13.888 resultados
1981ref. GORE VIDAL 69APERTURE 1981. Book. Fine. Hardcover. FIRST. A fine first edition in dj. not price clipped. GORE VIDAL'S PERSONAL COPY WITH COA AND FACSIMILE BOOKPLATE. APERTURE Hardcover
1988ref. 68509Aperture 1988-04-01. Paperback. Like New. As new oblong format softcover oversized and overweight. Please email for photos. Aperture paperback
ref. 1492Millertown NY: Aperture 1981. 1st Edition. Hardcover. Good/Very Good. FIRST TRADE EDITION DANNY LYON'S OWN ANNOTATED COPY. This copy Lyon's own was sent to the former executive editor of Camera Arts Fred Ritchen. Lyon's enclosed letter states "I've marked some pages which I think makes a good progression over the years showing a change in subject and style. For the most part I have also marked pictures that are less well known and often have only appeared in print in this book. Nothing was run by any magazines when the hard back was printed. P.S. I'll need this particular copy back when you're done as it is my own; though I'm sure I can get you another from Aperture" December 17 1982. The resultant May 1983 issue of Camera Arts is included as is a provenance letter by Tom Ridinger co-founder of Camera Arts stating this "must be the rarest copy of Danny Lyon's Pictures from the New World." Lyon critiques his most famous subject in this copy scrawling "A BAD reproduction of my BEST picture Bike riders" pg. 30. This copy features around a dozen pages with pencilled layout drawings and instructions and over a dozen pages marked with Lyon's original paper clips and sticky tabs. Danny Lyon was a twentieth-century photographic luminary who released Pictures from the New World in 1981 on the dynamic work of his past eighteen years. In the introduction he writes "In order to to make this book I have had to face directly everything I have done in photography.Now I give it back to you America from whom I took it all in the first place. The slate is clean and I am free to begin again." "Among a group of revolutionaries whose work rose to prominence in the late 1960s and '70s and transformed the nature of documentary photography - a group that includes friends and colleagues of Mr. Lyon's like Mary Ellen Mark and Larry Clark - the idea of conscience has been imbedded more deeply in Mr. Lyon's photographs than in those of all but a few of his contemporaries" The New York Times April 24 2009. The Focal Encyclopedia of Photography recounts"He was self-taught as a photographer and his first images document the social struggle. It was a pattern to be repeated throughout his career - to actively live with subgroups or participate with segments of society he would document. He became a member of a Chicago motorcycle gang The Outlaws before producing the book The Bike Riders in 1968. Later he spent time with construction workers stock care races prison inmates and peoples of the Third World to make his books and films" pg. 268. Millertown NY: Aperture 1981. Oblong quarto original cloth original dust jacket; custom silk box. Text block sprung from binding; very clean text. Dust jacket with only a centimeter closed tear and light toning. Also with: a letter from Danny Lyon about this copy an additional letter of provenance from Tom Ridinger and associated magazine copy. A significant ensemble illustrating Lyon's own assessment of his work. Aperture hardcover
1981ref. PB44153Aperture Millerton 1981. First Edition Limited edition: No. 397 of 400 copies signed by Lyon in felt pen on limitation page. This edition contains a silver gelatin photograph titled "Gloria and Rosario Santa Maria" 1972 measuring 7 1/2 x 11 inches dry mounted to rag board measuring 13 1/2 x 17 inches signed by the photographer in pencil on the mount below image housed in separate carboard portfolio case. According to the limitation page this photograph was intended to accompany Nos. 1-200 of the edition and "Ellis Unit" 1968 Nos. 201-400. 9 x 11 1/2 inches 142 pages cloth with cloth slipcase. Aperture, Millerton hardcover
1981ref. ESB8687Millerton: Aperture 1981. First edition. Hardcover. FIne/near fine. Photographs & Text by Danny Lyon. Oblong 4to. The jacket is price-clipped. Aperture hardcover
ref. a63922NY 1981 1st Aperture. ISBN 0-89381-073-8. Hardcover. Oblong 4to. 142pp. cloth. Signed by Lyon on title page. Fine in Fine DJ. As New. This is the signed first edition but not the limited edition which has one signed original silver print. . hardcover
1981ref. 47550New York: Aperture 1981. Hardcover. Fine. First edition. Fine in fine cloth slipcase not shown. One of 400 numbered copies Signed by the author lacking the original silver print. Aperture hardcover
1981ref. 626208New York: Aperture 1981. Hardcover. Near Fine/Near Fine. First edition regular hardcover issue. Oblong folio. 142 1pp. Illustrated from photographs. A bit of foxing on the bottom edge else fine in a slightly age-toned else about fine dust jacket. Aperture hardcover books
1981ref. 200586Millerton N.Y.: Aperture 1981. Hardcover. Good Ex art library with sticker to DJ spine and inside rear pastedown and markings on ffep; DJ is toned/edgeworn/scuffed/smudged; boards are edgeworn with light scuffing/smudging; interior is clean; binding is solid. White DJ with b&w-photo illustration and black and colorful lettering; beige cloth over boards with grey lettering; 142 pp.; richly illustrated. "Lyon's pictures crackle with involvement and engagement but they also convey anxiety and an impulse to understand and to exorcize. Humanity is not just the subject but the real substance or his art. For the most part he photographs the estranged and dispossessed the outcast and the outlaw those who have escaped or have refused assimilation into the great melting pot of the middle class." -- DJ. Aperture hardcover books
