10 050 résultats
1927réf. 278151927 Une Gravure originale à l'Eau-forte, à l'encre noire rehaussée d'aquarelle, format : 50 x 32,8 cm, signature autographe manuscrite à la mine de plomb, sous la gravure en bas à droite, cachet sec gauffré en bas à gauche, sans date (1927),
1647réf. 28786BOURGES 1647 1 document d'un feuillet manuscrit à l'encre brune sur vélin parcheminé, format : 20,7 x 22,5 + attaché avec un document de 4 pages (un feuillet plié en deux) manuscrit à l'encre brune sur velin parcheminé, format : 29,7 x 20,5 cm, signature à la fin du texte par FRANCOIS GUYARD, NOTAIRE, TABELLION, GARDE-NOTES DE LA GENERALITE DU BERRY, RESIDANT A BOURGES, BOURGES, LE 28 DECEMBRE 1647, CONSTITUTION DE RENTE CONSENTIE PAR ANDRE MONTAGNE, LABOUREUR DEMEURANT EN LA PAROISSE DE SAINT-JUST AU PROFIT DE L'HONORABLE HOMME ETIENNE PONCET, PROCUREUR DE L'ELECTION ET GRENIER A SEL DE BOURGES, DEMEURANT A SAINT PIERRE LE MARCHÉ, BOURGES, LE 28 DECEMBRE 1647,
1898réf. 5694841898 Grand in-8, reliure demi-velin ivoire, à bandes, imitant la peau de reptile, dos lisse, pièce de titre manuscrite, plats marbrés, les 9 textes évoqués sont reliés dans ce volume, avec leurs couvertures d'origine.
1627Veduta tratta dal Nova et accurata Italiae hodiernae descriptio in qua omnium eius regionum, vrbium, pagorum, dominiorum, castellorum, montium, fluviorum, fontium, lacuum, et portuum, historia exhibetur. Geographicis tabulis et vrbium praecipuarum iconibus illustrata a Iudoco Hondio addita est Siciliae, Sardiniae, Corsicae, et itinerariorum per Italiam brevis delineatio, stampato a Leida dalla tipografia Elzevir nel 1627. Si tratta di un atlante geografico unito ad una raccolta di cartografia urbana, esclusivamente dedicato alla penisola. L’opera consta di 31 carte geografiche e 67 vedute o piante di città. Le carte derivano dall’Atlas Minor del Mercator, mentre la cartografia urbana è basata sui modelli introdotti a Venezia da Francesco Valegio e da quelli del Civitates Orbis Terrarum di G.Braun e F. Hogenberg. L’opera è relativa al periodo in cui Jodocus Hondius II si era appena diviso dal fratello Hendrick. Secondo la letteratura esisterebbe una prima edizione della raccolta, stampata ad Amsterdam nel 1626. Incisione in rame, finemente colorata a mano, in ottimo stato di conservazione. Bibliografia Cremonini, pp. 23/25, n. 18. Plate taken from Nova et accurata Italiae hodiernae descriptio in qua omnium eius regionum, vrbium, pagorum, dominiorum, castellorum, montium, fluviorum, fontium, lacuum, et portuum, historia exhibetur. Geographicis tabulis et vrbium praecipuarum iconibus illustrata a Iudoco Hondio addita est Siciliae, Sardiniae, Corsicae, et itinerariorum per Italiam brevis delineatio, printed in Leiden by the printing house Elzevir in 1627. This is a geographical atlas combined with a town book, exclusively dedicated to Italy. The work consists of 31 maps and 67 views or plans of cities. The maps derive from Mercator's Atlas Minor, while the plans are based on the models introduced in Venice by Francesco Valegio and those of Civitates Orbis Terrarum by G. Braun and F. Hogenberg. The work is related to the period in which Jodocus Hondius II had just separated from his brother Hendrick. According to the literature there is a first edition of the collection, printed in Amsterdam in 1626. Copper engraving, finely hand-colored, in excellent condition. Literature Cremonini, pp. 23/25, n. 18; Fossati Bellani; n. 320. Willems; n. 279.
