11 215 résultats
2021réf. 33597Los Angeles: Parker Gallery 2021 Limited Edition of 350 copies in black & purple-stamped aqua cloth with color photo inset to front panel no markings NOT ex-lib binding tight pages bright hint of shelf wear & very quiet soil to boards else Fine unread unbrowsed copy of now quite scarce book of the pioneering African-American artist's earliest work; ob 4to; 8 125pp illus colophon. First Edition. Hard Cover. As New. Parker Gallery hardcover
1942réf. 27936Chicago: Popular Publications Inc. 1942. Text paper tanned but supple spine a bit darkened a fine copy. 27936. Octavo single issue pictorial wrappers. Pulp magazine. Stories by Robert Reeves John K. Butler Norbert Davis and others. Reference: Cook Mystery Detective and Espionage Magazine pp. 168-170. Popular Publications, Inc. unknown
1875réf. 41471Paris: Firmin-Didot frères fils et Cie. Very Good. First Edition; First Printing. Softcover. Large 8vo; xvi 559; 548 pages; Two volumes in publisher's printed wrappers. A splendid copy of the first edition in large 8vo format 24 cm tall. Fore and bottom edges untrimmed. A fresh clean copy internally the wrappers are clean and intact showing just a bit of light toning at the edges and the spines with a minor closed tear at the top margin of the rear wrapper for volume I. There are tiny printed labels mounted at the time of first purchase to the front wrappers announcing that this work had been awarded the Prix Gobert by the Académie des Inscriptions et Belles-Lettres. A standard historical reference relating to the life times and works of René d'Anjou -- 1409-1480 -- known as René I of Naples and Le bon roi René. He held numerous titles over the years: Duke of Anjou Count of Provence Count of Piedmont Duke of Bar Duke of Lorraine King of Naples 1435–1442; titular 1442–1480 titular King of Jerusalem 1438–1480 and Aragon 1466–1480 including Sicily Majorca Corsica. René had a long involvement with the arts and was traditionally thought of as a painter himself. A letter from the Neapolitan humanist Pietro Summonte to Marcantonio Michiel of 20 March 1524 reporting on the state of art in Naples and works there by Netherlandish painters states that "King René was also a skilled painter and was very keen on the study of the discipline but according to the style of Flanders". Some of the attributions of the nineteenth century are now considered doubtful but there is little question that René was a keen enthusiast of painting and the arts and a significant patron to the extent that his finances permitted. René appears as "Reignier" in William Shakespeare's play Henry VI part 1 and Shakespeare presents him as something of a figure of satire for his relative poverty considering his Dukedoms and Kingdoms. René married Isabelle Duchess of Lorraine 1410 – 1453 in 1420. His first Queen was also devoted to the arts. A romanticised vision of their honeymoon was the subject of famous paintings by Pre-Raphaelite painters Ford Madox Brown Edward Burne-Jones and Dante Gabriel Rossetti. Readers of the popular novels of Dan Brown and related works will note with interest the allegations that René was the ninth "Grand Master of the Priory of Sion." Many institutional holdings of this set but now scarce on the market. This large two volume set should not be confused with two abbreviated extracts published by the author in 1873 & 1874. This full work from 1875 has text devided into three sections: Histoire politique; Administration; & Beaux-arts et littérature. . 1875. Firmin-Didot frères, fils et Cie paperback
1935réf. 160641Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Vintage reference photograph from the 1935 film showing a ballroom interior with crew members visible to the far left. MGM stamp on the verso. From the archive of film historian and author Joel Finler. Based on the classic 1877 novel by Leo Tolstoy about a young woman whose loveless marriage leads her to begin an affair with a dashing Czarist officer. Set in St. Petersburg. 10 x 8 inches. Pinholes at the corners else about Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1935réf. 160641Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Vintage reference photograph from the 1935 film showing a ballroom interior with crew members visible to the far left. MGM stamp on the verso. From the archive of film historian and author Joel Finler. Based on the classic 1877 novel by Leo Tolstoy about a young woman whose loveless marriage leads her to begin an affair with a dashing Czarist officer. Set in St. Petersburg. 10 x 8 inches. Pinholes at the corners else about Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1928réf. 88041New York:: Covici Friede 1928. SIGNED hardcover first edition -. Very good overall in red and black decorative paper covered boards with a beige cloth spine paper label on spine - a bit of wear to the edges of the boards inscription on first blank page but a tight and sturdy copy. . Limited signed first edition. A story in verse set in the seamy and brutal boxing underworld of an an aging Black boxer and ex-con Pansy Jones who is supposed to throw a fight but when he realizes he has been double-crossed by his manager he revolts and wins the fight only to be chased to a grisly end. "Pansy had the stuff but his skin was brown; And he never got a chance at the middleweight crown." An immediate bestseller when it was first published this was also the basis of the award winning 1949 Robert Wise noir film in fact this book was dedicated to Sue Wise although the impact of the film was weakened by removing the racial element and making the boxer - played by Robert Ryan - white. This limited edition #119 of only 275 copies is numbered and SIGNED by the author and illustrated by Alexander King. 184 pp. Covici Friede, hardcover