1981ref. 196597New York: Aperture 1981. First edition and first printing. Oblong hardcover. 142 pages. The first retrospective monograph for Lyons and features a selection of images from his previous books "Conversations With The Dead" and "The Bikeriders." Includes mostly black and white photographs but also has some color work as well. A clean very near fine copy copy in cloth boards and in a very near fine dust jacket. A fresh copy. Aperture unknown books
ref. 1492Millertown NY: Aperture 1981. 1st Edition. Hardcover. Good/Very Good. FIRST TRADE EDITION DANNY LYON'S OWN ANNOTATED COPY. This copy Lyon's own was sent to the former executive editor of Camera Arts Fred Ritchen. Lyon's enclosed letter states "I've marked some pages which I think makes a good progression over the years showing a change in subject and style. For the most part I have also marked pictures that are less well known and often have only appeared in print in this book. Nothing was run by any magazines when the hard back was printed. P.S. I'll need this particular copy back when you're done as it is my own; though I'm sure I can get you another from Aperture" December 17 1982. The resultant May 1983 issue of Camera Arts is included as is a provenance letter by Tom Ridinger co-founder of Camera Arts stating this "must be the rarest copy of Danny Lyon's Pictures from the New World." Lyon critiques his most famous subject in this copy scrawling "A BAD reproduction of my BEST picture Bike riders" pg. 30. This copy features around a dozen pages with pencilled layout drawings and instructions and over a dozen pages marked with Lyon's original paper clips and sticky tabs. Danny Lyon was a twentieth-century photographic luminary who released Pictures from the New World in 1981 on the dynamic work of his past eighteen years. In the introduction he writes "In order to to make this book I have had to face directly everything I have done in photography.Now I give it back to you America from whom I took it all in the first place. The slate is clean and I am free to begin again." "Among a group of revolutionaries whose work rose to prominence in the late 1960s and '70s and transformed the nature of documentary photography - a group that includes friends and colleagues of Mr. Lyon's like Mary Ellen Mark and Larry Clark - the idea of conscience has been imbedded more deeply in Mr. Lyon's photographs than in those of all but a few of his contemporaries" The New York Times April 24 2009. The Focal Encyclopedia of Photography recounts"He was self-taught as a photographer and his first images document the social struggle. It was a pattern to be repeated throughout his career - to actively live with subgroups or participate with segments of society he would document. He became a member of a Chicago motorcycle gang The Outlaws before producing the book The Bike Riders in 1968. Later he spent time with construction workers stock care races prison inmates and peoples of the Third World to make his books and films" pg. 268. Millertown NY: Aperture 1981. Oblong quarto original cloth original dust jacket; custom silk box. Text block sprung from binding; very clean text. Dust jacket with only a centimeter closed tear and light toning. Also with: a letter from Danny Lyon about this copy an additional letter of provenance from Tom Ridinger and associated magazine copy. A significant ensemble illustrating Lyon's own assessment of his work. Aperture hardcover books
1981ref. PB44153Aperture Millerton 1981. First Edition Limited edition: No. 397 of 400 copies signed by Lyon in felt pen on limitation page. This edition contains a silver gelatin photograph titled "Gloria and Rosario Santa Maria" 1972 measuring 7 1/2 x 11 inches dry mounted to rag board measuring 13 1/2 x 17 inches signed by the photographer in pencil on the mount below image housed in separate carboard portfolio case. According to the limitation page this photograph was intended to accompany Nos. 1-200 of the edition and "Ellis Unit" 1968 Nos. 201-400. 9 x 11 1/2 inches 142 pages cloth with cloth slipcase. Aperture, Millerton hardcover books
1981ref. ESB8687Millerton: Aperture 1981. First edition. Hardcover. FIne/near fine. Photographs & Text by Danny Lyon. Oblong 4to. The jacket is price-clipped. Aperture hardcover books
1981ref. 47550New York: Aperture 1981. Hardcover. Fine. First edition. Fine in fine cloth slipcase not shown. One of 400 numbered copies Signed by the author lacking the original silver print. Aperture hardcover books
1981ref. 16666Millerton NY: Aperture Inc 1981. Cloth. Fine. A pristine copy of the 1981 signed/limited. #325 OF 400 COPIES SIGNED BY DANNY LYON AT THE LIMITATION AND INCLUDING THE PUBLISHER'S SLIPCASE. Tight and Fine in its russet cloth. Oblong quarto crisp black-and-white reproductions. And in a matching cloth slipcase. Lacking the signed print that accompanies a number of the copies. Aperture, Inc unknown books
1981ref. 87930Millerton:: Aperture. Fine. 1981. Hardcover. 0893810738 . Some color mostly black and white photographs by the author throughout. Limited edition of 400 copies: this copy is "artist's proof XIV." SIGNED by Danny Lyon. Lacking the silver print called for. Fine in a fine slipcase. Still in original shrinkwrap that has been opened along the spine edge. ; Signed by Author . Aperture, hardcover books
ref. 8121Imprimerie artistique en Couleurs, Lyon, 1933. In-4, broché, 26 pp. - pl. Préface, par Abel Faivre - Sa vie et sonœuvre. - La carrière de l'artiste. - Rapport sur le Prix des Beaux-Arts de la Fondation des Jeux Floraux de la Comtesse Mathilde par M. Tony Tollet, artiste peintre, président honoraire de ...
