de barettes chêne clair mosaïquées et lettres dorées, plats incrustés de quatre feuilles de placage acajou au centre, doublés de même sur une large bande entourant le papier de garde à la main, deux coins sont soulignés de trois filets dorés gras successifs, couverture et dos conservés, étui bordé (Germaine Cart) ; (80) pp. en tout dont 15 grands bois gravés en couleurs hors-texte et 5 bois in-texte.
1968ref. 140948680New York: The Macmillan Company 1968. First Edition. Very Good/Very Good. First edition first printing. Signed by Danny Lyon on the half title inscribed to Earl Belofsky and dated '75. ix 1 94 pp. Bound in publisher's black cloth with spine lettered in silver. Very Good with slight lean to binding light wear to spine ends with rubbing and fraying to bottom edge of boards; light smudge to fore edge of p. 64. In a Very Good unclipped dust jacket with fading to spine shallow loss at spine ends with 1" tear to front joint and slight rubbing to covers. Lyon's photographic examination of motorcycle club subculture. Lauded for its influential approach to documentary photography Lyon didn't just observe; he embedded himself with the Chicago Outlaws club for four years participating in rides and gatherings to photograph them from within. A pioneering photobook that combines candid photography and forthright quotes from the bikers themselves. The monograph helped to shape the outlaw biker image in American pop culture and almost certainly inspired a young Dennis Hopper in directing the road drama film Easy Rider that was released a year after publication; signed copies are uncommon. Roth 101 pp. 190-191. The Macmillan Company unknown
1968ref. 140948680New York: The Macmillan Company 1968. First Edition. Very Good/Very Good. First edition first printing. Signed by Danny Lyon on the half title inscribed to Earl Belofsky and dated '75. ix 1 94 pp. Bound in publisher's black cloth with spine lettered in silver. Very Good with slight lean to binding light wear to spine ends with rubbing and fraying to bottom edge of boards; light smudge to fore edge of p. 64. In a Very Good unclipped dust jacket with fading to spine shallow loss at spine ends with 1" tear to front joint and slight rubbing to covers. Lyon's photographic examination of motorcycle club subculture. Lauded for its influential approach to documentary photography Lyon didn't just observe; he embedded himself with the Chicago Outlaws club for four years participating in rides and gatherings to photograph them from within. A pioneering photobook that combines candid photography and forthright quotes from the bikers themselves. The monograph helped to shape the outlaw biker image in American pop culture and almost certainly inspired a young Dennis Hopper in directing the road drama film Easy Rider that was released a year after publication; signed copies are uncommon. Roth 101 pp. 190-191. The Macmillan Company unknown books
1906ref. 220647Washington: Men of Mark Publishing 1906. First. hardcover. very good. Many fine photo-steel engraved portraits. 5 volumes. 8vo 3/4 contemporary maroon morocco spines with elaborate gilt decoration margins uncut. Washington: Men of Mark Publishing 1906-1909. First Edition. Very good Each biography is several pages. Many of the biographies contain genealogical information on the ancestors of each man profiled. The editor Lyon Gardiner Tyler was President of the College of William and Mary and son of United States President John Tyler. Men of Mark Publishing unknown
1906ref. 220647Washington: Men of Mark Publishing 1906. First. hardcover. very good. Many fine photo-steel engraved portraits. 5 volumes. 8vo 3/4 contemporary maroon morocco spines with elaborate gilt decoration margins uncut. Washington: Men of Mark Publishing 1906-1909. First Edition. Very good Each biography is several pages. Many of the biographies contain genealogical information on the ancestors of each man profiled. The editor Lyon Gardiner Tyler was President of the College of William and Mary and son of United States President John Tyler. Men of Mark Publishing unknown books
1869ref. 560391 vol. in-folio en feuillet sous portfolio cartonné demi-toile éditeur, Photographie artistique de A-Fatalot, Lyon, s.d. [ 1869 ], format 43 x 32,5 cm, avec 1 feuillet (page de titre) et 13 photographies contrecollées de format divers, le plus souvent inférieures au format 10,5 x 20 cm. Liste des 13 oeuvres reproduites : Keelhoff : Site des Ardennes ; Camille Benoît : Les amis du foyer , Fabius Brest : Venise ; Leberecht Lortet : Le Wetterhorn près Rosenlauy ; Boucherville : Intérieur de ville (Bretagne) ; Yan d'Argent : La Roche Marine ; Fleury Chenu : Le tambour de ville ; Adolphe Appian : Bords du Furan (environs de Rossillon) ; Adolphe Schrever : Une station de poste en Valachie ; Franz Moormans : Un Cabaret hollandais ; Edouard Hamman : La bonne duègne ; Brissot de Warville : le retour du Marché ; Camille Pabst : Intérieur d'alchimiste au XVIe siècle. Rappel du titre complet : Album de l'Exposition de la Société des Amis des Arts de Lyon. Année 1869. Photographié par A. Fatalot, photographe du service municipal et de la Société des Amis des Arts