1815réf. 752371815. London: A. Strahan for J. Butterworth & Son 1815. London: A. Strahan for J. Butterworth & Son 1815. A Popular Practitioner's Guide to Evidence Phillipps Samuel March. A Treatise on the Law of Evidence. London: Printed by A. Strahan for J. Butterworth and Son 1815. xxxvi 520 pp. Octavo 9" x 5-1/2". Original plain publisher's boards rebacked in paper retaining existing spine label edges untrimmed. Moderate rubbing and light soiling to boards light rubbing to joints negligible light soiling to spine lower left corner of spine label lacking rubbing and light wear to board edges corners bumped and worn hinges cracked light foxing to endpapers pencil drawing to front free endpaper pencil annotations to rear pastedown and free endpaper. Light toning to interior occasional light foxing light soiling and marginal pencil marks in a few places. $350. Second London edition. Phillipps "set out to expound the principles of his subject in a clear and systematic way. Rather than trying to provide a compendium of all authorities he mainly used cases as examples to illustrate problems and points of practice as well as legal rules" Twining. Written with the primary goal of utility to practitioners the work was highly popular. It went through 10 London editions the first in 1814 and the last in 1852 and additional American and Dublin editions were also published. Twining Rethinking Evidence 46. Sweet & Maxwell A Legal Bibliography of the British Commonwealth 2:279. unknown
1815réf. 752371815. London: A. Strahan for J. Butterworth & Son 1815. London: A. Strahan for J. Butterworth & Son 1815. A Popular Practitioner's Guide to Evidence Phillipps Samuel March. A Treatise on the Law of Evidence. London: Printed by A. Strahan for J. Butterworth and Son 1815. xxxvi 520 pp. Octavo 9" x 5-1/2". Original plain publisher's boards rebacked in paper retaining existing spine label edges untrimmed. Moderate rubbing and light soiling to boards light rubbing to joints negligible light soiling to spine lower left corner of spine label lacking rubbing and light wear to board edges corners bumped and worn hinges cracked light foxing to endpapers pencil drawing to front free endpaper pencil annotations to rear pastedown and free endpaper. Light toning to interior occasional light foxing light soiling and marginal pencil marks in a few places. $350. Second London edition. Phillipps "set out to expound the principles of his subject in a clear and systematic way. Rather than trying to provide a compendium of all authorities he mainly used cases as examples to illustrate problems and points of practice as well as legal rules" Twining. Written with the primary goal of utility to practitioners the work was highly popular. It went through 10 London editions the first in 1814 and the last in 1852 and additional American and Dublin editions were also published. Twining Rethinking Evidence 46. Sweet & Maxwell A Legal Bibliography of the British Commonwealth 2:279. unknown books
1931réf. 160580N.p.: N.p. 1931. Vintage reference photograph of actor Fredric March and director Rouben Mamoulian with a camera crew on the set of the 1931 pre-Code horror film. Annotations in manuscript ink and pencil on the verso and a National Film Archive stamp. From the archive of film historian and author Joel Finler. Based on the classic 1886 novella and considered by many to be the definitive adaptation. Nominated for three Academy Awards winning one for Best Actor for Fredric March. 8 x 10 inches. Very Good plus lightly age toned. N.p. unknown
1931réf. 160580N.p.: N.p. 1931. Vintage reference photograph of actor Fredric March and director Rouben Mamoulian with a camera crew on the set of the 1931 pre-Code horror film. Annotations in manuscript ink and pencil on the verso and a National Film Archive stamp. From the archive of film historian and author Joel Finler. Based on the classic 1886 novella and considered by many to be the definitive adaptation. Nominated for three Academy Awards winning one for Best Actor for Fredric March. 8 x 10 inches. Very Good plus lightly age toned. N.p. unknown books