2004ref. ART4646461313001124Paris, Réunion des Musée Nationaux / Lyon, Musée des Beaux-Arts, 2004, 22 x 28, 96 pages cousues sous couverture souple illustrée. Iconographie couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée des Beaux-Arts de Lyon du 14 janvier au 2 mai 2004.
1985ref. PEINTURELYON02221225Lyon, Musée des Beaux-Arts, 1985, 21 x 22,5, 192 pages cousues sous couverture souple illustrée. Iconographie noir & blanc. Catalogue publié à l'occasion de l'exposition présentée au Musée des Beaux-Arts de Lyon du 20 juin au 15 septembre 1985.
1985ref. PEINTURELYO0226Lyon, Musée des Beaux-Arts, 1985, 21 x 22,5, 192 pages cousues sous couverture souple illustrée. Iconographie noir & blanc. Catalogue publié à l'occasion de l'exposition présentée au Musée des Beaux-Arts de Lyon du 20 juin au 15 septembre 1985.
2004ref. ARTTSTSSST2112140124Villefranche-sur-Saône, Musée Paul-Dini, 2004, 20,5 x 26, 96 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée Paul-Dini du 17 octobre 2004 au 30 janvier 2005. "Présent sur la scène artistique lyonnaise de 19o5 à 1966, Pierre Combet-Descombes fut un artiste indépendant. Peintre, illustrateur, critique de cinéma, décorateur pour le théâtre et le music-hall, il montra une curiosité insatiable pour tous les arts. Sa sensibilité pour le symbolisme littéraire se manifeste dans l'atmosphère mystérieuse de ses paysages et dans sa vision de la femme à la fois crainte et vénérée. Sa pratique du monotype, proche de l'expressionnisme par la tension nerveuse des corps, exprime de façon spontanée fantasmes et rêveries inachevées sur le corps de la femme. La réalité sublimée. Peintures, monotypes, ouvres choisies montre combien l'imagination de Pierre Combet-Descombes pouvait transformer la réalité : " (...) Il faut donc choisir " l'instant de sublimation " de la Nature , " l'instant pathétique " diront d'autres, instant, qui, d'ailleurs, n'existe qu'en soi, en chaque interprète en particulier. (...) Spiritualiser la nature, recherchant pour cela, son instant de maximum vibratoire "."
2004ref. PEINTLYO6469101125Villefranche-sur-Saône, Musée Paul-Dini, 2004, 20,5 x 26, 96 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Musée Paul-Dini du 17 octobre 2004 au 30 janvier 2005. "Présent sur la scène artistique lyonnaise de 19o5 à 1966, Pierre Combet-Descombes fut un artiste indépendant. Peintre, illustrateur, critique de cinéma, décorateur pour le théâtre et le music-hall, il montra une curiosité insatiable pour tous les arts. Sa sensibilité pour le symbolisme littéraire se manifeste dans l'atmosphère mystérieuse de ses paysages et dans sa vision de la femme à la fois crainte et vénérée. Sa pratique du monotype, proche de l'expressionnisme par la tension nerveuse des corps, exprime de façon spontanée fantasmes et rêveries inachevées sur le corps de la femme. La réalité sublimée. Peintures, monotypes, ouvres choisies montre combien l'imagination de Pierre Combet-Descombes pouvait transformer la réalité : " (...) Il faut donc choisir " l'instant de sublimation " de la Nature , " l'instant pathétique " diront d'autres, instant, qui, d'ailleurs, n'existe qu'en soi, en chaque interprète en particulier. (...) Spiritualiser la nature, recherchant pour cela, son instant de maximum vibratoire "."
ref. 24313Jean-Pierre Delarge, 1978. Format 16x24 cm, broche, 186 pages.Bon etat, traces d'usage un livre d'occasion.
2017ref. 1098042017 Editions Avvae - 2017 - In-4, cartonnage illustré en n&B de l'éditeur - 279 p. - Très nombreuses reproductions photographiques in, hors-texte et pleine page en couleurs et en N&B - Bel envoi de Pierre Orsi en première de garde
2010ref. LFA-126724676Un ouvrage de 158 pages, format 150 x 220 mm, illustré, brochzé couverture couleurs, publié en 2010, Nouvelle Cité, bon état