1558ref. 191250Lugduni: ap. Joan. Tornaesium 1558. Vellum. VG with occasional fragile edges or corners title-page has minute amount missing from center of leading edge soiling and very faint ink writing towards base of page. Other pages exhibit occassional inked notations variously bold and extremely faint overall a respectable copy of this original London edition. Random worming does not affect text and is very slight as is very light dampstaining towards the lower edges of the index sheets. Red stained edges as expected. Rear cover professionally re-attached. Full vellum. Title-page with Arabesque borders blank verso 14 pp preliminaries pp. 1-1152 followed by Index of 38 sheets 76 pp followed by sheet with only an Arabesque design on the verso. In Latin. This edition has 198 or 199 depending text woodcuts by Bernard Salomon of very decent quality. FIRST de TOURNES LATIN BIBLE based on Robert Estienne's text illustrated with an arabesque title-border and numerous woodcuts.by Bernard Salomon whose nickname was "Le petit Bernard" or "Little Bernard" antecedently and laterly used in other books. They show detailed scenes of the Old and New Testaments these last ones with arabesque strip borders at the sides. Text on two columns COMPLETE of the voluminous index closed by an arabesque ornament Henri Godts Auctions 2013. ap. Joan. Tornaesium hardcover
1558ref. 191250Lugduni: ap. Joan. Tornaesium 1558. Vellum. VG with occasional fragile edges or corners title-page has minute amount missing from center of leading edge soiling and very faint ink writing towards base of page. Other pages exhibit occassional inked notations variously bold and extremely faint overall a respectable copy of this original London edition. Random worming does not affect text and is very slight as is very light dampstaining towards the lower edges of the index sheets. Red stained edges as expected. Rear cover professionally re-attached. Full vellum. Title-page with Arabesque borders blank verso 14 pp preliminaries pp. 1-1152 followed by Index of 38 sheets 76 pp followed by sheet with only an Arabesque design on the verso. In Latin. This edition has 198 or 199 depending text woodcuts by Bernard Salomon of very decent quality. FIRST de TOURNES LATIN BIBLE based on Robert Estienne's text illustrated with an arabesque title-border and numerous woodcuts.by Bernard Salomon whose nickname was "Le petit Bernard" or "Little Bernard" antecedently and laterly used in other books. They show detailed scenes of the Old and New Testaments these last ones with arabesque strip borders at the sides. Text on two columns COMPLETE of the voluminous index closed by an arabesque ornament Henri Godts Auctions 2013. ap. Joan. Tornaesium hardcover books
ref. 121135New York and London The Macmillan Company and Collier-Macmillan Limited 1968. . First edition; 8vo 234 x 158 mm 9¼ x 6¼ in; black & white photographs printed in offset photographs and text by Danny Lyon; small corresponding white paint mark to pp48-9 grey endpapers black cloth-covered boards titles stamped in silver on spine and rear photo-illustrated dust-jacket printed in black blue and orange light impressions to sides minor wear to extremities short tear to lower panel crease to upper flap a very good copy; ix i 94pp. The Bikeriders is a seminal work of American photography. It is the first series in which Lyon immersed himself fully and subjectively into the lives of his subjects in a manner akin to the documentary style of 1960s-era New Journalism by writers such as Joan Didion Hunter S. Thompson and Tom Wolfe. Lyon began photographing dirt track motorcycle races while at the University of Chicago purchasing a bike and attending meetings across the Midwest. Around this time he hitchhiked south to Cairo Illinois where he photographed his first demonstration and met members of the Student Nonviolent Coordinating Committee SNCC the youth wing of the civil rights movement. Lyon continued to work informally for the SNCC while finishing his studies. After graduating in June 1963 he joined the SNCC as its first staff photographer remaining in the role until mid-1964 when fraught internal politics and his own ambitions meant it was time to move on. Lyon returned to Chicago in 1965 and continued photographing motorcycle races and track meetings. Work on The Bikeriders began in earnest when at the invitation of a mechanic repairing his Triumph he attended a meeting of the Chicago Outlaws and joined them as a member. Over the following year Lyon photographed and conducted candid interviews with these gang members. Later in a letter to a prospective publisher he described the Outlaws as 'probably the only thing like cowboys left in America'. By joining their ranks he demonstrated that he wanted to be one of them and could describe their way of life from the inside out. The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp190-1; The Photobook: A History I p256; The Open Book pp236-7; Danny Lyon: Message to the Future pp15-21. New York and London, The Macmillan Company and Collier-Macmillan Limited, 1968. hardcover
1906ref. 22-106This Five Volume Set contains hundreds of Biographies of prominent Men of Virginia along with many Full Page Photo-Steel Engravings in each volume. This set will require additional shipping charges based on destination and speed. MEN OF MARK PUBLISHING COMPANY hardcover
1830ref. 3542Paris, J. Barbezat, 1830 ; 4 tomes, in-8, demi-veau glacé aubergine, dos lisses ornés de grandes compositions romantiques dorées, titres dorés (reliure de l’époque, Vernier-Reitz) ; 512-516-415-535 pp.