1820réf. 284563New York: Gould and Banks 1820. Second American Edition. Full Leather. Very Good binding. The Second American Edition of Samuel March Phillips’ Treatise on the Law of Evidence with notes by the editors on relevant American cases and their rulings. The work became a standard text for the Law of Evidence. Discrete partial reback by a conservator. Toning and foxing to the textblock. Contemporary nameplate on the front pastedown. Full leather with red leather label on the spine and lettering stamped in gilt. Minor loss to the top of the spine. Very Good. Very Good binding. Gould and Banks unknown
1820réf. 284563New York: Gould and Banks 1820. Second American Edition. Full Leather. Very Good binding. The Second American Edition of Samuel March Phillips’ Treatise on the Law of Evidence with notes by the editors on relevant American cases and their rulings. The work became a standard text for the Law of Evidence. Discrete partial reback by a conservator. Toning and foxing to the textblock. Contemporary nameplate on the front pastedown. Full leather with red leather label on the spine and lettering stamped in gilt. Minor loss to the top of the spine. Very Good. Very Good binding. Gould and Banks unknown books
1994réf. 9032601New York: Pantheon Books 1994. Fine. Signed by Spiegelman. Large-scale facsimile of a single illustrated page of "The Wild Party" by March. Printed on heavy paper in three colors with large Spiegelman drawing in black and white across top half black text by March on white background below. Spiegelman's large signature at bottom. Thich gray border. Includes presentation letter from Pantheon Books and original cardboard shipping box from Random House. 18 1/2 x 20 1/2 inches. Pantheon Books unknown
1994réf. 9032601New York: Pantheon Books 1994. Fine. Signed by Spiegelman. Large-scale facsimile of a single illustrated page of "The Wild Party" by March. Printed on heavy paper in three colors with large Spiegelman drawing in black and white across top half black text by March on white background below. Spiegelman's large signature at bottom. Thich gray border. Includes presentation letter from Pantheon Books and original cardboard shipping box from Random House. 18 1/2 x 20 1/2 inches. Pantheon Books unknown books
1937réf. 32328Chicago: Popular Publications Inc. 1937. Creamy paper mild edge wear paper loss upper half of spine small loss lower spine bright front cover a very good copy. 32328. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. "SATAN'S WORKSHOP" by Grant Stockbridge pseudonym. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
1930réf. 32055Indianapolis IN: Popular Fiction Publishing Company 1930. Mild tanning to text paper light wear to yapp edges with tiny tears and some creases long closed tear to upper left corner small chip to yapp edge at lower left corner lower half of cover separated from spine good color to front and spine a very good copy or better copy. 32055. Octavo single issue cover art by C. C. Senf pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn Paul Ernst August Derleth and Marc Schorer Gaston Leroux Amelia Reynolds Long film source for "Fiend Without a Face" and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1838réf. 62553Silvestre Paris at the Crapelet press 1838 1840 1842. reprint. Hardcover. Very Good minus. Text in French. Four archival reprints by Silvestre Paris at the Crapelet press on laid paper printed in gothic letter with intertextual woodcuts between 1838 and 1842 with additional publishing descriptions in Italianate at the end of first three pieces; originally issued individually but bound together in 1/4 leather over marbled boards with marbled endpapers BUT now lacking the front cover and backstrip with marbled free-endpaper still attached and the internal sewn binding still firm. 24mo 5 3/4" tall 150 mm unpaginated about 98 leaves total approximately 196 pages Paper clean and only slightly yellowed. Light foxing to fore-edges only. The condition of the paper and the quality of the printing of this still beautiful little volume is deserving of binding restoration. 'Le chevalier delibere' is about 120 pages with 1 woodcut; 'Le Mirouer des femmes vertueuses' about 48 pages with 6 woodcuts 4 notes; 'Les grans regrets' about 8 pages without woodcut a page stub indicating one may be removed 1 notes; 'Les Sept Marchans' about fifteen pages with title page woodcut. Silvestre, Paris at the Crapelet press hardcover
réf. 10257137like new. unknown
2013réf. x-1475799020Springer 2013. Paperback. New. 664 pages. 9.10x6.00x1.40 inches. Springer paperback
2012réf. x-1461378818Springer Verlag 2012. Paperback. New. reprint edition. 538 pages. 9.25x6.10x1.09 inches. Springer Verlag paperback
2013réf. x-1475791585Springer 2013. Paperback. New. reprint edition. 560 pages. 9.02x5.98x1.27 inches. Springer paperback
2013réf. x-1489920609Springer 2013. Paperback. New. reprint edition. 486 pages. 9.26x6.11x1.11 inches. Springer paperback
1933réf. 014115Paris Etude Bellier 1933 In-4 Agrafé
réf. 219447Bourganeuf, 10 thermidor an IV (28 juillet 1796) in-4, [4] pp. n. ch., couvertes d'une écriture moyenne et très lisible, quelques ratures et biffures, en feuille.
réf. 120081875 Librairie de Firmin Didot frères, fils et Cie broché, in-8. bon état.