1627Veduta tratta dal Nova et accurata Italiae hodiernae descriptio in qua omnium eius regionum, vrbium, pagorum, dominiorum, castellorum, montium, fluviorum, fontium, lacuum, et portuum, historia exhibetur. Geographicis tabulis et vrbium praecipuarum iconibus illustrata a Iudoco Hondio addita est Siciliae, Sardiniae, Corsicae, et itinerariorum per Italiam brevis delineatio, stampato a Leida dalla tipografia Elzevir nel 1627. Si tratta di un atlante geografico unito ad una raccolta di cartografia urbana, esclusivamente dedicato alla penisola. L’opera consta di 31 carte geografiche e 67 vedute o piante di città. Le carte derivano dall’Atlas Minor del Mercator, mentre la cartografia urbana è basata sui modelli introdotti a Venezia da Francesco Valegio e da quelli del Civitates Orbis Terrarum di G.Braun e F. Hogenberg. L’opera è relativa al periodo in cui Jodocus Hondius II si era appena diviso dal fratello Hendrick. Secondo la letteratura esisterebbe una prima edizione della raccolta, stampata ad Amsterdam nel 1626. Incisione in rame, finemente colorata a mano, in ottimo stato di conservazione. Bibliografia Cremonini, pp. 23/25, n. 18; Fossati Bellani; n. 320; Willems; n. 279. Plate taken from Nova et accurata Italiae hodiernae descriptio in qua omnium eius regionum, vrbium, pagorum, dominiorum, castellorum, montium, fluviorum, fontium, lacuum, et portuum, historia exhibetur. Geographicis tabulis et vrbium praecipuarum iconibus illustrata a Iudoco Hondio addita est Siciliae, Sardiniae, Corsicae, et itinerariorum per Italiam brevis delineatio, printed in Leiden by the printing house Elzevir in 1627. This is a geographical atlas combined with a town book, exclusively dedicated to Italy. The work consists of 31 maps and 67 views or plans of cities. The maps derive from Mercator's Atlas Minor, while the plans are based on the models introduced in Venice by Francesco Valegio and those of Civitates Orbis Terrarum by G. Braun and F. Hogenberg. The work is related to the period in which Jodocus Hondius II had just separated from his brother Hendrick. According to the literature there is a first edition of the collection, printed in Amsterdam in 1626. Copper engraving, finely hand-colored, in excellent condition. Literature Cremonini, pp. 23/25, n. 18; Fossati Bellani; n. 320. Willems; n. 279.
2004réf. 244682004 Recueil illustré de recettes de Marianne Comolli, Préface Jean-Loup Chifflet, Paris, Vue sur la Ville, 2004, album en feuilles illutré des photos de Jean-Loup Bloch-Lainé, sous couverture titrée à rabats et étui plastique titré.
1881réf. H55430Tours, Mame 1881 xv + 736pp.avec frontispice en couleurs & figures dans le texte & planches hors-texte, édition de luxe; un des 200 exemplaires numérotés sur papier vergé (no.175), 29cm., br.orig., bel état
1944réf. 13394Barcelona: Imp. Rev. Ibérica 1935-1944.- 2 Vols. XXXIV438; XVIII570 pp.: Dos láminas de Pignatelli una ante la portada de cada tomo; 4º 25 x 175 cm; Enc. en Media Piel Nueva conservando la cubierta anterior original.- Importantísimo estudio histórico sobre la expulsión de los jesuitas en España y otras monarquías europeas y la posterior reconstitución de la Compañía. En excelente estado de conservación. Habiendose perdido gran parte la edición en Barcelona durente la Guerra Civil especialmente del tomo II. En el año 1944 de reeditó y mejoró este Tomo II. Dice el P. José M. March en una nota preliminar.se han realizado nuevas y pacientes búsquedas logrando una mayor y más rica documentación en algunos puntos de verdad sorprendente. Pignatelli de familia italiana nació en Zaragoza España en 1737 y murió en Roma en 1811. El mérito especial de este santo fue el de conservar lo que quedaba de la Compañía de Jesús e intentar que los religiosos de esa comunidad consiguiesen sobrevivir pese a la terrible persecución que sufrían. SIGLO XVIII ESPAÑOL Libro en español Imp. Rev. Ibérica hardcover
1630Opera per la prima volta pubblicata nel rarissimo "Giardino del Mondo dove si vede sculpite le citta principale ditalia con le eccelse fabriche antiche e chiese palazzi guglie colonne giardini e fonatene et archi trionfali di Roma" stampata a Roma [s.d. ma circa 1625-30].Si tratta di di un volume "di piccolo formato e privo di indice, è dedicato a Federico Cesi, dondatore dell'Accademia dei Lincei, morto nel 1630. Nella dedica, che compare dopoil titolo figurato, l'autore descrive i motivi che lo hanno spinto ad allestire l'opera" (cfr. Bellucci-Valerio, Piante e vedute di Napoli dal 1600 al 1699, p. 76).Le opere, di piccolo formato, sono una derivazione di quelle di Francesco Valegio contenute in "Descrizione La Raccolta di le piu illustri et famose citta di tutto il mondo" della fine del '500.I rami del Marcucci confluirono nella più celebre tipografia De Rossi, e ristampate nella "Raccolta delle principali città d’Italia intagliate con tutte le contrade, e palazzi di esse" edita a Roma nel 1643 da Giovambattista de Rossi. Una successiva ristampa della stessa è nota a cura di Carlo Losi nel 1773.Incisione in rame, in perfette condizioni. Rarissima. Opera per la prima volta pubblicata nel rarissimo "Giardino del Mondo dove si vede sculpite le citta principale ditalia con le eccelse fabriche antiche e chiese palazzi guglie colonne giardini e fonatene et archi trionfali di Roma" stampata a Roma [s.d. ma circa 1625-30].Si tratta di di un volume "di piccolo formato e privo di indice, è dedicato a Federico Cesi, dondatore dell'Accademia dei Lincei, morto nel 1630. Nella dedica, che compare dopoil titolo figurato, l'autore descrive i motivi che lo hanno spinto ad allestire l'opera" (cfr. Bellucci-Valerio, Piante e vedute di Napoli dal 1600 al 1699, p. 76).Le opere, di piccolo formato, sono una derivazione di quelle di Francesco Valegio contenute in "Descrizione La Raccolta di le piu illustri et famose citta di tutto il mondo" della fine del '500.I rami del Marcucci confluirono nella più celebre tipografia De Rossi, e ristampate nella "Raccolta delle principali città d’Italia intagliate con tutte le contrade, e palazzi di esse" edita a Roma nel 1643 da Giovambattista de Rossi. Una successiva ristampa della stessa è nota a cura di Carlo Losi nel 1773.Incisione in rame, in perfette condizioni. Rarissima.
1688Bella e forte inc. in rame f. 34,5x22; didascalia in basso di 33 nomi, numerosi velieri in porto. Merian, Franckfurt
1724In-12°; pp. 129, (1) stemma cardinalizio xilografico al frontespizio. Legatura in cartonato. fermo marche
192523 cm, brossura editoriale, p. 117. Piccola mancanza al margine inferiore della prima di copertina. Timbro prvatoalla cop.e al frontespizio. Ordinari segni del tempo al dorso, interni ottimi. Opera assai rara.
1901in-8, pp. 22, leg. mod. cart. color. Al fine 6 belle tavv. litogr. a colori con le tipologie di funghi studiati, il testo ne riporta i vari sinonimi locali, la descrizione e l'ubicazione in cui crescono. Bell'esempl. [298]
Placchetta in folio (cm 20,7 x 31), cc (2); Stemma di Pio IV papa Medici, tra i santi Pietro e Paolo, sotto l'intitolazione; La data si ricava dal Datum. Stampata a Roma da Antonio Blado (cfr. Catatalogo delle edizioni romane di Antonio Blado Asolano ed eredi, v. I, n. 412). Esemplare in buone condizioni, lievi ingialliture; "manicula" coeva, ordinate brevi sottolineature coeve. Importante bolla a favore delle Marche e di Macerata; in bolla 1567, il pontefice dichiarerà l'inalienabilità delle terre di pertinenza della Chiesa ed il divieto di infeudarle. Di notevole rarità. Sei esemplari censiti in SBN.
1645In folio, pp. (230) + 366. Grande ins. tip. al f. Bruniture diffuse. Qualche macchia d'inchiostrro alla leg. P. pg. coeva con nervature. Prima parte dell'opera di questo giurista perugino dedicata alle osservazioni (la seconda era dedicata alle decisioni).
19278°, ritratto all'antip. , ill. n.t. Rara prima edizione. L'autore è considerato una colonna della cucina marchigiana.
1878Particolare carta geografica, antica ed originale, dell'Emilia Romagna, Toscana, Marche con evidenziate, in colore rosso, le località bonificate, località in corso di bonificazione, località bonificabili, regione igenicamente influenzata,... Tratta dalla "Carta delle Bonificazioni italiane, Scala di 1 a 500.000" edita in Roma nel 1878. Piega centrale editoriale
1995réf. x-0849344522CRC Pr I Llc 1995. Hardcover. New. 1st edition. 448 pages. 9.75x6.50x1.25 inches. CRC Pr I Llc hardcover
1929réf. 54653Seattle: The Bon Marche Printed by Western Printing Co. 1929. Folio. 40 pp unpaginated. printed throughout in red & black. With woodcut-engraved plates decorative woodcut borders and decorations by Emmet Evers and Glenn Shecklin 1 large colour centerfold plate. Colour-illustrated beige softcovers Art Deco cover art of Bon Marche facade w/ 1920s limousine parked at door minor dustsoiling edgewear very minor bumping to corners still VG copy. First edition of this beautifully printed and illustrated Jazz Age homage to the opening of The Bon Marche landmark store in downtown Seattle in 1929. Norling 1892-1974 was a Washington State native attended Whitman college worked as a draftsman studied at the Chicago Art Institute taught art at the Cornish School and was one of fifty artists in Washington to take part in the Public Works of Art Project during the Great Depression. He is well remembered for his paintings of the Civilian Conservation Corps and illustrating a series of “Pogo” the dog books. The Bon Marche was initially founded in Seattle in 1890 the year after the great Seattle Fire and sustained rapid growth until it opened its’ landmark store at Third and Pine in 1929 the same year it was sold to Hahn Department Stores. Worldcat locates 1 copy; See: Karen Gordon Report on Designation City of Seattle Landmarks Preservation Board Report The Bon Marche A.A. Denny’s 6th Addition Block 52 1988. The Bon Marche, [Printed by Western Printing Co.], paperback
1916réf. 124551New York: Anderson Galleries 1916. Hardcover. VG one small ding in each cover edge and paper along front spine starting to split and tender. Paper covered boards. 77 1 pp 2 4 pp ads 16 bw repros. An original not a reprint. Ray Smith has written a succinct description that defies improvement: "Pioneering exhibition of works by sixteen American modernists Ben Benn Thomas H. Benton Oscar Bluemner Andrew Dasburg Arthur G. Dove Marsden Hartley S. MacDonald-Wright John Marin Alfred Maurer Henry L. McFee George F. Of Man Ray Morgan Russell Charles Sheeler A. Walkowitz and William and Marguerite Zorach with statements by each. Introduction "What Is Modern Painting by Willard Huntington Wright; forewords by Christian Brinton Robert Henri W.H. de B. Nelson Alfred Stieglitz John Weichsel and Willard Huntington Wright; bibliography." Anderson Galleries hardcover
1916réf. 124551New York: Anderson Galleries 1916. Hardcover. VG one small ding in each cover edge and paper along front spine starting to split and tender. Paper covered boards. 77 1 pp 2 4 pp ads 16 bw repros. An original not a reprint. Ray Smith has written a succinct description that defies improvement: "Pioneering exhibition of works by sixteen American modernists Ben Benn Thomas H. Benton Oscar Bluemner Andrew Dasburg Arthur G. Dove Marsden Hartley S. MacDonald-Wright John Marin Alfred Maurer Henry L. McFee George F. Of Man Ray Morgan Russell Charles Sheeler A. Walkowitz and William and Marguerite Zorach with statements by each. Introduction "What Is Modern Painting by Willard Huntington Wright; forewords by Christian Brinton Robert Henri W.H. de B. Nelson Alfred Stieglitz John Weichsel and Willard Huntington Wright; bibliography." Anderson Galleries hardcover books
1962réf. 189881962. Hastings March. Rage of Desire and Toward Howard. All Cats Are Grey 1962 pair two lesbian themed novels in a single duplex paperback issued for the early 1960s mass market. The format allowed each novel its own illustrated wrapper and promotional language with women and same sex desire used to market the book from both directions. The All Cats Are Grey wrapper explicitly describes a "sisterhood" within "cinema society" documenting the sensational vocabulary through which publishers advertised lesbian subject matter to paperback readers before Stonewall. Hastings March. Rage of Desire. Toward Howard. All Cats Are Grey. Chicago: Dollar Book Company 1962. Duplex edition containing two novels. 192 pages. Brightly colored pictorial wrappers 6.5 × 4 inches. The Rage of Desire wrapper depicts a reclining blonde woman. The opposing All Cats Are Grey wrapper shows one woman undressing while another woman wearing mod sunglasses observes from the background. Its caption reads: "Prowling through the lush jungle of cinema society is the fraternity of a third theme.that predatory sulky sexy sisterhood ." The two cover treatments make lesbian sexuality an explicit component of the book's commercial presentation rather than leaving its subject to the interior narrative alone. Published in 1962 the duplex preserves the packaging and vocabulary used to sell lesbian themed fiction through inexpensive American paperbacks at a time when publishers commonly presented same sex desire through suggestions of secrecy sexual danger and voyeurism. The unusual two novel construction also places two separately authored treatments of lesbian subject matter within one commercial object with each cover functioning as an advertisement for the novel entered from that side. Bright wrappers with the supplied description noting no substantial defects. Very good condition. unknown books
réf. 288521 . hardback. Near Fine. A History of Development 1892-1953. Drawn by Admiralty Permission from Official Records & Returns Ships' Covers & Building Plans. Foreword by Admiral of the Fleet The Earl Mountbatten of Burma. Illustrated. Large 4to. Includes fold-out diagrams. 1st ed. London.Seeley Service 1966. About fine. Weight: 6lbs; will incur additional shipping. hardcover
1932réf. 449Garden City NY: Doubleday Doran & Company Inc 1932. Limited numbered edition of 350 preceding First Trade Edition. Hardcover. Good. viii 2 407 1 pages. Frontis illustration. Illustrations. Index. Stain on rear board inscription on flyleaf signed by author no. 175 of limited edition of 350 copies. Peyton Conway March December 27 1864 - April 13 1955 was a United States Army officer who served as Chief of Staff of the United States Army from 1918 until 1921. He is largely responsible for designing the powerful role of the Chief of Staff in the 20th century. March was assigned as the aide to Major General Arthur MacArthur Jr. during the Philippine-American War. He participated as part of General Wheaton's expedition in battles at San Fabian Buntayan Bridge and San Jacinto. He commanded the U.S. forces in the Battle of Tirad Pass 2 December 1899 where General Gregorio del Pilar was killed and received the surrender of General Venacio Concepción Chief of Staff to Philippine President Aguinaldo 5 December 1899. In March 1918 he became acting Army Chief of Staff and was made Army Chief of Staff on May 20 1918. As Chief of Staff he reorganized the Army structure and abolished the distinctions between the Regular Army the Army Reserves and the Army National Guard during wartime. He created new technical branches in the service including the United States Army Air Corps Chemical Warfare Service Transportation Corps and Tank Corps. He also centralized control over supply. He supervised the demobilization of the Army. March was a highly efficient and capable administrator who did much to modernize the American Army and prepare it for combat in the First World War. In his funeral marched "the escort commander and his staff; the United States Army Band; one battalion of cadets from the US Military Academy; one company of infantry; one battery of field artillery; one company of armor; the U.S. Marine Band; one company of Marines; one company of bluejackets; one squadron of airmen; and one composite company of servicewomen." The estimated total strength of the military escort was 1200 soldiers sailors airmen and Marines. General March wrote in his Preface .And I have not trusted my own memory completely in an important particular but quote exactly from the file of the War Department in such cases. In March 1931 I was travelling from New York to Washington to deliver a lecture before the Army War College giving some of my recollections of the war and had as a companion on the train as far as Philadelphia the late Senator Dwight Morrow. . and the Senator said: "What we want from army officers in responsible positions is a 'meticulously accurate' statement of the things they themselves know abut not guesses or surmises about other things for which they were not responsible. Then when all these meticulously accurate accounts are joined together we will obtain the real history of the war." I was especially interested in this statement because my mind had always run in the same channel and I had dwelt in my lecture before the Wear College the previous year on the fundamental necessity of officers who attempted to write to give "the truth the whole truth and nothing but the truth" about things they knew. And I have done that in this book." Doubleday, Doran & Company, Inc hardcover
2014réf. 71880E-052: Skira. Very Good. 2014. Hardcover. Hardcover. 4to. Published by Skira Milano Italy 2014. 190 pgs. Illustrated. First Edition/First Printing. Bound in illustrated paper covered boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The worlds most popular historic motor race meeting staged entirely in the nostalgic time capsule of the 1940s60s through the lens of the photographer Uli Weber. Following on from the success of the book Portraits featuring celebrity portraits from over of a 20 year period including Daniel Radcliffe Sting Bruce Willis and Kylie Minogue Uli Weber has now turned his lens to capturing the magic of the Goodwood Revival festival. Goodwood Revival is a magical step back in time a unique chance to revel in the glamour and allure of motor racing; a rare opportunity to celebrate the halcyon days of motor racing as it used to be with all of the spectacle and elegance of the era. Held over 3 days at Goodwood the estate of Lord March competitors and spectators alike dress in period fashions with the finest sights and entertainment of the pre-1966 era for all to enjoy. Every year Goodwood stages a highly competitive race meeting for the kind of cars and motorcycles that would have been at this historic circuit during 1948-1966 offering visitors the opportunity to leave the modern world behind and see motor sport luminaries including Sir Stirling Moss Nick Mason John Surtees Jean Alesi and Sir Jackie Stewart racing. ; 10.54 X 0.96 X 14.13 inches; 192 pages . Skira hardcover